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"text": "Ada Lea will be at Ballard Homestead (Abbey Arts) in Seattle on October 24th and The Knockout in San Francisco on October 29th. https://tinyurl.com/3up29fzc | https://tinyurl.com/bdet8vs8\n\nOf this track, Montreal’s Alexandra Levy confides, \"I had a dream about this song and remember nothing. There is a constant in everyone’s life, which is the dream.\n\n\"When we recorded the song, Luke, who produced it, suggested we slow it down so Tasy could improvise a busy drum solo. Then, Jonas, engineer, sped the song up to its regular speed. Like a slowed down wink to Leonard Cohen himself.\" https://tinyurl.com/2tpb65at"
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"text": "When In Rome started out as a British new wave trio consisting of vocalists Clive Farrington and Andrew Mann, and keyboardist Michael Floreale. Farrington and Mann had been members of a locally popular band called Beau Leisure when they decided to strike out on their own. \n\nThis song was from their debut LP in 1988 and was an instant hit, reaching #11 on the Billboard Top 100. However, it turned out to be their only major hit. Farrington and Mann went on to other things, but they continued to stay in touch and write together.\n\nFloreale revived the group under the name When In Rome II in the mid-2000s with vocalist John Ceravolo and drummer Chris Willett. In 2009, Farrington and Mann reformed as When In Rome UK with drummer Rob Juarez.\n\nThis song was used in the 2004 hit movie Napoleon Dynamite at the end scene when Napoleon asks, \"Do you wanna play me?\" and also in the credit sequence. https://tinyurl.com/4dhwftta"
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"text": "It’s been three years since the xx’s Oliver Sim released his solo debut album Hideous Bastard, but he's back with a new track featuring complementary vocals from Katie O’Neill, bringing Sim back into the boy-girl dynamic that works so well in his main band.\n\n\"Obsession\" is, however, a move away from the xx in one important way: It’s his first song ever to not be produced by Jamie xx, but Bullion and Taylor Skye. https://tinyurl.com/3skt4pam"
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"text": "Overmono is a Welsh electronic music duo consisting of brothers Tom and Ed Russell. Prior to the formation of Overmono, Tom and Ed Russell both explored solo careers. Under the name \"Truss,\" Tom produced hard techno; as \"Tessela,\" Ed produced drum and bass and rave-inspired tracks including 2013's \"Hackney Parrot.\"\n\nThe brothers also performed together for a brief time in 2012 under the name \"TR/ER.\" In 2015, the duo began producing music together, with their first EP, Arla, being released on XL Recordings in 2016.\n\nOf this track, the brothers share, \"“High Contrast used to work in this record shop in Cardiff called Catapult Records. We lived on the other side of the city, but Tom would go and buy records from him there all the time. I’m pretty sure it was the first record shop I went to after I bought Tom a voucher for his birthday one year.\n\n\"Tough Guys Can’t Dance was one of those records that was just everywhere, we were all battering it, and 'If We Ever' was the anthem.\n\n\"Ahead of summer this year, we started working on our own version of 'If We Ever' just for fun, but the reaction was so wild, we ended up playing it in every set.\" https://tinyurl.com/psxk285b"
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"text": "Released on this day in 1999!\n\n69 Love Songs was originally conceived as a music revue. Stephin Merritt was sitting in a gay piano bar in Manhattan, listening to the pianist's interpretations of Stephen Sondheim songs, when he decided he ought to get into theatre music because he felt he had an aptitude for it.\n\n\"I decided I'd write one hundred love songs as a way of introducing myself to the world. Then I realized how long that would be. So I settled on sixty-nine. I'd have a theatrical revue with four drag queens. And whoever the audience liked best at the end of the night would get paid.\"\n\nHe also found inspiration in Charles Ives' 114 Songs, about which he had read earlier in the day: \"songs of all kinds, and what a monument it was, and I thought, well, I could do something like that.\"\n\nMerritt wrote much of the album at Dick's Bar in New York, saying that he was \"literally there eight hours a day, writing.\" https://tinyurl.com/46r9kkre"
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"text": "This track was penned by vocalist Alex Chilton for Big Star's second album Radio City. Released as a single, it did not chart despite receiving excellent reviews, due mainly to poor marketing.\n\nThe song was rated #178 by Rolling Stone in their 2004 list of the Top 500 songs of all time.\n\nChilton once said of his songwriting, \"I really loved the mid '60s British pop music, all two and a half minutes long, really appealing songs. So I've always aspired to that same format, that's what I like.\"\n\nHe died of a heart attack on March 17, 2010 aged 59. He had experienced shortness of breath and chills while cutting the lawn, but did not seek medical attention, in part because he had no health insurance.\n\nDrummer Jody Stephens told Mojo magazine the \"Butch\" in Chilton's lyric refers to a DC Comics puppy dog. https://tinyurl.com/bdemdy63"
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"text": "NoL's Ian Devaney reveals, \"'September Again' is about struggling with the feeling that with each passing year you’re only becoming a worse version of yourself—less capable of wonder or grand ambition, less sure of your footing in your own life.\n\n\"I used to just pick up a book like Crime and Punishment, or detailed histories of the Italian campaign in WWII, and those kinds of artistic/academic adventures now feel so much more daunting for some reason.\n\n\"There is a grit that is required to relentlessly pursue these things like I used to, and I can feel that part of me slipping. I tell myself it’s merely because I’ve picked a lane in life and I only have so much time, but there is always the nagging suspicion that I have, in reality, deteriorated in some meaningful way.\n\n\"The song comes out of this war within myself where one part of me is desperately wanting to get back there while another part is only looking to what lays ahead in the life I’ve made for myself.\" https://tinyurl.com/47zrh7r3"
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"name": "Solid"
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"name": "Cutters Records"
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"text": "Cut Copy's first bit of new music since 2020's Freeze/Melt!\n\n\"I wrote the song as a reminder to myself that things will be ok, even when life gets turned on its head and it feels like there’s no way forward,” frontman Dan Whitford says of \"Solid.\"\n\n\"I hope in some small way it gives other people a little nudge forward in the direction of their dreams. Hang in there… we’ll be solid.\" https://tinyurl.com/5cc45kbe"
}
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"name": "Jackie Down The Line"
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"name": "Partisan Records"
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"text": "A \"Jackeen\" is a derogatory term used by people from other parts of Ireland to describe someone from Dublin. The Irish city traditionally had a strong association with Britain, and when Queen Victoria visited Dublin, folks there waved Union Jacks as a welcome to Her Majesty. This led to them being referred to as Jackeens.\n\nFontaines D.C. singer Grian Chatten, along with the rest of the band, left Ireland to pursue his music career in London. Here, he explores the transformation of their Irish culture and identity after moving to a different country.\n\n\"It's this kind of mutation of Irishness or loss of Irishness as it exists, or fails to exist, in a different environment.\"\n\n\"Jackie Down The Line\" came together almost instantaneously when Fontaines were working on a different track but got stuck. They called it a day, and just as Chatten was leaving, he heard bassist Conor Deegan playing the song's rumbling bassline.\n\n\"I had the melody come to my head before I'd got to the door,\" he recalled. \"I turned round, and we had the song basically done in about 20 minutes.\" https://tinyurl.com/552nbbdj"
}
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"name": "MASSEDUCTION",
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"name": "Masseduction"
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"name": "Loma Vista Recordings, Concord Records"
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"text": "Cool connection: St. Vincent contributes her talents to her buddy David Byrne's new album, What is the Reason for It?, released on Friday.\n\nThe album was produced by Clark and Jack Antonoff at Electric Lady Studios in Manhattan, with additional recording at Rough Consumer Studio in Brooklyn, and Compound Fracture in Los Angeles.\n\nIt features contributions from Doveman on piano, Kamasi Washington on saxophone, Jenny Lewis on guest vocals, and beat production from Sounwave, as well as pedal steel by Greg Leisz and Rich Hinman, and additional guitar and vocals from her uncle and aunt Tuck & Patti, respectively.\n\nModel and actress Cara Delevingne, whom Clark had dated before they split in 2016, provided back-up vocals. https://tinyurl.com/hz93emv8"
}
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"name": "Who Is The Sky?",
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"name": "Matador"
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"text": "David Byrne's new single features vocals from Paramore’s Hayley Williams. \n\n\"When we were finishing up the record, the producer Kid Harpoon and I were wondering, 'Oh, maybe this song, it’s a love song, or at least it’s asking what is love, what it’s about? Why do we do this? Why do other people do it? Do we know anything about it? (…)\n\n\"And I knew that [Williams] was in town, so I just texted her and said, 'Do you want to come by and sing on this?' And she said yes. And she killed it.\"\n\nByrne and Williams have also collaborated on \"Open The Door,\" a song from the new animated film adaptation of Roald Dahl’s The Twits. https://tinyurl.com/2ehr2c8j"
}
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"track": {
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"name": "Save It for Later"
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"name": "Go Feet, London Records"
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"text": "Of this track, English Beat singer/guitarist Dave Wakeling reveals, \"I wrote it when I was a teenager. I wrote it before The Beat (outside of the US, the group is known as The Beat) started. And it was about turning from a teenager to someone in their 20s, and realizing that the effortless promise for your teenage years was not necessarily going to show that life was so simple as you started to grow up.\n\n\"So it was about being lost, about not really knowing your role in the world, trying to find your place in the world. So, you couldn't find your own way in the world, and you'd have all sorts of people telling you this, that, and the other, and advising you, and it didn't actually seem like they knew any better. So it was like keep your advice to yourself. Save it - for later.\"\n\nListeners often find salacious subtexts in songs when in fact, none exist. In this case, however, it does.\n\nWakeling explains, \"The actual hook line itself was just a dirty joke, I just thought it was hilarious that you could get in a song: 'save it – comma – for later – F-E-double L-A-T-O-R.' So I thought it'd be really neat to get that in a song and everybody would be singing it. I didn't know it was going to be a joke that lasted for 30 years.\" https://tinyurl.com/52fat95h"
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"name": "Cutting Room Floor"
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"text": "Of this track, Gordi confides, \"'Cutting Room Floor' is a song about growing pains, about the slow splintering that happens between people. I took the song to Durham in North Carolina to work on with my friend Brad Cook. Matt McCaughan [of Bon Iver} came over and played drums, and Brad and I filled in the rest.\n\n\"It was one of those songs that seemed to expand to fit any idea, and it was a real joy to work on. Jared Frieder and I shot the video in a carpark in Dallas as the sun was setting in the middle of a sweltering heatwave. I ate a whole pack of Twizzlers when we finished in an effort to abate my delirium.\" https://tinyurl.com/4k89ztfx"
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"airdate": "2025-09-07T22:48:59Z",
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"year": 2011
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"name": "Polish Girl"
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"comments": [
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"text": "Released on this day in 2011!\n\nThe album was recorded from the winter of 2010 to 2011 at Kalevankatu 45 in Helsinki, Finland, when Palomo lived there for four weeks.\n\nPalomo primarily wrote the album using a Voyetra-8, a Korg MS-20, and a modified Commodore 64, with the first weeks of production in Helsinki involving him learning this equipment.\n\nPalomo first saw the Voyetra-8 in the music video for New Order's \"The Perfect Kiss\" (1985), saying that he was amazed by its appearance: \"It's this bizarre, kaleidoscope interface with these knobs, and it's really physical to use, a strange kind of challenge.\" https://tinyurl.com/ycf8mrsm"
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],
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"text": "This breezy track has been described by London-based Lava as \"the soundtrack of my summer holidays,” while the lyrics tap into their anxieties around the growth of AI, Janos-here rhetoric, and the dissonance between online and offline intimacy.\n\n\"Even simple milestones like heartbreak or a gap year feel warped,\" Lava explains, \"like not being able to tell if your crush sent you a text ghostwritten by ChatGPT.\n\n\"Even if you feel hopeless about the state of the world, use that energy to genuinely double down on radically exuding compassion and community action.\" https://tinyurl.com/5n8es4vy"
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