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"text": "Packaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural).\n\nTheir self-titled debut album will be released in October.\n\nBirch says of their formation, \"A surplus of free time during the pandemic gave us that initial opportunity. The first session, Daniel visited Denver, we worked 12-plus-hour days, and both stayed full-time at the studio writing together and often with members of Flaural.\" https://tinyurl.com/5n7nyp7u"
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"text": "In approaching the recording of Dance Called Memory, the band once again collaborated with friend and Strange Disciple producer Nick Millhiser (LCD Soundsystem, Holy Ghost!). \n\nUltimately, the hope was to weave raw vulnerability and humanity into a synth-heavy album. \n\n\"There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I’ve been drawn to at different points. I’ve read about how Kraftwerk wanted to remove all of the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human,\" shares frontman Ian Devaney. \n\n\"As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. That this thing should be as unvarnished and warm as possible. In this era quickly being defined by the rise of AI supplanting human creators I’m focusing more on the human condition, and I need the underlying music to support that.\"\n\nDespite the heavy themes at its core, Devaney insists, \"Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy.\" https://tinyurl.com/4yx9kaw3"
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"text": "It's been two years since Ghanian-Australian artist Genesis Owusu released new music.\n\nOf this new single, he shares, \"The rich are getting richer and us regulars are eating each other alive. Smoke-screened by paranoia-inducing culture wars and our own growing poverty....\n\n“Someone’s gotta sound the alarm and break the hypnosis. And that someone isn’t going to be the guy saying immigrants are eating your cats and they probably won’t have a billion dollars in their bank account either.\"\n\nCheck out this 2023 Live on KEXP session with Genesis Owusu, hosted by Reverend Dollars! https://tinyurl.com/3me8hvra"
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"text": "Recorded by superproducer Dan Carey as part of his Speedy Wunderground Single Series!\n\n#7 of the SWSS manifesto reads, \"The core of each song will be a live take recorded in the dark with smoke and lazers and somewhere on each record the Swarmatron will make an appearance.\" You can enjoy the full list here: tinyurl.com\n\nForming over their shared love of nature, Miles Davis, and The Mighty Boosh in the historic town of Monmouth, Wales, MORN is a love letter to all of the things they hold dear to their hearts. Vocalist and guitarist Oliver Riba shares, \"Modern Man came from the wild urgency of our lives. Born from teenage riffs, shaped by laughter, anger, and fear. It’s a desperate sprint through the loneliness and madness of routine, a strange reflection on the dream of escape. It felt right that it was all captured live, and Dan Carey really brought it to life with a touch of his magic.\" https://tinyurl.com/eacdh778"
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"text": "Named after a track by the influential English band Japan, this Glaswegian band featured visual artist Sue Tompkins on vocals. The band broke up after one album.\n\nTheir music valued invention, risk, wonder, imagination, and—perhaps above all other virtues—fun. And like very few bands, they were smart enough to walk away as soon as the fun stopped.\n\n\"When the band began, of course none of us really thought anyone would be interested, so there wasn't anything at stake,\" guitarist Robert Johnston recalled about a decade after their amicable break-up. \"For Sue, I think it turned from a laugh into being a commitment she'd never signed up for.\n\n \"I remember one [review] that said only mad people could like us,\" drummer Will Bradley said years later. \"I was happy with that. Not long afterwards, we seemed to get a lot of guys coming to our gigs with fresh head wounds, like unstitched lobotomy scars.\" https://tinyurl.com/wfv82fv7"
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"text": "Geese are on tour this fall and will play Seattle at Neumos on October 24 and San Francisco at The Fillmore on October 28. Brooklyn-based Geese recorded Getting Killed with producer Kenneth Blume — a.k.a. Kenny Beats — in Los Angeles over a month-long stretch. The album marks Geese’s third proper studio album and first since 2023’s 3D Country (which featured on Rolling Stone’s list of the 40 Best Indie-Rock Albums of that year). https://tinyurl.com/3rf74vrp\n\nCheck out Geese when they performed live for KEXP during THING Festival at Fort Warden in Port Townsend, Washington: https://tinyurl.com/zhdwbjej"
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"text": "A clever play on words: \"Palo Santo\" translates into \"holy wood\" or \"sacred wood\" in Spanish, and is wood from the Bursera graveolens tree, which grows in parts of Central and South America.\n\nHistorically, shamans and healers used Palo Santo in rituals to cleanse negative energy, purify spaces, and heal both physical and spiritual ailments.\n\nThe wood contains limonene, a natural insecticide, which makes it effective at repelling mosquitoes and other insects. And, \"Canto\" is the Italian word for \"song,\" which in turn derives from the Latin \"cantus.\""
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"text": "Released \"tomorrow\" in 1986!\n\nNew Order wrote this song with their producer, Steven Hague. It was the first time they collaborated with Hague, who joined them again to produce New Order's 1993 album Republic.\n\nBernard Sumner recalls, \" It was a time when I set out to write a hit single. I think we got a rather large tax bill, and we sat down with Stephen Hague to write a Top 40 hit.\"\n\n\"I had an idea for the bassline, Gillian (Gilbert, keyboards) had some string ideas, Stephen got some drums down. When we got the track going, I was sent off to the flat we had in London with a bottle of Pernod and told not to show my face again until I'd written the lyrics.\"\n\nAccording to Sumner, the lyrics were changed at the last minute to sanitize the lines \"When I was a very small boy, very small boys talked to me, now that we've grown up together, they're all taking drugs with me\" to \"they're afraid of what they see,\" at the suggestion of producer Steven Hague, who felt the song had more hit potential without the drug reference.\n\nSumner would sometimes sing this original lyric during live performances.\n\nMemorably for movie fans, this song is playing in the club where Patrick Bateman, the main character of the 2000 movie American Psycho, played by Christian Bale, is partying with his friends at the beginning of the movie. https://tinyurl.com/36ez76wk"
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"text": "Jimena Angel is a singer, producer, guitarist, and DJ from Bogotá, Colombia. To date, she has released three albums and multiple singles, and received one Latin Grammy nomination. https://tinyurl.com/2a68vbrc"
}
],
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"text": "The upcoming third studio album by singer, songwriter, and violinist Brittney Parks, aka Sudan Archives.\n\nThe album follows her critically acclaimed 2022 release Natural Brown Prom Queen and is said to blend club sounds from Detroit and Chicago with diverse dance styles. It features close collaborators and explores themes of technology, self-exploration and emotion.\n\nThe BPM was inspired by her parents' roots in Michigan and Illinois, with recording sessions partially taking place in both Detroit and Chicago, incorporating club sounds from both cities.\n\nThe album features mainly contributions from her close circle, including her sister, cousin and best friend. It also explores various styles of dance music, such as Jersey club and experimental beatwork. \n\nParks notes that her beats often reflect where her parents come from, but with a more experimental twist on this record. She also expressed her intention to create a definitive dance album with The BPM. https://tinyurl.com/mvxdc6sa"
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