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"text": "“This record came from a very formative time for us—there was a lot of change that felt so fun and exciting, but also a lot of instability and heartbreak,” says Allegra Weingarten, who met Etta Friedman during their high-school years in L.A. and soon struck up a close musical collaboration.\n\nAs they dealt with the fallout of that phase of their lives (a moment marked by infidelity, loneliness, heavy drinking, and the start of new romance), the two friends made a pact to wade through the mess together.\n\n\"In a way it felt like we flipped our entire lives upside-down,\" says Friedman. \"We needed to lean on each other to cope with everything we were going through, and writing songs together was a big part of working through those feelings and finally putting them to rest.\" https://tinyurl.com/ye2b2ura"
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"text": "Released on this day in 1994, and also Buddy Holly's birthday!\n\nOriginally written in June of 1993, the demo for the song, released on Alone: The Home Recordings of Rivers Cuomo, features a slower tempo.\n\nIn the liner notes for Alone, Cuomo explained how he was inspired to write the song after a friend from his choir lent him a Korg keyboard: \"I was in the Santa Monica College Choir and I met a kid named Steve Graff who lent me his Korg Keyboard. Inspired by its goofy synth sounds, I decided to write some new-wave influenced songs.\n\n\"The life-situation that inspired the lyric was an incident in which the Weezer guys were making fun of my friend Kyung He (also in the Santa Monica College Choir). They were the 'homies dissin' my girl.'\n\n\"I rarely wrote lyrics about tension between me and the guys in the band because I thought it would be awkward for us all to perform those songs together. In this case, though, it didn't seem like a big deal.\" https://tinyurl.com/dk7k6bex"
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"text": "The title of the track came from an experience that band members John Flansburgh and John Linnell (the Johns) had when they found a huge number of Ng listings in the New York City phone book.\n\nLinnell shares, \"I think I was collecting possible song ideas and, for some reason, I ended up looking in the phone book, and there were about four pages of this name that contains no vowels, Ng. I was fascinated because it's a name I didn't know about before, and it was filling up a large chunk of the Manhattan white pages.\n\n\"I called up some of the numbers kind of experimentally to find out how it was pronounced, and I got the phone machine of a Dr. Ng and I was kind of relieved. The message said, 'Dr. Ng is not in,' and I had my material.\" https://tinyurl.com/4we8352d"
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"text": "Awesome request from Al in Edmonds!\n\nWomen and Captains First was recorded while Captain Sensible was still a member of punk rock band The Damned. He had released his debut solo record, the three song EP This is Your Captain Speaking, in November 1981 on Crass Records. The producer of Women and Captains First, Tony Mansfield of synth-pop band New Musik, had previously produced The Damned's Friday 13th EP, also released in November 1981.\n\nSensible recorded demos of four of his songs with Mansfield, who then gave them to his manager who took them to A&M Records. He shares, \"I got a solo deal with A&M on the strength of a few tunes The Damned had rejected for being too melodic.\"\n\nFor Sensible, Women and Captains First was a musical departure from The Damned's blend of punk, rock and psychedelic rock influences. and reveals, \"Mansfield wasn't into the psychedelic guitar thing. He was into pop. I wanted his '80s synth pop production on my records.\" https://tinyurl.com/3jm7synu"
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"text": "Featuring MARO, aka Mariana Brito da Cruz Forjaz Secca, on vocals. She represented Portugal in the 2022 Eurovision Song Contest!\n\n\"We’ve been big fans of MARO’s and when we sent her a short handful of demos, this was the one she resonated with and we knew she was going to do something really special with it.\" https://odesza.bandcamp.com/"
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"text": "Neko Case's Neon Grey Midnight Green is self-produced, and her biggest-sounding and most intimate-feeling album yet. \n\nInitially entering the music scene as a drummer, Case harnessed her songwriting prowess and figurative and literal voice in 1997 with breakout debut album The Virginian. Followed by the elegiac Furnace Room Lullaby, the jangly melancholy of Blacklisted and touching covers of Loretta Lynn and The Shangri-La's backed by The Sadies on her first live album The Tigers Have Spoken, the experience of these early records led to the baroque and spectral masterpieces Fox Confessor Brings the Flood (2006) and Middle Cyclone (2009) and the raw and heavy inward reflection on 2013’s The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You.\n\nThe album pays tribute to the musicians, producers and activists who have passed away in recent years, all artists Neko was lucky enough to call not just influences but close friends. https://tinyurl.com/ycxn8u6p"
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"text": "Teenager of the Year is the second solo studio album by Frank Black. It was released in 1994 by 4AD in the United Kingdom and Elektra Records in the United States, and co-produced by Eric Drew Feldman, who also played keyboards and bass guitar on the album.\n\nTeenager also features work by several backing musicians, including Lyle Workman, Nick Vincent, Moris Tepper and Black's Pixies bandmate Joey Santiago. https://tinyurl.com/2bne7vvc"
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"text": "Packaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural). Their self-titled debut album will be released on October 10th!\n\nBirch said of their formation, \"A surplus of free time during the pandemic gave us that initial opportunity. The first session, Daniel visited Denver, we worked 12-plus-hour days, and both stayed full-time at the studio writing together and often with members of Flaural.\" https://tinyurl.com/5y6pxw5k"
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"text": "Chinese American Bear is a Seattle-based project created by Anne Tong and Bryce Barsten — the married duo who met at high school in Spokane. Learn more about the band in this 2023 feature by KEXP's Martin Douglas in Throwaway Style: tinyurl.comhttps://tinyurl.com/78cs4rzv\n\nTheir great KEXP in-studio session last September included \"Take Me To Beijing\": https://www.youtube.com/watch?v=Mk5TTL9MTE8"
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"text": "Taken from Anushka’s highly anticipated third album Ancestry, \"Really (Nothing Is Cool)\" is a smooth, mid-tempo track featuring Victoria Port’s ethereal vocals over Max Wheeler’s lush, analog-driven production.\n\nThis second single from the upcoming album drops digitally with a dub remix by Max himself. It’s part of a trilogy of singles, each paired with exclusive remixes from top-tier artists, including Bristol’s DnB legend DJ Die and South African/Mozambican talent Thakzin. https://tinyurl.com/ysjuh8s8"
}
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"text": "Temples member James Bagshaw described this album as being \"a result of implementing a load of things that we didn't know about the first time around [on Sun Structures].\" https://tinyurl.com/2v4a2dkn\n\nTemples played in the KEXP Gathering Space way back in 2016; check it out here: https://tinyurl.com/yh48rz3e"
}
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"text": "The original trio of IVY — Andy Chase, Dominique Durand, and Adam Schlesinger — formed in 1994. Together, they released five studio albums, with their final one being All Hours in 2011.\n\nSadly in 2020, Schlesinger died from complications due to the COVID-19 virus. In memoriam of their bandmate, the other two reunited in 2021 to release archived demos and rare footage in the form of a tribute video. The band then began their reissuing project, releasing older versions of their previous records.\n\nThe reissue project allowed Chase and Durand to discover previously unreleased demos and tapes left by Schlesinger in their Rhode Island Studio, per a press release. “The world thought IVY was gone after 2012, and for a time we did too,\" shared Chase. \"And after Adam’s death in 2020 it seemed certain... So Dominique and I are thrilled to give everyone a brand new IVY album, with our beloved Adam playing on every song!\"\n\nAll songs feature fragments recorded by Schlesinger during the IVY period. The band's keyboardist and backing guitarist Bruce Driscoll also joined to go through the archives, rework the old material, and bring the original trio back together on Traces Of You.\n\n\"You can imagine how terrible it's been to lose Adam,\" Chase added. \"The only silver lining is that we could breathe life into these songs that he contributed to and it was a great experience making this record happen.\" https://tinyurl.com/2v9ysv9z"
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"text": "Released on this day in 1987!\n\nDepeche Mode founding member and keyboardist Vince Clarke wrote this synth-pop landmark. Musically, it was inspired by \"To Cut a Long Story Short\" by Spandau Ballet, released in 1980. To that point, Clark wasn't into dance music, but the Spandau Ballet song turned him around.\n\n\"It was the first time I was actually impressed by a rhythm that went 'boom-thwack, boom-thwack,'\" he told Rolling Stone in 2000. \"It was the first time I discovered dance music for myself, and to write a song around the rhythm was quite a revelation for me. 'Just Can't Get Enough' came out of that.\"\n\nClarke had just turned 20 when he wrote this song, which turned out to be the last one he wrote for Depeche Mode. He left the band after the Speak and Spell album was released, later joining Yaz and Erasure. The \"Just Can't Get Enough\" video is the only one he appears in.\n\nEarly Depeche Mode, under the direction of Clarke, had a more upbeat sound. In a Songfacts interview with Vince Clarke, he explained: \"Martin Gore writes in a different way than I do, so that's obviously the main difference. And they've developed this kind of a rock feel to their music. I'm more a fan of pop music, or I'm more of a fan of writing pop music, that's the most difference, I guess.\" https://tinyurl.com/yc2a3vn7"
}
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"text": "Playing Barboza in Seattle on October 11th and Cafe de Nord in San Francisco on October 14th!\n\nWinter shares, \"This song captures the essence of daydreaming in your bedroom — a place where limitless imagination and inspiration can exist.\n\n\"It ties back to memories of writing songs in my old bedroom in Echo Park, CA. There were these summer nights when I’d walk back from a local show with a sense of wonder and enchantment, only to lie down on my bed and replay everything that happened in my head like a movie.\n\n\"It felt incredibly nostalgic coming back to LA to film the video. The girls were about the same age as those who inspired me during those lost LA summers. It was heart-tugging though, because it was right after the fires and David Lynch’s death, so there was an extra layer of vulnerability in the air.\n\n\"It was so beautiful to see the community come together — it made the video all the more special. In a way, we were documenting these girls in a moment in time, captured in one of their most intimate spaces.\" https://tinyurl.com/3x5322u6"
}
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"text": "Big Thief are touring, and 2025 tour dates include: Sept. 17 at Channel 24 in Sacramento, CA | Sept. 19 at Edgefield in Troutdale, OR | Sept 25 at the The Greek Theatre in Berkeley, CA\n\nOf this track, Adrienne Lenker shares, \"I wrote this song in the car mostly. I was in Minnesota where I grew up, visiting my grandma.\n\n\"I was with my partner and we missed our plane and we decided to drive the long way up through Canada over Lake Superior. She was sleeping and I was whispering this song into the phone microphone as I was driving.\n\n\"What’s funny is when I was writing it, I really thought it was like a huge rock and roll song but I just realized it was so quiet and felt best that way, in a way.\" https://tinyurl.com/3mrcv5ry"
}
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"text": "Ada Lea will be at Ballard Homestead (Abbey Arts) in Seattle on October 24th and The Knockout in San Francisco on October 29th. https://tinyurl.com/3up29fzc | https://tinyurl.com/bdet8vs8\n\nOf this track, Montreal’s Alexandra Levy confides, \"I had a dream about this song and remember nothing. There is a constant in everyone’s life, which is the dream.\n\n\"When we recorded the song, Luke, who produced it, suggested we slow it down so Tasy could improvise a busy drum solo. Then, Jonas, engineer, sped the song up to its regular speed. Like a slowed down wink to Leonard Cohen himself.\" https://tinyurl.com/2tpb65at"
}
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}
