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"text": "#328 on the countdown of greatest album opening tracks as voted on by you.\nThis is the opening track of Toronto-based group, Alvays' album \"Antisocialites.\"\nBandmember Molly Rankin has described Antisocialites as a \"fantasy breakup arc\" and throughout, Alvvays follows that thread through vignettes that depict anger, depression, resignation and self-reliance.\nAlvvays visited KEXP a few times, including an October 2022 set - Live in the KEXP Studio, check it out here: https://youtu.be/6647smeduGI"
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"text": "#329 on the countdown of greatest album opening tracks as voted on by you.\n\nRecorded at Electric Lady Studios in New York (April 1980) \"The Magnificent Seven\" pulls inspiration from old school NYC hip hop acts such as Sugarhill Gang, Grandmaster Flash & The Furious Five, etc. You can check out the official music video for this song, here:\nhttps://www.youtube.com/watch?v=WD5N0rTsulQ"
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"text": "#332 on the countdown of greatest album opening tracks as voted on by you.\n\n'We called the album August and Everything After because I was born in August, and this is everything that happened after!\" (Leadsinger Duritz). \nhttps://www.rollingstone.com/music/music-news/counting-crows-adam-duritz-interview-august-everything-after-784198/#:~:text=%E2%80%9CI%20was%20born%20in%20August,that%20we%20were%20actually%20using.%E2%80%9D"
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"text": "#333 on the countdown of greatest album opening tracks as voted on by you.\n\n--\n\nWelcome to the Midday Show! We're happy to have you here with us. \n\nIt's our Fall Fundraising Drive and\nYOU power KEXP. Make a donation today!\n\nhttps://www.kexp.org/donate/"
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"text": "#336\n\"I know that I just need you like I've never done before...\" John Lennon said of the title track of The Beatles fifth album: \"When ‘Help!’ came out, I was actually crying out for help.\": https://www.beatlesbible.com/songs/help/ \nYou can help KEXP today by donating: https://www.kexp.org/donate/"
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"text": "#337 on the countdown of greatest album opening tracks as voted on by you.\n===\n“Band on the Run” by Paul McCartney and Wings opens with a palpable sense of adventure, whisking listeners away on a melodic journey that feels both timeless and invigorating. The blend of soaring harmonies and rhythmic shifts captures the essence of breaking free, a theme that resonates deeply. Its upbeat tempo and layered instrumentation create an uplifting soundscape that perfectly sets the stage for the rest of the album. Being part of KEXP's countdown of greatest album opening tracks feels like a testament to its enduring power and the way it effortlessly invites you to escape into its world.\n—-\nGive back and receive a matching gift, plus a cozy soccer scarf to keep you warm on those chilly days ahead! All it takes is a donation of $10 a month: https://www.kexp.org/donate/"
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"text": "#338 on the countdown of greatest album opening tracks as voted on by you.\n===\nThe opening track on The Clash's debut self-titled album! \"Janie Jones\" was one of the first ever songs by The Clash, written not long after singer Joe Strummer had joined to initially form the band in 1976. The song is named after Janie Jones, a cabaret singer who embodies the essence of punk rock as much as the song. The track feels like a sonic explosion, with its gritty guitar riffs and driving beat diving into the chaotic world of fame and the darker side of the music scene, drawing you in with its catchy chorus while simultaneously delivering a narrative earning itself a spot on KEXP's countdown of greatest album opening tracks."
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"name": "The Globe",
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"text": "#339 on the countdown of greatest album opening tracks as voted on by you.\n===\nThis track samples several musical compositions, including the keyboard component of The Who's song \"Baba O'Riley,\" the organ from the introduction to the Deep Purple song \"Child in Time,\" a drum break from Tommy Roe's \"Sweet Pea,\" drums and guitars from a break in Pigmeat Markham's \"Here Comes the Judge,\" a line from The Sugarhill Gang's song \"Rapper's Delight\" where Big Bank Hank raps \"a time to laugh, a time to cry,\" and a vocal sample from Peter Sellers in Fred Flange's song \"You Keep Me Swingin,'\" where Sellers talks about \"rhythm and melody.\" -- The official music video for \"Rush\" displays all the lyrics: https://www.youtube.com/watch?v=-h8zs898lr4"
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"name": "Thirteen Tales From Urban Bohemia",
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"name": "Godless"
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"name": "Capitol Records"
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"text": "#340 on the countdown of greatest album opening tracks as voted on by you.\n===\n\"Godless\" by The Dandy Warhols kicks off Thirteen Tales from Urban Bohemia with an intoxicating blend of swagger and existential pondering. The track’s hypnotic grooves and moody instrumentation draw you in, creating an atmosphere that feels both rebellious and reflective. Lyrically, it navigates the complexities of faith and doubt, resonating with anyone who’s ever questioned their place in the world. It’s the perfect opener—bold and immersive, setting the stage for an album that’s as much about the highs and lows of urban life as it is about the pursuit of authenticity. The way it captures that essence is why it earned a spot in KEXP's countdown; it’s a ride that pulls you in and doesn’t let go.\n---\nCheck out their Live on KEXP: https://www.youtube.com/watch?v=BzkHp6EswEM"
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"name": "Air break"
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"name": "Low-Life",
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"year": 1985
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"name": "Love Vigilantes"
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"name": "Qwest Records"
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"text": "#341 on the countdown of greatest album opening tracks as voted on by you.\n===\nNew Order has some iconic openers with this being their fourth appearance on the line up. “Love Vigilantes” is a sonic journey that marries a driving bassline with haunting lyrics, creating an atmosphere both euphoric and melancholic. This track captures the essence of a bittersweet longing, perfectly opening the tone for the rest of Low-Life. \nhttps://www.neworder.com/"
}
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"name": "Midnight Oil",
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"name": "Diesel and Dust",
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"name": "Beds Are Burning"
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"name": "CBS"
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"text": "#342 on the countdown of greatest album opening tracks as voted on by you.\n===\n“Beds Are Burning” by Midnight Oil has a pounding beat that reflects the heart behind the lyrics about the indigenous people of Australia forcibly removed to make way for agriculture and mining. Pushing the idea that we can't just sit back and let the world burn around us.\nhttps://www.mixonline.com/recording/classic-tracks/classic-tracks-beds-are-burning-midnight-oil-367592"
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