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"text": "Kerala Dust will perform at Madame Lou's in Seattle on Nov 15th and Bimbo's 365 Club in San Francisco on Nov 20th.\n\n Check out the music video for this woozy track here: https://tinyurl.com/3c9z2an4\n\nAn Echo of Love is a dynamic blend of art rock, electronica, and Americana, reflecting constant change and musical experimentation.\n\nThe album’s fluidity is mirrored in both its shifting lineup - adding keyboardist Tim Gardner and drummer Pascal Karier - and its diverse recording locations, including Tuscany, Austin, Berlin, Zurich, and Rome. \n\nLead member Edmund Kenny describes the album as capturing a state of mind, shaped by his personal experiences, especially after a tumultuous period following the band’s 2023 tour."
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"text": "Of this first bit of new music since 2021, the band share, \"We’re so excited to share our song 'Television Love.' For the past few years, we’ve been tucked away in our studio quietly making music, and it feels really good to finally let people in on what we’ve been up to.\n\n\"At its core, 'Television Love' is a conversation between two people stretched across time. The song has been with us for a while and when we were working in our studio we’d visit the song at different moments in our lives.\n\n\"Each time it felt like we had something new to share and add to the song’s story. Life happens, things change, hopelessness turns into hope. The sonic landscape and the conversation became layered with our own history.\" https://tinyurl.com/yakn9usz"
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"text": "Marius Lauber, known in the music industry and onstage as Roosevelt, is a producer, DJ, songwriter, and electronic musician hailing from Germany.\n\nThe multi-hyphenate has a knack for music that calls people to the dance floor—though these days it’s more like reminiscing about the dance floor—taking cues from the masters of disco, like Nile Rodgers.\n\nOf his earliest musical obsession, he reveals, \"I had a memory of my childhood to 'Another Chance' by Roger Sanchez, an early 2000s classic. I remember it being a hit in Germany back then, or at least it was on MTV. I wasn't aware of it at the time—I didn’t buy the CD or something, I just saw it everywhere, all over the place. But in retrospect, that was definitely the first dance song that I vividly remember.\" https://tinyurl.com/kw2nrx4d"
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"text": "Nick Littlemore of Empire of the Sun shares, \"We [communicate through] the nature of song... I think there was a large part of what we were writing about was distance and longing, and I guess some way of kind of sending out a message to the wider world, like that there is a force field that protects all of us and no matter where you are, if you feel for someone and they're in your heart, then you're always with them in some sense.\" https://bit.ly/3apfyr6\n\nDirected by Alex Theurer and Charles Scott, the video for this track features science fiction costumes and was filmed in Bryce Canyon National Park and the redwoods of California. Check it out here: https://tinyurl.com/2xak9vsw"
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"text": "Nation of Language willl be at Seattle's Climate Pledge Arena on Thursday, July 31st, and Saturday, August 1st, opening for Death Cab for Cutie. They'll also play The Fillmore in SF on October 13th, the Knitting Factory in Boise October 4th, and Revolution Hall in Portland October 11th. \n\nOf the new album, the first from the band to be released by Sub Pop, Nation Of Language leader Ian Richard Devaney shares,\n\n\"There is a dichotomy between the Kraftwerk school of thought and the Brian Eno school of thought, each of which I’ve been drawn to at different points. I've read about how Kraftwerk wanted to remove all of the humanity from their music, but Eno often spoke about wanting to make synthesized music that felt distinctly human.\n\n\"As much as Kraftwerk is a sonically foundational influence, with this record I leaned much more towards the Eno school of thought. In this era quickly being defined by the rise of AI supplanting human creators, I’m focusing more on the human condition, and I need the underlying music to support that.\n\n\"Instead of hopelessness, I want to leave the listener with a feeling of us really seeing one another, that our individual struggles can actually unite us in empathy.\" https://tinyurl.com/3pmbtf6h"
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"text": "Lucid reveals that this song is the beginning of a new era for her, and was inspired by some shroom trips she journeyed on. She shared that those experiences \"inspired me to be the best version of myself and to be myself confidently and loudly and not be so ashamed of who I am and what I want to share and express with this world.\" https://tinyurl.com/4knv55t6\n\nDownload \"Get Lost in theMusic,\" a KEXP Song of the Day from Dominican/Mexican artist Ambar Lucid: https://tinyurl.com/33kf6rp2\n\nThen, watch her perform in our Gathering Space in 2021: https://tinyurl.com/4tpje4ud"
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"text": "Black Pumas co-founder Adrian Quesada is going it alone once more, sculpting the follow-up to his lauded LP Boleros Psicodélicos. Continuing his homage to Latin sounds of the late 60s and early 70s, incoming (and aptly titled) Boleros Psicodélicos promises to be a fascinating listen.\n\n\"No Juego\" is a wonderful example of world-building, with the immersive arrangement lifting guest vocalist Angélica Garcia to a heavenly plane.\n\n\"Adrian is very precise in his attention to detail. His records have a warmth to them that I love,\" says Angélica Garcia. \"'No Juego' is such a dramatic and theatrical song. I’m grateful that Adrian protected the intensity of the song, and I’m glad that he didn’t ask me to tone it down. Sometimes you gotta be direct and talk your shit.\" https://tinyurl.com/4chpb262"
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"text": "This was originally an instrumental passage used in the 1972 movie Super Fly, but it ended up having a huge role in the film. It plays at the end of the movie after the drug-dealing lead character Priest takes a stand against the white deputy commissioner, telling him, \"You don't own me, pig!\"\n\n\"It was a glorious moment for our people as blacks,\" Mayfield told Q magazine. \"Priest had a mind, he wanted to get out. For once, in spite of what he was doing, he got away. So there came 'Superfly' the song. He was trying to get over. We couldn't be so proud of him dealing coke or using coke, but at least the man had a mind and he wasn't just some ugly dead something in the streets after it was all over. He got out.\"\n\nAs a member of The Impressions, Mayfield was a huge part of the '60s civil rights movement thanks to songs like \"People Get Ready\" and \"This Is My Country.\" In the Super Fly film, he saw an opportunity to examine city life, and how drug culture affects African Americans. After seeing the screenplay, he jumped into the project and was given complete creative freedom. \n\nMayfield wrote the songs to suit the scenes, but he made sure they could stand on their own, telling the stories even without the visuals. \"Superfly\" works very well outside of the film, as the character Mayfield describes could relate to anyone trying to survive and thrive under difficult circumstances. https://tinyurl.com/559a8jt7"
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"text": "#372 on the list of KEXP Listeners' Best Opening Tracks goes to \"Float\" off Janelle Monae's 2023 album The Age of Pleasure! \n\nDonate to KEXP today during our Fall Fundraising Drive! https://www.kexp.org/donate/"
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"text": "Released on Juneteenth the same year of the murder of George Floyd. Here's what John Legend had to say on this track: \"I didn’t know I was releasing ‘Bigger Love’ during a pandemic or that, two weeks before its release, there’d be a nine-minute snuff video of an officer killing George Floyd. I didn’t know what landscape I’d be releasing this album into. I do believe that there is more to the Black experience in America than mourning, anger and outrage. There’s more to our humanity. I was looking for the sound of love in what is a pretty scary time.” Read more here: https://bit.ly/2XgSfdd"
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"text": "2009 debut of Seattle's own Shabazz Palaces - the cerebral and enigmatic art-rap duo of Palaceer Lazaro, aka rapper/producer Ishmael Butler, and percussionist Tendai \"Baba\" Maraire. The first hip-hop crew signed to Sub Pop, Shabazz Palaces have concocted a string of heady recordings with elements of avant-garde jazz, funk, and dub supporting Butler's likewise mind-expanding verses mixing profundity and humor. https://bit.ly/3C5BmoF\n\nCheck out their 2017 KEXP live in-studio performance: https://youtu.be/pT0Yxq22Dho\n\nhttps://www.shabazzpalaces.com/"
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