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"text": "\"Oh My God\" is the third single from Midnight Marauders, released in May 1994 (the album itself came out November 9, 1993). Busta Rhymes handles the hook — this was two and a half years after his star-making verse on \"Scenario\" from The Low End Theory, which Q-Tip had invited him onto when Busta was still with Leaders of the New School. The track is stacked with samples: Kool & the Gang's \"Who's Gonna Take the Weight,\" Lee Morgan's \"Absolutions,\" The Whatnauts' \"Why Can't People Be Colors Too?,\" Fred Wesley & the J.B.'s \"Damn Right I'm Somebody,\" and Davy DMX's \"One for the Treble (Fresh).\" Q-Tip produced. \n\nhttps://en.wikipedia.org/wiki/Oh_My_God_(A_Tribe_Called_Quest_song)"
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"name": "Legacy"
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"text": "Today is Iggy Pop's 79th birthday — James Newell Osterberg Jr., born April 21, 1947, in Muskegon, Michigan. Nine days ago he played Coachella, performing a set of Stooges classics and exiting the stage in a coffin. \"Search and Destroy\" is from 1973's Raw Power, the Stooges' third and final original-run album. Iggy took the title from a column heading in a Time magazine piece about the Vietnam War — \"search and destroy\" being the name of a US military tactic — and the lyrics are laced with napalm, nuclear bombs, and radiation. Guitarist James Williamson wrote the machine-gun riff. The Stooges broke up in 2016 after the deaths of Scott Asheton and Steve Mackay, and were inducted into the Rock and Roll Hall of Fame in 2010. \n\nhttps://www.loudersound.com/music/tracks-singles/iggy-the-stooges-search-and-destroy.\nhttps://iggypop.com"
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"text": "They Might Be Giants released The World Is to Dig on April 14 — one week ago. It's their 24th studio album and features the single \"Wu-Tang.\" They kicked off \"The Bigger Show Tour\" three days later on April 17 with an eight-piece band, and on this run each night's first set features a full revisit of one of six albums on rotation: Lincoln, Factory Showroom, Flood, John Henry, Mink Car — and Apollo 18. So on certain nights of the current tour, \"See the Constellation\" is getting a full live performance for the first time in years. \nhttps://www.brooklynvegan.com/listen-to-they-might-be-giants-new-album-the-world-is-to-dig/. \nhttps://tmbg.bandcamp.com/album/the-world-is-to-dig. \n\nTour dates: https://www.theymightbegiants.com/shows."
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"text": "Released this day in 1989, \"Pet Sematary\" was commissioned for the 1989 film adaptation of Stephen King's novel. King was a longtime Ramones fan — when the band played New England, he invited them to Bangor, Maine. In Marky Ramone's 2014 memoir, Marky says King handed Dee Dee a copy of the novel at the author's house, Dee Dee retreated to the basement, and came back an hour later with the lyrics finished. Stephen King later disputed the scene — he told Rolling Stone they ate at Miller's Restaurant in Bangor and never came to the house, and called Marky's version \"total bs.\" He also told his publisher not to change a word of the memoir, invoking \"when the truth and legend are in opposition, print the legend.\" The song became the Ramones' highest-charting US hit, peaking at #4 on the Billboard Modern Rock chart — and was nominated for a Razzie for Worst Original Song the same year. \nhttps://ultimateclassicrock.com/ramones-pet-sematary/"
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"text": "Today is Misfits bassist Jerry Only's birthday — he was born Jerry Caiafa in Lodi, New Jersey on April 21, 1959, and he's 67 today. He's been the band's constant member since joining Glenn Danzig in 1977; even through the original band's 1983 breakup and the decades-long legal fight over the name, Jerry has been the one who kept the Misfits going. \"TV Casualty\" is from Static Age, the album the original lineup — Danzig, Only, guitarist Franché Coma, and drummer Mr. Jim — recorded in January 1978 at C.I. Studios in New York City. Read more here: https://en.wikipedia.org/wiki/Jerry_Only. More at https://www.misfits.com"
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"text": "Donald Glover (Childish Gambino) directly sampled Funkadelic's \"Good to Your Earhole.\""
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"text": "Released this day in 1975!\n\nGeorge Clinton, Fuzzy Haskins, and Eddie Hazel wrote this one. That's Eddie Hazel, of course, on that splendid guitar.\n--\n\"‘Good To Your Earhole’ has Eddie first using his most famous era sound. This is a Music Man HD-130 reverb head into a Music Man cabinet with 12 inch speakers. Eddie used a strat almost exclusively at this point. That particular track (‘Good To your Earhole’) sounds like Eddie was using a Maestro phaser.\" Here's an article on Eddie Hazel's gear choices: https://pfunkforums.com/t/eddie-hazel-s-gear-notes/669"
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"text": "\"When Will You Be Mine\" is the opening track of Feel No Fret, Average White Band's seventh album, released in 1979. Alan Gorrie co-wrote it; AWB co-produced with Gene Paul. The album was recorded at Compass Point Studios in Nassau, Bahamas, and mixed and mastered at Atlantic Studios in New York. Released as a single in the UK, it peaked at #49. Read more here:\n\nhttps://en.wikipedia.org/wiki/Feel_No_Fret\nhttps://www.averagewhiteband.com"
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"text": "SAULT's \"Love Does Not Equal Pain\" from Chapter 1, released January 9 on Forever Living Originals — was built in the room with Jimmy Jam and Terry Lewis. The Minneapolis architects behind Janet, the SOS Band, and basically the sound of the '80s stepped in to help Inflo shape three standouts on the album, this being one of them. The track cycles its title something like fifteen times, which is pure SAULT method — turning one clear sentence into a mantra you can carry around in your chest for the rest of the day. Read more here: https://soulbounce.com/2026/01/sault-chapter-1/. Stream Chapter 1 straight from the collective at saultglobal.bandcamp.com/album/chapter-1"
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"text": "Superbloom landed four days ago — Jessie Ware's sixth album and the third in her disco-leaning run that started with 2020's What's Your Pleasure?\nClash is calling the record \"a total, triumphant flowering\"; musicOMH likened it to 1970s Studio 54. Read more here: https://www.jambase.com/article/jessie-ware-tour-dates-2026-superbloom\nCatch Jessie Ware live:\n\nSan Francisco, CA on October 16 at The Warfield (tickets Thursday)\nhttps://jessieware.bandcamp.com\nhttps://www.jessieware.com"
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"text": "The Nightlife landed five days ago — Honey Dijon's first studio album since 2022's Black Girl Magic, and her debut for the new SOS imprint. \"It's not a strictly house record; it's an expression of nightlife itself — fearless, fluid, and in constant evolution.\n https://djmag.com/news/honey-dijon-announces-new-album-nightlife\nhttps://honeydijon.bandcamp.com\nhttps://ra.co/dj/misshoneydijon/tour-dates\n\nHoney Dijon grew up in Chicago — literally at ground zero of house music — and she's carried that DNA into decades of work based between NYC and Berlin. She's one of the only Black trans DJs holding down the biggest rooms in the world, and in 2022 she co-produced two tracks on Beyoncé's Renaissance and won a Grammy for it — becoming one of the first transgender artists ever to hold one."
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"name": "Give Up",
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"year": 2013
},
"track": {
"trackid": 2038184208,
"name": "Turn Around"
},
"label": {
"labelid": 917015473,
"name": "Sub Pop Records"
},
"comments": [
{
"commentid": 1235652142,
"text": "\"Turn Around\" is a new Postal Service song that's actually an old one — a track Ben Gibbard, Jimmy Tamborello, and Jenny Lewis recorded during the original Give Up sessions, shelved, and then finally finished and released for the album's 10th anniversary reissue on Sub Pop on April 9, 2013. Critics read it almost as a sequel to \"This Place Is a Prison,\" with Gibbard promising to stick around for someone drowning in drugs and booze — acoustic-guitar melancholy that suddenly speeds up into lunging electronic anxiety. One of only two new Postal Service songs the trio ever completed after Give Up. Read more here: https://consequence.net/2013/03/listen-to-the-postal-services-new-song-turn-around/\nhttps://thepostalservice.bandcamp.com\nhttps://postalservicemusic.net"
}
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"name": "Fuse",
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"track": {
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"name": "No One Knows We’re Dancing"
},
"label": {
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"name": "Buzzin' Fly"
},
"comments": [
{
"commentid": 699856696,
"text": "Tracey Thorn and Ben Watt met at the University of Hull in October 1981 — both nineteen, both already signed as teenagers to Cherry Red Records (she fronted the post-punk trio Marine Girls, a band Kurt Cobain and Courtney Love were publicly fans of; he was a solo singer-songwriter), and their shared A&R man Mike Alway was actually the one who engineered the introduction. They formed Everything but the Girl in 1982 and named it after a sign they walked past in the window of Turner's Furniture on Beverley Road, Hull: \"For your bedroom needs, we sell everything but the girl.\" They've been married ever since. Read more here: https://ebtg.com/about/\nhttps://ebtg.com\n\n\"No One Knows We're Dancing\" is Tracey Thorn and Ben Watt's eulogy to Lazy Dog — the Sunday club night Ben ran at Notting Hill Arts Club with Jay Hannan from the late '90s into the early 2000s. \"I think we all missed the communality of nightlife during the pandemic,\" Thorn has said"
}
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"name": "Media play"
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"name": "choke enough",
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"track": {
"trackid": 498430051,
"name": "blade bird"
},
"label": {
"labelid": 1537835394,
"name": "True Panther Records"
},
"comments": [
{
"commentid": 438848576,
"text": "Out to Tony in PDX!\n\n\"blade bird\" adapts a Basque folk poem called \"Txoria Txori\" — \"The Bird's a Bird\" — about loving a creature you can't cage without killing. Oklou flips it into a song about romantic love: falling for someone precisely because of the things that make them impossible to hold, and sitting with the knowledge that your own desire is the blade. It closes the album in a hush, mostly voice and gauze, extending the drumless palette she's been perfecting across the record. She walked Pitchfork through the whole reading-Txoria-Txori connection in their interview this year. Read more here: https://liminul.xyz/oklous-blade-bird-and-sylvia-plaths-the-shrike/\nhttps://oklou.bandcamp.com\nhttps://oklou.com"
}
],
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"playid": 3644934,
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"name": "Media play"
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"artist": {
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"release": {
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"name": "Friend Opportunity",
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},
"releaseevent": {
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"year": 2007
},
"track": {
"trackid": 487241071,
"name": "Believe E.S.P."
},
"label": {
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"name": "ATP Recordings"
},
"comments": [
{
"commentid": 1728527096,
"text": "Friend Opportunity arrived in January 2007 as Deerhoof's accessible-pop pivot — the record where, after fifteen years of gleeful noise-damage, they unveiled a version of themselves that was \"radio-ready\" enough for Pitchfork to actually use that phrase. It's also the album that got twelve different front covers, each one drawn by the British artist David Shrigley as a kind of gift to the band. There's a loose theme threaded through the songs — lonely, lost, and migrating people searching for connection — and \"Believe E.S.P.\" is one of its stranger-minded characters, thrumming with mind-reading paranoia. Read more here: https://www.treblezine.com/deerhoof-friend-opportunity/\nhttps://deerhoof.bandcamp.com\nhttps://deerhoof.website"
}
],
"showid": 66514
},
{
"playid": 3644933,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-04-21T20:33:14Z",
"epoch_airdate": 1776803594000,
"epoch_airdate_v2": "/Date(1776803594000)/",
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"artist": {
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"name": "Angine de Poitrine",
"islocal": false
},
"release": {
"releaseid": 1279811305,
"name": "Vol II.",
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},
"track": {
"trackid": 320698941,
"name": "Sarniezz"
},
"label": null,
"comments": [
{
"commentid": 2043987914,
"text": "\"Sarniezz\" is a standout track from Vol. II, the sophomore album by the anonymous Quebecois duo Angine de Poitrine. Following their Live on KEXP performance—which has amassed over ten million views—the duo has seen a massive surge in momentum, fueling the anticipation and buzz surrounding this latest release. Watch here: https://www.youtube.com/watch?v=0Ssi-9wS1so"
}
],
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},
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"playid": 3644931,
"playtype": {
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"name": "Media play"
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"airdate": "2026-04-21T20:30:15Z",
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"artist": {
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"name": "Moonchild feat. PJ Morton",
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},
"release": {
"releaseid": 1829124293,
"name": "Waves",
"largeimageuri": "https://dn710104.ca.archive.org/0/items/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33-44408994230_thumb500.jpg",
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"year": 2026
},
"track": {
"trackid": 637354864,
"name": "Fear (Hey Friend)"
},
"label": {
"labelid": 1971204286,
"name": "Tru Thoughts"
},
"comments": [
{
"commentid": 504060164,
"text": "Moonchild play The Crocodile in Seattle this Thursday, April 23 — two nights from now — behind Waves, their new album, which dropped digitally in February and on vinyl three weeks ago. It's their sixth record, and their first full album of in-person studio work since before the pandemic (2022's Starfruit was built entirely remote). Waves stacks a serious guest list across its 14 tracks: Jill Scott, Lalah Hathaway, Robert Glasper, Rapsody, D Smoke, drummer Chris Dave, and PJ Morton, who features on this one. Brittney Carter opens Thursday. Read more here: https://tru-thoughts.co.uk/moonchild-return-with-waves/\nCatch Moonchild live:\n\nSeattle, WA on April 23 at The Crocodile (with Brittney Carter)\nPortland, OR on April 24\nBerkeley, CA on April 29 at The UC Theatre\nhttps://thisismoonchild.bandcamp.com\nhttps://www.thisismoonchild.com"
}
],
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}
]
}
