GET /v1/play/?format=api&offset=2500
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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                    "text": "The tune was based on an instrumental song called “Rise Up to Be” written by Buckley’s collaborator, Gary Lucas.\n\nJeff Buckley wrote the lyrics after saying goodbye to his girlfriend at the airport one rainy day. \"It's about not fearing death, or fearing any of those countless slings and arrows that you suffer sometimes on this Earth, because somebody loves you,\" he said. \"You're not afraid to go.\"\n\nRead the transcript of Tony Gervino's interview with Jeff Buckley a few weeks before release of \"Grace\":\nhttps://tidal.com/magazine/article/jeff-buckley-lost-interview/1-85988"
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                    "text": "Mitski wrote all of the songs and performed all of the vocals on Nothing’s About to Happen to Me. Produced and engineered by Patrick Hyland and mastered by Bob Weston, the album continues the musical through line established with 2023’s The Land Is Inhospitable and So Are We, and features live instrumentation by The Land touring band and ensemble arrangements. \n--\nEnjoy this NPR feature on Mitski's just-released eighth album the vulnerable \"Nothing's About to Happen to Me\": https://www.npr.org/2026/03/03/nx-s1-5734019/mitski-nothings-about-to-happen-to-me-review"
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                    "text": "Poet, writer, and activist aja monet has just released \"hollyweird,\" her first new music since 2023.\n---\nDiscussing the single, monet shares: \"I wrote hollyweird on scraps of found paper, frantically jotting down observations and sentiments of the moment during the Los Angeles fires and its aftermath. The song is an Afropunkesque ode to frustrations and feelings around our current culture of social isolation and performative solidarity. I wanted to speak to the emptiness of hollyweird not as a place but as a way of being where insincerity is normalized. Where social interactions become void in of sincerity and we lose sight of community and connection.”\n--\nWatch the official video: https://www.youtube.com/watch?v=oyP1frgXJZk"
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                    "text": "Oby Onyioha is a pioneer and cult icon of Nigerian disco music, who rose to stardom in the 1980s with her breakout album \"I Want to Feel Your Love.\"\n--\nReleased at a time when Nigeria’s music landscape was dominated by male highlife acts, juju icons, and Afrobeat innovators, Oby Onyioha’s entry into the scene was revolutionary. Her sound—sleek, cosmopolitan, and deeply influenced by global disco rhythms—introduced a new aesthetic to Nigerian popular music.\n--\nThe project featured the chart-topping track “Enjoy Your Life,” a song that quickly became a national favourite. With its uplifting message, shimmering production, and Onyioha’s velvety vocals, the track resonated across generations. It became not only a dance anthem but also a cultural marker of the era—symbolising urban nightlife, optimism, and the emerging modern identity of Nigeria’s youth."
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                    "text": "In 1959, lyrics were added by songwriter Oscar Brown to Mongo Santamaria's \"Afro Blue.\"\n--\n\nErykah Badu joined Robert Glasper Experiment to perform \"Afro Blue\" Live at Empire Control Room in Austin, TX for their SXSW Showcase: https://www.youtube.com/watch?v=L1LitDuONKg"
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                    "text": "Named for the Nigerian Urhobo word meaning “hard to break,” the London-based septet Kokoroko are “masters of African fusion, intent on bridging the divide between young people and African popular music of old.'\n--\nThey're performing at the Miner Auditorium in SF on Tuesday and Wednesday, June 16th and 127th.  They'll be at Seattle's Npetune Theatre on Saturday, June 20th."
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                    "text": "Watch art-rock band Bodega perform \"Gyrate\" in our studio in 2018: https://www.youtube.com/watch?v=lInUAjiVRDo"
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                    "text": "Formed in Tokyo in 1978, the trio of Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi played a crucial role in shaping the sound of the late 20th century, pioneering what would later be known as techno-pop or synthpop. Their music, characterized by its fusion of electronic sounds, traditional Japanese elements, and Western pop sensibilities, helped bridge the cultural gap between East and West while laying the groundwork for a multitude of genres that would follow.: https://www.yokogaomag.com/editorial/yellow-magic-orchestra"
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                    "text": "This song was long rumored to be a fanciful tale of a woman whose boyfriend was eaten by a shark. In an interview,  B-52s vocalist Cindy Wilson offered another possibility: \"Or he was flushed down the toilet by the Ty-D-Bol Man.\"\n---\nThis is one of the few B-52s songs with only one lead singer: Cindy Wilson. (Usually at least two of their three lead vocalists - Wilson, Fred Schneider and Kate Pierson - would share the vocals). Writing the song was a group effort, with everyone in the band contributing along with their friend, Robert Waldrop."
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                    "text": "Happy Birthday to Queen Latifah!!!\nDana Elaine Owens was born on this date in 1970!\n--\nDon't miss this performance of \"U.N.I.T.Y.\" at the 2014 Nobel Peace Prize Concert: https://www.youtube.com/watch?v=twv4PP4QSPM"
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                    "text": "\"Pink & Blue\" contains samples of the vocals from  \"Age Ain't Nothing but a Number\" by Aaliyah.\n--\n\"So what if your head sports a couple of grey hairs?\nSame here, and, actually, I think that's funky\n(In a Claire Huxtable-type of way)...\"\nIn this song, Andre fantasizes about having a relationship with a woman who’s older than him.: https://genius.com/Outkast-pink-and-blue-lyrics"
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                    "text": "The 1998 release \"Moment of Truth\" by Gang Starr almost didn’t happen because Guru and DJ Premier were on the verge of splitting up due to creative differences. This album, packed with introspective lyrics and Premier’s signature hard-hitting beats, became one of their most acclaimed works.  What’s wild is that it was recorded during a rocky period for the duo, with tensions high after years of collaboration.\n--\nHere's a 25-year retrospective in 2023: https://glidemagazine.com/289978/25-years-later-revisiting-gang-starrs-locked-in-moment-of-truth/"
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                    "text": "The fabulous Kim Gordon will play The Neptune Theatre in Seattle on Saturday, July 25th, and will be at The Castro Theatre in SF on Wednesday, July 29th. \n--\nHer third solo studio album, \"PLAY ME.\" was released last Friday.: https://kimgordon.bandcamp.com/album/play-me"
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                    "text": "\"Mwah...mwah...mwah...\"\n---\nThe band Mazarati, which was formed by Prince's bass player Brown Mark and signed to his Paisley Park record label, asked Prince for a song for their debut album, so he took a break from his Parade sessions and dashed off a minute-long bluesy acoustic demo for them on a mini tape recorder. Mazarati and producer David Z re-worked the song, giving it an irresistible funk groove. When he heard it, Prince was smart enough to take the song right back. He replaced their lead vocal, added the guitar break in the chorus and included it as a last-minute addition to his Parade album.\n--\nPrince won the 1986 Grammy Award for Best Rhythm & Blues Vocal Performance for this song."
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