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HTTP 200 OK
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                    "text": "At the Girls of the Internet headline show at the Jazz Café in March, 2025, The Gospel of Thomas made their live debut completely unannounced and without warning.\n\nArmed with just two cheap samplers worth under £300 each, The Gospel of Thomas created a unique deep house performance in the legendary venue.\n\nThe recording was recorded, and has been edited into six tracks over their debut release, taking in influences from Detroit, early Chicago house, Aphex Twin's Selected Ambient Works & Sheffield's Bleep scene of the late 80's. https://tinyurl.com/4km6b4mw\n\nEquipment used: 1 x Teenage Engineering EP–133 K.O. II 1 x Sonicware Liven Texture Lab"
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                    "text": "If the sublime vocals sound familiar, you may have heard Arnór Dan singing the vocals to Ólafur Arnalds' Broadchurch soundtrack. If you haven't yet, check out \"So Close\" here: https://tinyurl.com/229ss22z, and \"So Far\": https://tinyurl.com/bd9jmypa\n\nArnalds performed songs live from this album in a stirring in-studio here at KEXP in 2013; relive that magic here: https://tinyurl.com/29tj35ua\n\nThe living, breathing aspect of Arnalds’ music is more evident here than on his previous six years’ worth of albums and EPs, which makes Winter easily his most straightforwardly accessible and mainstream-leaning effort to date. Which is impressive: he juggles so many clashing elements and aesthetics that it’s a wonder he can stand up straight. \n\nArnalds began his music career playing drums in hardcore bands (the charmingly named Fighting Shit among them), before turning to a head-trippy combination of ambient electronic and minimalist classical, landing somewhere between prog rock and post-rock. It’s quite a concoction, balancing the elegant precision of classical overtures with loose-limbed, mechanical clank and clatter. The beats aren’t exactly block-rockin’ — more like grains of sand that Arnalds turns into pop pearls. https://tinyurl.com/3x69ry37"
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                    "text": "Au Revoir Simone formed in Williamsburg, Brooklyn, New York, in 2003. The group is composed of Erika Forster (vocals/keyboard), Annie Hart (vocals/keyboard/bass) and Heather D'Angelo (vocals/drum machine/keyboard).\n\nThe band's name comes from a line Pee-wee Herman says to a minor character (named Simone) in Tim Burton's 1985 film Pee-wee's Big Adventure.\n\nAu Revoir Simone formed in late 2003 when Forster (formerly of Dirty on Purpose) and Hart met on a train ride home to New York from Vermont and decided to form an all-keyboard band. They were soon joined at practices by D'Angelo and a fourth member, Sung Bin Park (keyboard/vocals). In December 2004, Park left the band. https://tinyurl.com/y73fzmrp"
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                    "text": "Diary was different from those released by popular Seattle grunge bands at the time, showcasing a melodic, yet urgent sound. Its influence has been observed in the works of subsequent releases in the genre.\n\nDespite being the only album by the band not to chart, it has since become the seventh best-selling album released on Sub Pop, having sold more than 231,000 copies.\n\nIn a retrospective article about the 40 greatest emo albums of all time, Rolling Stone wrote that Diary \"captures the vague inner-turmoil of Enigk's lyrics and propels those turbulent emotions to the heavens.\" https://tinyurl.com/mr3uwtke"
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                    "text": "Joy Division originally hated Unknown Pleasures.\n\n\"The production inflicted this dark, doomy mood over the album,\" said Bernard Sumner. \"We'd drawn this picture in black and white, and Martin had coloured it in for us. We resented it.\"\n\nEveryone else loved it though, so, according to Sumner, \"We swallowed our pride and went with it.\"\n\n\"Unknown Pleasures once sounded like the future – its genius is that, four decades later, it still sounds like the future,\" says John Robb, Manchester musician, rock journalist and author of The North Will Rise Again: Manchester Music City 1976–1996.\n\n\"It is a remarkable and astonishing record made by a band who had no idea how good they were, with a singer who didn’t live long enough to see how important they would become. Its bass-driven soundscapes utilise space, emotion and melancholy in ways the generations of bands are still trying to unravel.\" https://bit.ly/40pt0EM"
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                    "text": "Digital Mystikz are a dubstep production duo consisting of Mala (aka Mark Lawrence), and Coki (aka Dean Harris) from the South London suburb of Norwood.\n\nAlong with Loefah and SGT Pokes, who make up the group ASBO (All Soundbwoy Out), they operate the DMZ record label and host the influential bimonthly nightclub DMZ, held at the Mass club complex in Brixton, London.\n\nBBC Radio 1 DJ John Peel was an early supporter of Digital Mystikz, eventually putting them in his annual 2004 top 50 list at number 29.\n\nTheir song \"Anti War Dub\" appeared in the 2006 film Children of Men, although it wasn't included in the soundtrack. https://tinyurl.com/3pkj56ax"
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                    "text": "Happy Solistice!!!\n\nNow based in Helsinki, Finland, Joensuu was born in 1986 in the town of Alajärvi. \"[Amen 2] is about relief, forgiveness and letting go. Some years ago I went through a period of deep anxiety and depression. Amen 1 was dwelling a lot on these feelings and ideas. I wrote the songs on Amen 2 at a time when I first started to feel that this period was maybe coming, or already had come to an end.\n\n\"It was also at those times when I realised that my lifelong companionship with God came to a conclusion that He, who once meant everything to me, no longer existed. These were the core ideas how Amen 2 came to be.\" http://bit.ly/2ovAoNb\n\nMore from this incredible artist here: https://mikkojoensuu.bandcamp.com/\n\nListen for the major-to-minor shift in this epic song; it's stealthy, but gorgeously done, and hearkens a dreamy whole shift in the song."
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                    "text": "Happy birthday to Eric in West Seattle!\n\nhttps://www.herculesandloveaffair.net/"
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