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"name": "White Winter Hymnal"
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"label": {
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"name": "Bella Union"
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"comments": [
{
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"text": "Former Cocteau Twins bassist Simon Raymonde, the head of record label Bella Union, was considering shutting the label down due to financial troubles, but after hearing a demo version of \"White Winter Hymnal,\" he was motivated to continue going on and signed Fleet Foxes to the label based on how much he liked the song.\n\nRaymond reveals, \"[A friend] sent me this demo of a track called 'White Winter Hymnal.' I played it when I went back to my room that night. This was when I was just about to give up doing Bella Union, if you could believe I would do such a thing, and I heard this track and thought, 'I have to sign that band.'\n\n\"That saved my life, that song. And I wrote to them that night, a very, very, very long letter and I heard back from Robin, the singer, within a couple of days.\n\n\"It just turned out he was in Norway too, visiting some family, we met up and we got on like a house on fire and here we are I suppose. The Fleet Foxes thing really did change my life in every single way, because it gave me the belief.\" https://tinyurl.com/yv5mk87x"
}
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"text": "Constant Follower is the band formed around Scottish songwriter Stephen McAll. His brand new album came out in February of this year, following on from the critically acclaimed 2021 Neither Is, Nor Ever Was.\n\nMcAll reveals, \"Music is all about feelings for me. So, when I’m creating, I’m only thinking about feelings, about conveying a feeling. The words are a mechanism for delivering feeling so I’m not overly concerned about making sense if it conveys what I’m trying to. If I’m thinking too much about words or performance or accuracy, then I’m losing what’s most important to me.\n\n\"I know I’ve hit the mark if I’m listening to my song and I’m feeling it in my belly.\""
}
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"name": "Don’t Fall Asleep"
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"comments": [
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"text": "Kevin's favourite album of 2025! Jacob Alon is a Scottish singer-songwriter born and raised by a young single mother in the quiet suburbs of Fife. Alon began writing songs in school as a way of making friends laugh, but never considered a career in music possible until much later. While studying medicine at university, Jacob found themself deeply confused and unhappy, only finding joy when making music. To the disapproval of their family, they decided to drop out and pursue their true dream full-time.\n\nNow based in Edinburgh, Jacob’s story is one of estrangement, homelessness, but ultimately, perseverance.\n\nAlon crashed with super producer Dan Carey while working on new music, of which an overarching theme will be limerence: the state of intense romantic longing for someone who often does not reciprocate. Those who have experienced limerence will know it can lead to obsessive thoughts – an infatuation that overlooks any flaws or, indeed, turns those flaws into an attractive trait. https://tinyurl.com/yrstpr4n"
}
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"name": "Hannibal"
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"text": "Five Leaves Left was recorded between May 1968 and April 1969 at Sound Techniques in London, England. Engineer John Wood recalled that \"[Drake] would track live, singing and playing along with the string section\" without the use of any overdubbing.\n\nThe studio's environment was also an important factor as it had multiple levels to it which enabled the creation of interesting sounds and atmospheres.\n\nAmong his various backing musicians, Drake was accompanied by Richard Thompson from Fairport Convention and Danny Thompson of Pentangle. Robert Kirby, a friend of Drake's from Cambridge University, arranged the stringed instruments for several tracks while Harry Robinson arranged the strings for \"River Man.\" \n\nThe title of the album is a reference to the old Rizla cigarette papers packet, which used to contain a printed note near the end saying \"Only five leaves left.\" https://tinyurl.com/yad35w8a"
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"name": "Air break"
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"name": "Liz Cooper",
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"name": "New Day",
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"name": "Sleepyhead Music"
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"text": "This track sees the Nashville-based Cooper explicitly considering her path over recent years, weighing her sense of self in the present against who she once was.\n\n\"'IDFK' is about the connection of the past in the present,\" she explains, \"the connection between who the main character in the song showed me I am and the person I am becoming, the feeling of a memory and intimacy across time and space. This is a love song to a friend and to myself.\"\n\nThat journey is cleverly documented in Wes Sterrs’ single-shot music video for the track, which features Cooper in a dimly lit car singing the track into a voice notes app. \n\n\"I wanted to capture the songwriting process, emotional process and nostalgic longing of memories about someone I miss.\n\n\"I’m singing into my phone voice memos thinking about this person, writing the song and taking a moment before directly talking to them when I make eye contact with the camera. I eventually close the door and chapter and step into the next car, the next chapter. I wanted this video to feel dramatic yet hopeful and wanted to challenge myself by doing it all in one full take.\" https://tinyurl.com/zdzyr5cm\n\nYou can catch that video here: https://tinyurl.com/kb8baf3t"
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"airdate": "2025-12-22T01:10:30Z",
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"name": "The Queen Is Dead",
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"name": "There Is a Light That Never Goes Out"
},
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"name": "Sire Records"
},
"comments": [
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"text": "In 1993, guitarist, Johnny Marr, told Select magazine that he thought this was \"the best song\" that he had ever heard: \"I didn't realise that 'There Is A Light That Never Goes Out' was going to be an anthem but when we first played it I thought it was the best song I'd ever heard.\"\n\nIn the same interview, Marr revealed that the song's intro was lifted from The Rolling Stones' cover of \"Hitch Hike\" by Marvin Gaye. The Velvet Underground also swiped this intro for their song, \"There She Goes Again.\" \n\nMarr recalls, \"There's a little in-joke in there just to illustrate how intellectual I was getting. At the time everyone was into The Velvet Underground and they stole the intro to 'There She Goes Again' - 'da da-da-da, da-da!' - from The Rolling Stones' version of 'Hitch Hike,' the Marvin Gaye song. I just wanted to put that in to see whether the press would say, 'Oh it's the Velvet Underground!' Cos I knew that I was smarter than that. I was listening to what The Velvet Underground was listening to.\"\n\nThis song appeared to play and record itself. \"We did it at the start of the day,\" Marr reminisced to NME in 2011. \"It was an enjoyable 40 minutes. When we all got together, one-two-three-four, it was the first time all four of us had heard what it sounded like. It was magical. Someone told me that if you listen with the volume really, really up you can hear me shout 'That was amazing' right at the end.\" https://tinyurl.com/etm7kv64"
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