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                    "text": "Out to Shawn\n\nGhost Town spent three weeks at number one and 10 weeks in total in the top 40 of the UK Singles Chart in 1981. Evoking themes of urban decay, deindustrialization, unemployment and violence in inner cities, the song is remembered for being a hit at the same time as riots were occurring in British cities. \n\nhttps://www.thespecials.com/"
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                    "text": "R.I.P., Roger Charlery (Ranking Roger), who died of cancer in 2019 at age 56.  He had songwriting credits on many of The English Beat's most popular compositions, and alongside duties as joint vocalist with Dave Wakeling was also the band’s “toaster”, talking in stylized fashion over various song sections in a mode popularized by reggae deejays of the late 60s and early 70s.: https://www.theguardian.com/music/2019/mar/27/ranking-roger-obituary-roger-charlery"
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                    "text": "Out to Simon in Tacoma\n\nSampling Junior Murvin's (Lee \"Scratch\" Perry produced) classic \"Police & Thieves\", which The Clash of course also went on to cover.\n\nJamaican reggae singer, deejay and producer, Jah Lion (Jah Lloyd) was also known under the monikers of The Black Lion of Judah, and Jah Ali"
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                    "text": "Allen Ginsberg rehearsed this song backstage with the band prior to performing it live in a Times Square Club in 1981.\n\nAllen Ginsberg says “They led me onstage at the beginning of their second set,” continued Ginsberg. “We launched right into the guitar clang. It’s punk in ethos and rhythmic style for abrupt pogo-dancing, jumping up and down, but elegant in the sense of having specific political details. First stanza drags a little, but there’s one point where we all get together for two verses, an anthem-like punk song. Only one tape exists [not entirely true, actually] taken off the board. They gave me a copy and it’s been sitting around all these years like a little toy.”"
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                    "commentid": 2108437300,
                    "text": "Out to Aaron in SF\n\nThis song confronted the issue of conscription into the armed forces, a threat which remained in America following the Vietnam War.\nhttps://www.theclash.com/discography/the-call-up/"
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                    "text": "Deep, dub frequencies on this cover of The Clash's Guns of Brixton"
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                    "text": "A 1992 classic from Jamaican artists U-Roy (RIP) and Beres Hammond \n\nhttps://www.youtube.com/watch?v=km-Cn0a0Sdc"
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                    "text": "Out  to Lisa\n\n\"We March\" was released in 1995 on Prince's 17th album, The Gold Experience, back when Prince was still being referred to as his inscrutable stage name, the \"Love Symbol.\""
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                    "text": "BRAND NEW MUSIC from Seattle artist Gabriel Teodros. \n\nGabriel wrote: \"This past month as we’ve watched an American city under siege, brutal killings of people trying to protect their neighbors captured live on video, 5 year old children being kidnapped from school, countless people of all ages being disappeared and often sent to third countries with no due process whatsoever, all while ICE is buying up warehouses to detain people all over the US… the idea of this song has been resonating even more.\"\n\n\nYou can catch Gabriel hosting  KEXP's early show, weekdays from 5-7 AM (pacific time)"
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                    "text": "KEXP's OWN\n\nShow up with love!\n\nhttps://gabrielteodros.bandcamp.com/album/pow"
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                    "text": "\"Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a “legacy,” Molly Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenceless and armed with a glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart.\"\n\nhttps://mollynilsson.bandcamp.com/album/amateur"
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                    "text": "Tamer Nafar (تامر النفار)  is a Palestinian-Israeli rapper, actor, screenwriter, and activist who co-founded the first Palestinian hip-hop group, DAM, in the late 1990s. Nafar's lyrics, often in Arabic and Hebrew, address social injustices, poverty, and political tensions faced by Palestinians and Arab citizens of Israel. His work has earned international recognition and sparked protests in Israel. : https://www.npr.org/sections/parallels/2016/11/02/499627396/arab-rapper-tests-the-limit-of-israels-artistic-freedoms"
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