GET /v1/play/?format=api&offset=42120
HTTP 200 OK
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                    "text": "Aces High, from Iron Maiden's 1984 album Powerslave was inspired by the Battle of Britain."
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                    "text": "Request for Ryan and Lizzy!\n__\n\nRemastered video of The Go-Go's performing \"Head Over Heels\" from their 1984 album 'Talk Show'.\n\n https://www.youtube.com/watch?v=jQyazt4RDTM&list=RD2RHTiXvELNg&index=16"
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                    "text": "INXS released their 4th studio album, 'The Swing' in March of 1984."
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                    "text": "For Jeff! Released as a single in 1984!\n__\nIn an interview, Roland Orzabal described the piece as “a simple song about protest.” He goes on to say, “I had the chorus to ‘Shout’ and I had a rhythm which was stolen from a Talking Heads track from off ‘Remain in Light.'\n\nThe lyrics were inspired by primal therapy, a psychotherapy method created by Dr. Arthur Janov. Its general concept suggests that a patient can conquer early life trauma by reenacting the scene through unrestrained screaming.\n\nEnjoy the official music video: https://www.youtube.com/watch?v=Ye7FKc1JQe4"
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                    "text": "By request!\n\nFrom 1984's 'Treasure.'\nThis song was named after the legend of a siren that lures fishermen to their deaths upon the “Lorelei” rock, which exists in the Rhine River near Sankt Goarhausen in Germany. https://cocteautwins.com"
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                    "text": "Orange Juice's album, 'The Orange Juice' was released in 1984.\n\nOrange Juice was a Scottish jangle pop band founded in the Glasgow suburb of Bearsden. They initially went as the Nu-Sonics in 1976, and later became Orange Juice in 1979 - \n\nOn the tour promoting this album, Edwyn Collins often dedicated this song to Morrissey"
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                {
                    "commentid": 1736308722,
                    "text": "This 1984 single from Kurtis Blow pays tribute to his favorite sport and its star players."
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                    "text": "For Jerry!\n\n1984 ballad and lead single from the soundtrack to \"The Woman in Red\" - the music video features Stevie Wonder singing into a telephone in concert -"
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                    "text": "\"Smooth Operator\" dates back to 1982, when Sade Adu was a backup singer in the English band Pride. There was a section of their stage show when she would come to the front and sing some songs she wrote, including this one. That early arrangement was very different, with more of a rock vibe. Sade, who never intended to be a singer (she studied fashion) gradually built her confidence and formed her own band in 1983, which quickly earned a record deal. Their debut album, \"Diamond Life,\"was issued in 1984."
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                    "text": "For Drew!\n\n\"It's My Life\" is the title track from Talk Talk's 1984 sophomore album. It was also the album's first single."
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            "comments": [
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                    "commentid": 697131009,
                    "text": "Talk Talk released 'It's My Life' in 1984.\n\nKEXP did an article on Talk Talk when Mark Hollis passed away in 2019. You can read the full article of Hollis' life here: https://www.kexp.org/read/2019/2/25/rip-mark-hollis-talk-talk/"
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                    "commentid": 1999329496,
                    "text": "For Steve, by request!\n__\nXTC released the album \"The Big Express\" in 1984."
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                "name": "The Cars",
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            },
            "release": {
                "releaseid": 325120456,
                "name": "Heartbeat City",
                "largeimageuri": null,
                "smallimageuri": null
            },
            "releaseevent": {
                "releaseeventid": 688763011,
                "year": 1984
            },
            "track": {
                "trackid": 1095785374,
                "name": "Magic"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 509163079,
                    "text": "Heartbeat City is the fifth studio by The Cars - released in 1984! The album also featured \"Drive\"."
                }
            ],
            "showid": 65832
        },
        {
            "playid": 3612785,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2026-02-04T01:29:45Z",
            "epoch_airdate": 1770168585000,
            "epoch_airdate_v2": "/Date(1770168585000)/",
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                "name": "DEVO",
                "islocal": false
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                "releaseid": 1221847274,
                "name": "Shout",
                "largeimageuri": "https://coverartarchive.org/release/e46f8bea-d539-43d9-b032-0d316e93242f/20452070913-500.jpg",
                "smallimageuri": "https://coverartarchive.org/release/e46f8bea-d539-43d9-b032-0d316e93242f/20452070913-250.jpg"
            },
            "releaseevent": {
                "releaseeventid": 299293078,
                "year": 1984
            },
            "track": {
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                "name": "Shout"
            },
            "label": {
                "labelid": 1587906892,
                "name": "Warner Bros. Records"
            },
            "comments": [
                {
                    "commentid": 724885069,
                    "text": "Mark Mothersbaugh purchased a new Fairlight CMI sampling synthesizer and played it heavily in the recording sessions for this album - according to Gerald Casale, its use throughout the album drove him out of the band (2007 interview, Billboard magazine)\n\nhttps://en.wikipedia.org/wiki/Fairlight_CMI"
                }
            ],
            "showid": 65832
        },
        {
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            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2026-02-04T01:25:24Z",
            "epoch_airdate": 1770168324000,
            "epoch_airdate_v2": "/Date(1770168324000)/",
            "archive_urls": {
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            },
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                "name": "R.E.M.",
                "islocal": false
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                "releaseid": 1784608709,
                "name": "Reckoning",
                "largeimageuri": "https://ia600204.us.archive.org/31/items/mbid-1923c6c8-9f21-4343-9fa4-eccf6be71e1f/mbid-1923c6c8-9f21-4343-9fa4-eccf6be71e1f-24072410583_thumb500.jpg",
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            },
            "releaseevent": {
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                "year": 1984
            },
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                "name": "Pretty Persuasion"
            },
            "label": {
                "labelid": 17557657,
                "name": "I.R.S. Records"
            },
            "comments": [
                {
                    "commentid": 446202159,
                    "text": "A song from REM's 1984 album 'Reckoning' for Chuck!\n__\n\nProduced by Mitch Easter and Don Dixon, this album was recorded at Reflection Sound Studio in Charlotte, North Carolina, over 16 days in December 1983 and January 1984. Dixon and Easter intended to capture the sound of R.E.M. 's live performances, and used binaural recording on several tracks"
                }
            ],
            "showid": 65832
        },
        {
            "playid": 3612782,
            "playtype": {
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                "name": "Media play"
            },
            "airdate": "2026-02-04T01:22:09Z",
            "epoch_airdate": 1770168129000,
            "epoch_airdate_v2": "/Date(1770168129000)/",
            "archive_urls": {
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            },
            "artist": {
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                "name": "Echo & The Bunnymen",
                "islocal": false
            },
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                "releaseid": 1261093317,
                "name": "Ocean Rain",
                "largeimageuri": "https://dn710306.ca.archive.org/0/items/mbid-d98c325b-0632-4fe2-aa1e-2ef07d18477f/mbid-d98c325b-0632-4fe2-aa1e-2ef07d18477f-7800123470_thumb500.jpg",
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            },
            "releaseevent": {
                "releaseeventid": 1257735074,
                "year": 2004
            },
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                "name": "Seven Seas"
            },
            "label": {
                "labelid": 1985948427,
                "name": "Sire Records, Rhino"
            },
            "comments": [
                {
                    "commentid": 2037487714,
                    "text": "By request!\n___\n\n1984 single from the band's 1984 album \"Ocean Rain\" -- See the band dressed as penguins in the video for \"Seven Seas\": https://www.youtube.com/watch?v=LbYxP11rbSM"
                }
            ],
            "showid": 65832
        },
        {
            "playid": 3612781,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2026-02-04T01:18:57Z",
            "epoch_airdate": 1770167937000,
            "epoch_airdate_v2": "/Date(1770167937000)/",
            "archive_urls": {
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            },
            "artist": {
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                "name": "Siouxsie and the Banshees",
                "islocal": false
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            "release": {
                "releaseid": 378873781,
                "name": "Hyæna",
                "largeimageuri": "https://coverartarchive.org/release/a02d9fb4-63ff-36dd-825a-e7480c791a7c/13485044106-500.jpg",
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            },
            "releaseevent": {
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                "year": 1984
            },
            "track": {
                "trackid": 1319674978,
                "name": "Dear Prudence"
            },
            "label": {
                "labelid": 1953921724,
                "name": "Geffen Records"
            },
            "comments": [
                {
                    "commentid": 949958866,
                    "text": "This single (and cover of The Beatles' song) had been recorded at a tumultuous time for the band; guitarist John McGeoch had left the band due to his purported alcoholism and had temporarily been replaced by Cure frontman Robert Smith.\n\nSiouxsie Sioux explained, \"It was an insane period for us, extremely busy. We were just being totally hyperactive. I think it took its toll maybe a year or so later. John had been hospitalised for stress and overworking, so he was suffering a bit. Robert stepped in, for the second time, as he did in '79, so the show was still going on, and the touring was all pretty intense and crazy.  We went on to record Hyæna together, and then he imploded as well.  He just couldn't cope with it.\"\n\nThe band had already recorded a version of \"Helter Skelter\" on their 1978 album The Scream.  Siouxsie came up with the idea of doing another Beatles cover while they were touring Scandinavia and listening to the Beatles' music.\n\nAccording to drummer Budgie, they were all big fans of the White Album except for Smith, and they settled on \"Dear Prudence\" because it was the one song he knew.   Bassist Steven Severin recalled that the track particularly appealed to him because \"John Lennon's version sounds a bit unfinished.\"  They recorded the song at a studio in Stockholm in July 1983 and completed it at Angel Studios in north London, where Smith's sister Janet added a harpsichord part.  Released in 1984!\nhttps://bit.ly/3oFfY3i"
                }
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}