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"text": "Public Enemy's Chuck D explained to Melody Maker in 1991, \"'Shut 'Em Down' is about major corporations like Nike taking profits from the black community, but not giving anything back, never opening businesses in black areas. And it's saying that the best way to boycott a business is to start your own.\"\n\nPart of group member Chuck D's voice was sampled on the track \"Ten Crack Commandments\" by The Notorious B.I.G. off his album Life After Death.\n\nThe opening of the song was used by Russell Simmons Television Productions (RSTV) during the closing credits of Def Comedy Jam. https://tinyurl.com/ekhmwnzs"
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"text": "clipping. consists of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes.\n\nDiggs and Hutson met in grade school, and Hutson and Snipes were college roommates. The group began in 2009 as a remix project, with Hutson and Snipes taking a cappellas of mainstream rap artists and making power electronics and noise remixes of them to amuse themselves.\n\nDiggs joined in 2010 and began to write his own raps over their compositions. They self-released their debut mixtape, midcity, on their website on February 5, 2013.\n\nThough their expectations were low, and despite minimal promotion, the album was well-received, and five months later, they signed to Sub Pop. Their first album, CLPPNG, was released on June 10, 2014. https://tinyurl.com/5be2t25e"
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"text": "\"Zamrock is my sound,\" declares Sampha the Great.\n\n\"It’s my voice. Being Zambian, being loud, being defiant — that’s what Zamrock is. This is the declaration track. I’m saying: I’ve stepped into my power, into my sound, into my purpose.\n\n\"I’ve claimed this thing — Nu Zamrock — as something of my own, something I’m shaping in real time. And in this new form, with this much clarity and drive? You can’t hold us. You can’t stop us. Not anymore.\" https://sampathegreat.bandcamp.com/"
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"text": "\"Revolution\" is a 1969 answer song by the American jazz musician Nina Simone and Weldon Irvine. It was released as a single in 1969 and on the album To Love Somebody in 1969.\n\nThe single release was split over two sides of a 45 rpm disc and these two edits were used as separate tracks on the album.\n\nThe song was released the year after the Beatles' \"Revolution\", and is a variation of that song.\n\n\"Revolution\" didn't do as well as expected and Simone has expressed surprise and disappointment at its lack of success. https://tinyurl.com/523scn99"
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"text": "Written while Chapman was in high school and released in 1988 by Elektra Records after she was discovered at Tufts University, the politically aware song spent four weeks on the Billboard Hot 100 in the United States, peaking at No. 75. It reached the top 40 in Austria, Belgium, France, the Netherlands, and New Zealand.\n\nLyrically, the song is regarded as a tone-setter on the album, providing political and social discourse and influenced by her own life experiences. The musical style of the song is thought to be in tune with others on Tracy Chapman, with an emphasis on the guitar in the melody and her vocals. The song has been covered several times by various artists and bands over the years.\n\n\"Talking About a Revolution\" has also been used in political contexts since its release, such Bernie Sanders' campaign in the 2016 United States presidential election and the 2020 presidential election. https://tinyurl.com/mrfz5cc5"
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"text": "Mon Rovîa, the stage name of Janjay Lowe, is a Liberian-born singer-songwriter who blends Afro-Appalachian folk with Americana and shoegaze pop.\n\nHis music is known for its haunting melodies, introspective lyrics, and gravelly voice. Rovîa's work is inspired by his own experiences, from his childhood in Liberia during a civil war to his immigration to the United States in the 1990s."
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"text": "Hear Jesse Welles play this live with the folk legend Joan Baez: https://tinyurl.com/ms92vfmt\n\nUpcoming tour dates: - Mar 17th @ Treefort Music Fest in Boise, ID - Mar 20th @ McMenamins Crystal Ballroom in Portland, OR - Mar 21st @ The UC Theatre in Berkeley, CA https://www.wellesmusic.com https://jessewelles.bandcamp.com"
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"text": "\"I wrote this song on Saturday, recorded it yesterday and released it to you today in response to the state terror being visited on the city of Minneapolis,\" Springsteen wrote on Facebook on Wednesday.\n\n\"It’s dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good. Stay free, Bruce Springsteen.\"\n\nHere are the lyrics: https://tinyurl.com/ps23anad"
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"text": "The 2-CD compilation Every Little Word by Slim Dunlap is scheduled for release on February 13, 2026, via Curation Records, featuring remastered albums and bonus tracks. A separate vinyl release, Every Little Word: The Best of the Bonus Tracks, is set for February 20, 2026.\n\nIn 1987, right after the release of Pleased to Meet Me, Dunlap joined the Replacements to fill in for Bob Stinson, the band’s original guitarist who was kicked out the year prior for spiraling behavior.\n\nCompared to Stinson’s more wild style, Dunlap played with a gentle, considered approach to the guitar, which not only added depth to the band’s uptempo numbers, but also brought wistful introspection to their quieter songs.\n\nDunlap was versatile, bluesy, and dependent—three traits that would influence the Replacements last two studio albums, 1989’s Don’t Tell a Soul and 1991’s All Shook Down. Looking back, singer-guitarist Paul Westerberg and bassist Tommy Stinson credited Dunlap for bringing a spark of creativity and energy to the band during that final run. https://tinyurl.com/4uywnv4v"
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"name": "Sire Records"
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"text": "Written by Paul Westerberg, \"Skyway\" is a delicate acoustic ballad about unrequited love and daily observation in Minneapolis. It famously uses the city's, heated, pedestrian skyway system as a metaphor for longing and distance, featuring only acoustic guitars and sparse instrumentation.\n\nThe Replacements were originally known for their shambolic rock energy. As Westerberg explained in a 2008 interview to promote the video game Rock Band 2, he eventually overcame his reluctance to introduce more restrained material to the band.\n\n\"I thought there was no reason to drag these little ballads out and embarrass the group with them or make everybody sit down and play zithers,\" Westerberg said. \"I knew that we were a live act and I was fairly adamant about keeping my stuff away from them for a while until it kind of got to the point where the quiet stuff was better stuff and I simply got tired of shouting for about four years.\" https://tinyurl.com/2rfapakw"
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"text": "Ultrabomb are a collective US/Canada/UK trio including Greg Norton, bass player from Hüsker Dü; Finny McConnell, the singer/ guitarist of the Canadian Irish folk-punk band The Mahones; and Derek O'Brien, the original drummer for Social Distortion.\n\nOf \"Checked Out,\" Norton says, \"the track was inspired by life on the road, but there are many things we check out of. Sometimes in life you just need to move on.\""
}
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"name": "SST Records"
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"text": "\"Turn On the News\" was written by Grant Hart and recorded in one take, as were the majority of songs on the album.\n\nThe song was one of the more conventional rock songs on the experimental Zen Arcade. It begins with a single piano note repeating while segments of random news stories play. The bass drum beat is added, with a distorted guitar starting the three-chord progression.\n\nHart sings about the mass media's penchant for sensationalism and negative news headlines. The rest of the band shouts as he sings the ironic chorus of \"Turn on/Turn on/Turn on the news!\" https://tinyurl.com/33j8zh8t"
}
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