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"text": "The Mighty Lemon Drops' 1986 debut album, \"Happy Head,\" was coupled with their follow-up EP from the following year, \"Out of Hand.\"\n--\nDid you know that The Mighty Lemon Drops were originally called the Sherbet Monsters?"
}
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"name": "Ghetto Recording Company"
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"text": "The first Lightning Seeds single release, \"Pure\" came out on this day in 1990!\n\nThis track is significant in that it was the first song Ian Broudie had \"completely written and sung, ever\". He said later \"I didn't think that many people would be interested if I'm going to be honest, I suppose I didn't have the confidence really and I wasn't in a band but I did want to put my music out and get it heard.\" Nonetheless, Broudie proceeded to record \"Pure\" at a studio in Kirkby. 200 copies of the single were originally pressed, but after some radio play and attention at The Haçienda, the song became a classic."
}
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"name": "(Don’t Go Back to) Rockville"
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"name": "I.R.S. Records"
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"text": "Speaking of Peter Buck (and Co.)...\n\nThis is about Ingrid Schorr, a girl the band knew at the University of Georgia whose hometown was Rockville, Maryland. She got a lot of attention on campus as classmates lamented her departure for the summer.\n\nThis is one of the few R.E.M. songs where bass player Mike Mills wrote most of the lyrics and sings the lead vocal. Mills said, “There’s a turnaround in the song that’s inspired by part of a Simon & Garfunkel song (“Mrs. Robinson”) that I heard, and I started building the song around that. Sometimes the first line is the hardest line and once I got that first line (‘Looking at your watch a third time/Waiting in the station for a bus’), the rest of it flowed naturally.”: https://americansongwriter.com/dont-go-back-to-rockville-rem-behind-the-song/\n\nhttps://remhq.com/"
}
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"name": "Media play"
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"name": "(I Don’t Want to Go to) Chelsea (Basing Street Studios version)"
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"name": "Universal Music Group International"
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"comments": [
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"text": "This track written by Costello in the mid-1970s while working as a computer programmer. Costello recalls:\n\n\"Early one morning, I snuck my guitar into the office, as I knew I'd be working late into the night. Once everyone else had gone home and I was alone in the otherwise darkened building, with just the hum and chatter of the computer terminal and the far-off light of a coffee machine next to the stairwell where murderers lurked, I wrote '(I Don't Want to Go to) Chelsea'\""
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"name": "Town Called Malice / Precious",
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"text": "On this day in 1982, The Jam released this single from their 6th and final studio album.\n\nPaul Weller's lyrics reflected the social upheaval that had blighted the UK in the summer of 1981. The country was three years into Margaret Thatcher's Prime Ministership, the recession had started to bite, key industries were beginning to be closed down and unemployment passed the 2-and-a-half million mark for the first time in 50 years. https://tinyurl.com/2fztvkht"
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"text": "On this day, Joe Jackson released this debut album in 1979.\nThe album features one of Jackson's most well-known songs, \"Is She Really Going Out with Him?\", as well as the title track \"Look Sharp\", \"Sunday Papers\", \"One More Time\" and \"Fools in Love\". \"Sunday Papers\" is a takedown of the Fleet Street press, the UK print media that were prone to cover sensationalistic and frightening news stories to boost readership. Jackson had his battles with the press, who often categorized him in ways that weren't to his liking (New Wave?). His message here: don't trust everything you read, and don't let it affect your lifestyle. - https://bit.ly/3svP3bL"
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"airdate": "2026-01-29T17:36:05Z",
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"name": "Space Ghost’s Musical Bar‐B‐Que",
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"name": "Kid Rhino"
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"text": "\"What Day is It?\" is a Cartoon Planet song. The song is performed by Brak with Zorak providing additional vocals. It is track #15 from the album Space Ghost's Musical Bar-B-Que that was released in 1997."
}
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"name": "Air break"
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"text": "Viv Albertine spoke to Loud and Quiet about being a part of the Clash's White Riot tour that also included supporting acts The Jam, Buzzcocks, Subway Sect and The Prefects: “We were like the massive rebels of the tour. The way we looked was much more unusual or far out than the guys, because by now people were used to rock and roll looking guys, but girls in fetish wear, with their t-shirts slashed, hair standing a mile on end and in Doctor Martin boots? They couldn’t stand it...\"\nhttps://www.loudandquiet.com/interview/the-slits/\n\nWe've got Clash Day coming up this Friday, February 6th!"
}
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"name": "Virgin"
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"text": "Poly Styrene formed her own band after seeing the Sex Pistols on her 19th birthday. \nThat's Lora Logic (Susan Whitby) on saxophone! She was just 16 years old in 1977. \n\nThe lyrics combine a depiction of contemporary capitalist materialism as a brand of servitude with a \"feminist rallying cry\""
}
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"name": "Rebel Girl"
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"name": "Kill Rock Stars"
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"text": "\"Because the song is sung from the first person towards another first person, I have a lot of people I can direct that song to,\" says Kathleen Hanna. \"It can be in a sexy way or just women I would totally throw down for. \n\"Sometimes I will see a seven-year-old girl in the front row and I am singing it to her. When my mum was in the audience, I dedicated to her. Not all the lyrics fit, of course. But singing about looking up to somebody and wanting to be like them – that is part of my relationship with my mum and so many other women.\" https://tinyurl.com/2s3dudc5 https://bikinikill.bandcamp.com/ https://bikinikill.com/"
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"name": "Sub Pop Records"
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"comments": [
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"text": "A brand new Le Tigre cover from Irish band SPRINTS!\n\nThe band performed Live on KEXP in 2024. Check out the video here: https://www.youtube.com/watch?v=6FtN3HV1voM"
}
],
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"name": "Alcopop! Records"
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"comments": [
{
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"text": "The band says:\n“When we started writing ‘Straight Men’, it all started as a bit of a laugh in all honesty,” continues Hall. “I have a group of gay men outside a nightclub to thank for the hook ‘I’m really f****** scared of straight men’. It stuck with me for a while as I couldn’t quite shake it off. I think about the term ‘straight men’ and the feelings that arise, and how we really need to do better to achieve a shift in culture and change the universal experience that too many people face each day. If you sit by while your friend is being intimidating and outright inappropriate, you’re complicit in their behaviour. Call it out.”\nhttps://alcopop.bandcamp.com/album/straight-men\n\nMusic video (warning: flashing lights): https://www.youtube.com/watch?v=afwpGbPxDGA"
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"text": "Official music video for this track: \nhttps://www.youtube.com/watch?v=VpYhfuG4i7w"
}
],
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},
{
"playid": 3610552,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-01-29T17:04:54Z",
"epoch_airdate": 1769706294000,
"epoch_airdate_v2": "/Date(1769706294000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
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"artist": {
"artistid": 1302171275,
"name": "Thomas Dolby",
"islocal": false
},
"release": {
"releaseid": 1584806103,
"name": "She Blinded Me With Science",
"largeimageuri": "https://coverartarchive.org/release/42ec6615-b727-4af5-9671-cb0cefab5bf5/21031576779-500.jpg",
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"year": 1982
},
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"name": "She Blinded Me With Science"
},
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"name": "Capitol Records"
},
"comments": [
{
"commentid": 2061499762,
"text": "Most of the effects and the bass line were made with a Moog synthesizer. At the time, this was no easy task. Said Dolby:\n\n\"When I started out writing songs, synthesizers were still quite a rarified luxury. They were quite hard to get hands on and quite hard to operate. And when you did, there was still quite a lot of resistance in the mainstream to music made electronically. And so that was a natural place for me to be, because I wanted to be challenged and stimulated like that. But over the years, the whole realm of our choices become more democratized, shall we say, to the extent that on your iPhone today for a few bucks you can probably have more powerful synthesizers and samplers than I had in my entire studio back in the early '80s.\""
}
],
"showid": 65784
},
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"name": "Media play"
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"epoch_airdate_v2": "/Date(1769706071000)/",
"archive_urls": {
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"artist": {
"artistid": 39863956,
"name": "Peter Gabriel",
"islocal": false
},
"release": {
"releaseid": 809047960,
"name": "So",
"largeimageuri": "https://coverartarchive.org/release/be7b4f45-f19b-37ab-aa87-64501e75ffe8/7963930056-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/be7b4f45-f19b-37ab-aa87-64501e75ffe8/7963930056-250.jpg"
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"releaseeventid": 1555033390,
"year": 1986
},
"track": {
"trackid": 687743237,
"name": "Big Time"
},
"label": {
"labelid": 1953921724,
"name": "Geffen Records"
},
"comments": [
{
"commentid": 239703423,
"text": "Gabriel used a smorgasbord of sounds on this track, some of which were either processed through or generated by his synthesizers (a Fairlight CMI and Prophet 5) or drum machine (a Linn).\n--\nThe Memphis Horns, who also appeared on \"Sledgehammer,\" played on this one, as did Stewart Copeland of The Police, who contributed drums."
}
],
"showid": 65784
},
{
"playid": 3610549,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-01-29T16:57:01Z",
"epoch_airdate": 1769705821000,
"epoch_airdate_v2": "/Date(1769705821000)/",
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"artist": {
"artistid": 597949382,
"name": "Hot Chip & Peter Gabriel",
"islocal": false
},
"release": {
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"name": "08/09",
"largeimageuri": null,
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},
"releaseevent": {
"releaseeventid": 1500839427,
"year": 2008
},
"track": {
"trackid": 724952345,
"name": "Cape Cod Kwassa Kwassa"
},
"label": {
"labelid": 823358636,
"name": "XL Recordings"
},
"comments": [
{
"commentid": 71704945,
"text": "And here, we have Peter Gabriel and Hot Chip covering Vampire Weekend.\n\n\"But this feels so unnatural\nPeter Gabriel too\nAnd it feels so unnatural\nTo sing your own name\""
}
],
"showid": 65784
},
{
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"playtype": {
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"name": "Media play"
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"artist": {
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"name": "Vampire Weekend",
"islocal": false
},
"release": {
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"name": "Vampire Weekend",
"largeimageuri": "https://ia801400.us.archive.org/19/items/mbid-aa156c4a-8192-3a44-bae9-e3bbdbc2c2c1/mbid-aa156c4a-8192-3a44-bae9-e3bbdbc2c2c1-32706153798_thumb500.jpg",
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"releaseevent": {
"releaseeventid": 981137312,
"year": 2008
},
"track": {
"trackid": 270236625,
"name": "Cape Cod Kwassa Kwassa"
},
"label": {
"labelid": 823358636,
"name": "XL Recordings"
},
"comments": [
{
"commentid": 1748061936,
"text": "On this day in 2008: Vampire Weekend releases Vampire Weekend\n--\n\"The song is mostly preoccupied with the awkward fumblings of a young stoner and a young preppie, the former of whom wants to fool around with the latter but also feels 'so unnatural' about it. Appropriately, the groove of the tune is less kwassa kwassa and more tentative suburbia, building tension by alternating a stop-start arpeggiated guitar line with Koenig’s vocals, as a bongo-driven polyrhythm carries the song forward with an air of amateurishness that disguises its virtuosity.\"\n\nRead more from this 10-year retrospective of Vampire Weekend's eponymous debut: https://tinyurl.com/bdhnwc67"
}
],
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}
]
}
