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"text": "[airbreak] The Olympians are an instrumental retro-soul band led by Toby Pazner. New album In Search of a Revival out on Daptone Records February 13, 2026. Pre-order now:\n\nhttps://theolympians.bandcamp.com/album/in-search-of-a-revival"
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"text": "Originally released as a 1984 b-side to the single \"Heaven Knows I'm Miserable Now\", then included on 1984's \"Hatful of Hollow\" This song was recorded during a four-day period along with \"William, It Was Really Nothing\" and \"Please, Please, Please, Let Me Get What I Want.\"\n\nIt was finally released as a single on this day in 1985."
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"text": "David in Reno wanted to hear some The The this morning. Yes, please!\n\nThat harmonica and that guitar are being played by Johnny Marr. He was in The Smiths and Marr has been a member of the Pretenders, The The, Electronic, Modest Mouse, and the Cribs, and he has become a prolific session musician, working with names such as Kirsty MacColl, Pet Shop Boys, Talking Heads, Bryan Ferry, and Hans Zimmer. Johnny Marr is good at music!\n\nhttps://www.thethe.com/"
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"text": "Julia checking in from Olympia. Finding myself in need of that cup of ambition. If there is room could you play Can't hold us by Sampa the great? That song always gets me moving.\n======\n\"Zamrock is my sound,\" declares Sampa the Great. \"It’s my voice. Being Zambian, being loud, being defiant — that’s what Zamrock is. This is the declaration track. I’m saying: I’ve stepped into my power, into my sound, into my purpose. I’ve claimed this thing — Nu Zamrock — as something of my own, something I’m shaping in real time. And in this new form, with this much clarity and drive? You can’t hold us. You can’t stop us. Not anymore.\"\n\nhttps://sampathegreat.bandcamp.com/\nhttps://sampathegreat.com/"
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"text": "Janelle Monáe wrote this powerful song for the Liz Garbus and Lisa Cortés' 2020 documentary film 'All In: The Fight for Democracy'.\n\nCheck out the music video: https://www.youtube.com/watch?v=8CFrCk6_0rM\n\nhttps://www.jmonae.com/"
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"text": "Emmett G. Price, dean of African Studies at Berklee discusses the history of political campaign music and what makes \"Freedom\" such a versatile and poignant song.: https://www.berklee.edu/berklee-now/news/how-freedom-by-beyonce-became-campaign-anthem"
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"text": "“Bloody Sunday” was a term given to an incident to an incident, which took place on 30th January 1972 in Derry, Northern Ireland where British Soldiers shot 28 unarmed civilians who were peacefully protesting. Fourteen people were killed.\nRead the story behind this song: https://tinyurl.com/5n7rhuzu (The Medium)"
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"text": "\"The murder of Alex Pretti was horrifically shocking, all the more so as we are still reeling from the images of the murder of Renee Good. That these crimes can be committed in broad daylight, on camera and yet no one is held accountable only adds to the injustice.\n\nI wrote this song yesterday as a tribute to the bravery of the people of Minneapolis who, knowing that these trigger happy ICE thugs operate with seeming impunity in their midst, are still willing to put themselves in harms way to defend their community. Their resistance is an inspiration to us all.\" --YouTube https://www.youtube.com/watch?v=IKOW2ZikGW8\n\nhttps://braggb.substack.com/p/city-of-heroes\nhttps://billybragg.bandcamp.com\nhttps://www.billybragg.co.uk/"
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"text": "\"I thought that pain and truth were things that really mattered\nBut you can't stay here with every single hope you had shattered\nI'm not expecting to grow flowers in the desert\nBut I can live and breathe and see the sun in wintertime\"\n\n\"The lyrical idea was about having hope, a sense of self in times of trouble,\" [Stuart] Adamson told Melody Maker in March 1990.\n\nhttps://bigcountry.co.uk/"
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"text": "For Tim in Napa. Meanwhile, Rob sings his head off in Tacoma. It's 7:28am.\n--\nThe song speaks to the solidarity the band felt not only to their fans, but also to their crew members and everyone who pitched in. \"It was a gang that made The Alarm special,\" Mike Peters told Songfacts. \"'Sixty Eight Guns' is really the description of the feeling that you could make change for yourself and make your life a better place to be in.\" --Songfacts https://tinyurl.com/c342ca7z"
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"text": "The Call recorded \"The Walls Came Down\" for their second album, Modern Romans, a record notable for its political content. \"There was a great deal happening politically - Grenada, Lebanon, or the government saying the Russians are evil and the Russian government probably saying the same about us,\" the group's lead singer Michael Been later said. \"That kind of thinking inspired me to write the last lines of 'Walls Came Down.'\"\n\nThe Call's lead singer Michael Been was the father of Black Rebel Motorcycle's Robert Levon Been."
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"name": "The Sniper at the Gates of Heaven"
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"text": "These are fighting times, people. We are surrounded by grit, spit, and bloody war, but in the distance moving forward is The Black Angels. Passover, The Black Angels debut album, speaks of real-life horrors, death, and destruction with doses of love, sex, and healing. Don’t lose track, these are caring times as well. --Bandcamp\n\nhttps://blackangels.bandcamp.com"
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"name": "Virgin Records America, Inc."
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"text": "\"I won’t let you take him away\nAnd I won’t give to you the fires of hate\nSo I will never see\nWhat you’ve done to me\"\n\nhttps://blackrebelmotorcycleclub.com"
}
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"text": "Sting to Revolver in 2000 about this one: \"I actually wrote the song in Ireland, where I was living at the time. It was during the hunger strikes in Belfast. I wanted to write about that but I wanted to show some light at the end of the tunnel. I do think there has to be an 'invisible sun'. You can't always see it, but there has to be something radiating light into our lives.\"\n\nhttps://thepolice.com"
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