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"text": "My Morning Jacket's Jim James wrote this song after attending a Los Angeles rally the day after the tragic shootings at the Pulse Nightclub in Orlando. James said about the song: \"I was feeling so utterly gutted that things like this keep happening. It’s a song about speaking out and trying to be there for people in spirit even if you can’t be at every rally and battle. We have such a duty to speak out for equality and for each other. I will always lend my voice to whatever the civil rights issue is of the day, to whomever needs the most help and love.\" https://bit.ly/3cm9q5r\n\nhttps://www.jimjames.com/\nhttps://www.mymorningjacket.com/"
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"text": "Born in new Orleans in 1911 and passed away 54 years ago tomorrow, January 27th, 1972.\n\n\"General critical consensus holds Mahalia Jackson as the greatest gospel singer ever to live; a major crossover success whose popularity extended across racial divides, she was gospel's first superstar, and even decades after her death remains, for many listeners, a defining symbol of the music's transcendent power. With her singularly expressive contralto, Jackson continues to inspire the generations of vocalists who follow in her wake; among the first spiritual performers to introduce elements of blues into her music, she infused gospel with a sensuality and freedom it had never before experienced, and her artistry rewrote the rules forever. Born in one of the poorest sections of New Orleans on October 26, 1911, Jackson made her debut in the children's choir of the Plymouth Rock Baptist Church at the age of four, and within a few years was a prominent member of the Mt. Moriah Baptist's junior choir. Raised next door to a sanctified church, she was heavily influenced by their brand of gospel, with its reliance on drums and percussion over piano; another major inspiration was the blues of Bessie Smith and Ma Rainey.\" (allmusic's Jason Ankeny): https://bit.ly/3LOB2Vo."
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"text": "The enigmatic SAULT released this album in 2020, and shared the below statement: \n\n\"We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused. SAULT x\" https://saultglobal.bandcamp.com/"
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"text": "The IDLES frontman reveals, \"I promised my friend Danny [Nedelko, member of Bristol band Heavy Lungs and a Ukrainian immigrant] I’d write a song for him and him me; the tone comes from Danny, and the lyrics came as I thought of his exuberance and how important people like Danny are. I think of this one more as a humane portrait than a political song, but I wanted the two notions to be inseparable.\"\n\nIn a 2023 interview, Talbot states, \"I believe in socialism. Go fuck yourselves. I want to sleep at night knowing that my platform is the voice of reason and an egalitarian want for something beautiful – not the murder of Black people, homophobia at the workplace, racist front lines.\"\n\nHere's a great live version from when IDLES visited KEXP in 2018: https://tinyurl.com/yww6tz43\n\nhttps://www.idlesband.com/"
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"text": "Hüsker Dü may be no more, but Bob Mould's trio Sugar returns with first new music and live dates in over 3 decades!\n\nPlaying:\n- Seattle (Paramount Theatre) Saturday, August 15th\n- San Francisco (Warfield) Saturday, September 26th\n\nThe beautiful Mary Tyler Moore passed away 9 years ago yesterday. 9 years ago today, this was published: \n\n\"\"It was freezing cold,\" Mary Tyler Moore, who died yesterday at the age of 80, once told WHYY's Fresh Air of filming the iconic opening sequence to her beloved Mary Tyler Moore Show. \"It was in Minneapolis in January, I think.\"\n\nHarrowing words to those who know the feeling, the frozen skin, of Minneapolis in January — those like Bob Mould, guitarist and singer of the seminal and equally (to some) looming Hüsker Dü.\"\n\nBob Mould On Hüsker Dü's Cover Of 'The Mary Tyler Moore Show' Theme: https://n.pr/4t0UE9t.\n\nhttps://bobmould.com/"
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"text": "Travis's frontman Fran Healy told Yahoo!: \"'Sing' - You could replace that word with 'Dance' or 'Cry' or 'Laugh' or just 'Let Go.' 'Cause as an expression, when you're a child, you sing all the time. And then when you get older, you don't - you just go, 'I don't want to, my voice is crap.' But when you're a kid, you don't care! And I think that's what you should always have - a little bit of that still in you. People look at people in the street that sing like they're mad, like, 'What are you singing for?' But it's about having fun and feeling good and all that stuff.\" https://bit.ly/3vQLAFj\n\nhttps://travisonline.com/"
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"text": "\"Talented Toronto-born vocalist Charlotte Day Wilson collaborates with The Internet founding member and vocalist Syd (aka Sydney Bennett) for the sultry “Take Care of You.” Syd adds an airy accent to Day Wilson’s deeper tones—which dip even lower on the distorted chorus. The track was released as the counterpart to “Summertime” and both were written and produced by Day Wilson.\" https://bit.ly/4k10rYn\n\nhttps://charlottedaywilson.com/"
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"text": "Written by Nina Simone, the song \"Come Ye\" originally appeared on her 1967 album, \"High Priestess of Soul\". The album's songs are accompanied by a large band directed and arranged by Hal Mooney.\n\n\"Come ye ye who would have peace...\"\n\nhttps://www.ninasimone.com/"
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"text": "\"A river has historically been used in gospel music as symbolism for change and redemption. My goal was to write a song about my personal spiritual experience. It was written during a time of real depression in my life and I recall sitting in my garage trying to write a song which reflected this struggle.\" Beautiful video for \"River\" - https://youtu.be/0Hegd4xNfRo Leon Bridges performing \"River' live on Austin City Limits: https://youtu.be/s_paZpQvca0 https://www.leonbridges.com/"
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"text": "By request!\n\n\"I don’t write overtly political songs, although American Tune comes pretty close, as it was written just after Nixon was elected. Writing good political songs or so-called “protest songs” is its own art form. When I write about politics it’s usually part of a song, maybe a verse or two rather than the whole thing. Many of the songs, the ones that aren’t story songs, change subjects as often as any internal conversation does. Our minds flit from topic to topic all the time. I write like that.\"\nhttps://www.paulsimon.com/news/paul-simon-discusses-political-references-songs/"
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"text": "Going out to John in St. Paul: \"thank you for all the coverage and support you've been offering us for weeks as we endure this onslaught.\n\nIf you have a spot, could you play the Billy Bragg version of Which Side Are You On?\n\nThanks for everything you do, KEXP is a beacon of light and humanity in these dark times.\""
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"text": "Back in 2005, Patti Smith and her longtime guitarist Lenny Kaye stopped by the KEXP studios for an intimate in-studio session hosted by DJ Kevin Cole. At the time, the pair were on tour, celebrating the 30th anniversary of her seminal 'Horses' album. https://www.kexp.org/read/2022/3/2/patti-smith-lenny-kaye-her-1975-debut-album-horses-healthy-regmens-finding-joy/"
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"text": "“Plugging directly into the Abbey Road desk and pushing the needles into the red achieved the fuzz-guitar sound. According to George Martin “We got into distortion on that, which we had a lot of complaints from the technical people about. But that was the idea: it was John’s song and the idea was to push it right to the limit. Well, we went to the limit and beyond.”\n\nEnjoy the 2009 remaster of the official music video: https://www.youtube.com/watch?v=BGLGzRXY5Bw"
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"name": "T. Rex",
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"name": "Children of the Revolution / Jitterbug Love / Sunken Rags",
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"name": "T·REX"
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{
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"text": "From 1970 to 1973, T. Rex encountered a popularity in the UK comparable to that of the Beatles, with a run of eleven singles in the UK top ten. They scored four UK number one hits, \"Hot Love\", \"Get It On\", \"Telegram Sam\" and \"Metal Guru\""
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"name": "Manic Street Preachers",
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"name": "This Is My Truth Tell Me Yours",
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"track": {
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"name": "If You Tolerate This Your Children Will Be Next"
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"label": {
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"name": "Virgin Records America, Inc."
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"comments": [
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"text": "Nicky Wire wrote the song's lyrics in Barcelona. He felt especially proud of coming up with the opening line: \"The future teaches you to be alone, the present to be afraid and cold.\" Various real-life events from the Spanish Civil War provided inspiration. For example, the line \"If I can shoot rabbits/then I can shoot fascists\" is attributed to a remark made by a man to his brother who signed up with the Republican fighters. This was originally quoted in the book Miners Against Fascism by Hywel Francis. \n\nAnother line, \"I've walked Las Ramblas/but not with real intent\", brings to mind the account in George Orwell's first-hand account of the war, Homage to Catalonia of fighting on the Ramblas. According to Orwell, the various factions were seemingly getting nowhere with the fighting and often a sense of camaraderie overriding the vaunted principles each side was supposed to be fighting for. Wire has also acknowledged that he was also inspired by a song by the Clash, \"Spanish Bombs\", which features a similar subject."
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{
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"name": "Kim Wilde",
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"name": "Kim Wilde",
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"year": 1981
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"track": {
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"name": "Kids in America"
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"name": "RAK"
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{
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"text": "Released on this day in 1981, whoa oh!\n\nThis was Kim Wilde's first single. She racked up 19 Top-40 hits in England, but just one more in the US: a #1 cover of \"You Keep Me Hangin' On.\" She later became a prominent gardening expert in England.\n- https://www.kimwilde.com/"
}
],
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"artist": {
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"name": "Bruce Springsteen",
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"release": {
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"name": "Born in the U.S.A.",
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"year": 1984
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"name": "Born in the U.S.A."
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"label": {
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"name": "Columbia"
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"comments": [
{
"commentid": 1086083070,
"text": "'Born in the U.S.A.' is the seventh studio album by Bruce Springsteen, released in 1984 (six years after the previous song). A misunderstood classic - most people thought this was a patriotic song about American pride, when it actually cast a shameful eye on how America treated its Vietnam veterans. Springsteen considers it one of his best songs, but it bothers him that it is so widely misinterpreted. -- https://bit.ly/3cgOKyx\n\nhttps://brucespringsteen.net/"
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