GET /v1/play/?format=api&offset=44520
HTTP 200 OK
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Content-Type: application/json
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                    "text": "Time Without Consequence is the debut studio album by British singer-songwriter Alexi Murdoch.  Murdoch was born in London to an English mother, singer Louise Cordet, and a Greek father and lived in Greece until the age of ten, when his family settled in Scotland.\n\nMurdoch moved to the United States in 1992 to study at Duke University, before moving to Los Angeles, California.\n\nMurdoch has been compared to the late British singer-songwriter Nick Drake.  His first album Time Without Consequence was met with wide critical praise, gaining him five stars with Alternative Press as well as placing him on Rolling Stone's Top Ten Artists list.\n\nHis second release Towards the Sun gathered high praise in both the US and Europe. PopMatters, giving the record a 9/10 calls Murdoch's performance \"hauntingly beautiful\" and \"heartbreakingly lovely.\"  https://tinyurl.com/yc8ktb3f"
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                "name": "Mason Jennings",
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                "name": "Ballad of Paul and Sheila"
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                    "text": "Mason Jennings' \"Ballad of Paul and Sheila\" is a heartfelt, acoustic tribute to Minnesota Senator Paul Wellstone and his wife, Sheila, who died in a 2002 plane crash.\n\nWritten shortly after their deaths, the song focuses on the couple's legacy of love, activism, and the desire to live a more compassionate life in their honor. It also honours the couple's 39-year, \"undivided\" love and their dedication to fighting for others.\n\nJennings, who composed lyrics in a hotel while on the road, wrote the song to express hope and to pledge to carry on the progressive values and social activism that defined Paul Wellstone's career."
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                "name": "Times Like This",
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            "comments": [
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                    "text": "Robert Bruce \"Slim\" Dunlap (August 14, 1951 – December 18, 2024) was a Minnesota-based guitarist and singer-songwriter who was best known as a member of the Replacements from 1987 to 1991, replacing original lead guitarist Bob Stinson. Dunlap also recorded two solo albums in the mid-1990s.\n\nDunlap was influenced by Hank Williams and Keith Richards, and had been called \"one of the last old-school cool guitar players.\" Towards the end of 1992 Dunlap started recording his own first solo album, The Old New Me, which was released in 1993. It was followed by his second solo album, Times Like This, in 1996. His former bandmate Curtiss A played harmonica on both records.\n\nAllMusic called The Old New Me a \"rootsy, engaging ride,\" and Times Like This \"the opposite of the Replacements' rowdy, unscripted alt-rock vitriol [that] wins on its own unobtrusive terms.\" https://tinyurl.com/5cpz7xad"
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                "name": "Secular Music Vol. 1",
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                    "text": "At the Girls of the Internet headline show at the Jazz Café in March, 2025, The Gospel of Thomas made their live debut completely unannounced and without warning.\n\nArmed with just two cheap samplers worth under £300 each, The Gospel of Thomas created a unique deep house performance in the legendary venue.\n\nThe recording was recorded, and has been edited into six tracks over their debut release, taking in influences from Detroit, early Chicago house, Aphex Twin's Selected Ambient Works & Sheffield's Bleep scene of the late 80's. https://tinyurl.com/4km6b4mw \n\nEquipment used: 1 x Teenage Engineering EP–133 K.O. II 1 x Sonicware Liven Texture Lab"
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                    "text": "The extremely personal nature of the songs means that for the first time, Dan Snaith’s the only singer on a Caribou record.\n\n\"There were some songs that I was thinking 'Maybe I’ll get somebody else to try singing on this,' but once I’d written the lyrics I thought 'I need to be saying this, this is my story.'\"\n\nThe album’s title reflects that personal element too, taken from the word entering his youngest daughter’s vocabulary. It seemed to perfectly encapsulate everything that happened. \n\n\"It’s funny, now I spend all these interviews talking about how much the word fits the music and how much it fits my life. It seems like a totally inevitable thing.\" https://tinyurl.com/4y77kcm4\n\nFun fact: Born in Dundas, Ontario, Canada, Snaith received a PhD degree in mathematics from Imperial College London in 2005 for work on Overconvergent Siegel Modular Symbols under Kevin Buzzard. Snaith described his work ironically in a modest manner as \"original, but I would still call it trivial.\"\n\nHe is the son of mathematician Victor Snaith, and brother of mathematician Nina Snaith. https://tinyurl.com/mwyyj6xm"
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                    "text": "Released in 1972, Why Can't We Live Together is the debut album by Timmy Thomas, and was historically the first record to fully replace drummers with a drum machine.\n\nThe album reached number ten in 1973 on the US R&B albums chart on the strength of the million-seller single, \"Why Can't We Live Together.\"\n\nThis song is notable for being recorded in mono; its sparse, stripped-down production, features a Lowrey organ, bossa nova-style percussion from an early rhythm machine, and Thomas's passionate, soulful vocal. Thomas recorded a demo at Dukoff Recording Studios in North Miami, Florida, with Bill Borkan acting as sound engineer.\n\nThe single version got more airplay because the longer instrumental coda was considered by many radio stations to be closer to jazz. TK Records staff producer Steve Alaimo listened to the demo of the song and was going to re-cut it with a full band, but then decided the song was already finished the way it was. https://bit.ly/3dRNmib"
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                    "text": "\"Kaputt\" was released on this day in 2011.\n\nStay strong. Hug your loved ones."
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                    "text": "https://mereba.bandcamp.com/album/the-breeze-grew-a-fire\nhttps://www.merebamusic.com/"
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                    "text": "From Waahli's album \"Soap Box\" Waahli is an artist-musician of Haitian descent based in Montreal. He is a member of Hip Hop Supergroup Nomadic Massive.\n\nhttps://youtu.be/z-LO4B1jgH8\n\nhttps://waahli.bandcamp.com/track/te-revoir\nhttps://waahli.com/"
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                "name": "Black & Proud: The Soul of the Black Panther Era, Volume 2",
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                    "text": "\"Who'll Pay Reparations on my Soul?\" is a poem/song about the plight of overcoming America's history of oppression.\n\nOriginally released in 1970 on the album \"Small Talk at 125th and Lenox\" on Flying Dutchman Records.\n\nhttps://gilscottherononline.com/"
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                    "text": "Pete Rock takes one of the stand out tunes on Wray's 2022 album \"Piece of Me\" and gives it an entirely different energy with thundering drums and a bassline that shake the windows in the car.\n\nhttps://ladywray.bandcamp.com/album/piece-of-me-remix-feat-ghostface-killah-b-w-joy-pain-pete-rock-remix\nhttps://www.ladynicolewray.com/"
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