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"text": "In this interview LeToya Luckett talks about being intimidated by Beyoncé’s singing voice in Destiny’s Child: https://bit.ly/3Q2IKHh\n---\nThis song also samples Night Whistler by Donald Byrd, produced by the Mizell Brothers."
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"text": "This gorgeous song was co-written by Williams and produced by Maurice White and Charles Stepney. It's been sampled almost 60 times and covered at least 18 times.\n--\nThis four-time Grammy winner has a four-octave voice. Born June Deniece Chandler in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were Carmen McRae (for her diction) and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. Read a biography: https://www.allmusic.com/artist/deniece-williams-mn0000816701/biography"
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"text": "Honoring Martin Luther King Jr. Day, and his legacy.\n\nReverend Thomas A. Dorsey first penned this song, and the earliest known recording was made in 1937. It has been published in more than 40 languages, and was Martin Luther King Jr.'s favorite song.\n\nIn Questlove's documentary \"Summer of Soul,\" the performances are riveting — standouts include Mahalia Jackson and Mavis Staples belting out \"Take My Hand, Precious Lord\" and the Edwin Hawkins Singers’ “O Happy Day” — it’s the shots of the all-ages crowd that makes this film come alive, with the vibrant fashions, the incredible faces, the excitement, the boredom and the humanity of it all packed into every frame.\n\nhttps://bit.ly/3wr64VE"
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"text": "Written by Bob Dylan - https://www.bobdylan.com/songs/god-our-side/\n\n\"The lyrics address the tendency of Americans (or many societies) to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, The Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot. Dylan added an additional verse, written by Aaron Neville, about the Vietnam War for live versions in the 1980s (which was recorded by The Neville Brothers) that ran thus:\n\nIn the nineteen-sixties came the Vietnam War / Can somebody tell me what we're fightin' for?\nSo many young men died / So many mothers cried\nNow I ask the question / Was God on our side?\n\nThe words from the song \"whether Judas Iscariot had God on his side\" inspired Tim Rice to write the lyrics of Jesus Christ Superstar from Judas's perspective.\" https://bit.ly/4sJXP5r"
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"text": "Going out to Franq in Portland!\n\n\"Poor people gonna rise up | And get their share | Poor people gonna rise up | And take what's theirs\"\n\nThis song can be found on Tracy’s first album, which itself is entitled Tracy Chapman. The tune was written by the singer herself (when she was just 16 years old) and produced by David Kershenbaum.\n\nLearn more about this song here: https://tinyurl.com/vkjw54jc"
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"text": "\"A rollicking vocalist and gifted harmonica player, Syl Johnson's blues-informed soul found respectable success as he toiled through the '60s and '70s, but took on a second life as later generations discovered his punchy, celebratory recordings. Johnson scored hits like 1967's \"Different Strokes\" and 1969's socio-political reflection \"Is It Because I'm Black?\" but he'd left music behind by the mid-'80s to focus on real estate and his chain of restaurants. As the years passed, samples from Johnson's songs found their way into multiple high-profile rap and hip-hop tracks, and new generations of crate diggers began seeking out the original artifacts. Johnson returned to the studio and the stage in the mid-'90s, and was the subject of both anthology compilations and a documentary film as he released new material like 1999's Talkin' Bout Chicago and 2002's collaboration with his brother Jimmy, Two Johnsons Are Better Than One.\" (allmusic's Ron Wynn) https://bit.ly/3LV9k9p"
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"text": "Check out \"Music w/ a Message Series: Tupac - Words of Wisdom Part 1\" on Naesthetycs LLC, a Milwaukee, Wisconsin-based multimedia production company dedicated to challenging anti-Blackness and illuminating the multifaceted realities of Black life. It was founded as a blog by Nateya Taylor at 19 yrs old, in 2017 as a sophomore in college, to discuss topics that were not being discussed on her predominately white campus. https://bit.ly/4pPXNpT"
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"text": "New Orleans funk kings The Meters produced predominantly instrumental records under their own name, focusing on percussive rhythms intertwined with organ and guitar. They served as a backing band for artists like Robert Palmer and Paul McCartney. This song has been sampled by Digable Planets, Flying Lotus, Run-DMC, KRS-One, Salt n Peppa, Talib Kweli and many more."
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"text": "\"Good luck, brothers...Show 'em what you got....\" The song deals with former Arizona governor Evan Mecham, who faced harsh criticism during his time in office after he refused to recognize Martin Luther King's birthday as a national holiday. When this song was released in 1991, Arizona and New Hampshire were the only states that did not recognize the Martin Luther King holiday. Here are the lyrics: https://genius.com/Public-enemy-by-the-time-i-get-to-arizona-lyrics And, here's the video: https://www.youtube.com/watch?v=zrFOb_f7ubw&list=LL6LGeigL6ItCHy_R15nyOtg&index=71"
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"text": "By request from Ryan!\n\nThe album's name and album cover are both inspired by Malcolm X. By All Means Necessary is a reference to Malcolm's speech at the founding rally of the Organization of Afro-American Unity in 1964, and the album cover was inspired by a famous picture of Malcolm X."
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"text": "Out to Dom!"
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"text": "By request from Sue!\n\nThe Disposable Heroes of Hiphoprisy was formed in 1990 by Michael Franti and Rono Tse. The band's name was derived in part from the phrase \"The Disposable Heroes of Hypocrisy\", used in some Socialist literature. -- Franti and Tse worked with Consolidated producer Mark Pistel to program the beats for “Hypocrisy.” Pistel’s production for Consolidated combined pop, industrial, and hip-hop. He ditched the pop influence for the Disposable Heroes, instead going for a Bomb Squad-meets-Ministry sound.: https://www.rapreviews.com/2013/02/disposable-heroes-of-hiphoprisy-hypocrisy-is-the-greatest-luxury/"
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"text": "In 2015, West Coast underground legend Georgia Anne Muldrow honored and celebrated Black ancestors.\nhttps://georgiaannemuldrow.bandcamp.com/\n\nLearn more here: \nhttps://www.jetmag.com/entertainment/georgia-anne-muldrow-debuts-great-blacks/\n\nAnd check out a 2019 KEXP live in-studio performance: \nhttps://youtu.be/T152M2m_8i8"
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"text": "RIP D'Angelo\n---\nThe 2014 follow-up album - 14 years later - to 2000's 'Voodoo', 'Black Messiah' was produced and mostly written by D'Angelo, who collaborated with musicians including percussionist Questlove, bassist Pino Palladino, guitarist Isaiah Sharkey, and horn player Roy Hargrove.\n---\nhttps://www.rcarecords.com/artist/dangelo/"
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