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"text": "Released in the UK in 1977, Fela Kuti's 'Zombie' was a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic (a commune that Fela had established in Nigeria), during which one thousand soldiers attacked the commune. Kuti was severely beaten, and his elderly mother was thrown from a window, causing fatal injuries.\n\nhttps://felakuti.bandcamp.com"
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"text": "Going out to Mike in Oakland!\n\nIn this 1984 song, Jerry Dammers demands the release of Mandela, who was the leader of the African National Congress (ANC). He had been imprisoned by the South African government since 1962 on charges of sabotage and attempting to overthrow the government. Not surprisingly, this song couldn't be played freely in South Africa. Prisoner no 46664 was finally released in February 1990 and became State President of South Africa in 1994. - https://bit.ly/3AJren0"
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"text": "\"Move on Up\" was a tribute of sorts to Mayfield's Chicago neighbors, The Staple Singers. \"Curtis lived around the corner from us,\" Mavis Staples told Mojo magazine. \"He was like my baby brother. He'd drop by and we'd eat together and he'd talk politics with Pops. One day he came to Pops and said 'I want to write songs like The Staple Singers do, and Pops said 'Curtis man, you're a writer, a poet! Write some of those songs!' The first one Curtis wrote was 'Move On Up' and he came round and played it to us and Pops said, 'That's my boy!'\""
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"text": "Metal Fingers -- alias used by British hip-hop artist/producer MF Doom. Ghostface Killah Recalls When He Learned Metal Fingers And MF DOOM Were The Same Person IN A RECENT INTERVIEW, GHOSTFACE KILLAH RECALLED HOW A METAL FINGERS BEAT TAPE LED TO HIM REALIZING THAT IT WAS ANOTHER ONE OF MF DOOM'S ALIASES. https://www.okayplayer.com/music/ghostface-killah-mf-doom-fishscale.html"
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"text": "\"Sometimes a single song on an album crystallizes the entire album's themes and sonic ambitions, illuminating everything else around it. It becomes the pump irrigating all the other tracks with deeper meaning. And sometimes a single line within a song serves the same function on a smaller scale. 'Soldier,' on Erykah Badu’s masterful 2008 album 'New Amerykah Part One (4th World War)', is that song, and the line doing double duty is, 'And if you think about turning back, I got the shotgun for your back.' That's Erykah's shout-out to Harriet Tubman and her tack for dealing with slaves she’d helped escape, but whose fears of what freedom might mean (and cost) gave them cold feet, making them consider voluntarily returning to bondage. Those words very much resonate in the here and now.\"\n\nhttp://www.trunkworthy.com/erykah-badus-new-amerykah-part-one-is-visionary-and-worth-far-more-than-3-60/"
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"text": "Queen Latifah's classic \"Ladies First\" debuted on \"Yo! MTV Raps.\" \n--\nThe music video for “Ladies First” features overlooked rap pioneers like Ms. Melodie, MC Peaches, and Ice Cream Tee, as well as another up-and-coming MC, Monie Love. The music video addresses systemic racism and features images of Sojourner Truth, Harriet Tubman, and Angela Davis, who were central in the struggle for both Black and women’s liberation. Also featured are brutal images of South Africa’s apartheid.: https://www.youtube.com/watch?v=8Qimg_q7LbQ"
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"text": "\"Dis Generation\" uses samples from Invisible and, especially, Musical Youth. \n\n\"Talk to Joey, Earl, Kendrick, and Cole..\"\nQ-Tip names Joey Bada$$, Earl Sweatshirt, Kendrick Lamar and J. Cole as four contemporary MCs who can be compared to the greats of the 1990s.\n--\nSee the official video for \"Dis Generation\": https://www.youtube.com/watch?v=kQaSDJYwdh4"
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"text": "Don't everybody like the smell of gasoline?\nWell, burn, muthafucka, burn, American dreams\nDon't everybody like the taste of apple pie?\nWe'll snap for yo' slice of life, I'm tellin' ya why\nI hear that Mother Nature now's on birth control\nThe coldest pimp be looking for somebody to hold\nThe highway up to Heaven got a crook on the toll\nYouth full of fire, ain't got nowhere to go, nowhere to go\n---\nhttps://genius.com/Outkast-gasoline-dreams-lyrics"
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"text": "\"Listen it's up to everyone\nIf we're gonna change the way the world is run\nThe way to start is to rid the children of\nPrejudice and ignorance\nWe've gotta teach our kids to read and write\nThat's the only way to win this fight for life\nEducation is the goal so\nIf you wanna be in the know\""
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"text": "DJ Dez aka Andres, a Slum Village DJ and Detroit native, released this 12'' debut, New For U, on his own label La Vida.\nhttps://andres.bandcamp.com/track/new-for-u"
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"text": "1988 all-time house classic!\n\nJoe Smooth began hosting house parties and DJing throughout Chicago’s underground music scene at the age of 16; at 18, he opened his first underground night club called East Hollywood Mannequins. In 1983, at the age of 20, Joe became the head DJ at the now world famous Smart Bar nightclub.\n\nHere's a biography and interview with Joseph Lorenzo Jr. Welbon (Joe Smooth): http://snschicago.com/joe-smooth/"
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"text": "Aly-Us is a house music group from New Jersey that was active mostly in the early 1990s. Their most famous record was \"Follow Me\" from 1992. Aly-Us originally started as trio composed of vocalist \"Supa\" aka Eddie L. Lewis, DJ Kyle \"Small\" Smith, and vocalist William Brian Jennings, and was active until 1996."
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"name": "It’s All Right",
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"name": "Toolroom Records"
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"text": "Later covered by Pet Shop Boys, Sterling Void worked on \"It's All Right\" (as it was originally spelled) with producer Marshall Jefferson. They brought in Paris Brightledge, who wrote the lyrics and also sang on the track. The song was recorded and mixed over two days at a Chicago recording studio. Record Mirror described their original version as \"a deep house anthem of blissful quality, emotional singing from Paris Brightledge and an optimistic scenario of music as the vanquisher of war and oppression\". https://bit.ly/3YMPdNy\n\nhttps://toolroom.bandcamp.com/album/it-s-alright-feat-paris-brightledge"
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"name": "Someday"
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"label": {
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"name": "Atlantic"
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"comments": [
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"text": "Cleveland-born vocalist Ce Ce Rogers wisely changed his name from Kenny to avoid confusion with the country/pop singer. James Brown nicknamed him Ce Ce as a teen, after watching the young Rogers imitate Chubby Checker. Rogers later studied music in Boston, where he was a classmate of Wynton Marsalis. Marsalis urged him to concentrate on his vocals. Rogers moved to New Jersey and formed Ce Ce & Company, where he worked with vocalist Sybil. After producer Marshall Jefferson saw his show, he recruited Rogers to sing the vocals on a song he'd written titled \"Someday.\" The song did well enough for Rogers to land his own deal. His 1989 LP Forever was well received by dance audiences, and he followed it in 1991 with Never Give Up. (allmusic's Ron Wynn). https://bit.ly/4jPHrfA"
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