GET /v1/play/?format=api&offset=5500
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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                    "text": "Songwriter Dave Davies explained that the initial idea came from Hank Williams' \"I'll Never Get Out of This World Alive,\" which inspired the \"Strangers\" line, \"If I live too long, I'm afraid I'll die.\" Davies found the line funny. The song got more serious, though, and eventually came to be about Davies' old school friend George Harris.\n\n\"We were dear friends,\" Davies said. \"Actually, George and I were going to start a band, but he got too heavily into drugs and it kind of pulled us apart. The drug thing was like a three-way affair. He died of a methamphetamine overdose. They found him departed... he was young. I always felt it was going to be me and him. I didn't think at that age that it was going to be me and Ray. So I really kind of wrote it to him; 'Strangers on this road we are on, we are not two we are one.' It was like, what might of been if he hadn't died so tragically.\""
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                    "text": "Joining Kim Deal on “Coast” is her twin sister and guitarist, Kelley Deal, marching band Mucca Pazza, and rhythm section Lindsay Glover and Mando Lopez. Deal wrote the song in 2020 after witnessing the “revelatory levels of low self-esteem” from the house band at her friend’s wedding, the Grape Whizzers, while they covered Jimmy Buffett’s “Margaritaville.”"
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                    "text": "Toronto musicians badbadnotgood said about this song, \"The groove for “Take What’s Given” came together while we were messing around during setup, and we were just having fun with it until  [Houston musician] reggie started freestyling what became the lyrics. It quickly became an infectious song and we ended up laying it down within a couple takes. Stylistically it’s super different than anything we’ve put out before but we had such a fun time playing it and it was stuck in our heads for a year while we worked on other stuff.\""
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                    "text": "Here's a delightful interview with Willie J Healey and Jamie T, two \"daily songwriters\": https://diymag.com/interview/jamie-t-willie-j-healey-bunny"
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                    "text": "In a 1990 interview , Simon said: \"In 'Still Crazy After All These Years,' that title phrase came to me first. And it didn't come with melody, either. It just came as a line. And then I had to create a story.\"\n\nRegarding the unusual chord changes, he added: \"I was studying with a bass player and composer named Chuck Israels at the time so I was doing more interesting changes. I was studying harmony with him. Instead of using a minor chord I use a major chord and go up a step. It is hard to get an interesting key change. I also like to write a bridge and just jump a whole-tone up. 'Still Crazy' has that.\"\n--\nPaul Simon dressed as a turkey when he debuted this song on Saturday Night Live in 1976: https://www.facebook.com/100064035043542/videos/paul-simons-monologue-worries-snl/2486424628328021/"
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                    "text": "That's Rod Argent's sprightly piano playing. Chris White wrote the song."
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                    "text": "Kirby Lauryen Dockery is an artist/ singer-songwriter from Southaven, Mississippi. She co-wrote this song with producer Jeff \"Gitty\" Gitelman (who plays electric guitar here).\n--\nPsst! Want to see a live performance?: https://www.youtube.com/watch?v=-IDxhjpYTkg"
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                    "text": "This song was originally going to be sung by Sly Stone’s group Little Sister. Their LP was shelved, however, and Sly ended up releasing it himself in July, 1974. \n--"
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                    "text": "The title comes from a reggae band called Jimmy Scott and his Obla Di Obla Da Band. Says Paul McCartney, \"A fella who used to hang around the clubs used to say in a Jamaican accent, \"Ob-la-di, ob-la-da, life goes on,\" and he got annoyed when I did a song of it, 'cause he wanted a cut. I said, 'Come on, Jimmy, it's just an expression.\"\n--\nAccording to the New York Times, the Desmond in the opening lyric is a reference to Jamaican music pioneer Desmond Dekker."
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                    "text": "\"As romantic testaments go, it’s hard to top, in part because Wonder understands that the bright side of love looks all the more luminous when compared to the unfathomable darkness of loneliness.\" Read a tribute to \"I Believe...\": https://americansongwriter.com/stevie-wonder-believe-fall-love-will-forever/\n--\n“For me, me being an optimist doesn’t mean that I don’t think tragedies won’t happen, because I think part of growing is understanding pain as well as joy,” Stevie says, recalling how difficult it was for his mother to accept that he was blind. “And I said, ‘Maybe God has something for me that’s bigger than all this.’”"
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                    "text": "This gorgeous song featured woodwinds from Harold Dessent, bass from Lucky Scott, and keyboards from Rich Tufo.: https://www.pastemagazine.com/music/curtis-mayfield/falling-so-in-love-with-curtis-mayfield-and-orchestral-manouevres-in-the-dark"
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                    "text": "Sam Cooke wrote the civil rights anthem “A Change Is Gonna Come” after encountering racial discrimination while on tour in Shreveport.\nHere's the story behind this song: https://64parishes.org/entry/a-change-is-gonna-come"
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