GET /v1/play/?format=api&offset=55580
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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                    "text": "Barbara Mason & Bunny Sigler released \"Locked in This Position\" in 1977 on Curtom Records."
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                    "text": "The La-Mars offered their cover of Aretha Franklin's \"Rock Steady\" on Beckman Records sometime during the 70s."
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                    "text": "The Hitchikers & Mighty Pope collaborated on \"Mr. Fortune\" and b-side \"I May Have Been A Fool\" in 1971."
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                    "text": "Soul Toronados released \"Crazy Legs\" and b-side \"Bobby's Mood\" under the Westwood Record Company label in 1970.\n\nThe group consisted of Charles Heller who played drums and twin brother Bobby Heller on Hammond/Organ. They recruited James Crawford as a guitarist, but he left soon because he couldn't keep up the hard practicing the Heller twins did. They found James 'Boots' Smith and got him into the band.\n\nAfter some years, Ernest Burt discovered the bands talent and hired them to release Soul Toronados - Go For Yourself / Funky Thang in 1969 on Burt. They recorded Soul Toronados - Hot Pants Break Down / Boot's Grove a little later. This was released on Magic City recordings, also owned by Burt. In the Mid -70's, they recorded their third release, Soul Toronados - Crazy Legs. But this recording escaped the Magic City vaults for some reason and ended up in the hands of Ernie Malick of the Westwood Record Co. label under dubious circumstances."
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                    "text": "Overnight Band released \"Disco Tossed Salad\" as the b-side to \"Bubba Up\" in 1979 with Mopres Records."
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                    "text": "François de Roubaix released \"Just Be Cool\" in 1970 on the Les Novices soundtrack.\n\t\nFrançois de Roubaix was a French multi-instrumentalist and composer for commercials, TV series, and about 30 feature-length films. After discovering jazz music in 1954, he started playing trombone in Parisian bars, becoming friends with actor Pierre Richard in the process. It soon turned out he had a great sense of melody and sound, and how to mix instruments. He scored his first film in 1965, moving into the world of soundtracks. In 1972 he was one of the first to install a home studio which he used a lot for both experimentation and finalized tracks, often working its 8 tracks with engineer Jean-Pierre Pellissier."
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                    "text": "Detroit's own Will Sessions collaborated with Rickey Calloway on \"Shake It Up, Shake It Down\" on the album Deluxe.\n\nOriginally formed in a Detroit basement in 2007 as a solo project, Will Sessions has quickly evolved into a solid core of musicians adept at shifting effortlessly between rare funk, hip hop, jazz-fusion and soul music.\nRickey Calloway is a R&B funk singer, rhythm guitar musician and songwriter from Jacksonville, Florida. Much of Calloway's music is a reminder of James Brown's music."
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                    "text": "The Beginning of the End released \"Come Down\" in 1971 on their Funky Nassau album with Alston Records.\n\nThe Beginning of the End was a funk quartet from Nassau, Bahamas consisting of three brothers plus one.\nThey released two albums in the 70's before breaking up and scored a dance funk hit with \"Funky Nassau\" in 1971, a definite classic of the genre."
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                    "text": "Jazz/rock band Air released \"Mr. Man\" on their self-titled debut album in 1971 by Embryo Records, which had been founded by Herbie Mann in 1969. The four core band members were Tom Coppola (Hammond organ, Allen organ, piano), John Siegler (bass), Mark Rosengarden (drums), and Googie Coppola (piano, vocals). The album also featured Randy Brecker on trumpet, Michael Brecker on saxophone, Barry Rogers on trombone, David Earle Johnson on congas and timbales, Robert Kogel on guitar, Bob Rosengarden on vibes, plus Jan Hammer and Herbie Mann on percussion. Herbie Mann was also the producer."
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                "name": "Ovation Records"
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                    "text": "Folk female duo Heaven & Earth released \"Feel the Spirit\" on their 1973 album Refuge with Ovation Records.\nHeaven & Earth was Patricia Gefell - Guitar, and Jo D. Andrews - Vocals.\nThe duo formed in 1969 in Pennsylvania, moving on to New York and existing through regional touring until their dissolution in 1974."
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                    "text": "Funk/soul outfit Mugo released \"Organized\" sometime in the mid-70s.\n\nThe song, written by Reuben McNair Jr., is a vocal response to urban blues. More recent reissues of Mugo's work, including \"Organized\" remixed by Kenny Dope, have been released by Kay-Dee Records."
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                "name": "Media play"
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                "name": "The Herb Johnson Settlement",
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                "name": "7\" 45 RPM",
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                "year": 1972
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                "name": "Damph F'Aint'"
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            "label": {
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                "name": "Toxan Records"
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                    "text": "The Herb Johnson Settlement released \"Damph F'Aint'\" and a cover of Carole King's \"Will You Still Love Me Tomorrow\" as a b-side in 1972."
                }
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                "name": "Media play"
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            "airdate": "2025-10-13T02:39:52Z",
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                "name": "7\" 45 RPM",
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                "name": "Can We Rap"
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            "comments": [
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                    "text": "Carleen & The Groovers released their most famous song \"Can We Rap\" along with b-side \"Right On\" in the early 70s. \n\nCarleen & The Groovers were a Columbia, South Carolina deep funk band led by drummer Carleen Butler. Clary Butler, the group's trumpeter, started his career with Wilson Pickett before forming the Groovers with his sister in 1970."
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                "name": "Soul Freedom"
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                "name": "Sound Triangle"
            },
            "comments": [
                {
                    "commentid": 746028179,
                    "text": "Ray & His Court released \"Soul Freedom\" on their self-titled album in 1973.\n\nThe king of Miami, Florida's Cuban music scene, the late Ray Fernandez, fronted his enormously talented family band which included his wife and two sons. Ray & His Court proved to be a highly influential group on Miami's Latin music scene of the late seventies - the group was highly versatile and easily shifted from Salsa to Cuban funk and even Reggae."
                }
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            },
            "artist": {
                "artistid": 1168082096,
                "name": "James Brown",
                "islocal": false
            },
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                "releaseid": 901135951,
                "name": "It’s a New Day - Let a Man Come In",
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                "year": 1970
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                "trackid": 1310826016,
                "name": "Give It Up or Turnit a Loose"
            },
            "label": {
                "labelid": 220156763,
                "name": "Polydor"
            },
            "comments": [
                {
                    "commentid": 1853472132,
                    "text": "James Brown originally released \"Give It Up or Turnit a Loose\" as a single in 1969. The song became a #1 R&B hit and also made the top 20 pop singles chart. \"Give It Up or Turnit a Loose\" appeared as an instrumental on the Ain't It Funky (1970) album, removing Brown's vocals and adding guitar overdubs, while the vocal version was released on It's a New Day – Let a Man Come In (1970)."
                }
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        {
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                "name": "Air break"
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}