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"text": "This Madonna cover closes out NYC duo Mothermary's 2022 album, I Am Your God.\nhttps://mothermary.bandcamp.com/\n\n\"Twin sisters Larena and Elyse (aka MOTHERMARY) don’t just use their past as a creative starting point on their debut album – it’s the entire essence of it. They’re both former Mormons who left their religious lives behind, one way or another reaching New York.\"\n\nRead more here: https://tinyurl.com/y662cc4y"
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"text": "Bob Mould will headline the SMooCH Benefit on Saturday, December 13th. Go right here to get tickets and raise funds for uncompensated care at Children's Hospital.: https://www.kexp.org/events/kexp-events/smooch-2025/"
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"text": "Merry Clayton: “It was very late at night, [I] had curlers… in my head, and was ready to go to bed. I got a call… there’s a group of guys in town called the Rolling somebodies… and they need somebody that will sing with them. They picked me up with silk pajamas on, a mink coat and a Chanel scarf on my head.”\nMick Jagger added: “We said it would be wonderful if a woman sang this part that I’d written about rape, murder and all this. It was in the middle of the night and we thought we’d love to have a woman sing this part. It was kind of a raunchy part to sing.”\nClayton: “I said ‘What? Rape, murder, it’s just a shot away’?” Rmember that she was just 20 years-old and pregnant when she sang that haunting vocal in November 1969.: https://www.youtube.com/watch?v=ChONufP0FEs"
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"text": "On this day in 1969 The Rolling Stones released Let It Bleed, featuring \"Gimme Shelter\" and \"Midnight Rambler.\"”"
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"text": "This is an antiestablishment song of defiance and blue-collar pride, both anti-Washington and against the Vietnam War. John Fogerty and Doug Clifford both enlisted in the Army Reserves in 1966 (to avoid being drafted and shipped to Vietnam) and were discharged in 1968 after serving their military commitments. \"The song speaks more to the unfairness of class than war itself,\" Fogerty said. \"It's the old saying about rich men making war and poor men having to fight them.\"\n--\nUntil 2023, Fogerty didn't own the publishing rights to this song. He lost them, along with all the other songs he wrote for CCR, in his contract with Fantasy Records, which the band signed when they were struggling. Fantasy's boss at the time, Saul Zaentz, controlled the rights and could use the songs as he pleased, as long as they weren't performed by any member of CCR. Fogerty seethed over how \"Fortunate Son\" shilled out and misrepresented, but he had no choice. He expressed this frustration on his solo track \"Vanz Kant Danz.\"\n\nFogerty was finally able to purchase his catalog in 2023 when he was 77. By then, Fantasy had been acquired by Concord Music."
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"text": "\"Drenched in echo, Slick sings with martial precision, completely in command of her vibrato and dipping and rising all through the Phrygian scale (also known as the Spanish or Gypsy scale.) And no wonder, the song was written in 1965 after an LSD trip at her Marin county home where Slick had listened to Miles Davis’ \"Sketches of Spain\" over and over again for 24 hours.: https://www.openculture.com/2024/02/hear-grace-slicks-hair-raising-vocals-in-the-isolated-track-for-white-rabbit-1967.html#google_vignette"
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"text": "This classic was written by brilliant songwriting team Barry Mann and Cynthia Weil.: https://www.mann-weil.com/"
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"text": "The original..\n--\nWatch a very young group of musicians performing this song live in 1966: https://www.youtube.com/watch?v=YVhn1edWaDA"
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"text": "Public Enemy intepolated the hook from Buffalo Springfield's \"For What It's Worth\" in this song. \n--\nThey not only sampled the original recording, but also brought songwriter Stephen Stills into the studio to play guitar and re-sing a chunk of Buffalo Springfield’s 1966 protest classic."
}
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"text": "Good morning John, Owen, Crew - and my fellow morning faithful.\nWriting from the chilly northeast and, given that it's a Friday, I was wondering if you'd consider playing (later in the morning's set) Bill McClintock's Buffalo MC \"Stop and Bust a Move.\" Seems to be a Friday kind of song.\nPeace and love, --Walt from Jersey\n--\nMash-up expert Bill McClintock took Buffalo Springfield’s 1966 anthem, \"For What It’s Worth\" and Young MC’s 1989 dance floor-filler \"Bust a Move\" — both tunes with a I-IV chord progression — and melded them into this hybrid musical gem:"
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"text": "\"Urban Hymns,\" The Verve's third studio album, has been our Album of the Week on The Morning Show. \n--\nRichard Ashcroft was inspired by a song called \"The Four Horsemen\" from Aphrodite's Child (a project of Vangelis and Demis Roussos).: https://faroutmagazine.co.uk/psychedelic-masterpiece-inspired-the-verve/"
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"text": "Formed in Gadigal Land/Sydney in 2020 before making the move to Naarm/Melbourne, Radio Free Alice is Noah Learmonth (he/him; vocals, guitar), Jules Paradiso (he/him; guitar), Michael Phillips (he/him; bass, saxophone), and Lochie Dowd (he/him; drums).: \n--\nThe quartet combine an unlikely set of influences that includes ‘80s titans like Talking Heads, The Cure, The Smiths and The Sunny Boys, alongside more recent reference points like Parquet Courts, Ought and The Strokes.: https://www.doubledrummermusic.com/radio-free-alice\n--\nHere's the official visualizer for \"Rule 31\": https://www.youtube.com/watch?v=HWkG9Z_gGGg"
}
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"text": "Los Membrillos is a shoegaze, dream pop, and noise pop band from Lima, Peru. They are known for their skillful use of ethereal atmospheres and noise in their songs. They released their first LP, titled \"Distimia, in August 2025.: https://losmembrillos.bandcamp.com/album/distimia\n--\nThis song from that album was remixed by composer and producer (and vocalist and guitarist) Stephen Patman of Chapterhouse.: https://thefatangelsings.com/tag/stephen-patman/"
}
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"text": "Dolly's struggle for independence from her partnership with Porter Wagoner inspired this tune. \"'Light Of A Clear Blue Morning' was my song of deliverance,\" she explained in her 2020 book, Songteller. \"I felt like I was trapped in a situation and needed to be free, because God was calling me, life was calling me, to something bigger. But I felt like my feet were nailed to the floor.\" (She wrote \"I Will Always Love You\" for Wagoner).\n--\nSee her perform the song live on Regis and Kelly: https://www.youtube.com/watch?v=LTm3Fgdu2dM"
}
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"text": "Audio engineer Ken Caillat recalls the origin of the song:\n\"Most of the material for the album was composed in the studio but Stevie used to get bored, sitting around while all the technical stuff was going on, so she asked if there was a room with a piano to noodle around on.\n\nWell, the Record Plant told her she could use Sly Stone’s studio — a little sunken room that they’d built for him to work in — and one day while we were working on some track, she came in and said, ‘I’ve just written the most amazing song.’ ‘Really? Let’s hear it.’\n\nSo, she walked over to the Rhodes — which, like everything else, was always mic’d up and ready to go — and she played ‘Dreams’. Everyone else joined in, she did a guide vocal, and that was the keeper. It’s the only time that ever happened. She tried to redo the vocal again and again, but she could never beat the original. I actually wanted her to beat it, because it had the drums leaking into her vocal mic and, in a couple of spots where she sang softly, I had to ride it up and you could hear even more of the snare. Still, it was a one-off.\""
}
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{
"playid": 3587081,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-12-05T16:58:03Z",
"epoch_airdate": 1764953883000,
"epoch_airdate_v2": "/Date(1764953883000)/",
"archive_urls": {
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},
"artist": {
"artistid": 573338054,
"name": "Olivia Dean",
"islocal": false
},
"release": {
"releaseid": 207546910,
"name": "The Art of Loving",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 258601473,
"year": 2025
},
"track": {
"trackid": 1519218374,
"name": "Nice To Each Other"
},
"label": {
"labelid": 1011044097,
"name": "PLG, Capitol Records"
},
"comments": [
{
"commentid": 1868542313,
"text": "Olivia Dean wrote, \"'Nice To Each Other' is a song about the push and pull of exploring your independence in dating. It’s about enjoying someone in the present and allowing it to be both light and meaningful. I think this song and video represents a playfulness in me that I’m excited for people to see.\"\n--\nHere's that video: https://www.youtube.com/watch?v=VI0NDsh2b8k"
}
],
"showid": 65293
}
]
}