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"text": "#41 on YOUR countdown of the greatest albums of all time!\n\nLead singer Wayne Coyne says the inspiration for the song came from a woman named Yoshimi who played with The Boredoms. He had a recording of her screaming that he thought sounded like a fight. The Boredoms were a Japanese noise-rock group from the early '90s, with roots in the experiments of artists like Sonic Youth. They gained a small following and even played at Lollapalooza. -- Steve Drozd, the band's drummer-turned-guitarist/keyboardist, told how he achieved the slide-sounding effect at the beginning of the song: \"It's a pitch bender on a pedal. In the studio I'm using a DigiTech whammy pedal, but that's just a Boss GT8 and I'm running that through a delay so it's feeding back on itself. Nothing tricky at all. It could be a slide or something, but it's basically the same effect. I hit the whammy pedal so that it goes up high then comes back down.\""
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"text": "#43 on YOUR countdown of the greatest albums of all time!\n\n\"Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of \"Shine on You Crazy Diamond\" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor. Musically, it's arguably even more impressive, showcasing the group's interplay and David Gilmour's solos in particular. And while it's short on actual songs, the long, winding soundscapes are constantly enthralling.\" (allmusic's Stephen Thomas Erlewine) https://bit.ly/3qDK9gR"
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"text": "#44 on YOUR countdown of the greatest albums of all time!\n\nMy Iron Lung\" was recorded live. After attempting to record the song in a studio, the band used a live recording from a performance at the London Astoria. The crowd noise was taken out, and they re-recorded Yorke’s vocals. “We just happened to record it onto a 24-track tape and having not done a very good version in the studio, we thought that it sounded much better from this concert,” guitarist Jonny Greenwood said. “So we just used that.”"
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"text": "#45 on YOUR countdown of the greatest albums of all time!\n\n\n\"Scenario\" features members of the Long Island hip-hop collective Leaders Of The New School, who released their debut album a few months earlier. Among them, Busta Rhymes, who was 19 at the time. The song was a breakout for Busta, who found fame as a solo artist, releasing his debut album in 1996."
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"text": "#46 on YOUR countdown of the greatest albums of all time!\n\n\n In the foreword for \"Buffy Saint-Marie: The Authorized Biography\", Joni Mitchell writes in 2018: \"When I started out in the sixties there weren’t many women writing music, but Buffy Sainte-Marie was an exception to the rule... Buffy really helped me at the beginning: before I was well-known, she performed songs I wrote, bringing them to a wider audience, and she played my tape for anyone who would listen.\" https://www.pbs.org/wnet/americanmasters/joni-mitchell-deep-respect-for-buffy-sainte-marie/24213/"
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"text": "#47 on YOUR countdown of the greatest albums of all time!\n\nInterpol's show stopping debut!!!"
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"text": "#48 on YOUR countdown of the greatest albums of all time!\n\n\nWhen bassist Tina Weymouth came up with a striking bass line, the band “took that lick and extrapolated it, slowly building a piece around it. After weeks of jamming, David Byrne and producer Brian Eno came in to the studio to start adding arrangements and lyrics to the music pieces.”\nEno counted the rhythm of the song differently than everyone else did, resulting in a distinctive layering of different grooves all at once. On top of this came the lyrics, which Byrne developed as he “sat down and listened to televangelist sermons, pulling phrases from them and crafting them into lyrics.” Put together, “the song creates a trancelike state, capturing the manic monotony of middle-class existence” with both its captivatingly repetitive music (played by the band members acting as “human samplers”) and its words, as Byrne himself interprets them, “about the unconscious, about how we operate half-awake on autopilot.”: https://www.openculture.com/2019/02/how-talking-heads-and-brian-eno-wrote-once-in-a-lifetime.html"
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"text": "#52 on YOUR countdown of the greatest albums of all time!\n\n\nThe pop-punk song was inspired by American rock band The Velvet Underground, but more particularly the lead singer Lou Reed. “Queen Bitch” acts as a tribute to the band from Bowie, who was a huge fan of the group and their music. The lyric “trying hard to pull sister Flo”, is a direct reference to The Velvet Underground’s track “Sister Ray” and sonically, many music critics have compared the song’s main riff to The Velvet Underground’s “Sweet Jane“.\n--\n Lou Reed performed this with Bowie at his 50th birthday party in New York in January 1997.: https://www.youtube.com/watch?v=Q-NX1DJUAI8"
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"text": "#51 on YOUR countdown of the greatest albums of all time!\n“I wrote it [\"Head Like a Hole\"] at the last minute as a throwaway,” Trent Reznor said in 2005. “The rest of 'Pretty Hate Machine' was already written, and we’d revised everything else about nine times. Up until then songwriting had been a meticulous and agonizing process, but this took me 15 minutes in my bedroom.” https://www.loudersound.com/features/the-story-behind-the-song-nine-inch-nails-head-like-a-hole"
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"text": "#53 on YOUR countdown of the greatest albums of all time!\n\nStories From the City, Stories From the Sea was PJ Harvey's fifth studio album. Recorded during March to April 2000, it contains themes of love that are tied into Harvey's affection for New York City."
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"text": "#54 on YOUR countdown of the greatest albums of all time!\n\n\nIn 1993, guitarist Johnny Marr, told Select magazine that he thought this was \"the best song\" that he had ever heard.\n\n\"When we all got together, one-two-three-four, it was the first time all four of us had heard what it sounded like. It was magical. Someone told me that if you listen with the volume really, really up you can hear me shout 'That was amazing' right at the end.\" https://faroutmagazine.co.uk/the-story-behind-the-smiths-song-there-is-a-light-that-never-goes-out/"
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