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"text": "The bass line from Wilson Pickett's \"In the Midnight Hour\" was sampled here. The song was written by Clarence Carter, Marcus Daniel, and Wilbur Terrell."
}
],
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"text": "Wilson Pickett and Steve Cropper co-wrote this song.\n--\nThe title came from something Steve Cropper heard Wilson singing on one of his gospel tracks. Said Cropper: \"Wilson says he wrote the song but, you know, I listened to some old church stuff he sang on and he was singing, 'See my Jesus in the midnight hour, see my Jesus in the midnight hour,\" over and over, and I said, 'I'm gonna see my girl in the midnight hour,' what about that?'\""
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"name": "Loud Records, RCA"
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{
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"text": "\"Glaciers of Ice\" sampled the vocal from Booker T & the Mg's \"Children, Don’t Get Weary.\"\n--\n(Caution: Flashing Lights!) Here's the video for \"Glaciers of Ice\": https://www.youtube.com/watch?v=IBWFkyX--Ms"
}
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"text": "That's Judy Clay of The Drinkard Singers on vocals here. The great song was written by Frank Williams."
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"text": "This is Cuban-American jazz percussionist Ramón \"Mongo\" Santamaría Rodríguez's cover of Booker T & the Mg's \"Hip Hug‐Her.\""
}
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"text": "\"Don't Curse\" contains samples of \"Hip Hug-Her\" by Booker T. & the M.G.'s, \"Tramp\" by Otis Redding and Carla Thomas, \"Just Rhymin' With Biz\" by Big Daddy Kane feat. Biz Markie, \"Step to the Rear\" by Brand Nubian, \"She's Mine\" by Basic Black and \"The Do Do\" by Biz Markie."
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"text": "The interracial quartet consisted of keyboardist Booker T Jones, guitarist Steve Cropper, bassist Lewie Steinberg, and drummer Al Jackson.\n--\nThe bittersweet title track of their fifth album, a group composition driven by a funky groove and distinguished by Booker T. Jones’s infectious organ line, was issued as a single ahead of the parent album in April 1967. It made No.6 on the US R&B charts (No.37 Pop) and proved to be the group’s biggest single since their debut, “Green Onions,” five years earlier."
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"text": "This song interpolated the hook from Booker T. & the MG’s \"Boot Leg.\"\n--\nThis tune was written by Larry and Roger Troutman of Zapp and has been sampled more than 30 times."
}
],
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"name": "wea"
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"comments": [
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"text": "This song sampled the hook from Booker T. & the MG’s \"Boot Leg.\"\n--\nHere's a biography of Brazilian musician Tim Maia: https://www.luakabop.com/artists/tim-maia"
}
],
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"text": "In the mid-1960s, Booker T.Jones was often away from Memphis while studying music full-time at Indiana University. Stax writer and producer Isaac Hayes usually stepped in when Jones was unavailable for session work, and on several sessions Jones and Hayes played together with one on organ, the other on piano. However, Hayes was never a regular member of the M.G.'s, and Jones played on all the records credited to Booker T. & the M.G.'s, with one exception: the 1965 hit \"Boot-Leg\", a studio jam with Hayes playing keyboards in Jones's place. According to Cropper, it had been recorded with the intention of releasing it under the name of the Mar-Keys (the name had sometimes been used on singles by the Stax house band). However, as recordings credited to Booker T. & the M.G.'s were meeting with greater commercial success than those credited to the Mar-Keys, the decision was made to credit \"Boot-Leg\" to Booker T. & the M.G.'s, even though Jones did not participate in the recording."
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"text": "Gravediggaz brought together Prince Paul (The Undertaker), Frukwan (The Gatekeeper), Too Poetic (The Grym Reaper) and RZA (The RZArector)\n--\nProducer Prince Paul directly sampled the hook from Booker T. & the MG’s \"Sunny.\""
}
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"text": "That lovely guitar work is by Steve Cropper as Booker T. & The MG's cover the Bobby Hebb (written and sung by Hebb) in 1963."
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"text": "\"Give It Up\" sampled the hook from \"Opus De Soul\" by Albert King, Steve Cropper and Pop Staples, \"I Got You (I Feel Good)\" by James Brown, \"Theme From Shaft\" by Isaac Hayes, \"Think (About It)\" by Lyn Collins, \"Whoomp! (There It Is)\" by Tag Team and \"Rebel Without a Pause\" by Public Enemy."
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"name": "Stax"
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"text": "About Steve Cropper as a guitarist: (1)His chord voicings often leaned on open strings and simple triads, creating a raw, earthy sound that matched the emotional directness of soul music.\n(2)His fills were conversational, like a friend chiming in at just the right moment. They never distracted from the singer; instead, they reinforced the vocal line.\n(3)His tone was clean, bright, and unadorned. He rarely used effects, preferring the natural sound of his Fender Telecaster or Esquire through a tube amp. :https://www.culturesonar.com/appreciating-steve-cropper-a-master-of-concision-and-taste/\n--\nThis song was written by Alvertis Isbell (Al Bell), producer and co-owner of Stax Records."
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"commentid": 2147247191,
"text": "This was the only cover song on The Black Crowes' debut album, which sold over five million copies.\n--\nSee a live performance in the video for \"Hard to Handle\": https://www.youtube.com/watch?v=BRcs_OzQb14"
}
],
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"name": "Protect Ya Neck",
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"track": {
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"label": {
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"name": "Loud Records"
},
"comments": [
{
"commentid": 1581326088,
"text": "For the drums on this song, producer RZA sampled \"a stone-cold soul classic—Otis Redding’s 'Hard to Handle.'\": https://create.routenote.com/blog/how-rza-produced-the-debut-wu-tang-clan-record-protect-ya-neck/"
}
],
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"text": "Marley Marl is one of the most important people in hip-hop history. He's the one who figured out how to sample — getting pieces of songs off vinyl records and into a drum machine. Check out this interview to learn more: https://www.npr.org/sections/microphonecheck/2013/09/11/221440934/marley-marl-on-the-bridge-wars-ll-cool-j-and-discovering-sampling\n--\nMarley Marl produced this track and sampled the hook from Otis Redding's \"Hard to Handle.\""
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