HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept
{
"next": "https://legacy-api.kexp.org/v1/play/?format=api&limit=20&offset=56100",
"previous": "https://legacy-api.kexp.org/v1/play/?format=api&limit=20&offset=56060",
"results": [
{
"playid": 3563103,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:43:16Z",
"epoch_airdate": 1760053396000,
"epoch_airdate_v2": "/Date(1760053396000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 1982724062,
"name": "Rush",
"islocal": false
},
"release": {
"releaseid": 887384236,
"name": "Moving Pictures",
"largeimageuri": "https://ia601908.us.archive.org/4/items/mbid-b0c87e09-5563-402e-a52d-2096e6d615fb/mbid-b0c87e09-5563-402e-a52d-2096e6d615fb-40921836627_thumb500.jpg",
"smallimageuri": "https://ia801908.us.archive.org/4/items/mbid-b0c87e09-5563-402e-a52d-2096e6d615fb/mbid-b0c87e09-5563-402e-a52d-2096e6d615fb-40921836627_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 642929858,
"year": 1981
},
"track": {
"trackid": 294449,
"name": "Tom Sawyer"
},
"label": {
"labelid": 806377223,
"name": "Mercury Records"
},
"comments": [
{
"commentid": 183380494,
"text": "#147 on the KEXP countdown...\n\nMoving Pictures became the band’s biggest selling album in the U.S., rising to #3 on the Billboard charts. It remains Rush’s most popular and commercially successful studio recording.\n\nhttps://www.rush.com/albums/moving-pictures/"
}
],
"showid": 64788
},
{
"playid": 3563101,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-09T23:36:00Z",
"epoch_airdate": 1760052960000,
"epoch_airdate_v2": "/Date(1760052960000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64788
},
{
"playid": 3563100,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:31:36Z",
"epoch_airdate": 1760052696000,
"epoch_airdate_v2": "/Date(1760052696000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 786322515,
"name": "Pearl Jam",
"islocal": true
},
"release": {
"releaseid": 2082482776,
"name": "Vs.",
"largeimageuri": "https://ia801404.us.archive.org/18/items/mbid-7244f710-6090-43a2-a4e0-772623d71cf5/mbid-7244f710-6090-43a2-a4e0-772623d71cf5-2452991174_thumb500.jpg",
"smallimageuri": "https://ia601404.us.archive.org/18/items/mbid-7244f710-6090-43a2-a4e0-772623d71cf5/mbid-7244f710-6090-43a2-a4e0-772623d71cf5-2452991174_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 73685622,
"year": 1993
},
"track": {
"trackid": 653305352,
"name": "Elderly Woman Behind the Counter in a Small Town"
},
"label": {
"labelid": 2097627989,
"name": "Epic"
},
"comments": [
{
"commentid": 1717404270,
"text": "#148...\n\nWhat do you do as a band when your debut album helps to create a global musical phenomenon the world hadn’t seen in decades? Easy, you release the follow up which sells more records in its first week than any record in history.\n\nWhen Pearl Jam released Vs. on October 19th, 1993, it was one of the most anticipated albums of all-time. \n\nhttps://medium.com/the-riff/pearl-jam-vs-2514662a9da1"
}
],
"showid": 64788
},
{
"playid": 3563099,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:27:19Z",
"epoch_airdate": 1760052439000,
"epoch_airdate_v2": "/Date(1760052439000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 20390579,
"name": "Radiohead",
"islocal": false
},
"release": {
"releaseid": 580554267,
"name": "Hail to the Thief. (The Gloaming.)",
"largeimageuri": "https://ia600206.us.archive.org/35/items/mbid-1914265d-82f5-4811-a62e-d3d7df23150c/mbid-1914265d-82f5-4811-a62e-d3d7df23150c-21806230364_thumb500.jpg",
"smallimageuri": "https://ia600206.us.archive.org/35/items/mbid-1914265d-82f5-4811-a62e-d3d7df23150c/mbid-1914265d-82f5-4811-a62e-d3d7df23150c-21806230364_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1971161739,
"year": 2003
},
"track": {
"trackid": 195085504,
"name": "Where I End and You Begin. (The Sky Is Falling In.)"
},
"label": {
"labelid": 611357551,
"name": "Parlophone"
},
"comments": [
{
"commentid": 779661812,
"text": "#149...\n\nCheck out a new live album that sees the band reflecting on their 6th album, Radiohead’s Hail to the Thief (Live Recordings 2003-2009) is comprised of performances of songs in London, Amsterdam, Buenos Aires, and Dublin between 2003 and 2009. The album was mixed by Ben Baptie and mastered by Matt Colton.\n\nhttps://radiohead.bandcamp.com/album/hail-to-the-thief-live-recordings-2003-2009"
}
],
"showid": 64788
},
{
"playid": 3563098,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:22:08Z",
"epoch_airdate": 1760052128000,
"epoch_airdate_v2": "/Date(1760052128000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 352548676,
"name": "Tame Impala",
"islocal": false
},
"release": {
"releaseid": 2084951744,
"name": "Currents",
"largeimageuri": "https://ia802804.us.archive.org/21/items/mbid-47349b48-0937-4519-88cc-20b6e47b1059/mbid-47349b48-0937-4519-88cc-20b6e47b1059-20674956488_thumb500.jpg",
"smallimageuri": "https://ia902804.us.archive.org/21/items/mbid-47349b48-0937-4519-88cc-20b6e47b1059/mbid-47349b48-0937-4519-88cc-20b6e47b1059-20674956488_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1175768100,
"year": 2015
},
"track": {
"trackid": 1034822368,
"name": "Eventually"
},
"label": {
"labelid": 1966145730,
"name": "Modular Recordings, Interscope Records"
},
"comments": [
{
"commentid": 1186323477,
"text": "#150 in our countdown of listener-voted favorite albums of all time...\n\nCurrents has an amazing origin story. Apparently Parker was pranked at a hometown wedding by some mates, who arranged for the DJ to play a Tame Impala song in the middle of the reception. It ended up clearing the dancefloor. Parker was mortified: “It was such a rude awakening. It was awful! I was like, ‘Whaaaat? No-one wants to dance to Tame Impala?’ \n\nThe idea that my music would clear out a dancefloor definitely made me feel like something was missing from my work.” The experience fired him up and gave him a new goal: “That was one of the moments where I was like, ‘Fuck this, I wanna make music that people can dance to.’”\nhttps://tinyurl.com/hunxhvyv"
}
],
"showid": 64788
},
{
"playid": 3563097,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-09T23:14:18Z",
"epoch_airdate": 1760051658000,
"epoch_airdate_v2": "/Date(1760051658000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64788
},
{
"playid": 3563096,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:10:01Z",
"epoch_airdate": 1760051401000,
"epoch_airdate_v2": "/Date(1760051401000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 1915618533,
"name": "Sufjan Stevens",
"islocal": false
},
"release": {
"releaseid": 237906298,
"name": "Carrie & Lowell",
"largeimageuri": "https://coverartarchive.org/release/a3a5335f-3739-42e9-b755-6f944a5f427a/10246499760-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/a3a5335f-3739-42e9-b755-6f944a5f427a/10246499760-250.jpg"
},
"releaseevent": {
"releaseeventid": 1105474030,
"year": 2015
},
"track": {
"trackid": 1141848584,
"name": "Should Have Known Better"
},
"label": null,
"comments": [
{
"commentid": 860535955,
"text": "#151...\n\nSufjan Stevens remains embarrassed by the raw grief of the 2015 album devoted to his late mother. He calls it “painful, humiliating, and an utter miscarriage of bad intentions.” \nRead more in this review: https://pitchfork.com/reviews/albums/sufjan-stevens-carrie-and-lowell-10th-anniversary-edition/"
}
],
"showid": 64788
},
{
"playid": 3563093,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:06:37Z",
"epoch_airdate": 1760051197000,
"epoch_airdate_v2": "/Date(1760051197000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 1065915973,
"name": "Grateful Dead",
"islocal": false
},
"release": {
"releaseid": 297606496,
"name": "American Beauty",
"largeimageuri": "https://coverartarchive.org/release/193be930-94f7-340a-9131-70185d22d238/5095748553-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/193be930-94f7-340a-9131-70185d22d238/5095748553-250.jpg"
},
"releaseevent": {
"releaseeventid": 1393600644,
"year": 1970
},
"track": {
"trackid": 1885431157,
"name": "Sugar Magnolia"
},
"label": {
"labelid": 737267319,
"name": "Rhino"
},
"comments": [
{
"commentid": 476918562,
"text": "#152...\n\nAmerican Beauty, Grateful Dead’s fifth and greatest studio album.\nRead a review here: https://pitchfork.com/reviews/albums/grateful-dead-american-beauty-the-angels-share/"
}
],
"showid": 64788
},
{
"playid": 3563092,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:05:37Z",
"epoch_airdate": 1760051137000,
"epoch_airdate_v2": "/Date(1760051137000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 663038592,
"name": "Neil Young",
"islocal": false
},
"release": {
"releaseid": 2121539081,
"name": "After the Gold Rush",
"largeimageuri": "https://coverartarchive.org/release/95723f6f-f2e3-4a94-9ede-5d2f69932a8a/25980652618-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/95723f6f-f2e3-4a94-9ede-5d2f69932a8a/25980652618-250.jpg"
},
"releaseevent": {
"releaseeventid": 22050246,
"year": 1970
},
"track": {
"trackid": 468381529,
"name": "Don’t Let It Bring You Down"
},
"label": {
"labelid": 851229252,
"name": "Reprise Records"
},
"comments": [
{
"commentid": 1885290945,
"text": "#153 as we continue the countdown of favorite albums...\n\nOn September 19th, 1970, Neil Young’s third solo album, After The Gold Rush, was released and it was a huge success. Young was inspired by a movie script by Dean Stockwell and Herb Bermann, called After The Gold Rush.\nhttps://en.apoplife.nl/neil-youngs-first-masterpiece-after-the-gold-rush/\n--\nRecorded in Neil’s home studio in Topanga, on March 17, 1970, “Don’t Let it Bring You Down” gets a big sound out of stripped-down instrumentation: Ralph Molina on drums, Greg Reeves on bass, Nils Lofgren on piano & Neil on acoustic guitar."
}
],
"showid": 64788
},
{
"playid": 3563091,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T23:03:15Z",
"epoch_airdate": 1760050995000,
"epoch_airdate_v2": "/Date(1760050995000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 663038592,
"name": "Neil Young",
"islocal": false
},
"release": {
"releaseid": 2121539081,
"name": "After the Gold Rush",
"largeimageuri": "https://ia801307.us.archive.org/35/items/mbid-79570854-e6f2-4d86-8aef-fabe194166e5/mbid-79570854-e6f2-4d86-8aef-fabe194166e5-12839532860_thumb500.jpg",
"smallimageuri": "https://ia601307.us.archive.org/35/items/mbid-79570854-e6f2-4d86-8aef-fabe194166e5/mbid-79570854-e6f2-4d86-8aef-fabe194166e5-12839532860_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 761097968,
"year": 1987
},
"track": {
"trackid": 468381529,
"name": "Don’t Let It Bring You Down"
},
"label": {
"labelid": 851229252,
"name": "Reprise Records"
},
"comments": [],
"showid": 64789
},
{
"playid": 3563090,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:59:24Z",
"epoch_airdate": 1760050764000,
"epoch_airdate_v2": "/Date(1760050764000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 297417794,
"name": "INXS",
"islocal": false
},
"release": {
"releaseid": 1231467001,
"name": "Kick",
"largeimageuri": "https://ia800204.us.archive.org/11/items/mbid-83fa1561-58c1-335d-a997-80ad21c4a396/mbid-83fa1561-58c1-335d-a997-80ad21c4a396-6484071535_thumb500.jpg",
"smallimageuri": "https://ia800204.us.archive.org/11/items/mbid-83fa1561-58c1-335d-a997-80ad21c4a396/mbid-83fa1561-58c1-335d-a997-80ad21c4a396-6484071535_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 761097968,
"year": 1987
},
"track": {
"trackid": 625091972,
"name": "Need You Tonight"
},
"label": {
"labelid": 1834846595,
"name": "Atlantic"
},
"comments": [
{
"commentid": 1576248931,
"text": "#154 in our countdown of listener-voted favorite albums of all time...\n---\nHear that slap? Multi-instrumentalist Andrew Farriss used the Roland 707 drum machine. The song came out just months after the debut of the Roland machine.: https://articles.roland.com/need-you-tonight-by-inxs/"
}
],
"showid": 64788
},
{
"playid": 3563089,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:54:57Z",
"epoch_airdate": 1760050497000,
"epoch_airdate_v2": "/Date(1760050497000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 1789825645,
"name": "Gorillaz",
"islocal": false
},
"release": {
"releaseid": 2092571172,
"name": "Plastic Beach",
"largeimageuri": "https://ia903206.us.archive.org/16/items/mbid-e7def36e-04dc-3a80-83c5-4f705c6eab2f/mbid-e7def36e-04dc-3a80-83c5-4f705c6eab2f-3779708729_thumb500.jpg",
"smallimageuri": "https://ia903206.us.archive.org/16/items/mbid-e7def36e-04dc-3a80-83c5-4f705c6eab2f/mbid-e7def36e-04dc-3a80-83c5-4f705c6eab2f-3779708729_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1252461384,
"year": 2010
},
"track": {
"trackid": 2137792227,
"name": "Stylo"
},
"label": {
"labelid": 403024738,
"name": "Virgin"
},
"comments": [
{
"commentid": 1360245352,
"text": "#155...\n---\nThe song features guest vocals from Bobby Womack and rapper Mos Def. Gorillaz bassist Murdoc Niccals wrote: \"Bobby Womack’s chorus, he just explodes into the track. How good is it to get Bobby Womack on the record? This was the first recording he’s made in 15, 20 years, so what an honour. Bobby said he only returned to do this Gorillaz track because his granddaughter said Gorillaz were cool. Which is true. We are.\""
}
],
"showid": 64788
},
{
"playid": 3563087,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:52:51Z",
"epoch_airdate": 1760050371000,
"epoch_airdate_v2": "/Date(1760050371000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 596011703,
"name": "Fugazi",
"islocal": false
},
"release": {
"releaseid": 1868362480,
"name": "13 Songs",
"largeimageuri": "https://ia601206.us.archive.org/32/items/mbid-5f692216-1932-4cfa-ad6e-0e3c2304579f/mbid-5f692216-1932-4cfa-ad6e-0e3c2304579f-3323637378_thumb500.jpg",
"smallimageuri": "https://ia601206.us.archive.org/32/items/mbid-5f692216-1932-4cfa-ad6e-0e3c2304579f/mbid-5f692216-1932-4cfa-ad6e-0e3c2304579f-3323637378_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1568729616,
"year": 2003
},
"track": {
"trackid": 1046894010,
"name": "Waiting Room"
},
"label": {
"labelid": 1010194541,
"name": "Dischord Records"
},
"comments": [
{
"commentid": 155337506,
"text": "#156 on the KEXP countdown...\n--\nThat wonderful bass line is from Joe Lally. -- See a bass teacher react to hearing \"Waiting Room\" for the first time: https://www.youtube.com/watch?v=j-NHXyekSiw\n--\nYou know you love this song, but here are \"30 Fugazi songs you have to pretend to like more than \"Waiting Room'\": https://thehardtimes.net/music/30-fugazi-songs-you-have-to-pretend-to-like-more-than-waiting-room/"
}
],
"showid": 64788
},
{
"playid": 3563088,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-09T22:47:32Z",
"epoch_airdate": 1760050052000,
"epoch_airdate_v2": "/Date(1760050052000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64788
},
{
"playid": 3563086,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:43:40Z",
"epoch_airdate": 1760049820000,
"epoch_airdate_v2": "/Date(1760049820000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 603233731,
"name": "Death Cab for Cutie",
"islocal": true
},
"release": {
"releaseid": 1849164033,
"name": "Plans",
"largeimageuri": "https://ia600500.us.archive.org/30/items/mbid-01a59ee9-4988-44ec-9b20-0d411b3137b9/mbid-01a59ee9-4988-44ec-9b20-0d411b3137b9-6409661453_thumb500.jpg",
"smallimageuri": "https://ia800500.us.archive.org/30/items/mbid-01a59ee9-4988-44ec-9b20-0d411b3137b9/mbid-01a59ee9-4988-44ec-9b20-0d411b3137b9-6409661453_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 2112485945,
"year": 2006
},
"track": {
"trackid": 1265873062,
"name": "Soul Meets Body"
},
"label": {
"labelid": 1859110854,
"name": "Atlantic, Barsuk Records"
},
"comments": [
{
"commentid": 899385460,
"text": "\"Plans\" is #157 on the KEXP listener-voted countdown...\n---\n\"Plans\" turned twenty this year. Here's an anniversary retrospective: https://www.stereogum.com/2320536/death-cab-for-cutie-plans-turns-20/reviews/the-anniversary/"
}
],
"showid": 64788
},
{
"playid": 3563085,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:40:24Z",
"epoch_airdate": 1760049624000,
"epoch_airdate_v2": "/Date(1760049624000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 607767672,
"name": "Sex Pistols",
"islocal": false
},
"release": {
"releaseid": 1421456349,
"name": "Never Mind the Bollocks Here’s the Sex Pistols",
"largeimageuri": "https://ia904609.us.archive.org/33/items/mbid-c6f06bc3-44ac-4555-8991-057f6bce36d7/mbid-c6f06bc3-44ac-4555-8991-057f6bce36d7-41018729651_thumb500.jpg",
"smallimageuri": "https://ia804609.us.archive.org/33/items/mbid-c6f06bc3-44ac-4555-8991-057f6bce36d7/mbid-c6f06bc3-44ac-4555-8991-057f6bce36d7-41018729651_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 239272552,
"year": 1977
},
"track": {
"trackid": 1603008734,
"name": "God Save the Queen"
},
"label": {
"labelid": 403024738,
"name": "Virgin"
},
"comments": [
{
"commentid": 984075290,
"text": "#158...\n---\nSinger and main lyricist Johnny Rotten (John Lydon), guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock—later replaced by Sid Vicious—recorded the Sex Pistols’ only studio album at Wessex Sound in London. Released in 1977, it debuted at #1 on the U.K. charts despite being banned by major retailers and causing widespread controversy. Bristling with broadsides like “Anarchy In The U.K.,” “God Save The Queen,” “Pretty Vacant,” and “Holidays In The Sun,” the album distilled rage and disillusionment into a single, unrelenting statement. \n--\nSadly, just months after the album came out, the band unraveled, breaking up in January 1978 during their U.S. tour. But the Sex Pistols’ legacy far outlasted their time together. Never Mind The Bollocks has sold over a million copies in the U.S. alone, was inducted into the GRAMMY® Hall of Fame, and ranks high among the greatest albums of all time in lists by Rolling Stone, NME, and Time."
}
],
"showid": 64788
},
{
"playid": 3563084,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:37:51Z",
"epoch_airdate": 1760049471000,
"epoch_airdate_v2": "/Date(1760049471000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 129231202,
"name": "Johnny Cash",
"islocal": false
},
"release": {
"releaseid": 744831793,
"name": "At Folsom Prison",
"largeimageuri": "https://ia601609.us.archive.org/32/items/mbid-22207c85-9568-30a2-bafa-cdc47e24d7bb/mbid-22207c85-9568-30a2-bafa-cdc47e24d7bb-5751931666_thumb500.jpg",
"smallimageuri": "https://ia601609.us.archive.org/32/items/mbid-22207c85-9568-30a2-bafa-cdc47e24d7bb/mbid-22207c85-9568-30a2-bafa-cdc47e24d7bb-5751931666_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1500839427,
"year": 2008
},
"track": {
"trackid": 1076240174,
"name": "Folsom Prison Blues"
},
"label": {
"labelid": 1431686747,
"name": "Legacy"
},
"comments": [
{
"commentid": 1972994137,
"text": "#159 on YOUR countdown of listener favorites..\n--\nCash held two performances at Folsom Prison on January 13, 1968, at 9:40 am and 12:40 pm, in case the first one wasn't satisfactory. MC Hugh Cherry introduced the event and encouraged the inmates to respond to Cash's performance. Learn more here; https://folsomcasharttrail.com/the-trail/blog/why-did-johnny-cash-play-at-folsom-prison"
}
],
"showid": 64788
},
{
"playid": 3563083,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:36:10Z",
"epoch_airdate": 1760049370000,
"epoch_airdate_v2": "/Date(1760049370000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 314982137,
"name": "Guns N’ Roses",
"islocal": false
},
"release": {
"releaseid": 891834493,
"name": "Appetite For Destruction & Lies",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 1500839427,
"year": 2008
},
"track": {
"trackid": 1253193253,
"name": "Welcome To The Jungle"
},
"label": null,
"comments": [
{
"commentid": 2068047826,
"text": "#160 on our countdown...\n---\n Vinyl and cassette versions of the albums didn’t have sides A and B, rather they had sides G and R. The G or Guns side was the first six tracks, which all dealt with drugs and hard city life, while the R or Roses side were the remaining songs, which were about love, sex and relationships.\n--\n Axl Rose wrote the lyrics to “Welcome to the Jungle” while in Seattle visiting a friend. He also said he was inspired by a homeless man he encountered as a runaway while coming out of a bus into New York. The man shouted at Axl and his friend, “You know where you are? You’re in the jungle baby; you’re gonna die!”"
}
],
"showid": 64788
},
{
"playid": 3563082,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-09T22:27:19Z",
"epoch_airdate": 1760048839000,
"epoch_airdate_v2": "/Date(1760048839000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64788
},
{
"playid": 3563081,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-09T22:22:29Z",
"epoch_airdate": 1760048549000,
"epoch_airdate_v2": "/Date(1760048549000)/",
"archive_urls": {
"32": null,
"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 285776660,
"name": "The Cure",
"islocal": false
},
"release": {
"releaseid": 57446860,
"name": "Kiss Me Kiss Me Kiss Me",
"largeimageuri": "https://ia600204.us.archive.org/30/items/mbid-679b0c94-bb1b-36d9-adbb-662627b895be/mbid-679b0c94-bb1b-36d9-adbb-662627b895be-9708531301_thumb500.jpg",
"smallimageuri": "https://ia800204.us.archive.org/30/items/mbid-679b0c94-bb1b-36d9-adbb-662627b895be/mbid-679b0c94-bb1b-36d9-adbb-662627b895be-9708531301_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1442457813,
"year": 2006
},
"track": {
"trackid": 849499611,
"name": "Just Like Heaven"
},
"label": {
"labelid": 2003079402,
"name": "Fiction Records"
},
"comments": [
{
"commentid": 911733130,
"text": "#161 on the KEXP countdown of listener-voted favorite albums of all time...\n---\n\"Show me, show me, show me how you do that trick\nThe one that makes me scream\", she said\n\"The one that makes me laugh\", she said\nAnd threw her arms around my neck....\"\n--\nRobert Smith was in the throes of love when he wrote this song. His girlfriend, Mary Poole, he met when he was 14; in 1988, a year after \"Just Like Heaven\" was released, they got married, and it stuck. According to Smith, when he wrote this song, he told his bandmates, \"I'll never write something this good again.\""
}
],
"showid": 64788
}
]
}