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"text": "#548 on YOUR countdown of the greatest albums of all-time.\n\nThe self-titled Purple Mountains album is that the band name is a mondegreen (a mishearing) of the lyric \"purple mountain majesties\" from the American national anthem, \"The Star-Spangled Banner\". David Berman, the artist behind the project, chose the name partly to prove he didn't need the Silver Jews name for his music and that he could create something significant on his own. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
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"text": "#549 on YOUR countdown of the greatest albums of all-time.\n\nTalk Talk's \"Spirit of Eden\" features a unique, labor-intensive recording process where musicians improvised for hours to fragments of other instruments, with the band's engineers meticulously cutting, splicing, and layering only a few seconds of these recordings to form the final, seemingly spontaneous songs. The album's creation was a journey of experimentation, a stark contrast to traditional songwriting, and is often considered a foundational work of the post-rock genre. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
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"text": "#550 on YOUR countdown of the greatest albums of all-time.\n\nThe Cure's compilation album Standing on a Beach's album cover features John Button, a retired fisherman from England, chosen for his weathered face that fit the band's desired aesthetic for the release. The album's title is a reference to the opening lyric of their debut single, \"Killing an Arab,\" which itself was inspired by Albert Camus's novel The Stranger. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
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"text": "#552 on YOUR countdown of the greatest albums of all-time.\n\nThe title \"Evil Empire\" is a deliberate reversal of Ronald Reagan's \"evil empire\" label for the Soviet Union, with the band applying the same term to the U.S. to critique its own domestic and international actions. The band felt the label was fitting due to U.S. military spending, economic inequality, and other systemic issues, and even briefly considered breaking up during the album's creation due to intense internal disagreements among the highly opinionated band members. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
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"text": "#553 on YOUR countdown of the greatest albums of all-time.\n\nDuring the Simon & Garfunkel concert in Central Park is that the audience cheered loudly for the mention of \"Seventh Avenue,\" a street in New York, demonstrating the audience's love for their city. This was one of the many moments of connection between the performers and the over half-million attendees at the free benefit concert in September 1981. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
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"text": "#554 on YOUR countdown of the greatest albums of all-time.\n\nAccording to Pixies frontman and songwriter Black Francis, this classic song was SIMPLY \"a bad Talking Heads imitation.\" \n\nWatch the Pixies performing at KEXP in 2014! https://bit.ly/3qpk3eE\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
}
],
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"text": "#555 on YOUR countdown of the greatest albums of all-time.\n\nTh album title \"No Code\" refers to the medical phrase \"Do Not Resuscitate\" (DNR), which Eddie Vedder stated was a symbolic \"Do Not Resuscitate\" for the band if they were dying as they didn't want to \"live as vegetables\" and wanted the freedom to evolve their sound. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
}
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"text": "#556 on YOUR countdown of the greatest albums of all-time.\n\nThe video is a day in a life filmed in four minutes. It was filmed in Sweden, New York and Las Vegas using time-lapse photography. The shoot took 14 days. Madonna had the idea for doing the closing nightclub scene. It won the 1998 Grammy for Best Music Video Short Form and the MTV Video Music Award for Video of the Year.: https://www.youtube.com/watch?v=x3ov9USxVxY\n--\nThe album also won Grammys for Best Dance Recording and Best Pop Album.\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
}
],
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"text": "#557 on YOUR countdown of the greatest albums of all-time.\n\nShabooh Shoobah marked INXS's global breakthrough, introducing them to North American listeners and making them a worldwide phenomenon. \n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
}
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"text": "#558 on YOUR countdown of the greatest albums of all-time.\n\nEver see Iggy's cockatoo, Biggy Pop, dance to Sleaford Mods? If you ever need a pick-me-up, here you go: https://tinyurl.com/3jpjajhz\n\n(Bonus: Here's Biggy's very own Insta account! https://tinyurl.com/3wj9epna)\n\nTop 2000 A Gogo is a fabulous mini-documentary series by NTR (a Dutch public-service broadcaster), and in the following episode, the camera is trained on Iggy Pop, who describes how this song came to fruition. Enjoy the rabbit hole! https://tinyurl.com/3txfh224\n\nTLDW: Pop explains how the song came together with David Bowie. \"We were sitting around his digs on the floor, because it was a no-chairs kind of place. \n\n\"We had a production contract and a schedule and he had to get it out of the way, so he said, 'Let's get a song here.'\n\n\"He picked up a little ukulele he had - I think it might have been his son's - and just came up with that progression, which I thought was great.\"\n\nYou power KEXP! Make a one-time donation for the afternoon show: \nhttps://www.kexp.org/donate/"
}
],
"showid": 64764
},
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"name": "Air break"
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"track": {
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"name": "Needle in the Hay"
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"label": {
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"name": "Domino"
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"comments": [
{
"commentid": 175537175,
"text": "#559 on YOUR countdown of the greatest albums of all-time.\n\nSmith employs heroin as a metaphor here and on many songs on this album. As he told the zine Spongey Monkey (as quoted in the book \"Elliott Smith and the Big Nothing\"):\n\n“Sometimes people are like, ‘Oh, the second [album] is all about drugs and stuff,’ and it’s not about drugs. It’s a different angle or topical way of talking about things. Like dependency and mixed feelings about your attachment.”\n\nhttps://www.kexp.org/donate/"
}
],
"showid": 64763
},
{
"playid": 3562019,
"playtype": {
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"name": "Air break"
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"airdate": "2025-10-06T19:49:48Z",
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"year": 1981
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"track": {
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"name": "Girls on Film"
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"name": "EMI"
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"comments": [
{
"commentid": 1846985276,
"text": "#560 on YOUR countdown of the greatest albums of all-time.\n\nSimon Le Bon says that the controversy over the song's notoriously raunchy music video eclipsed the song's message of fashion model exploitation. The video was directed by Lol Creme and Kevin Godley, who were the leaders of the group 10cc and also recorded as Godley & Creme. https://bit.ly/3sOrKu8 \n\nWatch the video here: https://youtu.be/KCjMZMxNr-0.\n\nhttps://duranduran.com/\nhttps://www.kexp.org/donate/"
}
],
"showid": 64763
},
{
"playid": 3562017,
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"airdate": "2025-10-06T19:42:04Z",
"epoch_airdate": 1759779724000,
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"name": "Scary Monsters",
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"releaseevent": {
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"year": 1999
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"track": {
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"name": "Ashes to Ashes"
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"label": {
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"name": "EMI"
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"comments": [
{
"commentid": 271931546,
"text": "#561 on YOUR countdown of the greatest albums of all-time.\n\nIn an interview, Bowie explained that the song \"Inchworm,\" which was sung by Danny Kaye in the 1952 movie Hans Christian Andersen, was a big influence on \"Ashes To Ashes.\" Said Bowie: \"I loved it as a kid and it's stayed with me forever. I keep going back to it. You wouldn't believe the amount of my songs that have sort of spun off that one song. Not that you'd really recognize it. Something like 'Ashes to Ashes' wouldn't have happened if it hadn't have been for 'Inchworm.' There's a child's nursery rhyme element in it, and there's something so sad and mournful and poignant about it. It kept bringing me back to the feelings of those pure thoughts of sadness that you have as a child, and how they're so identifiable even when you're an adult. There's a connection that can be made between being a somewhat lost five-year old and feeling a little abandoned and having the same feeling when you're in your twenties. And it was that song that did that for me.\"\n\nHere's Danny Kaye singing \"Inchworm\": https://www.youtube.com/watch?v=fXi3bjKowJU.\n\nhttps://store.davidbowie.com\nhttps://www.kexp.org/donate/"
}
],
"showid": 64763
}
]
}
