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"text": "#651 on KEXP Listener's Favorite Albums of All-time Countdown\n\nWelcome to KEXP's Fall Fundraising Drive!!!\n\nThe song is driven by a violin riff played on a synthesizer. According to Simon Rogers, who produced the track, they brought in a musician to replicate it on viola, but it didn't sound right. \n\nPeter Murphy was the vocalist for Bauhaus. In an interview, he was asked what it is that cuts you up and spits you out, to which he replied, \"The path of discovery, self-knowledge, wisdom... once you feel you have it. Then the path will spit you out or off the way and ruin your assumptions of this path. In fact, a great mighty necessity for those spiritual seekers or so-called 'holy state' desires when getting arrogant.\" https://tinyurl.com/yn999jkc"
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"text": "#652 on KEXP Listener's Favorite Albums of All-time Countdown\n\nWelcome to KEXP's Fall Fundraising Drive!!!\n\nOriginally the single was released with the title reversed, as \"Tear the Roof off the Sucker (Give Up the Funk).\" It was written by Parliament members Jerome Brailey, George Clinton, and Bootsy Collins.\n\nIt is certainly one of the most famous songs from, if not the definitive example of, the P-Funk genre. In fact, we get the term \"p-funk\" from the collective Parliament-Funkadelic, managed by George Clinton. A few dozen other groups have since followed suit within this genre they invented.\n\n\"Give Up The Funk\" uses a jazz construction, beginning with three themes introduced and explored separately which are then woven together. Ray Davis raps \"tear the roof off the sucker\" at the beginning. Throughout the song, interaction is heard between bass, drums, vocals, and synthesizers. An ensemble sound is achieved with only a few parts. https://tinyurl.com/8p8wc2sr"
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"text": "#653 on KEXP Listener's Favorite Albums of All-time Countdown\n\nWelcome to KEXP's Fall Fundraising Drive!!!\n\nPrince hated doing interviews but had to do at least a few at the behest of his record company. When he did talk to journalists, he was evasive and sometimes lied.\n\nOne of his first interviews with a major publication came in 1980 when he spoke with the LA Times. Both of his parents are African American, but instead of stating this, he said, \"My dad is black and Italian. My mom is a mixture of a bunch of things. I don't consider myself part of any race. I'm just a human being, I suppose.\"\n\nAs a result, he was often reported as being mixed race. https://tinyurl.com/3699epef"
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"text": "#654\n\nWelcome to KEXP's Fall Fundraising Drive, featuring KEXP Listener's Favorite Albums of All-time Countdown!\n\nThis song is about an incident that took place on October 4, 1986, when the CBS news anchor Dan Rather was attacked on a New York City sidewalk by a crazed man yelling \"Kenneth, what is the frequency.\" \n\nThe man turned out to be William Tager, who was caught after he killed a stagehand outside of the Today show studios on August 31, 1994. Tager, who was sentenced to 25 years in prison, said he was convinced the media was beaming signals into his head, and he was on a mission to determine their frequencies.\n\nWhen Michael Stipe wrote the lyrics, Tager had not yet been identified as Rather's assailant. Stipe wrote the song after becoming intrigued by the case and the media reaction to it, calling it \"the premier unsolved American surrealist act of the 20th century.\"\n\nTager got out of jail in 2010. https://tinyurl.com/4kxjju7k"
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"text": "#655\n\nWelcome to KEXP's Fall Fundraising Drive, featuring KEXP Listener's Favorite Albums of All-time Countdown!\n\nThis track contains a sample of The Peter Thomas Sound Orchestra's \"Bolero On The Moon Rocks.\"\n\nOf this album, Jarvis Cocker confesses, \"I think it's good. One of that record's basic themes was dealing with something superficially attractive which when you get closer to is actually quite repulsive, and I'm proud of it because it gets that across. But as anybody who's heard it would agree, it's not a record made by contented people.\n\n\"It's a record about disillusionment. If you're serious about what you do, how you're feeling has to come out in your music, so I'm pleased that we didn't try and gloss over it and carry on as if everything was fine. It was coming after a really big record, so there was all this expectation — some from us, but a lot from the record company. There was a lot of pressure, but this time there was no pressure, really, because nobody were arsed!\" https://tinyurl.com/2mpz98p9"
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"text": "#656\n\nWelcome to KEXP's Fall Fundraising Drive, featuring KEXP Listener's Favorite Albums of All-time Countdown!\n\nT-Rex leader Marc Bolan wrote this as an ode to his manager, Tony Secunda. \"Telegram Sam\" was Bolan's affectionate nickname for his Secunda.\n\nOther people who show up in the song: \"Jungle-face Jake\" was Sid Walker, Secunda's black assistant, and \"Bobby\" is Bob Dylan.\n\nWhen Bolan referred to Secunda as his \"Main Man,\" it brought the phrase into popular culture.\n\nThis was the first single released on Marc Bolan's own T Rex Wax Co label.\n\nBauhaus covered this song In 1980. https://tinyurl.com/ysxaatc3"
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"text": "#657\n\nWelcome to KEXP's Fall Fundraising Drive, featuring KEXP Listener's Favorite Albums of All-time Countdown!\n\nReleased on Oct. 22, 1993, Fumbling Towards Ecstasy, the Halifax born, Vancouver-based McLachlan says, signifies a moment in her life when she felt the most free.\n\n\"Freedom, emancipation, also like for me, just really coming into my own as an artist, as a human, as a woman, figuring out who I was, and how I want to show up in the world,\" she reveals. \"That was me growing up.\"\n\nMcLachlan calls Fumbling Towards Ecstasy her \"breakthrough record,\" \"personal favorite,\" and \"the easiest record I ever wrote.\" https://tinyurl.com/46msvxbu"
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"text": "#658\n\nThank you so much for your support. We really appreciate it.\n\nhttps://www.kexp.org/donate"
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"text": "#659\n\nhttps://www.kexp.org/donate"
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