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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T05:08:20Z",
            "epoch_airdate": 1764047300000,
            "epoch_airdate_v2": "/Date(1764047300000)/",
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                "name": "Miguel Bosé",
                "islocal": false
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                "name": "Bandido",
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                "smallimageuri": null
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            "releaseevent": {
                "releaseeventid": 746889812,
                "year": 1984
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            "track": {
                "trackid": 27635268,
                "name": "Amante bandido"
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            "label": null,
            "comments": [
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                    "text": "“Amante Bandido” is an evocative 1984 synth-pop classic where Miguel Bosé casts himself as a passionate outlaw in love. With sweeping ’80s drums and airy synthesizers, the song creates a dramatic, cinematic atmosphere. Metaphors like wind, hurricane, and a forbidden oasis paint a picture of a romance fraught with risk and devotion. Bosé pledges to become both hero and captive, surrendering himself entirely to this intense affair. The emotional duality—freedom and sacrifice—makes the track timeless and deeply resonant.\n\nYou can listen to it here:\nhttps://www.youtube.com/watch?v=Cwc9HjtGrg8"
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T05:03:59Z",
            "epoch_airdate": 1764047039000,
            "epoch_airdate_v2": "/Date(1764047039000)/",
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                "name": "La Unión",
                "islocal": false
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                "name": "Mil siluetas",
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                "year": 1984
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                "name": "Lobo-Hombre En Paris"
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            "label": null,
            "comments": [
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                    "text": "Released in 1984, Lobo‑Hombre en París is the signature hit from Spanish synth-pop band La Unión, and it remains a staple of ’80s rock en español. The song tells a surreal tale inspired by a Boris Vian story: under a full moon in Paris, a man named Denis is transformed into a werewolf. Through moody bangs of synth, haunting vocals, and evocative lyrics, the track captures a dreamy yet ominous mood. It became a commercial smash — topping the Spanish charts and earning a gold record."
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T05:01:40Z",
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                "name": "Estela Gris",
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            "track": {
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                "name": "Rómpeme"
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            "label": null,
            "comments": [
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                    "commentid": 267988473,
                    "text": "Dark-romantic post-pop that glows like wet asphalt under sodium lights. Sampled drums and a sinewy bassline carry synth streaks and chorus-kissed guitar; the vocal moves from confession to invocation as the arrangement blooms. The chorus is a clandestine pulse rather than a blast, trading volume for intimacy. Recent press pegs it as “deriva nocturna,” which fits—the song feels like a night that refuses to end.\nListen: https://www.youtube.com/watch?v=6sCOzWfEp6c"
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            "playtype": {
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                "name": "Air break"
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            "airdate": "2025-11-25T04:59:40Z",
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                "name": "Media play"
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            "airdate": "2025-11-25T04:55:20Z",
            "epoch_airdate": 1764046520000,
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            "artist": {
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                "name": "Vondré",
                "islocal": false
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                "name": "31"
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            "label": null,
            "comments": [
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                    "text": "A nocturnal pop burner with post-punk bones. The rhythm section keeps a tight, dance-adjacent pocket while guitar lines sketch melancholy counter-melodies; the vocal threads vulnerability through a hook that lands on first pass. Production is sleek but not sterile—transients crisp, low end warm—so the chorus lifts without brute force. It’s the kind of single that sneaks up on a room and quietly owns it.\nListen: https://open.spotify.com/track/6e9FG8qGTou5WZnExDRj9q"
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T04:51:39Z",
            "epoch_airdate": 1764046299000,
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                "name": "Los Estrambóticos",
                "islocal": false
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                "name": "Piel de banqueta",
                "largeimageuri": null,
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            "releaseevent": {
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                "year": 1997
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                "name": "Camino A Ninguna Parte"
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            "label": null,
            "comments": [
                {
                    "commentid": 1556223143,
                    "text": "A 90s Mexico City staple that fuses ska propulsion with alt-rock grit. Guitars upstroke against nimble bass, brass hits punch accents, and the vocal rides a street-wise melody that flips resignation into motion. The chorus arrives as communal release—simple phrasing, mass-chant cadence—while the arrangement toggles tension with half-time feints and drum-fill ladders. Recorded hot but legible, it keeps the bounce elastic and the hook indelible. It’s a snapshot of a scene and an era that still lights floors.\nListen: https://open.spotify.com/intl-es/track/7CeSz4l0d2km0tz27lixnJ"
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            "airdate": "2025-11-25T04:47:01Z",
            "epoch_airdate": 1764046021000,
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                "name": "Los Auténticos Decadentes",
                "islocal": false
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                "name": "Mi vida loca",
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            "releaseevent": {
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                "year": 1995
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            "track": {
                "trackid": 1695013861,
                "name": "La guitarra"
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            "label": null,
            "comments": [
                {
                    "commentid": 1613401966,
                    "text": "An eternal sing-along that distills Decadentes’ ska-pop charm into three minutes of grin. Acoustic strum, brass flourishes, and a buoyant backbeat frame Jorge Serrano’s wry confession: ditch work, dodge expectations, live for music. The genius is structural economy—verses skate by on conversational wit; the chorus explodes into a festival-ready chant you can hear from blocks away. Arranged for maximum crowd lift, it balances joy with a wink, turning a slacker’s daydream into popular folklore. Decades on, it remains a democratic anthem: simple, generous, impossible not to join.\nListen: https://open.spotify.com/intl-es/track/6aPoVnA9UDncMyKgTAicsO"
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                "name": "Air break"
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            "airdate": "2025-11-25T04:45:40Z",
            "epoch_airdate": 1764045940000,
            "epoch_airdate_v2": "/Date(1764045940000)/",
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                "name": "Media play"
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            "airdate": "2025-11-25T04:41:10Z",
            "epoch_airdate": 1764045670000,
            "epoch_airdate_v2": "/Date(1764045670000)/",
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            "artist": {
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                "name": "The Lsdays",
                "islocal": false
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            "release": null,
            "releaseevent": {
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                "year": null
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            "track": {
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                "name": "Show Me Babe (Studio Version)"
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            "label": null,
            "comments": [
                {
                    "commentid": 2116888053,
                    "text": "Shoegaze-lit indie where the vocal floats in reverb glow over chiming guitars and a patient, chest-thump kick. Dynamics do the heavy lifting: verses keep the frame narrow; the chorus opens to widescreen with layered harmonies and delay-trailing leads. A brief instrumental lift gives the melody air before the final swell. Familiar materials, rendered with conviction and care.\nListen: https://thelsdays1.bandcamp.com/track/show-me-babe"
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            "showid": 65202
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T04:35:30Z",
            "epoch_airdate": 1764045330000,
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            "artist": {
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                "name": "yo!yo!yo!",
                "islocal": false
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            "releaseevent": {
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                "trackid": 1601036553,
                "name": "centro (ahora se ve todo el cielo)"
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            "label": null,
            "comments": [
                {
                    "commentid": 1163653240,
                    "text": "Micro-cosmic art-pop that packs a melodic thesis into under three minutes. A springy bass and clean, side-stick groove set a buoyant frame; synths sparkle in geometric patterns; the topline leans playful without losing craft. Midway, a clever subtractive break resets ears before the final hook lands brighter. It’s pocket-size euphoria with design-nerd detail.\nListen: https://open.spotify.com/album/2tSSNiOHCwgj7BZNAh7sT3"
                }
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                "name": "Media play"
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            "airdate": "2025-11-25T04:32:00Z",
            "epoch_airdate": 1764045120000,
            "epoch_airdate_v2": "/Date(1764045120000)/",
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            "artist": {
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                "name": "Lorelle Meets the Obsolete",
                "islocal": false
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            "releaseevent": {
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                "year": null
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            "track": {
                "trackid": 1370715154,
                "name": "Control"
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            "label": null,
            "comments": [
                {
                    "commentid": 351030947,
                    "text": "Drone-kissed kraut-gaze that blooms by slow accretion. A metronomic kick and bass figure stake the center while guitars smear into overtones and synths paint vapor trails. Lorena Quintanilla sings like a lighthouse—steady, human, guiding—against the swell. The track’s magic is patience: a mid-song thinning resets your ears before the pulse returns with new harmonic colors. Headphones reveal tiny tape warps and stereo feints that make the finale feel inevitable.\nListen: https://obsoletelorelle.bandcamp.com/album/control"
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            "showid": 65202
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            "playtype": {
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                "name": "Air break"
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            "airdate": "2025-11-25T04:30:40Z",
            "epoch_airdate": 1764045040000,
            "epoch_airdate_v2": "/Date(1764045040000)/",
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T04:27:00Z",
            "epoch_airdate": 1764044820000,
            "epoch_airdate_v2": "/Date(1764044820000)/",
            "archive_urls": {
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            "artist": {
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                "name": "Depresión Post-Mortem",
                "islocal": false
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            "release": {
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                "name": "Soy una Gargola (Post-Punk Version)",
                "largeimageuri": "https://coverartarchive.org/release/7146610f-82d0-4fa7-8f13-4e10b7470245/36879074663-500.jpg",
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            "releaseevent": {
                "releaseeventid": 1651941865,
                "year": 2021
            },
            "track": {
                "trackid": 1384274496,
                "name": "Besos Mojados (Post-Punk Version)"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 1281372628,
                    "text": "A sleeker, shadow-lit reframe that trades glossy pop sheen for cold-wave glide. Four-on-the-floor kick and rubberized bass carry a minor-key vocal that keeps cool while guitars and synths flicker in grayscale. The hook leans on clipped phrasing and a small harmonic pivot; production sells the drama with gated reverbs and subtle saturation. Midway, a measured dropout resets the ears before the refrain returns with heavier low-end. It’s nocturnal and aerodynamic—built as much for headphones as late-night drives.\nListen: https://music.apple.com/ca/song/besos-mojados-post-punk-version/1733463673"
                }
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            "showid": 65202
        },
        {
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T04:23:10Z",
            "epoch_airdate": 1764044590000,
            "epoch_airdate_v2": "/Date(1764044590000)/",
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                "name": "Rose se fue",
                "islocal": false
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            "releaseevent": {
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                "year": null
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            "track": {
                "trackid": 1740643847,
                "name": "Bailemos Esta Noche"
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            "label": null,
            "comments": [
                {
                    "commentid": 388535608,
                    "text": "A tender, late-night pop invitation cushioned by tremolo guitar, feather-light percussion, and a melody that leans into breath as much as pitch. The chorus doesn’t shout; it opens—harmonies widening the frame as bass nudges the dancefloor forward. Production favors warmth and clarity over gloss, keeping the song’s diaristic tone intact. It plays like a message sent just before the party ends, asking for one last turn under dim lights.\nListen: https://open.spotify.com/track/7I29ES2QUt25QuTbWSnpM3"
                }
            ],
            "showid": 65202
        },
        {
            "playid": 3582491,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2025-11-25T04:20:05Z",
            "epoch_airdate": 1764044405000,
            "epoch_airdate_v2": "/Date(1764044405000)/",
            "archive_urls": {
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            "artist": {
                "artistid": 275760678,
                "name": "French Police",
                "islocal": false
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            "release": {
                "releaseid": 1146289650,
                "name": "Club De Vampiros",
                "largeimageuri": null,
                "smallimageuri": null
            },
            "releaseevent": {
                "releaseeventid": 2001753279,
                "year": 2022
            },
            "track": {
                "trackid": 588167584,
                "name": "Club De Vampiros"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 1782483063,
                    "text": "Minimal post-punk rendered in black-glass silhouette. Dry drum machine, rubbery bass, and chorus-etched guitar lattice frame a baritone vocal that deadpans desire. The hook is all mood: small melodic lift, big nocturnal afterglow. Space is rhythm here; negative space lets each clap, hat, and bass hop land like footfalls in an alley. A dark-romantic staple that feels both intimate and cinematic.\nListen: https://frenchpolice.bandcamp.com/track/club-de-vampiros"
                }
            ],
            "showid": 65202
        },
        {
            "playid": 3582490,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2025-11-25T04:18:40Z",
            "epoch_airdate": 1764044320000,
            "epoch_airdate_v2": "/Date(1764044320000)/",
            "archive_urls": {
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            "artist": {
                "artistid": 1536115956,
                "name": "La Texana",
                "islocal": false
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            "release": null,
            "releaseevent": {
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                "year": null
            },
            "track": {
                "trackid": 1081699040,
                "name": "La casa que cae"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 993424556,
                    "text": "Melancholic indie rock with cinematic patience. A chiming guitar ostinato and tom-led beat trace the floor plan while the vocal wanders through rooms of memory; when the chorus arrives, harmony warms the edges without breaking the spell. Production is intimate—reverbs like real halls, not haze—so lyrics feel lived-in. A quiet standout from a record that prizes mood over bombast.\nListen: https://open.spotify.com/intl-es/track/0nAVJ1pVUNrdH4fboQjYpG"
                }
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            "showid": 65202
        },
        {
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            "playtype": {
                "playtypeid": 4,
                "name": "Air break"
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            "airdate": "2025-11-25T04:16:28Z",
            "epoch_airdate": 1764044188000,
            "epoch_airdate_v2": "/Date(1764044188000)/",
            "archive_urls": {
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            "releaseevent": null,
            "track": null,
            "label": null,
            "comments": [],
            "showid": 65202
        },
        {
            "playid": 3582488,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2025-11-25T04:12:39Z",
            "epoch_airdate": 1764043959000,
            "epoch_airdate_v2": "/Date(1764043959000)/",
            "archive_urls": {
                "32": null,
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            "artist": {
                "artistid": 1281330701,
                "name": "perro dócil",
                "islocal": false
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            "release": null,
            "releaseevent": {
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                "year": null
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            "track": {
                "trackid": 966089765,
                "name": "¿No oyes ladrar los perros?"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 2031532454,
                    "text": "A literary-titled cut that balances urgency with restraint. Drums keep a tight, forward pocket; bass outlines minor-key counterlines; guitars alternate between glassy arpeggios and clipped stabs. The vocal stays conversational until the chorus tightens into a mantra, more incantation than shout. Subtle production moves—short plate on snare, a tape-sick pad under the bridge—deepen the dusk. Intimate, disciplined, and replay-hungry.\nListen: https://open.spotify.com/track/7s09ma79aGB83utYjsJRfj"
                }
            ],
            "showid": 65202
        },
        {
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2025-11-25T04:06:20Z",
            "epoch_airdate": 1764043580000,
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            "artist": {
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                "name": "Diles que no me maten",
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                "name": "Manos de Piedra (Revisitada)"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 1865248326,
                    "text": "The band re-cuts a cornerstone with wider dynamics and darker atmosphere. A measured opening—spare beat, exposed voice—gives way to a dense middle section where guitars grind against spoken-word cadence; then the floor falls out at the two-minute mark, ushering in a bleak, hypnotic drift. The new version feels less like nostalgia than reckoning, honoring the song’s bones while letting time’s weight show in timbre and pacing.\nListen: https://music.apple.com/us/song/manos-de-piedra-revisitada/1852306164"
                }
            ],
            "showid": 65202
        },
        {
            "playid": 3582487,
            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2025-11-25T04:01:52Z",
            "epoch_airdate": 1764043312000,
            "epoch_airdate_v2": "/Date(1764043312000)/",
            "archive_urls": {
                "32": null,
                "64": null,
                "128": null,
                "256": null
            },
            "artist": {
                "artistid": 1163150831,
                "name": "Jaguares",
                "islocal": false
            },
            "release": {
                "releaseid": 170811535,
                "name": "El equilibrio de los Jaguares",
                "largeimageuri": "https://coverartarchive.org/release/bffc9ce8-a80a-4cca-9c70-ff84c6e7388a/41141089552-500.jpg",
                "smallimageuri": "https://coverartarchive.org/release/bffc9ce8-a80a-4cca-9c70-ff84c6e7388a/41141089552-250.jpg"
            },
            "releaseevent": {
                "releaseeventid": 355859967,
                "year": 1996
            },
            "track": {
                "trackid": 708830423,
                "name": "Nunca te doblarás"
            },
            "label": null,
            "comments": [
                {
                    "commentid": 143851001,
                    "text": "An anthem of defiance forged from stadium-sized melancholy. A chiming guitar ostinato and tom-led groove build a widescreen platform for Saúl Hernández’s emotive tenor; the chorus lifts by harmony and lyrical cadence rather than brute force. Orchestral pads and delay-lit leads add majesty without dragging the tempo. It’s the band’s gift: turn private resolve into public communion. Decades later, the hook still lands like a pact.\nListen: https://open.spotify.com/intl-es/track/55Q9KGdXp74Fw1IsBW6XBH"
                }
            ],
            "showid": 65202
        }
    ]
}