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"text": "Jimmy Cliff, the charismatic Jamaican singer, songwriter, and actor who played an instrumental role in bringing reggae music and the raw culture of Jamaica to a global audience, has died at the age of 81. His family announced that he passed away following a seizure and subsequent pneumonia.\n\nBorn James Chambers on July 30, 1944, in Somerton, Saint James, Jamaica, Cliff began his career after moving to Kingston in his early teens. Adopting the stage name Jimmy Cliff, he recorded his first local hit, \"Hurricane Hattie,\" at just 14, establishing himself as a foundational figure in the evolution of ska and rocksteady into reggae.\n\nCliff’s rise to international prominence was cemented by his starring role in the 1972 cult-classic film, The Harder They Come. Playing the aspiring singer-turned-outlaw Ivanhoe \"Ivan\" Martin, Cliff not only provided the film's gritty heart but also co-produced a seminal soundtrack that introduced reggae classics like the title track, \"Many Rivers to Cross,\" and \"Sitting in Limbo\" to the world. The film is widely credited with establishing reggae as a global musical force.\n\nThroughout his seven-decade career, Cliff continued to tour and record, exploring genres beyond reggae and collaborating with artists across the musical spectrum. His enduring influence and musical excellence were recognized with numerous honors, including:\nInduction into the Rock and Roll Hall of Fame in 2010; two Grammy Awards for Best Reggae Recording/Album, for Cliff Hanger (1985) and Rebirth (2012); and The Order of Merit, one of Jamaica's highest national honors.\n\nJimmy Cliff’s voice was a powerful conduit for the spirit of his homeland, carrying its struggles, its defiance, and its vibrant rhythm to every corner of the earth."
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"text": "Catalonian artist Rosalía has been described as an \"atypical pop star\" due to her genre-bending musical styles.\n\nAfter being enthralled by Spanish folk music at age 14, she studied musicology at the Catalonia College of Music while also performing at musical bars and weddings, for which she was paid \"a little over 80 euros or in exchange for dinner.\" \n\nRosalía completed her studies with honours by virtue of her debut and collaborative cover album with Raül Refree, Los Ángeles (2017), and her baccalaureate second album El mal querer (2018). Reimagining flamenco by mixing it with pop and hip hop music, it spawned the singles \"Malamente\" and \"Pienso en tu mirá,\" which caught the attention of the Spanish public, and were released to critical acclaim. https://tinyurl.com/4fwn756j"
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"text": "\"In Palo Canto we find our truth.\"\n\nThe Budapest-based, multicultural techno duo, composed of Bertalan Toth and Peter Kedves, aims to gravitate listeners to their absolute higher self, much akin to indigenous medicine like the sacred smoke from burning palo santo.\n\nThe primary thought behind their creation is to be challenged by connecting the audience to their inner world through dancing and healing vibes. Palo Canto's music consists not only of different mixtures of organic and electric sounds but also hypnotic guitar riffs, warm synths, ancient chants, ecstatic pulses, smooth textures, and powerful rhythmic beats.\n\nPalo Canto is currently working on its first LP, inviting all listeners for an unforgettable inner trip of healing."
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"text": "Jacob Alon has been nominated for Mercury Prize(!!!), which FarOut Magazine aptly describes as \"a win for industry outsiders. When we talk about the music industry being broken, a talent like Alon is exactly the type of artist we talk about being lost. Born in Fife and raised by a single mother on the border between a housing estate and a forest — it’s not the context the music industry often goes looking in. They also had to face up to the pain of being ostracised by their family for being non-binary, adding a whole new battle.\" https://tinyurl.com/ypzn7urm\n\nOf this Dan Carey-produced track, Scottish artist Jacob Alon shares, \"This song, for me, is a shedding of shame. It’s a soft hand tracing the stretch marks left behind by a once messy, awkward, painful, and frightening realisation of my queerness. It’s a memory of the unspoken ways in which my heart and body knew how to move; knew how to draw in close under a cloak of darkness to bridge canyons of hatred and fear with acts of love.\n\n\"I wrote this song the night after a party where my self-esteem had shattered into a million pieces. When, out of my face, I’d confessed to someone with my words, my precious words, how I had loved them all those years ago. I was half-expecting some big revelation or closure or acknowledgement, but it didn’t come. I would always be something they’d rather pretend didn’t happen.\n\n\"I wish I could tell little Cob how much joy and beauty was waiting for them on the other side of all that pain. I hope I can give the same love to anyone out there who’s still figuring things out. And I want to keep giving it to you – my beautiful, boundless, infinite queers. This song is for you. This song is for little Cob.\" https://tinyurl.com/475mtsrn"
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"text": "Jesse Syke's first release in 14 years will finally see the light on Black Friday's edition of Record Store Day 2025; more info here: https://tinyurl.com/msuhcwh2\n\nThey'll also be performing a free and all ages show live at Easy Street Records on Friday, November 28th at 7pm to celebrate their RSDBF release!\n\nSykes reveals, \"This album is our attempt to create elegant folk and sometimes ragged, cosmic, heart rendered songs full of eulogies and laments. When we started recording it, I remember saying, 'Play the songs as if the edge of a butterfly wing was brushing against your cheek in the dark while you’re holding a small child.'\n\n\"I wanted to connote tenderness and a state of grace in the wake of resolution. I was coming out of a bad depression at the time, relieved I wanted to pick up my guitar again after an insanely long dry spell, but also I was paying homage to the knowledge of an emerging, menacing undertone in the collective psyche that was bigger than me, which might have been what compelled me to pick it up that day back in 2015.\n\n\"I must also mention that I wrote it right before our beloved dog died. She was almost 16 at the time and I knew it was coming, her death. She was at my feet when it was written, so she’s enmeshed in the body of the song. I was consoling myself and my future self, knowing she’d be gone by the time the song would see the light of day. Songs are time machines. Portals. She’s right there inside of it now, eating her snow, which was all she wanted to do the last few weeks of her life.\n\n\"It is with great pleasure and humility that we bring you, Forever, I’ve Been Being Born. Listen in the dark.\" https://tinyurl.com/4cbv46rz"
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"text": "This track was Kevin's #1 album, song, and anthem of 2024!!! It was also featured on his episode of the Runcast podcast, \"Overtaking your Shadow,\" which you can check out here: https://tinyurl.com/yv8rvf5u\n\nThe second full-length album from Brimheim – the alias of Malmö, Sweden-based Danish-Faroese artist Helena Heinesen Rebensdorff – is a revelatory set of arty, emotional, expansive alt-pop that consistently packs a gritty, grungy punch, yet also delivers delicate, crystalline, and deceptively groovy moments.\n\nCohesively held together by her stunning, soaring vocals, RATKING is a cathartic record that she wrote \"as a way to understand the intense emotional pain of my youth,\" ultimately finding liberation in her own self-worth. https://tinyurl.com/mmwhvmcm"
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"text": "Cabin in the Sky is the ninth studio album by De La Soul, released on November 21, 2025. It is the group's first album since the death of member Trugoy the Dove, who died in 2023, and features previously unreleased vocals from him.\n\nIn March 2025, De La Soul teased that they would be reuniting with their former producer Prince Paul for a new album. They previously collaborated with him on their first three albums.\n\nOn April 16, 2025, Mass Appeal announced a series titled Legend Has It..., which features seven albums coming in 2025 from various artists such as: Nas and DJ Premier, Ghostface Killah, Raekwon, Mobb Deep, De La Soul, Big L, and Slick Rick. https://tinyurl.com/mr3mfxzt"
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"text": "Sleigh Bells' co-founder and guitarist Derek Miller told KEXP that he hopes this LP brings joy to listeners: \"A lot of this is about trying to hold on to a shred of optimism through sheer force of will, and I hope this music can give people some joyful energy and confidence.\"\n\nWatch Sleigh Bells' live performance in the KEXP studio back in 2021: https://tinyurl.com/y956h43e"
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"text": "Parisian trio DITTER (\"dee-Tay\") has been nominated for a Music Moves Europe 2026 award! From their MME page, \"Behind the name DITTER lies a trio, but above all music that strikes as much at the body as it does at the heart. Lively, organic music full of hymns, with a love for pop, a hint of punk, combined with a touch of cynicism, and a good sense of humour. These French brats are here to burn up the stage, their favourite form of self-expression.\"\n\nThe Music Moves Europe Award, also known as the MME Award, is an annual prize recognizing the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year. The prize was known as the European Border Breakers Award (EBBA) until 2019, and the Music Moves Europe Talent Award (MMETA) until 2022.\n\nThe EBBA Awards were launched by the European Commission and are a European Union award. Since 2009, the awards are organised by Eurosonic Noorderslag and the award is presented at the Eurosonic Noorderslag festival.\n\nSince 2009 the award ceremony takes place every year in January, during the Eurosonic Noorderslag festival, in the Dutch city of Groningen, presented by BBC host and musician Jools Holland. Winners from previous years are invited to perform as special guests. https://tinyurl.com/54v5yvks\n\nYou can check out all the nominees here, as well as vote for your favourite! https://mmeawards.eu/en/"
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"text": "Kneecap are an Irish hip hop trio from Belfast, Northern Ireland, composed of Mo Chara, Móglaí Bap and DJ Próvaí, the stage names of Liam Óg Ó hAnnaidh, Naoise Ó Cairealláin and J. J. Ó Dochartaigh, respectively.\n\nThey rap in a mixture of English and Irish, and come from a place where communicating in your native language could, at one time, result in your death. The trio's first single \"C.E.A.R.T.A.\" (cearta is Irish for \"rights\") was released in 2017, followed by their debut studio album 3CAG, in 2018.\n\nTheir second studio album, Fine Art, was released in 2024, and a biographical film about the group was released later the same year.\n\nThe group has been at the centre of public debates about free speech and the expression of political opinions within Ireland and the UK. Their themes focus on working class Belfast youth culture, Irish republicanism and Irish language rights. In concert, they have made statements supporting Palestinian nationalism.\n\nTheir name is derived from the extralegal punishment attacks meted out by Northern Ireland paramilitary groups. The name Kneecap is a word play, referring to both the practice of kneecapping, a punishment of gunshots to the knees which Republican paramilitaries would inflict on what they described as \"political\" and \"normal\" criminals, including drug dealers and others, as a form of vigilante justice, and the Irish phrase \"ní cheapaim\" (which sounds like \"kneecap him\"), meaning \"I don't think so.\"\n\nMóglaí said it is intentionally ironic that a group with the name Kneecap sings \"about things that would get us kneecapped.\" https://tinyurl.com/mxa9jtr7"
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"text": "Of this track, James Murphy reveals, \"This is something I realized: Americans don’t know anything about other places very much. And they either are the kind that think they know, but then as soon as you push them a little bit they’re like 'I don’t know.' Like 'Oh! French people!' Well, do you know the who the president of France is? Then shut up. It’s easy to pick through. But because the rest of the world knows a lot of facts about America I think they know what America’s like from television. Well, that’s not America, that’s American television.\n\n\"That’s why people didn’t understand that 'North American Scum' had an element, that I take for granted that Americans are insecure and embarrassed. And people are like 'What? Americans are overconfident.' Well, you just never lived in the suburbs of America. People on television are overconfident because they’re on fucking television! So that element’s always there. Being baffled that people don’t know that Americans feel insecure or inferior or nervous. That’s my America I guess. Not 'the real America' as Sarah Palin would say.\" https://tinyurl.com/3npy28n7"
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"text": "Purveyers of electro-punk and dark, noise pop, Boy Deluxe is an artistic collaboration between Hope S and True Murra.\n\nNow based in in L.A., the band comprises a Seattle pastor’s daughter, raised in the shadow of dogma and divorce, and a Philadelphia-born, former-heroin addict.\n\nHope reveals, \"I unintentionally started writing music with True 30 thousand years ago. Nobody was trying to start a band, but here we are. It was a pretty wild time in my life, to be honest. Everything felt so familiar when we started writing songs together, but all of it was so new. It was super intense. \"Sometimes I think people don’t understand that this isn’t exactly a choice for us. This is just how we came out. I would love more than anyone else to not be neurotic and slightly mentally ill, but that’s how the cookie crumbled and if I don’t create I turn into a way less fun version of myself.\" https://tinyurl.com/ycy4tt3f Check out their Bandcamp here: https://tinyurl.com/msn5dvcm"
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"text": "Zamrock legends W.I.T.C.H. (We Intend To Cause Havoc) electrify Talking Heads’ existential classic with a searing reinterpretation.\n\nPioneers of Zambia’s psychedelic Afro-rock explosion in the 1970s, W.I.T.C.H. now channel their raw, hypnotic grooves and politically charged energy into a communal, heavy-hitting chant.\n\nEmmanuel “Jagari” Chanda leads the charge, transforming Byrne’s art-rock minimalism into a timeless, urgent anthem. Their version embodies the heartbeat of Naive Melodies: not mere imitation, but bold transformation—proof that \"How did I get here?\" still resonates across cultures and generations. https://tinyurl.com/34mp32pv"
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"text": "New music from Sugar!!!\n\nBob Mould plays this year's SMOOCH benefit at the Showbox on 12/13 w/ Blondshell. Get tickets here: https://tinyurl.com/5n865vpv\n\nSugar-–the iconic alternative rock trio led by Bob Mould alongside bassist David Barbe and drummer Malcolm Travis--returns with their first new music together in over three decades.\n\nOf their reunion, Mould reveals, \"SUGAR was a meteorite. I spent all of 1991 writing and performing new material at solo shows. David and Malcolm had never met but I was certain we three would work well together.\n\n\"SUGAR was a workhorse. After weeks of rehearsal in early 1992, we spent three months recording Copper Blue and Beaster. By summer 1992, the musical climate was perfect for what we created. \n\n\"SUGAR was a phenomena. No one could have predicted the results. We held onto the wheel and did our best to enjoy the wild ride. SUGAR was part of a pivotal era in popular music, and a special time in my life.\" https://tinyurl.com/4a6xktnj"
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"text": "A year after Juliana Hatfield released her solo debut, Hey Babe, she released her followup, Become What You Are, under the banner of The Juliana Hatfield Three, with bassist Dean Fisher and drummer Todd Philips.\n\n\"My Sister\" was the trio's first single and the biggest hit of Hatfield's career, hitting #1 on the Modern Rock chart. The success also landed her on the cover of Spin magazine in 1994.\n\nIn reality, Hatfield doesn't have a sister; she has two brothers. \"I've always been in this sort of perpetual state of existential longing,\" she told Spin in 2013. \"I feel like something's missing. I almost feel like I have a twin who died at birth but no one ever told me that the twin existed. And with this song, I was trying to explore the idea of a sister who I never had.\"\n\nWhile writing the lyrics, she was inspired by her relationship with Meg Rafferty, who dated one of Hatfield's brothers and became a surrogate big sister to teenage Juliana. Meg even brought her to the club gig referenced in the lyrics. But Hatfield was also examining her own role as a sister to her brothers. \"I was trying to see myself from their perspective. Maybe they thought I was aloof a little bit,\" she admits. https://tinyurl.com/2mwv2hhe"
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