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                    "text": "The Wimps will be playing at Sunset Tavern in Seattle on December 9th with Mark Robinson and Pitschouse.\n\nhttps://www.instagram.com/wimpsgram\nhttps://thesewimps.bandcamp.com/music\nhttps://www.facebook.com/thesewimps/"
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                    "text": "Anxious, shadow-dubbed doomgaze that folds noise textures into glacial riffing. Last Rip sets a haunted scene: synth drones simmer, bass pulses like a warning light, and guitars smear into aching harmonics before collapsing into a crushing downbeat. Vocals drift in the periphery—half prayer, half broadcast from a collapsing tunnel. Dynamics are the secret weapon: long, suspended breaths detonate into overdriven cataracts, then retreat to a nervy throb. The result feels cinematic and bodily at once, a slow burn that still delivers impact. For fans of heaviness that lingers like smoke.\u2028Listen: https://lasombra-noise.bandcamp.com/album/last-rip"
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                    "text": "This Seattle band featured James Bertram (who's done time with 764-Hero, Lync, Built to Spill, Beck) and Jeremiah Green of Modest Mouse."
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                    "text": "SF/Oakland punks M.U.T.T. channel classic stomp through a modern, razor-edged mix. “Dazed and Confused” barrels on a down-picked riff and battering snare, then pops the chorus with gang-vocal flash before a quick, descending lead yanks you into the final lap. The recording is dry and present—bass snarls, guitars bite, voice stays just under the ceiling—so every accent lands. No bloat, no filler, just momentum.\u2028Listen: https://mutt-sf.bandcamp.com/track/dazed-and-confused"
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                    "text": "Go watch their streaming live performance on KEXP:\n\nhttps://www.youtube.com/watch?v=Pm4Cqj6-2XI\n\nThis Seattle band’s fourth album is a well-crafted set of dynamic, ‘90s-steeped indie-rock reminiscent at times of Built To Spill, combining fuzzy, twisting guitar lines with lyrics of anxiety, dread, struggle and hope.\nhttps://scarvesmusic.bandcamp.com/"
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                    "text": "San Francisco’s sludge philosophers at their most perversely anthemic. “Ever” staggers on detuned bass, tar-thick guitar, and drums that lurch like a drunk parade; the vocal deadpans through the chaos until a chant rises from the ooze. The point isn’t speed or finesse—it’s negative space, repetition, and an almost dadaist insistence that ugliness can be glorious. Flipper taught a city how to stretch punk until it breaks and then dance in the wires. “Ever” is that lesson preserved in amber and feedback.\u2028Listen: https://flippersf.bandcamp.com/track/ever"
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                    "text": "Rohnert Park legends stretching hardcore minimalism into existential mantra. “The Doldrums (Friendly City)” runs on locked drums, a nagging bass figure, and Ross Farrar’s monotone incantation—tension by subtraction. The trick is how it breathes: tiny dynamic swells, cymbal lifts, a half-step harmony that momentarily widens the corridor. Lyrically, suburbia’s comfortable claustrophobia becomes both subject and setting. It’s the band’s thesis in two minutes—discipline, restraint, dread—etched into a song that still detonates live without raising its voice.\u2028Listen: https://ceremonyhc.bandcamp.com/track/the-doldrums-friendly-city"
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                    "text": "Vintage indie rock from Portland!\n\nhttps://www.youtube.com/channel/UCC5bhxrHjrPOMQjCu1ZWKJA"
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                    "text": "Snappy, pub-punk swing meets downtown post-punk swagger. The guitars chime and slash in short bursts, the bass bounces hard on the upbeat, and the drums keep everything dance-floor tight. Vocals spit conversational hooks with a smirk—equal parts street report and flirtation. Arranged with zero fat, it pivots through punchy verses, a chant-ready refrain, and a quick instrumental wink that recalls late-70s UK singles. The production is dry and immediate, foregrounding gang-shout energy and hand-clap momentum. It’s the kind of tune that turns a room: elbows up, smiles out, everybody yelling the title by the second chorus.\u2028Listen: https://www.youtube.com/watch?v=7n8Xv4kHs10"
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                    "text": "Welcome back Minus the Bear! The beloved Seattle indie rock band are reuniting for a series of shows happening next week at the Showbox Market! They'll also be in the KEXP studios this Tuesday to play a set live; come by early if you wanna get a spot!\n\nGet yr tickets to their shows below:\n\nhttps://www.minusthebear.com/tour"
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                    "text": "A serrated blast of Bay Area post-punk, Manorexic drives on wiry guitar lines, caffeinated drums, and a vocal that teeters between taunt and plea. The mix is intentionally raw: cymbals sizzle at the edges, bass gnaws a minimalist motif, and the chorus lands like a strobe—brief, bright, a little dangerous. Underneath the snarl is real pop sense: earworm phrasing, dynamic break-ins, and stop-start tension that rewards repeat listens. Lyrically it sketches body dysmorphia and scene vanity without moralizing, letting gallows humor temper the bite. A compact, nervy cut that feels tailor-made for small rooms and blown-out PAs.\u2028Listen: https://music.apple.com/us/album/manorexic/1569300788?i=1569300790"
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                    "text": "Classic garage rock from one of the original garage rock bands!\n\nThe Sonics are an American garage rock band from Tacoma, Washington, that formed in 1960. Their aggressive, hard-edged sound has been a major influence on punk and garage music worldwide, and they have been named inspirations to the White Stripes, LCD Soundsystem, Nirvana, The Hives, and other musical artists.\n\nhttps://thesonicsband.com/"
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            "comments": [
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                    "text": "Oakland duo fusing jagged punk instincts with dream-pop glaze. A shimmering guitar loop sets the scene while the rhythm section keeps a nervous, forward motion; the vocal balances sweet tone with knife-edge lyrics critiquing domestic fantasy. The track swells by texture rather than volume, peaking in a chorus that feels both pretty and barbed. Compact, politically aware, and dangerously catchy.\u2028Listen: https://wearestrangemen.bandcamp.com/album/all-the-pretty-houses-single"
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                    "text": "CRYPTYDS are a punk band from Vancouver! You're listening to a cut off their second album Rhythms in Blood, released in June 2025!\n\nhttps://cryptyds.bandcamp.com/album/rhythms-in-blood"
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