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                    "text": "This song sampled multiple elements of Mahavishnu Orchestra's \"You Know You Know.\"  (You might also hear Herb Alpert's trumpet from his song \"In a Little Spanish Town.\")\n--\nThere are sheep, Little Bo Peep, and more in the video for this song: https://www.youtube.com/watch?v=F01fzPwBwc4"
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                    "text": "Massive Attack is sampling John McLaughlin's 1971 \"You Know You Know\" and Isaac Hayes' 1970 \"Ike's Mood I.\"\n--\nThose fabulous vocals are from Horace Andy. Here's a biography of Jamaican reggae singer Horace Andy: https://www.allmusic.com/artist/horace-andy-mn0000218885"
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                    "text": "\" One overlooked aspect of Cobham’s drumming that often comes to the forefront on the Mahavishnu recordings is his ability to play very intensely at a low volume. You can hear this on “You Know You Know” as well as on a great deal of the recently released Lost Trident Sessions. This is a very aggressive recording, but Cobham is often “burning high on a low flame” on the recording.\":  https://pas.org/billy-cobham/\n--\n\"The Mahavishnu Orchestra were the most far-out, game-changing, multi-disciplinary musical outfit in the known (and unknown) universe.\"  Enjoy this biography of the group founded by John McLaughlin and Billy Cobham: https://www.loudersound.com/features/the-story-of-the-mahavishnu-orchestra"
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                    "text": "Massive Attack really sampled Billy Cobham's \"Stratus,\" sampling the drumming, the bass line, and even the guitar. (They also sampled the drums from \"Good Old Music\" by Funkadelic.)\n--\nQ: How did you feel when you heard that “Stratus” (from “Spectrum”) has been sampled by Massive Attack in the song “Safe from Harm”?\n\nBilly Cobham: Ah, fine! Because I knew that I control my masters. So, they had to come to me and ask for my permission. So, everything was fine for everybody."
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                    "text": "The prominent drum break from \"Stratus\" forms the foundation of Cypress Hill's beat in this Diamond D remix."
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                    "text": "This song sampled multiple elements of \"Stratus\" by Billy Cobham and \"Free as the Wind\" by The Crusaders. \n--\nFreestyle Fellowship is a hip hop group from Los Angeles, California. It consists of Aceyalone, Myka 9, P.E.A.C.E., and Self Jupiter. The group was a prominent part of the Good Life Cafe collective, and are part of the Project Blowed collective. : https://www.hiphopscriptures.com/freestyle"
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                    "text": "This song sampled that massive bass line from Billy Cobham's \"Stratus.\" \n--\nMantronix was the brainchild of producer and DJ Kurtis Mantronik; it blended hardcore rap with tracks that blended electro-funk and club music. Mantronik was born Kurtis Khaleel in Jamaica, though his family soon moved to Canada and ended up in New York by the late '70s.  Here's a biography: Mantronik was born Kurtis Khaleel in Jamaica, though his family soon moved to Canada and ended up in New York by the late '70s."
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                    "text": "Happy Thursday and welcome to The Afternoon Show with smiling Larry Mizell, Jr. and lovely producer Sharlese! From September 15th to October 15th, on Aqui y Ahora, KEXP recognizes the contributions, resilience, and music of Latinx, Hispanic and Latino-identified communities everywhere. Today, on OG Thursday, Larry is celebrating fusion's greatest drummer, Panamanian–American jazz drummer Billy Cobham! We’re so glad you’re here with us today!\n--\n\"What makes Cobham’s drumming on “Stratus” so unique is how he balances control and chaos. He’s got a deep pocket, so the groove always feels tight, but he never plays it safe—he’s constantly pushing the rhythm, adding layers of texture and intensity without ever losing the pulse. It’s like he’s having a conversation with every other instrument at once, yet he’s always in the lead.\"\n--\nThe personnel are: Billy Cobham – Drums, Percussion & Producer \nJan Hammer – Electric Piano, Moog Synthesizer \nTommy Bolin – Electric Guitar \nLee Sklar – Electric Bass"
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                    "text": "Brothers Van and Gary Lee Conner (bass and guitar, in that order) grew up in Ellensburg, WA where they formed Screaming Trees with Mark Lanegan in the mid-80's.\n\nYou can check out Mark Lanegan's full KEXP in studio performance back in 2014: https://www.youtube.com/watch?v=TwKzkAYZtCE."
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                    "text": "Dusty Henry and Martin Douglas dive into the three albums by the Portland band Wipers, the band with the most entries on Kurt Cobain's list of most influential albums as part of The Cobain 50 podcast. Greg Sage's melodic punk riffs not only inspired Nirvana, but also other Northwest bands before them, including The Melvins and Mudhoney. \n\nhttps://www.kexp.org/podcasts/cobain50/2024/6/12/wipers-is-this-real-1980-youth-of-america-1981-and-over-the-edge-1983/"
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                    "text": "The Ramones 1976 debut album was recorded in the same building that houses Radio City Music Hall.\nFor 40 years, the sounds on Ramones have induced visions of downtown NYC at its grittiest. But in reality, this monument to musical abandon was recorded upstairs at Manhattan’s ritziest venue. Plaza Sound studios was located on the seventh floor of 55 West 50th Street, the same building that houses Manhattan’s Radio City Music Hall."
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                    "text": "The eighth studio album from Meat Puppets. 'Too High to Die' was produced by Butthole Surfers guitarist Paul Leary. The album title is a parody of The Ramones' 1984 release 'Too Tough to Die'."
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                    "text": "This track was included on 'Living in Extraordinary Times,' the 15th studio album by James released in 2018.\n\nDiscussing the origins of \"Better Than That\", Tim Booth said he was in the middle of paddleboarding against 6-foot-high waves, and after being repeatedly struck by the waves, he was exclaiming; \"Come on, you can do better than that.\"\n\nJames did not want to play the track to their management or record label because they felt it was \"too safe.\" Giles edited the track; he removed some of the hooks, added backwards reverb and changed the rhythm section.\n\nhttps://www.gigwise.com/features/3253607/james-tim-booth-interview-new-album-living-in-extraordinary-times/"
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                    "text": "The prominent single was released as Shakur’s comeback song after the rapper was released from prison in 1995. Shakur had served eight months in prison on sexual abuse charges, which he claimed were bogus. He was released pending an appeal of his conviction.\n\nFollowing his release, he signed to Marion “Suge” Knight’s label, Death Row Records, and became, sadly and later to his detriment and death, heavily involved in the growing East Coast–West Coast hip hop rivalry with the likes of Snoop Dogg and Notorious B.I.G.. Go \"behind the history and meaning\" of California Love\": https://tinyurl.com/2rv6wdmt\n\nDon't miss the video: https://tinyurl.com/594479sk"
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                    "text": "slowpoke hails from New York and this is their debut track:\nhttps://open.spotify.com/album/0k7A6eBJfwUunRVDluGGkX?si=fAWF9MxORGOZDM4CB2vqfQ"
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                    "text": "New music out of Chicago! \n\nAfter a ten-year break from the studio, The Autumn Defense pick up right where they left off on their long-anticipated sixth album, 'Here and Nowhere'. Infusing the band’s breezy, harmony-drenched take on Laurel Canyon with lush orchestration and psychedelic flourishes, the collection is dreamy and impressionistic, full of warm, inviting tunes as beautiful as they are bittersweet. \n\nTheir new album will be released on October 10th.\nhttps://theautumndefense.bandcamp.com/album/here-and-nowhere"
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                    "text": "LA-based Peel Dream Magazine joined us Live on KEXP last November. Check out their session right here:\nhttps://www.youtube.com/watch?v=cqSPeufe3aA"
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}