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"text": "Mike Doughty says:\n\n“Saw a girl in Georgia, but I lived in Brooklyn; she couldn’t deal with the mileage, she ditched me. I actually yelped at her ‘You dumped me!’ and she replied, rolling her eyes, ‘dumped’. (sigh) That word is so 80’s. It was late August, humid and awful in New York, my apartment in Fort Greene was practically a steam-bath. \n\nThe guitar part comes from an attempt to emulate the way the guitar slithers around the accents in Snoop Dogg’s ‘Nothin’ But A G Thang’, whereas the melody is more or less failed attempts at variants of the line ‘…and I slowly came to see all of the things that you are made of…’ in the Mary J. Blige song ‘Real Love’.”\n\nhttps://genius.com/Soul-coughing-soft-serve-lyrics"
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"text": "Good morning and welcome to Thursday's Midday Show with Cheryl Waters!\n--\nHappy International Curesday! Robert Smith performed Quicksand along with David Bowie as part of his 50th birthday tribute concert at Madison Square Garden in January 1997. Here's the video of it: https://www.youtube.com/watch?v=PZJYqsgNgac"
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"comments": [
{
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"text": "Happy International Curesday, every last Thursday of September-- mark those calendars!\n--\nCheck out this interview with Robert Smith, posted to The Cure's official YouTube channel, on their latest album in 16 years:\nhttps://www.youtube.com/watch?v=bLFA1BlTeUE"
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"text": "The Cure's legendary frontman Robert Smith joined Tim Burgess (of The Charlatans) on Tim's Listening Party to discuss The Cure's critically-acclaimed 2024 album 'Songs of a Lost World'. \nIn the in-depth interview over an hour they chatted about everything from recording at Rockfield Studios, dedicating the album to The Cure's fans, the emotions of playing live, their intimate Troxy show, how Reeves Gabrels joined the band, Robert reading his own album reviews, how he doesn't view himself as a singer, his iconic hair and makeup, and much much more.\nhttps://www.youtube.com/watch?v=J-gWGkfapbk"
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"comments": [
{
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"text": "Far Out Magazine's review of this cover:\n\"The beauty of this particular cover lies in the juxtaposing movements of each band. Although Robert Smith and the band pay tribute to the song’s artistry and Ian Curtis’ inspiring songcraft, they turn the song into something you’d expect to hear on The Cure’s next album.\""
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