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                    "text": "Zamrock legends W.I.T.C.H. (We Intend To Cause Havoc) electrify Talking Heads’ existential classic with a searing reinterpretation. Once pioneers of Zambia’s psychedelic Afro-rock explosion in the 1970s, W.I.T.C.H. now channel their raw, hypnotic grooves and politically charged energy into a communal, heavy-hitting chant. Emmanuel “Jagari” Chanda leads the charge, transforming Byrne’s art-rock minimalism into a timeless, urgent anthem. Their version embodies the heartbeat of Naive Melodies: not mere imitation, but bold transformation—proof that “How did I get here?” still resonates across cultures and generations.\n\nhttps://bbemusic.bandcamp.com/album/w-i-t-c-h-once-in-a-lifetime-astr-nne-psycho-killer"
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                    "text": "Watch St. Vincent perform this track live back in 2015:\nhttps://www.youtube.com/watch?v=uZeRWB4Rjzg\n\nhttps://stvincent.bandcamp.com/album/st-vincent"
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                    "text": "DJ Harrison is Richmond, VA-based multi-instrumentalist, singer, songwriter and producer Devonne Harris.\n\nhttps://djharrison.bandcamp.com/album/electrosoul"
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                    "text": "Jean Dawson will be live:\n\n- Mar. 8 at Keller Auditorium in Portland, OR\n- Mar. 9 at WAMU Theater in Seattle, WA\n- Mar. 10 at Doug Mitchell Thunderbird Sports Centre in Vancouver, BC\n- Mar. 12 at Bill Graham Civic Auditorium in San Francisco, CA\n\nhttps://jeandawson.bandcamp.com/album/rock-a-bye-baby"
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                    "text": "Getting a Beach Boys vibe at the start of this song?\n\n\"'The Last Goodbye' visualizes the fight between pandemic weariness and the desire to seize the fruits of the reopened world, and there’s a cognitive dissonance between the vocalists’ introspective mind-loops and the massive beats beneath them.\" \n\nODESZA earned a Grammy Nomination For Best Dance/Electronic Album for 'The Last Goodbye.' \n\nRead more here: https://pitchfork.com/reviews/albums/odesza-the-last-goodbye/"
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                    "text": "M.I.A., the daughter of Sri Lankan Tamil immigrants, spoke about the inspirations behind her hit track \"Paper Planes,\" as a way to push back against anti-immigrant rhetoric. \n\nKEXP's Dusty Henry dives deep into the history of the song, and the sample from The Clash's \"Straight To Hell.\" Read the essay here:\n\nhttps://www.kexp.org/read/2019/2/7/straight-hell-paper-plane-how-mias-clash-sampling-breakout-hit-became-generational-anthem/"
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                    "text": "#186 on KEXP Listeners' Favorite Albums of All Time:\nhttps://www.kexp.org/countdowns/2025-all-time-favorite-albums/\n\n--\n\nClash drummer Topper Headon wrote the music and the original lyrics. In an interview, singer Joe Strummer claimed that \"the real genius of 'Rock The Casbah' is Topper. He banged down the drum track. Then ran over to the piano and then the bass.\" \n\nThe sad irony about the song is that Headon wrote it musically, but had been fired from the group because of drug problems by the time the song became an enormous hit in the US."
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                "name": "Atlantic"
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                    "text": "\"How Many More Times\" is based on some old blues songs that influenced the band. Some of the lyrics are from blues singer Albert King's song \"The Hunter,\" and much of the song was derived from Howlin' Wolf's \"How Many More Years.\" \n\nThis was the last song on the debut Led Zeppelin album. It was listed as 3:30 on the album, but the correct length is 8:28. The reason that the song was listed as only being a little over 3 minutes was to promote radio play. Jimmy Page knew that radio would never play a song over 8 minutes long, so he wrote the track time as shorter on the album to trick radio stations into playing it."
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                "name": "K"
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                    "text": "Ribbon of Fear is heightened with a polyrhythmic jamboree of tambourine, piano keys, ghoulish laughter and female\nvoice accompaniment. Punky twang meets doo-wop. The songs chronicle a love for the redemptive qualities of rock and roll, and they hit all the keynotes.\n\nhttps://krecs.bandcamp.com/album/ribbon-of-fear-klp209"
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                {
                    "commentid": 1825943139,
                    "text": "Watch Valerie June perform this track Live on KEXP from the Bumbershoot Music Lounge in 2014.\n\nhttps://www.youtube.com/watch?v=NZsTjOe6gXI"
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                "name": "Media play"
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                "name": "The Mystery Lights",
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                "name": "The Mystery Lights",
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            "releaseevent": {
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                "year": 2016
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            "track": {
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                "name": "Before My Own"
            },
            "label": {
                "labelid": 1165468924,
                "name": "Wick Records"
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            "comments": [
                {
                    "commentid": 1070224272,
                    "text": "\"Originally from the small town of Salinas, California and now based in NYC, The Mystery Lights' live shows gradually became the stuff of legend as the quintet won their following one fan at a time in dives from Brooklyn to the Bowery. The Lights’ sound has evolved into a fuzz-fueled hopped-up 21st Century take on 60s garage pebbles, and artful 70s punk, that is all their own.\" \n\nhttps://themysterylights.bandcamp.com/album/the-mystery-lights"
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}