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                    "text": "#48 on YOUR countdown of the greatest albums of all time!\n\n\nWhen bassist Tina Weymouth came up with a striking bass line, the band “took that lick and extrapolated it, slowly building a piece around it. After weeks of jamming, David Byrne and producer Brian Eno came in to the studio to start adding arrangements and lyrics to the music pieces.”\nEno counted the rhythm of the song differently than everyone else did, resulting in a distinctive layering of different grooves all at once. On top of this came the lyrics, which Byrne developed as he “sat down and listened to televangelist sermons, pulling phrases from them and crafting them into lyrics.” Put together, “the song creates a trancelike state, capturing the manic monotony of middle-class existence” with both its captivatingly repetitive music (played by the band members acting as “human samplers”) and its words, as Byrne himself interprets them, “about the unconscious, about how we operate half-awake on autopilot.”: https://www.openculture.com/2019/02/how-talking-heads-and-brian-eno-wrote-once-in-a-lifetime.html"
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                    "text": "#49 on YOUR countdown of the greatest albums of all time!\n\n\"To listen to DJ Shadow’s Endtroducing is to hear sampling approached as a spiritual practice, an aural document of one man’s lifelong reverence for hip-hop and his communion with the history of recorded music.\"\n\n1996's \"Endtroducing...,\" compromised almost entirely of vinyl samples, legitimized sampling as an art form.  Read the story of this Joshua Davis masterpiece: https://www.udiscovermusic.com/stories/dj-shadow-endtroducing-explained-feature/"
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                    "text": "#50 on YOUR countdown of the greatest albums of all time!\n\n\"Me Myself and I\" by De La Soul sampled multiple elements of Funkadelic's \"(Not Just) Knee Deep\".  Prince Paul was the producer."
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                    "text": "#51 on YOUR countdown of the greatest albums of all time!\n“I wrote it [\"Head Like a Hole\"] at the last minute as a throwaway,” Trent Reznor said in 2005. “The rest of 'Pretty Hate Machine' was already written, and we’d revised everything else about nine times. Up until then songwriting had been a meticulous and agonizing process, but this took me 15 minutes in my bedroom.” https://www.loudersound.com/features/the-story-behind-the-song-nine-inch-nails-head-like-a-hole"
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                    "text": "#62 on YOUR countdown of the greatest albums of all time!\n\nFirst released in 2000, The Moon & Antarctica is Modest Mouse's third album. \n\nThe album's title came from a scene in the film, 'Blade Runner,' where the main character can be seen reading a newspaper headlined \"Farming the Oceans, the Moon and Antarctica\".\nhttps://bit.ly/3vzOAcO\n\nhttps://modestmouse.bandcamp.com/"
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