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"text": "Jesse Wells (born November 22, 1994), known professionally as Jesse Welles, or simply Welles, is an American singer-songwriter and guitarist.\n\nHe released his debut studio album, Red Trees and White Trashes in 2018. Welles previously performed under the name Jeh Sea Wells and was also the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. \n\nIn 2024, Welles garnered attention on social media for writing and performing folk protest songs, including \"The Poor\", \"Cancer,\" \"The Olympics,\" \"United Health,\" as well as \"War Isn't Murder\", a track about the Israel-Palestinian War.\n\nBorn in Ozark, Arkansas, Welles began playing guitar at age 11, and as a teenager he began recording songs which he sold on burned CDs. Welles lived for a while until early 2016 in an abandoned building turned art commune in the mountains around Fayetteville, and cites \"American wordsmiths\" Walt Whitman, Herman Melville, Cormac McCarthy, and Mark Twain as influences. https://tinyurl.com/59afxbz9\n\nYou can follow Welles here: www.wellesmusic.com or on YouTube: https://tinyurl.com/2s6avuh"
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"text": "Snocaps is a fresh new indie band consisting of Katie Crutchfield (better known as Waxahatchee), her sister Allison Crutchfield, MJ Lenderman, and Brad Cook.\n\nThe Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot.\n\nIt also marks Allison Crutchfield's first new music in seven years, following the release of the fourth Swearin' album Fall Into the Sun in 2018. Kate Crutchfield, in her Substack newsletter, wrote that the sisters were interested in \"making something akin to what we made when we were younger\" with \"no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.\" https://tinyurl.com/55rhjc3r"
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"text": "The Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago.\n\nThis extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers. Let It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.\n\nBy the time Let It Be was recorded, The Replacements had nearly outgrown their rough-edged hardcore beginnings. In their place were songs about longing, identity, and the uneasy shift from youth to adulthood. Tracks like \"Unsatisfied\" and \"Answering Machine\" embody that evolution, while \"Seen Your Video\" preserved their instinct for irreverence.\n\nThe response was immediate, earning a rare A+ from Robert Christgau in The Village Voice and four stars from Rolling Stone. Its critical reputation only snowballed from there, eventually landing it on countless lists of the greatest albums ever made. https://tinyurl.com/y3unc4wv"
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"text": "Live at Merlyns, Madison, Wisconsin\n\nLet It Be by The Replacements—Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars - originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock. The landmark 1984 album returns in a newly remastered and expanded edition from Rhino. \n\nLet It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings. Music journalist and singer/songwriter from the critically acclaimed DC-based pub-rock band the Paranoid Style, Elizabeth Nelson writes in the liner notes, \"In form and function, The Replacements were the ultimate rebuke to masculine punk, and Let It Be, at its core, is a record for girls.\""
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"text": "This upcoming new boxed set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of \"Gary’s Got A Boner\" and \"Favorite Thing,\" as well as previously unreleased outtakes \"Who’s Gonna Take Us Alive\" and \"Street Girl.\" The alternate version of \"Androgynous\" features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set. \n\nMusic journalist and singer/songwriter from the critically acclaimed DC-based pub-rock band the Paranoid Style, Elizabeth Nelson writes in the liner notes, \"In form and function, The Replacements were the ultimate rebuke to masculine punk, and Let It Be, at its core, is a record for girls.\"\n\nIt’s also a record for the terminally shy, and for anyone who ever felt like a freak in their own skin. It is, in short, the blueprint for what so many of us wanted and needed rock and roll to be: a refuge, a provocation, and in the end, a way out."
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"text": "Sunniva Lindgård, better known as Sassy 009, is a Scandinavian musician originally from Oslo, Norway. The name Sassy 009 comes from Lindgård's SoundCloud username. Sassy 009 originally began as a trio that consisted of Lindgård, Teodora Georgijević, and Johanna Scheie Orellana, who originally met in high school As a trio, they released one EP together, titled Do You Mind, in 2017. In May 2018, the trio was featured as The Guardian's \"Ones to Watch.\" https://tinyurl.com/y888nfm6\n\nSassy 009 rebooted as a solo vehicle in 2019, later evolving into 2021’s sultry, bass-driven Heart Ego mixtape.\n\nThis album enlists guest features from Blood Orange, Yuné Pinku, and BEA1991. Steered by freshly distorted vocals and elements of grunge, shoegaze, ‘90s beatronica and gauzy hyperpop, it is a record of self-discovery and self-effacement at once, Dreamer+ is work of fiction at its core, a grim fairytale in which dreams and emotions are processed through a landscape of shapeshifting characters, dark forces and moral responsibilities. https://tinyurl.com/2b4vytkm"
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"text": "Wednesday's Karly Hartzman shares, \"The song 'Townies' is about how a young woman’s sexuality, especially when they are first encountering it at a young age, is often weaponized against them in the gossip cycles of a high school.\n\n\"I write from experience, both my own and a dear friend of mine, who had rumors spread about them that could deeply affect or potentially define our social standing.\n\n\"At the end of the song I look back and forgive anyone who contributed to this. Even I, as a victim of the rumor mill, wasn’t immune to sharing little scandals with my friends when I came across them. Cause the end of the day, teenagers have no idea who the f*ck they are or how what they do might be hurting someone. All you can do is hope everyone grew up to become decent and empathic adults.\" https://tinyurl.com/73c7a6pb"
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"text": "Of this track, Carlie confides, \"'Human' is about striking that really difficult balance between recognizing that we’re here for a very short period of time, like the blink of an eye, and that we have got to find a way to be happy in the chaos. \n\n\"We have to find a way for all to be well with our soul while we’re here in this split second. Then we also have to find a way to not be apathetic, inactive, passive and neoliberal about the things that are happening in our world.\n\n\"That is a really difficult balance to strike, because one could accidentally block out the things that need work and the things that need activism in order to make ourselves happy. Or one could accidentally block out the need to be human, while they are virtue-signaling and running as fast as they can on a treadmill that’s outpacing them. And that balance is the challenge that I’m putting forward with 'Human.'\" https://tinyurl.com/8vzmj6p8"
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"text": "Packaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural).\n\nThe eponymous album fuses psychedelic textures, krautrock chug, electronic grandeur, tuneful accessibility, and just a little bit of bristling self-awareness. \n\nRecorded, engineered and produced by Daniel Birch and Daniel Lyon at Post Haus in Denver, CO. https://tinyurl.com/3aht67jx"
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"text": "His first new music in two years, Ghanaian Australian Genesis Owusu said the album is commentary on our broken-apart world. \n\nOf this single, Owusu shares, “The rich are getting richer and us regulars are eating each other alive. Smoke-screened by paranoia-inducing culture wars and our own growing poverty....\n\n\"Someone’s gotta sound the alarm and break the hypnosis. And that someone isn’t going to be the guy saying immigrants are eating your cats and they probably won’t have a billion dollars in their bank account either.\" https://tinyurl.com/2mv6s97k\n\nhttps://www.genesisowusu.com/ \n\nCheck out this 2023 Live on KEXP session with Genesis Owusu, hosted by Reverend Dollars! https://tinyurl.com/3ccv8kmp"
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"text": "The acronym WDID can stand for \"What Do I Do,\" but may also refer to Waste Discharger Identification number, a permit identifier for stormwater discharges in California.\n\nElectro-pop duo Sylvan Esso have returned with their first new single in three years and announced their decision to pull their music from Spotify, partly in protest of co-founder Daniel Ek’s ties to Helsing, a German defense tech company with a particular focus on artificial intelligence.\n\n(Other artists who’ve taken similar stances include Massive Attack, King Gizzard and the Wizard Lizard, and Xiu Xiu.)\n\n\"As we prepare to release new music, we have to decide what we want to be a part of and what we don’t,\" Sylvan Esso reveals. \n\n\"To that end, with Sylvan Esso being on our own label for the first time, we have decided to remove our music from Spotify. While no solution is perfect, we simply can’t continue to put our life’s work in a store that, in addition to all its other glaring flaws, directly funds war machines.\""
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"text": "New music from Sugar!!! Bob Mould plays this year's SMOOCH benefit at the Showbox on 12/13 w/ Blondshell. Get tickets here: https://tinyurl.com/5n865vpv \n\nSugar-–the iconic alternative rock trio led by Bob Mould alongside bassist David Barbe and drummer Malcolm Travis--returns with their first new music together in over three decades.\n\nOf their reunion, Mould reveals, \"SUGAR was a meteorite. I spent all of 1991 writing and performing new material at solo shows. David and Malcolm had never met but I was certain we three would work well together.\n\n\"SUGAR was a workhorse. After weeks of rehearsal in early 1992, we spent three months recording Copper Blue and Beaster. By summer 1992, the musical climate was perfect for what we created. \n\n\"SUGAR was a phenomena. No one could have predicted the results. We held onto the wheel and did our best to enjoy the wild ride. SUGAR was part of a pivotal era in popular music, and a special time in my life.\" https://tinyurl.com/4a6xktnj"
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"text": "\"Head On\" by The Jesus and Mary Chain, from their 1989 album Automatic, is a standout track known for its fuzzy guitars, pop sensibility, and iconic lyrics about intense attraction, becoming a college radio favorite in the US and getting famously covered by the Pixies.\n\nThe song captures the band's shift towards more accessible sounds while retaining their signature noise, with lyrics about electric charges and finding trouble in \"the dirty part of town.\""
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"text": "Glazyhaze are up for a 2026 Music Moves Europe Award (MME Awards), the EU prize for emerging European artists! Check out all the artists and vote for your favourite here: https://mmeawards.eu/en/\n\nVenice-based Glazyhaze blends shoegaze and alternative rock with dream pop intimacy and Britpop nostalgia, shifting between dark atmospheres and ethereal soundscapes.\n\nAfter debuting in 2023, and touring across Europe, Glazyhaze released their second album SONIC, exploring love and self-discovery through a dynamic interplay of light and shadow. In November 2025 they toured Europe, opening for Soft Cults and Slow Crush and had their first ever headline series of UK shows. https://tinyurl.com/47j443u7"
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"text": "The Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago. This extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers, with many retailers offering special events and listening parties around the release date. \n\nLet It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.\n\nThe set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of “Gary’s Got A Boner” and “Favorite Thing,” as well as previously unreleased outtakes \"Who’s Gonna Take Us Alive” and “Street Girl.” All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set. \n\nThe collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album (\"I Will Dare\" and \"Unsatisfied\"), early favorites (\"Color Me Impressed\" and \"Takin’ A Ride\"), and characteristically offbeat covers \"Help Me Rhonda/Little G.T.O.\" (originally done by The Beach Boys/Ronny & The Daytonas) and “Can’t Get Enough” (Bad Company).\n\nLive at City Gardens is a six-song soundboard recording made February 11, 1984 at one of the band’s favorite punk clubs in Trenton, NJ."
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