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"text": "UPCOMING SHOW\n+ Sept 26th @ Terra Madre Americas (Sacramento)\n\nThe band said: “We started work on an album this year (b)ut as we finished up the first two songs for the LP, it crossed somebody’s mind and eventually all of ours that these two really should come out now. Let’s get them out there.” \n\nhttps://spoontheband.bandcamp.com/ https://spoontheband.com/"
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"text": "Unreleased Patti from the 50th anniversary reissue of 'Horses.' She'll be performing 'Horses' in full at the Paramount in Seattle on November 10th! https://www.stgpresents.org/events/patti-smith-performing-horses/\n==\nRead Patti Smith's Substack post about Horses' 50th anniversary release!: \"When we recorded Horses I hoped to communicate with like minds, the misfits, disenfranchised, those scraping away off the beaten track. I am quite moved that the community I hoped to find, found us as well and those that survived are still at work.\" \nhttps://pattismith.substack.com/p/horses"
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"text": "By request: Mindy, Maple Leaf (Seattle)\n\n\"The Crunge\" evolved out of a jam session in the studio. John Bonham started the beat, John Paul Jones came in on bass, Jimmy Page played a James Brown riff, and Robert Plant started singing. \"The Crunge\" is a dance you can't dance to. The band wanted to cheekily put dance steps for it with the album but couldn't do it logistically. At the end Plant asks \"Where's the bridge?\" He's referring to the James Brown song they took the guitar riff from where Brown asks his band to \"Take it to the bridge.\" https://bit.ly/3xbJiRP"
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"comments": [
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"text": "The iconic hip-hop trio Salt-N-Pepa consists of Cheryl \"Salt\" James, Sandra \"Pepa\" Denton, and Deidra \"Spinderella\" Roper. \"Swift\" is on their third studio album, Blacks' Magic, released in 1990.\n\nWith Blacks' Magic, Salt-N-Pepa matured and took greater control of their musical production. Blacks' Magic had a profound cultural impact by cementing the group's status as hip-hop pioneers and bringing themes of feminism, female empowerment, and sexual agency to the mainstream."
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