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                "name": "Columbia"
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                    "text": "#151 in the countdown of best opening tracks as voted by KEXP listeners..\n--\nWhen Buckley was a part of Gary Lucas' band Gods & Monsters, he wrote an early version of this song with Lucas, who contributed most of the music. Gods & Monsters fell apart amid tensions between Buckley and Lucas, but Buckley included a new version of \"Mojo Pin\" on his 1994 debut solo album, the only album released in his lifetime (he died in 1997).\n\nA demo of the Gods & Monsters version recorded in 1991 appears on the collection Songs to No One 1991-1992, which was released in 2002. The song \"Grace,\" which Buckley also wrote with Lucas, also appears on the compilation.\n\nhttps://www.songfacts.com/facts/jeff-buckley/mojo-pin"
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                "name": "Air break"
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            "airdate": "2024-09-26T23:14:52Z",
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                "name": "Dreamboat Annie",
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                "name": "Magic Man"
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                "name": "Mushroom Records"
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            "comments": [
                {
                    "commentid": 1212418822,
                    "text": "#152 in the countdown of best opening tracks as voted by KEXP listeners..\n--\nThis is the opening track to Heart's debut album!\n--\nThe \"Magic Man\" is Mike Fisher, Heart's original guitarist. He was Ann Wilson's boyfriend, and she followed him to Canada during the Vietnam War years so he wouldn't get drafted. In 1974, Nancy Wilson (Ann's sister) joined the band and Fisher became their manager and sound engineer. The song is about being madly in love to the point where you are not thinking clearly.\n--\nIn a 2022 interview with Ann Wilson, she talked about what \"Magic Man\" means to her when she sings it. \"Now, it's like looking back on a love affair of the past from this great distance,\" she said. \"It's pretty interesting to look back on all that naiveté and just what it's like when you fall in love for the first time. It's so powerful, it becomes a lifestyle. That song is a 'leaving home' song. So, I sing it as my 21-year-old self, just taking off into the world.\""
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                "name": "Media play"
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            "airdate": "2024-09-26T23:10:51Z",
            "epoch_airdate": 1727392251000,
            "epoch_airdate_v2": "/Date(1727392251000)/",
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                "name": "Dog Days Are Over"
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                "name": "Universal Island Records"
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            "comments": [
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                    "text": "#153 in the countdown of best opening tracks as voted by KEXP listeners..\n--\nThis was the second single to be released by Florence + the Machine, the recording name of London-based alternative pop artist Florence Welch and her back up band.\n\nThe song failed to reach the UK Top 75 after its initial release in December 2008. However, following a performance on the New Years Eve edition of the Jools Holland show and its use in an advertisement for the TV debut of Slumdog Millionaire, this charted for the first time in January 2010.\n\nhttps://www.songfacts.com/facts/florence-the-machine/dog-days-are-over"
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                "name": "Media play"
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            "airdate": "2024-09-26T23:07:39Z",
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                "name": "RCA"
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            "comments": [
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                    "commentid": 423806299,
                    "text": "#154 in the countdown of best opening tracks as voted by KEXP listeners..\n--\nOne of Steve Albini's 20 favorite songs of all time, as highlighted here: https://x.com/electricalWSOP/status/1698713977637736916\n\nDolly Parton's \"Jolene\" is also considered one of the most iconic tracks in country music performed by a female artist. Its haunting melody and heartfelt lyrics have cemented its place as a timeless classic, resonating with listeners across generations!"
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                "name": "Media play"
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            "airdate": "2024-09-26T23:07:38Z",
            "epoch_airdate": 1727392058000,
            "epoch_airdate_v2": "/Date(1727392058000)/",
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                "name": "Pretenders",
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                "year": 1979
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                "name": "Precious"
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            "label": null,
            "comments": [
                {
                    "commentid": 1960475328,
                    "text": "This banger is number 155 in the countdown of best opening songs...\n--\n\"Roaring out of the gate at punk rock speed, the guitars of Hynde and the James Honeyman-Scott ripping against each other over Pete Farndon’s rumbling bass and Martin Chambers’ just-slightly-weird beat, “Precious” mixed Hynde’s voice way way up front, so you could hear every single word she was singing.\": https://medialoper.com/certain-songs-1627-pretenders-precious/\n--\nHere's grainy video of a 1980 live performance of \"Precious\": https://www.youtube.com/watch?v=69jUwYWxens"
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                "name": "Media play"
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            "airdate": "2024-09-26T23:00:48Z",
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            "epoch_airdate_v2": "/Date(1727391648000)/",
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                "name": "The Flaming Lips",
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                "name": "The Soft Bulletin",
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                "year": 1999
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                "name": "Race for the Prize"
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            "label": null,
            "comments": [
                {
                    "commentid": 52594461,
                    "text": "#156--Best Opening Tracks..\n--\n\"Two scientists are racing\nFor the good of all mankind\nBoth of them side-by-side\nSo determined...\"\nFlaming Lips lead singer Wayne Coyne lost his father to cancer in 1997, which inspired the lyric about two scientists racing for a cure. The \"race for the prize\" is the quest to cure the disease.\n--\nThe Flaming Lips shared their quirky vision of the COVID-19 concert experience on The Late Show with a truly quarantined performance of “Race for the Prize” that featured both the band and the audience in their own personal bubbles. See it here: https://youtu.be/YUCzn_eMFF4"
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                "name": "Media play"
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            "airdate": "2024-09-26T22:42:32Z",
            "epoch_airdate": 1727390552000,
            "epoch_airdate_v2": "/Date(1727390552000)/",
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            "releaseevent": {
                "releaseeventid": 1459198261,
                "year": 1991
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            "track": {
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                "name": "Zoo Station"
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            "label": {
                "labelid": 1606472426,
                "name": "Island"
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            "comments": [
                {
                    "commentid": 101910804,
                    "text": "#157--Best Opening Songs\n--\nThis was the first track on the \"Achtung Baby\" album. The metallic riffs that open the song portend a change of direction for U2 into a more futuristic, electric sound.\n--\nThe title comes from Zoo Bahnhof, a train station in Berlin where the underground portion of the U2 line begins. Officially called Zoologischer Garten, the station is the stop for the Berlin Zoo.\nThe band went to the Berlin Zoo after arriving in Berlin to record \"Achtung Baby.\" Bono got the idea there to use the zoo as a theme. The zoo image would reappear on their next album, \"Zooropa,\" too."
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2024-09-26T22:25:52Z",
            "epoch_airdate": 1727389552000,
            "epoch_airdate_v2": "/Date(1727389552000)/",
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                "name": "The Beatles",
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                "name": "Back In The U.S.S.R."
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            "label": {
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                "name": "Apple Records"
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            "comments": [
                {
                    "commentid": 1867162200,
                    "text": "#159 in the countdown of best opening tracks...\n---\nThe opening track on the White Album, ‘Back In The USSR’ was written by Paul McCartney and inspired by Chuck Berry’s ‘Back In The USA’ and the Beach Boys’ ‘California Girls’.\nThe song was intended by McCartney to be a parody of Chuck Berry’s 1959 hit.\n\"It’s tongue in cheek. This is a travelling Russkie who has just flown in from Miami Beach; he’s come the other way. He can’t wait to get back to the Georgian mountains: ‘Georgia’s always on my mind’; there’s all sorts of little jokes in it… I remember trying to sing it in my Jerry Lee Lewis voice, to get my mind set on a particular feeling. We added Beach Boys style harmonies.\" --Paul McCartney"
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            "airdate": "2024-09-26T22:25:10Z",
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                "name": "Media play"
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            "airdate": "2024-09-26T22:21:53Z",
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            "epoch_airdate_v2": "/Date(1727389313000)/",
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                "name": "Greatest Hits",
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            "releaseevent": {
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                "year": 1993
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            "track": {
                "trackid": 761712563,
                "name": "Refugee"
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            "label": {
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                "name": "MCA Records"
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            "comments": [
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                    "commentid": 1095982785,
                    "text": "#160 of our  best opening songs...\n--\nWritten by Tom Petty and Mike Campbell, this was the opening song of \"Damn the Torpedoes,\" Tom Petty's third album. As Rolling Stone declared, it was the “album we’ve all been waiting for – that is, if we were all Tom Petty fans, which we would be if there were any justice in the world.”: https://americansongwriter.com/behind-todays-great-song-for-now-refugee-by-tom-petty-the-heartbreakers/"
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            "showid": 61414
        },
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            "playtype": {
                "playtypeid": 1,
                "name": "Media play"
            },
            "airdate": "2024-09-26T22:18:52Z",
            "epoch_airdate": 1727389132000,
            "epoch_airdate_v2": "/Date(1727389132000)/",
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            "artist": {
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                "name": "Peter Gabriel",
                "islocal": false
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                "name": "So",
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            },
            "releaseevent": {
                "releaseeventid": 33849188,
                "year": 2002
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            "track": {
                "trackid": 426832075,
                "name": "Red Rain"
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            "label": {
                "labelid": 2048109923,
                "name": "Virgin, Real World"
            },
            "comments": [
                {
                    "commentid": 1812891959,
                    "text": "#161--Best Opening Tracks\n--\nThis  opening song was inspired by a recurring dream where Gabriel was swimming in a sea of red water. Gabriel explained: \"'Red Rain' was written after a dream I'd had about the sea being parted by two walls. There were these glass-like figures that would screw themselves into each wall, fill up with red blood and then be lowered across the sand, as it were to the next wall, where they'd unload the blood on the other side. I used to have these extremely vivid dreams that scared the hell out of me.\"\n--\nHe added: \"If feelings of pain do not get brought out, not only do they fester and grow stronger but they manifest themselves in the external world.\""
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            "playtype": {
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                "name": "Media play"
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            "airdate": "2024-09-26T22:14:33Z",
            "epoch_airdate": 1727388873000,
            "epoch_airdate_v2": "/Date(1727388873000)/",
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                "artistid": 1230031157,
                "name": "New Order",
                "islocal": false
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            "release": {
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                "name": "Substance 1987",
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            },
            "releaseevent": {
                "releaseeventid": 1784965763,
                "year": 1987
            },
            "track": {
                "trackid": 1187759409,
                "name": "Ceremony"
            },
            "label": {
                "labelid": 1871432853,
                "name": "Qwest Records"
            },
            "comments": [
                {
                    "commentid": 1448264031,
                    "text": "#162 in our countdown of best opening tracks of all time...\n--\nThis essayist says that \"Ceremony\" is \"the best song ever written\": https://thesleepypinup.wordpress.com/2017/08/08/ceremony-by-new-order-the-best-song-ever-written/"
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            ],
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            "playtype": {
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                    "text": "#164 in the countdown of best opening tracks, voted by KEXP listeners..\n--\nIt's the 8:42 opening to Built to Spill's sixth full-length album. \nHere's a 13-minute version at The Wonder Ballroom in 2022: https://www.youtube.com/watch?v=w8by4xFPYuI"
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                    "text": "#165--Best Opening Tracks\n-- \nWell, Green Day played T-Mobile Park in Seattle last Monday and garnered a glowing review: https://www.seattletimes.com/entertainment/music/review-green-day-at-their-best-blasts-through-seattle-punk-rock-marathon/"
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                    "text": "#167--Best Opening Tracks\n---\nThis was the opening track to the debut album from Scottish band The Jesus and Mary Chain. Here's an interview with William Reid and Jim Reid about the album, thirty years later: https://www.theguardian.com/music/2014/oct/26/jesus-and-mary-chain-psychocandy-live-interview"
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                    "text": "#168 of the best opening tracks...\n---\n\"If I ventured in the slipstream\nBetween the viaducts of your dream\nWhere immobile steel rims crack\nAnd the ditch in the back roads stop\nCould you find me?\nWould you kiss-a my eyes?...\" \n\nThis album came out in November, 1968. Ten years later, critic Lester Bangs called it “a mystical document” and “a beacon, a light on the far shores of the murk.” Bruce Springsteen said that it gave him “a sense of the divine.”: https://www.newyorker.com/culture/culture-desk/the-miracle-of-van-morrisons-astral-weeks"
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                    "text": "#169--Best Opening Tracks\n--\nVocalist and lyricist Damon Albarn found his inspiration for the song while on holiday in Magaluf on the Spanish island of Majorca. \"I just love the whole idea of it, to be honest. I love herds,\" he later recalled. \"All these blokes and all these girls meeting at the watering hole and then just copulating. There's no morality involved, I'm not saying it should or shouldn't happen.\"\n--\nRadiohead's Thom Yorke confessed on BBC Radio 1 that he wished he had written this song, jokingly calling Blur \"bastards\" for writing it first."
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