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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#641 John Prine from John Prine with \"Illegal Smile\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/ \n\n\"I have to confess, the song was not about smokin' dope,\" the folk singer-songwriter confesses about the opening track from his debut album. \"It was more about how, ever since I was a child, I had this view of the world where I can find myself smiling at stuff nobody else was smiling at. But it was such a good anthem for dope smokers that I disongfadn't want to stop every time I played it and make a disclaimer.\"\n\n\"When I first started singing it I went on this underground TV program, and the only stage set they had was two chairs and this fake marijuana plant. I came on and sang 'Illegal Smile,' and they kept having the camera pan in, real psychedelic-like, on the plant. On top of that, I got fined by the musician's union for not taking any money to do the show.\" https://tinyurl.com/2fcj32up"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#642 Mitski from Be the Cowboy with \"Geyser\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\n\"Geyser\" was the first song to be written for Be the Cowboy. About the track, Mitski reveals, \"I think this is one of my vaguest songs. Usually my songs have a narrative of some sort. But this song is all feeling.\"\n\n\"I started to write it in college; it's the song I've taken the longest to write. It had become my White Whale - Moby Dick reference - where I couldn't get it right. Every time I thought I'd finished it it just didn't feel right, so I kept changing it. It's gone through many iterations; probably people who went to school with me, who've been in seminars with me, are like 'wait, I heard that somewhere...' And then I finally got to a point where I was like 'you know what, I need to end this, I'm never gonna be happy with it so let me finish it.' So I did.\" https://tinyurl.com/yc4ns68s"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#643 Slowdive from Souvlaki with \"Alison\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nPrior to the writing of Souvlaki, Slowdive co-vocalists and guitarists Rachel Goswell and Neil Halstead had ended their relationship and Halstead began to spend more time writing songs alone, a process that had been completed by the full band in the past.\n\nThe album's title was taken from a skit by American comedy duo The Jerky Boys, where one of the duo prank telephone calls a hotel manager asking him to perform sexual acts on his wife. Upon learning the manager is Greek, the caller says: \"My wife loves that Greek shit... She'll suck your c*ck like souvlaki.\" https://tinyurl.com/ycn8br9z"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#644 Pela from Anytown Graffiti with \"Waiting on The Stairs\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nAll four members of Pela currently live in the not-so-fashionable waterfront neighborhood of Red Hook – the setting of Hubert Selby Jr.'s Last Exit to Brooklyn, and home to many artists, dock workers, cranes, and shipping containers.\nThey make desperate songs about addiction, isolation, hope, murder, sex, and Mexico.\n\nIn spite of the dark subject matter, they're catchy, and have led one writer to opine that \"Pela's music recalls what might happen if Modest Mouse hitched a ride on U2's wide-horizon rock'n'roll tour bus.\" https://tinyurl.com/3kwh9n3t"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#645 Lizzo from Special with \"The Sign\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nEven those who seem like they're on top of the world can still have their moments of self-doubt and depression. After Lizzo's 2021 collaboration with Cardi B, \"Rumors,\" she received heaps of criticism. \"I think it was because people hadn't heard from me since 'Cuz I Love You,' and this was their opportunity to attack me because I was visible, you know? But I turn my pain into music. I turn my pain into profit. I make it work for me.\"\n\nSo Lizzo went into the recording studio to create a self-affirming track that would remind her of her worth. Special was the result. https://tinyurl.com/mwcw458m"
}
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#646 Supertramp from Crime of the Century with \"School\" \n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nThe band was originally called Daddy, but they changed it at the suggestion of their original guitarist Richard Palmer, who got the name from a 1910 book by the Welsh author W.H. Davies called The Autobiography of a Super Tramp.\n\nSupertramp formed in London when Rick Davies broke up his band The Joint and placed an ad in a UK music paper looking for musicians to form a band. The group was financed by a Dutch millionaire named Sam Miesegaes, who put up the money after seeing Davies play in The Joint. \n\nDavies and Hodgson did all the songwriting, and even though they wrote most of their songs separately, they agreed to share composer credit on all the songs, just like Lennon/McCartney or Jagger/Richards. Like the Lennon/McCartney arrangement, whoever wrote the song sang lead. https://tinyurl.com/29w9cd4h"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#647 X from Wild Gift with \"The Once Over Twice\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nIn Christgau's Record Guide: The '80s (1990), critic Robert Christgau lauded Wild Gift, writing,\n\n\"Hippies couldn't understand jealousy because they believed in universal love; punks can't understand it because they believe sex is a doomed reflex of existentially discrete monads.\n\n\"As X-Catholics obsessed with a guilt they can't accept and committed to a subculture that gives them no peace, Exene and John Doe are prey to both misconceptions, and their struggle with them is thrilling and edifying... Who knows whether the insightful ministrations of their guitarist will prove as therapeutic for them as for you and me, but I say trust a bohemian bearing gifts. How often do we get a great love album and a great punk album in the same package?\" https://tinyurl.com/a2ytt74f"
}
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#648 The Black Keys from Thickfreakness with \"Thickfreakness\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nThickfreakness is the second studio album by The Black Keys, released in 2003. It is their debut release for the Fat Possum record label, although in the UK and Europe it was co-released by Epitaph Records.\n\nThe cover art was made by Carney's brother Michael, who was responsible for the whole graphical process after the layout of The Big Come Up ended up done by Patrick Boissel of Alive Records.\n\nAs the Carneys drove around Akron trying to think of an idea, they ended up in a Super K-Mart and eventually found a concept upon finding a can of pomade. Then they moved all of the lamps in his house into one room to light up the picture, where Patrick handled the pomade. https://tinyurl.com/5n8kurpk"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#649 The Stooges from The Stooges with \"1969\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nIn 2003, The Stooges was placed at number 185 on Rolling Stone's list of the \"500 Greatest Albums of All Time,\" maintaining the rating in its 2012 revised list, and dropping to number 488 in its 2020 list. The magazine also included \"1969\" in their list of the \"100 Greatest Guitar Songs of All Time.\"\n\nSeth Jacobson, writing in 1001 Albums You Must Hear Before You Die, said that the album was \"a collection of brilliant curios, which were neither full-on garage rock, nor out-and-out dirge.\" In 2005, Q magazine placed \"I Wanna Be Your Dog\" at number 13 in its list of the \"100 Greatest Guitar Tracks.\" https://tinyurl.com/yc7pfnzk"
}
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#650 The Breeders from All Nerve with \"Nervous Mary\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nAll Nerve was released to universal acclaim, scoring 84 on aggregate website Metacritic, based on 31 reviews. AllMusic reviewer Heather Phares praised the album as \"one of the band's finest blends of sugar and swagger, space and noise.\"\n\nRecord Collector's Alun Hamnett praised Kim Deal's decision to leave the Pixies in 2013 to focus exclusively on the Breeders, stating, \"They took their sweet time, but that Breeders line-up is back, and has just nonchalantly knocked it out of the park.\" https://tinyurl.com/3ssky6aj"
}
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n#651 Urge Overkill from Saturation with \"Sister Havana\" \n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nSaturation was Urge Overkill's debut on Geffen Records, and a deliberate attempt at a hit record. The label released \"Sister Havana\" and \"Positive Bleeding\" as singles in the US and Europe. \"Sister Havana\" charted highly on both the modern rock and mainstream rock charts, peaking at numbers 6 and 10 respectively.\n\nOn release, Saturation was met with critical acclaim. It was praised by critics for its musical variety, surreal lyrical themes, and unusual and timeless sound and production style. The album is also notable for the fact that Nash Kato – rather than King Roeser, the band's usual de facto lead vocalist – sings lead on almost the entire album. The two would split frontman duties on their next album Exit the Dragon and their 2011 comeback Rock & Roll Submarine. https://tinyurl.com/2za45ke9"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n# 652 Wire from Reuters with \"Pink Flag\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nSee a live performance by Wire in the KEXP studio in 2017: https://tinyurl.com/bd8b3hw3\n\nWire were born at the dawn of punk, but they became the quintessential art band. In the three closing years of the 1970s, the English quartet had one of the greatest opening runs of any band, shifting to post-punk before punk began to go stale and forging three masterpieces: Pink Flag, Chairs Missing, and 154. https://tinyurl.com/2pduuekm"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n# 653 Vampire Weekend from the album Contra with \"Horchata\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nWritten by the members of the band and produced by band member Rostam Batmanglij. The band was formed by lead vocalist and guitarist Ezra Koenig, multi-instrumentalist Batmanglij, drummer Chris Tomson, and bassist Chris Baio.\n\nBatmanglij departed the group in early 2016. The term \"horchata\" refers to a traditional beverage often made of ground almonds, sesame seeds, or rice. https://bit.ly/3r2F7ok"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n# 654 The Kills from the album No Wow / Telephone Radio Germany with \"No Wow\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nNo Wow is the second studio album by indie rock band The Kills. It was released February 21, 2005, on Domino Records. \n\nThe song \"No Wow\" was used in the TV series Person of Interest, season 5, episode 1; \"B.S.O.D.\" which aired on May 5, 2016. It was also used in the series The Good Wife, season 4, episode 20; \"Rape: A Modern Perspective\" which aired on April 14, 2013. https://tinyurl.com/ywma578w"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n# 655 The Who from the album Quadrophenia - \"I am The Sea\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nJohn Entwistle gave what many consider one of his greatest bass performances on this song. In a 1996 interview with Goldmine magazine, Entwistle explained that he recorded it in one take. He was just \"joking around\" when he played it, but the band thought it was great and used it in the final version.\n\nThe Quadrophenia concept relates to both the storyline in the album and the technology used to record it. The main character in the song has a \"quadrophenic\" personality, meaning four distinct personas are inside him. Each personality was meant to correspond to one of the band members. The technical aspect is the \"quadrophonic\" sound.\n\nRon Nevison, who engineered the album, explains, \"Basically, it was a way to take the channels and fold them out of phase into the front channels, and come up with a pseudo-fake four-track quad. It wasn't discreet quad. But even in order to mix it, you had to have quad panning, and you had to have four speakers. There was no studio that could do that in London, so The Who decided to build their own.\" The quad recording was ambitious, but it wasn't broadcast quality, so the album was released in standard stereo. https://tinyurl.com/2p8kwrm3"
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"text": "It’s the Fall Fundraising Drive!\n\nWe are counting down your favorite album opening tracks!\n\n# 655 The Who from the album Quadrophenia - \"I am The Sea\"\n\nYou Power KEXP! Donate Now:\nhttps://www.kexp.org/donate/\n\nJohn Entwistle gave what many consider one of his greatest bass performances on this song. In a 1996 interview with Goldmine magazine, Entwistle explained that he recorded it in one take. He was just \"joking around\" when he played it, but the band thought it was great and used it in the final version.\n\nThe Quadrophenia concept relates to both the storyline in the album and the technology used to record it. The main character in the song has a \"quadrophenic\" personality, meaning four distinct personas are inside him. Each personality was meant to correspond to one of the band members. The technical aspect is the \"quadrophonic\" sound.\n\nRon Nevison, who engineered the album, explains, \"Basically, it was a way to take the channels and fold them out of phase into the front channels, and come up with a pseudo-fake four-track quad. It wasn't discreet quad. But even in order to mix it, you had to have quad panning, and you had to have four speakers. There was no studio that could do that in London, so The Who decided to build their own.\" The quad recording was ambitious, but it wasn't broadcast quality, so the album was released in standard stereo. https://tinyurl.com/2p8kwrm3"
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