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"text": "Playing Seattle's Moore Theatre on Thursday, April 23rd!\n\nWednesday's Karly Hartzman shares, \"The song 'Townies' is about how a young woman’s sexuality, especially when they are first encountering it at a young age, is often weaponized against them in the gossip cycles of a high school.\n\n\"I write from experience, both my own and a dear friend of mine, who had rumors spread about them that could deeply affect or potentially define our social standing.\n\n\"At the end of the song I look back and forgive anyone who contributed to this. Even I, as a victim of the rumor mill, wasn’t immune to sharing little scandals with my friends when I came across them. Cause the end of the day, teenagers have no idea who the f*ck they are or how what they do might be hurting someone. All you can do is hope everyone grew up to become decent and empathic adults.\" https://tinyurl.com/73c7a6pb\n\nhttps://www.wednesday.band/"
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"text": "Remain in Light is the fourth studio album by Talking Heads, released on October 8, 1980 by Sire Records. It was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in Philadelphia between July and August 1980 and was the final Talking Heads album produced by Brian Eno.\n\nhttps://store.talkingheadsofficial.com/\nhttps://whoisthesky.davidbyrne.com/"
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"text": "Don't miss Live Video from Sharon Van Etten's 2014 KEXP In-Studio: https://bit.ly/3IsUfnC.\n\nhttps://sharonvanetten.bandcamp.com/\nhttps://www.sharonvanetten.com/"
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"text": "Originally released in 1997, OK Computer's title was inspired by a line from A Hitchhiker's Guide to the Galaxy. Read more here: https://bit.ly/3bMEtKh.\n\nhttps://radiohead.com/"
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{
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"text": "In 1995, Jason Pierce – frontman and creative engine of Spiritualized – broke up with his long-time partner (and Spiritualized keyboardist) Kate Radley: a bitter enough situation even before learning that she had married The Verve’s Richard Ashcroft in secret during the same year. Despite Pierce’s claims that many songs from Ladies and Gentlemen were fully written before the fact, the effect that these revelations had on his performance on-record is palpable. The completed album is so unreservedly (and unapologetically) flooded with a melodramatic sense of loss (in words and in delivery) that it’s impossible to ignore its creative context.\n\nThat voice at the beginning of this song is attributed to keyboardist Kate Radley.\n\nhttps://www.spiritualized.com/"
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