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"text": "Catalonian artist Rosalía has been described as an \"atypical pop star\" due to her genre-bending musical styles.\n\nAfter being enthralled by Spanish folk music at age 14, she studied musicology at the Catalonia College of Music while also performing at musical bars and weddings, for which she was paid \"a little over 80 euros or in exchange for dinner.\" \n\nShe completed her studies with honours by virtue of her debut and collaborative cover album with Raül Refree, Los Ángeles (2017), and her baccalaureate second album El mal querer (2018).\n\nReimagining flamenco by mixing it with pop and hip hop music, it spawned the singles \"Malamente\" and \"Pienso en tu mirá\", which caught the attention of the Spanish public, and were released to critical acclaim. https://tinyurl.com/4fwn756j"
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"text": "At a ceremony in Groningen, Netherlands in January 2024, as part of the Eurosonic Festival, the prestigious Music Moves Europe Awards (MME) were presented. \n\nCroatian-Slovenian duo freekind., consisting of Sara Ester Gredelj and Nina Korošak Serčič, emerged as winners of the MME Award.\n\nfreekind. is a new musical neo-soul chapter written by Croatian pianist and vocalist Sara Ester Gredelj and Slovenian drummer Nina Korošak Serčič.\n\nThe duo is a heart-centered pair, mixing soulful rhythms, vibrant energy, and warmth that envelops the listener. Rooted in a shared love for jazz, soul, and hip-hop, their path began with casual jams and slowly unfolded into a project grounded in meaning and mindfulness. https://tinyurl.com/2csjputh https://www.freekindmusic.com/music/"
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"text": "The third solo album from Beirut-based singer, songwriter, and producer Yasmine Hamdan [yahz-MEEN ham-DAHN]. \n\nHamdan's I Remember I Forget follows the internationally acclaimed 2013 solo debut Ya Nass (Hey People) and 2017’s Al Jamilat (The Beautiful Ones).\n\n\"For this record, I needed to ground myself in a specific place – and it had to be Lebanon,\" explains Hamdan. \"My connection to Lebanon, and what has happened to it, constituted the grounds from where I started writing and composing the album.\n\n\"However, gradually in the creative process, this place became a symbol, a metaphor, a catharsis for what is happening globally, and being experienced universally.\n\n\"Despite the pain and charged emotions I felt at witnessing what was happening to my birthplace, these feelings were surmounted by a sense of tenderness and familiarity that induced hope and inspiration. By all means, Beirut kept being generous to me,\" she recalls. https://tinyurl.com/5trt2z35"
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"text": "Jesse Wells (born November 22, 1994), known professionally as Jesse Welles, or simply Welles, is an American singer-songwriter and guitarist.\n\nHe released his debut studio album, Red Trees and White Trashes in 2018. Welles previously performed under the name Jeh Sea Wells and was also the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. \n\nIn 2024, Welles garnered attention on social media for writing and performing folk protest songs, including \"The Poor\", \"Cancer,\" \"The Olympics,\" \"United Health,\" as well as \"War Isn't Murder\", a track about the Israel-Palestinian War.\n\nBorn in Ozark, Arkansas, Welles began playing guitar at age 11, and as a teenager he began recording songs which he sold on burned CDs. Welles lived for a while until early 2016 in an abandoned building turned art commune in the mountains around Fayetteville, and cites \"American wordsmiths\" Walt Whitman, Herman Melville, Cormac McCarthy, and Mark Twain as influences. https://tinyurl.com/59afxbz9\n\nYou can follow Welles here: www.wellesmusic.com or on YouTube: https://tinyurl.com/2s6avuh"
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"text": "Snocaps is a fresh new indie band consisting of Katie Crutchfield (better known as Waxahatchee), her sister Allison Crutchfield, MJ Lenderman, and Brad Cook.\n\nThe Snocaps project marks the first time the Crutchfield twins had recorded music together since the split of their previous band, PS Eliot.\n\nIt also marks Allison Crutchfield's first new music in seven years, following the release of the fourth Swearin' album Fall Into the Sun in 2018. Kate Crutchfield, in her Substack newsletter, wrote that the sisters were interested in \"making something akin to what we made when we were younger\" with \"no ambitions and no plan, purely for our own enjoyment, for the experience of making something we ourselves wanted to hear.\" https://tinyurl.com/55rhjc3r"
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"text": "The Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago.\n\nThis extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers. Let It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.\n\nBy the time Let It Be was recorded, The Replacements had nearly outgrown their rough-edged hardcore beginnings. In their place were songs about longing, identity, and the uneasy shift from youth to adulthood. Tracks like \"Unsatisfied\" and \"Answering Machine\" embody that evolution, while \"Seen Your Video\" preserved their instinct for irreverence.\n\nThe response was immediate, earning a rare A+ from Robert Christgau in The Village Voice and four stars from Rolling Stone. Its critical reputation only snowballed from there, eventually landing it on countless lists of the greatest albums ever made. https://tinyurl.com/y3unc4wv"
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"text": "Live at Merlyns, Madison, Wisconsin\n\nLet It Be by The Replacements—Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars - originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock. The landmark 1984 album returns in a newly remastered and expanded edition from Rhino. \n\nLet It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings. Music journalist and singer/songwriter from the critically acclaimed DC-based pub-rock band the Paranoid Style, Elizabeth Nelson writes in the liner notes, \"In form and function, The Replacements were the ultimate rebuke to masculine punk, and Let It Be, at its core, is a record for girls.\""
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"text": "This upcoming new boxed set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of \"Gary’s Got A Boner\" and \"Favorite Thing,\" as well as previously unreleased outtakes \"Who’s Gonna Take Us Alive\" and \"Street Girl.\" The alternate version of \"Androgynous\" features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set. \n\nMusic journalist and singer/songwriter from the critically acclaimed DC-based pub-rock band the Paranoid Style, Elizabeth Nelson writes in the liner notes, \"In form and function, The Replacements were the ultimate rebuke to masculine punk, and Let It Be, at its core, is a record for girls.\"\n\nIt’s also a record for the terminally shy, and for anyone who ever felt like a freak in their own skin. It is, in short, the blueprint for what so many of us wanted and needed rock and roll to be: a refuge, a provocation, and in the end, a way out."
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"text": "Sunniva Lindgård, better known as Sassy 009, is a Scandinavian musician originally from Oslo, Norway. The name Sassy 009 comes from Lindgård's SoundCloud username. Sassy 009 originally began as a trio that consisted of Lindgård, Teodora Georgijević, and Johanna Scheie Orellana, who originally met in high school As a trio, they released one EP together, titled Do You Mind, in 2017. In May 2018, the trio was featured as The Guardian's \"Ones to Watch.\" https://tinyurl.com/y888nfm6\n\nSassy 009 rebooted as a solo vehicle in 2019, later evolving into 2021’s sultry, bass-driven Heart Ego mixtape.\n\nThis album enlists guest features from Blood Orange, Yuné Pinku, and BEA1991. Steered by freshly distorted vocals and elements of grunge, shoegaze, ‘90s beatronica and gauzy hyperpop, it is a record of self-discovery and self-effacement at once, Dreamer+ is work of fiction at its core, a grim fairytale in which dreams and emotions are processed through a landscape of shapeshifting characters, dark forces and moral responsibilities. https://tinyurl.com/2b4vytkm"
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"text": "Wednesday's Karly Hartzman shares, \"The song 'Townies' is about how a young woman’s sexuality, especially when they are first encountering it at a young age, is often weaponized against them in the gossip cycles of a high school.\n\n\"I write from experience, both my own and a dear friend of mine, who had rumors spread about them that could deeply affect or potentially define our social standing.\n\n\"At the end of the song I look back and forgive anyone who contributed to this. Even I, as a victim of the rumor mill, wasn’t immune to sharing little scandals with my friends when I came across them. Cause the end of the day, teenagers have no idea who the f*ck they are or how what they do might be hurting someone. All you can do is hope everyone grew up to become decent and empathic adults.\" https://tinyurl.com/73c7a6pb"
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"text": "Of this track, Carlie confides, \"'Human' is about striking that really difficult balance between recognizing that we’re here for a very short period of time, like the blink of an eye, and that we have got to find a way to be happy in the chaos. \n\n\"We have to find a way for all to be well with our soul while we’re here in this split second. Then we also have to find a way to not be apathetic, inactive, passive and neoliberal about the things that are happening in our world.\n\n\"That is a really difficult balance to strike, because one could accidentally block out the things that need work and the things that need activism in order to make ourselves happy. Or one could accidentally block out the need to be human, while they are virtue-signaling and running as fast as they can on a treadmill that’s outpacing them. And that balance is the challenge that I’m putting forward with 'Human.'\" https://tinyurl.com/8vzmj6p8"
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"text": "Packaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural).\n\nThe eponymous album fuses psychedelic textures, krautrock chug, electronic grandeur, tuneful accessibility, and just a little bit of bristling self-awareness. \n\nRecorded, engineered and produced by Daniel Birch and Daniel Lyon at Post Haus in Denver, CO. https://tinyurl.com/3aht67jx"
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"text": "His first new music in two years, Ghanaian Australian Genesis Owusu said the album is commentary on our broken-apart world. \n\nOf this single, Owusu shares, “The rich are getting richer and us regulars are eating each other alive. Smoke-screened by paranoia-inducing culture wars and our own growing poverty....\n\n\"Someone’s gotta sound the alarm and break the hypnosis. And that someone isn’t going to be the guy saying immigrants are eating your cats and they probably won’t have a billion dollars in their bank account either.\" https://tinyurl.com/2mv6s97k\n\nhttps://www.genesisowusu.com/ \n\nCheck out this 2023 Live on KEXP session with Genesis Owusu, hosted by Reverend Dollars! https://tinyurl.com/3ccv8kmp"
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