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"text": "The bluesy sax riff is from Joe Thomas' \"Venus\" (1976).\nhttps://wbssmedia.com/artists/detail/1289\n--\nReleased as the third single from Beck's fifth album, Odelay in 1996, \"The New Pollution\" samples the drumbeat from Gus Poole's \"Hallelujah, Alright, Amen,\" a funky disco soul track from 1970, and the bluesy sax riff is from Joe Thomas' \"Venus\" (1976).\n--\nBeck was once asked what the new pollution was. His reply, \"Human radios, sex with machines, mad eunuchs.\"\n\nhttps://www.beck.com/"
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"text": "Donald \"Duck\" Harrison plays sax for this Digable Planets track!\n--\nFeaturing a sample from \"God Make Me Funky\" by The Headhunters, the album also features guest appearances from Guru of Gang Starr, Jeru the Damaja, and DJ Jazzy Joyce.\n--\nLarry Mizell, Jr. interviewed Ishmael Butler of Digable Planets for our award-winning podcast series, \"Fresh Off The Spaceship.\" Listen here: https://www.kexp.org/podcasts/fresh-off-the-spaceship/2022/3/18/ishmael-butler-shines-light/"
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"text": "That's Herbie Hancock on piano, Ron Carter on bass, Elvin Jones on drums, Freddie Hubbard on trumpet, and the incomparable Wayne Shorter on saxophone on his composition."
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"text": "On \"Shades of Blue,' Madlib \"invades Blue Note\" to put his own twist on compositions from the 60's and 70's.: https://www.rapreviews.com/2003/08/madlib-shades-of-blue-madlib-invades-blue-note/"
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"text": "\"Footprints\" is a cover of \"Footprints\" by Wayne Shorter."
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"text": "Wayne Shorter's composition \"Footprints\" first appeared on the 1966 post-bop album, \"Adam’s Apple,\" on which Shorter joined pianist Herbie Hancock, bassist Reggie Workman, and drummer Joe Chambers. \n--\nAnother version of Footprints forms the third track of Miles Davis’ 1967 album, \"Miles Smiles.\" That recording features Shorter with Miles Davis (trumpet), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums).\n--\nJazz commentator Rodney Franks offers the following description:\n\"Although occasionally mistaken for a waltz, the melody alternates between simple and compound time (6 over 8 and 4 over 4), while drum rhythm goes from three-over-two to two-over-two. In this context the 4 over 4 beat is known as “tresillo” in Afro-Cuban music and correlates to the twelve-over-eight timing. “Footprints” incorporates what is possibly the first use of systemic, African-based cross-rhythm. While taking the form of a 12-bar C-minor blues, the melody is actually written in C-Dorian, using A-sharp rather than A-flat.\""
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"text": "\"Strangers\" contains samples of \"Elegant People\" by Weather Report, \"Wait Please\" by Eddie Harris and \"Magnificent Sanctuary Band\" by Donny Hathaway.\n--\nWatch Beth Gibbons and colleagues perform this one live: https://www.youtube.com/watch?v=HbSu2UM8kcQ"
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