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"text": "\"Serious Rap Shit\" contains samples of \"Birdland\" by Weather Report, \"In Our Lifetime\" by Marvin Gaye, \"We Ain't Goin' Out Like That\" by Cypress Hill and \"Mass Appeal\" by Gang Starr.\n--\nThis song was produced by the late Keith Elam, Guru of Gang Starr: https://www.nytimes.com/2010/04/21/arts/music/21guru.html"
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"text": "Sampling multiple elements of Weather Report's \"Birdland\"..\n--\nSeattle's Fresh Espresso performed this Live in the KEXP Studio in 2009 -- https://youtu.be/N4aiav3eSjI"
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"text": "Weather Report keyboaridst Joe Zawinul wrote this song as a tribute to the Birdland nightclub in New York City. This was the club, which he frequented almost daily, where Zawinul heard Count Basie,Louis Armstrong, Duke Ellington, and Miles Davis. \n--\n \"From Jaco Pastorius’ opening bass figure, “Birdland” bursts with the rare brand of effervescent joy known only to the likes of Stevie Wonder. I don’t care if you “don’t like jazz.” The infectious groove of this music percolates with undeniable happiness as Wayne Shorter’s saxophone yearns for the sky. No matter what challenges you face, this music is guaranteed to help keep your soul aloft.\": https://bit.ly/3eNDR4B"
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"text": "“Infant Eyes” is arguably one of the most beautiful and mysterious jazz ballads ever written — unpredictably formed, enigmatic and melodically haunting. Shorter’s organic & captivating tone flows over each phrase, creating an incredibly emotional impact. The song was dedicated to his daughter, Miyako. And I could imagine him looking into her eyes for the first time.\n\nHis ensemble generated a magical synergy. With Herbie Hancock’s understated and skillful piano comping, Ron Carter’s subtle, supportive bass lines and Elvin Jones’s intuitive & perfectly balanced drumming, they seemed to play almost effortlessly, gracefully elevating Wayne Shorter’s melody to the forefront, but in a gentle way. “Infant Eyes”: Wayne Shorter’s timeless gift to the world.\" --Jahari Stampley, pianist and composer"
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"text": "\"She's in danger, too\nHuman danger\nLone canary nesting near a runway whispers\nEarthly strangers...\" Here are Esperanza Spalding's lyrics to the Wayne Shorter composition, \"Endangered Species\": https://genius.com/Esperanza-spalding-endangered-species-lyrics\n--\nThis song features Lalah Hathaway, daughter of soul legend Donny Hathaway."
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"text": "Watch Wayne Shorter performing his composition “Endangered Species” with Mitchell Forman on keyboards, Gary Willis on bass and Tom Brechtlein on drums live at the Newport Jazz Festival in 1986.: https://www.facebook.com/jazzestate/videos/wayne-shorter-performing-endangered-species-with-mitchell-forman-on-keyboards-ga/1062685292586441/\n--\nNow, watch Esperanza Spalding perform her vocal arrangement of \"Endangered Species\" in Shorter's honor at the 2018 Kennedy Center Honors.: https://www.youtube.com/watch?v=KmJj9_5JRF8"
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"text": "Sampling the hook from \"Second Sunday in August\" and also the hook from \"Stand!\" from Sly & The Family Stone...\n---\nWatch Marques \"Batman\" Houston, Jerome \"Romeo\" Jones, and Kelton \"LDB\" Kessee in the video for \"Da Munchies\": https://www.youtube.com/watch?v=5CYS7W-R1dQ"
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"text": "Defari's \"Bottom Line\" samples multiple elements of Weather Report's 1972 \"Second Sunday in August.\"\n--\nDuane A. Johnson, Jr., better known by his stage name Defari, is a rapper from Santa Monica, California.\nHe has been a member of the duo Likwit Junkies with DJ Babu, as well as the loosely affiliated Likwit Crew."
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"text": "\"Mr. Shorter had a sly, confiding style on the tenor saxophone, instantly identifiable by his low-gloss tone and elliptical sense of phrase. His sound was brighter on soprano, an instrument on which he left an incalculable influence; he could be inquisitive, teasing or elusive, but always with a pinpoint intonation and clarity of attack.\" --Nate Chinen in the New York Times\n--\n\"I Sing the Body Electric\" was the second studio album from Weather Report. Isn't Wayne Shorter's saxophone playing on this Joe Zawinul composition phenomenal?"
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