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"text": "In an interview with Allison Russell, she says about \"You're Not Alone\": \"This song has taken on new layers of meaning for me with each blow to our human rights, civil liberties, justice system, our bodies, our bodily autonomy, our children, our democracy, our critical thought, our ability to discern and agree upon facts. It’s all hands on deck, 11th hour, come together time. I actually believe the survival of our species hangs in the balance. I do fervently believe we are the beloved community every time we choose to be. I believe what Alice Walker wrote: “We are the ones we have been waiting for.” I believe that the strength and resilience of our Ancestors sustains us all – and I believe that active love & empathy are our Super Powers not weaknesses. Radical love, courage, and coalition are imperative for us to collectively pull out of this reactionary devolution tailspin.\" https://countryqueer.com/stories/interview/qa-with-allison-russell/\n\nhttps://allisonrussell.bandcamp.com/\nhttps://allisonrussellmusic.com/"
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"text": "Brandon Summers wrote this during the pandemic: \"When I start a song off of a \"ditty\" I often think “what it this about” and let the question roll around in my mind for a day or two before I find some thread and start writing lyrics. I went to sleep after working on the song arrangement over a long day and in the morning I woke up repeating “you are not alone”, “you are not alone”… and then I realized. This is a song for John! So I penned this ode to cautious optimism in the midst of quarantine in your honor. I hope this tune can bring a little bit of happiness to your days. Thanks for soldiering on through all of this and bringing hope and comfort to so many people.\""
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"text": "Keep your eyes on right ahead.\n\nEnjoy a 2018 KEXP interview with Brandon Summers about the album \"Keep Your Eyes Ahead\" (You can watch the video for this title song, too!): https://www.kexp.org/read/2018/10/26/keep-your-eyes-ahead-looking-back-brandon-summers-helio-sequence/\n\nhttps://theheliosequence.bandcamp.com/\nhttps://www.heliosequence.com/"
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"text": "'Born in the U.S.A.' is the seventh studio album by Bruce Springsteen, released in 1984 (six years after the previous song). A misunderstood classic - most people thought this was a patriotic song about American pride, when it actually cast a shameful eye on how America treated its Vietnam veterans. Springsteen considers it one of his best songs, but it bothers him that it is so widely misinterpreted. -- https://bit.ly/3cgOKyx\n\nhttps://brucespringsteen.net/"
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"text": "Turn it up. Sing it loud. Maybe even out of tune. And Stay Positive!\n\nFrontman Craig Finn said of the album that he was \"influenced a lot about getting old. There's less party talk. I don't think anything is a radical departure, but there are things that I wanted to talk about. I was influenced a lot [by] getting old, and attempting to age gracefully. The idea is to not wake up washed up. You want to keep progressing, intellectually.\"\n\nhttps://theholdsteady.bandcamp.com/\nhttps://theholdsteady.net/"
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"text": "Everyone who keeeps hoping. Everyone working for free and fair elections. Everyone standing up in the face of tyranny. Everyone who used their joy as an act of resistance. And every single person who used the power of their voice and voted on Tuesday.\n\nYou're all damn heroes today.\n\nYou are not alone."
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"text": "We can't always rely on instant karma, but sometimes it feels so good when it lands.\n\n\"Instant Karma\" was written and recorded on January 27th, 1970, and released just ten days later on February 6th. John Lennon shared, \"I wrote it in the morning on the piano, like I said many times, and I went to the office and I sang it. I thought, 'Hell, let’s do it,' and we booked the studio. And Phil [Spector] came in, he said, 'How do you want it?'\" \"I said, 'You know, 1950 but now.' And he said 'Right,' and boom, I did it in just about three goes. He played it back, and there it was. I said, 'A bit more bass, that’s all.' And off we went. See, Phil doesn’t fuss about with fuckin’ stereo or all the bullshit. Just 'Did it sound alright? Let’s have it.'\" \"It doesn’t matter whether something’s prominent or not prominent. If it sounds good to you as a layman or as a human, take it. Don’t bother whether this is like that or the quality of this. That suits me fine.\""
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"text": "John Lennon’s fourth single with the Plastic Ono Band “Power To The People” was a call to action, one that had its roots in the radical politics of the 1960s and its title is one of those expressions that has become part of late 20th-century cultural thinking.\n\nReleased on March 12, 1971, the origins of “Power To The People” come from a phrase that was used as a form of rebellion against what US citizens perceived as the oppression by The Establishment. The Black Panthers used the slogan “All Power to the People” to protest the rich, ruling class domination of society, while pro-democracy students used it to protest America’s military campaign in Vietnam.\n\nhttps://www.udiscovermusic.com/stories/power-to-the-people/"
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"text": "Requested at the beginning of the show; yeah, you called it.\n\n-----------------\n\nGood morning, John! Loving this start to the day. I'm sure you know where you're headed, but I wouldn't mind hearing People Got the Power by the luminous Patti Smith. 💙\n#youarenotalone\n\n-----------------\n\nPatti Smith will bring her tour celebrating the 50th anniversary of Horses to the west coast soon: -Seattle on November 10th at the Paramount Theatre -Oakland on November 12th at the Fox Theater -SF on November 13th at The Masonic \"People Have the Power\" comes from Smith's 1988 album, Dream of Life.\n\nhttps://www.pattismith.net"
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"text": "We're all in a New York groove today. Miss ya Ace. RIP"
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"text": "Released in 1969, 56 years later \"Spirit in the Sky\" gets a music video.\n\nhttps://youtu.be/YqYN-1vMM9k?si=dlBbWAN9TZov1Yj7"
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"text": "It may not be summer in the states right now, but the time is definitely right for protesting in the streets.\n\nThis was the first Stones song to make a powerful political statement, although with an air of resignation. Jagger opens the song declaring \"the time is right for fighting in the street,\" but goes on to sing, \"But what can a poor boy do, 'cept sing in a rock and roll band.\" - https://www.songfacts.com/facts/the-rolling-stones/street-fighting-man"
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"text": "In case you didn't get the message from the Soup Dragons, here's the original by the Rolling Stones.\n\nWatch The Rolling Stones doing this one live in Hyde Park in 1969 here: https://www.youtube.com/watch?v=rGjRsgbqWsA"
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"name": "I'm Free (7\" version)"
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"name": "Big Life"
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"text": "Do you hear what the man say\nThese are the words me hear from my grandaddy, come\nThese are the words me hear from my grandaddy\nHe would say nothing in this world like when a man know he free\nFree from the lock up, me say\nFree from the debt\nFree like a butterfly\nFree like a bee\nThese are the words me hear from my grandaddy\nSaid it's nice to be free, nice to be free\nFree from the lock up, me say\nFree from the debt\nDon't be afraid of your freedom"
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"name": "Ladies & Gentlemen: The Best of George Michael",
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"year": 1998
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"track": {
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"name": "Freedom 90"
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"name": "Epic"
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"text": "Today's theme: NOT subtle. :)\n\nGeorge Michael didn't want his image used to promote his 1990 album \"Listen Without Prejudice Vol. 1,\" but his record label still wanted music videos for MTV. After spotting the January 1990 cover of British Vogue, which featured five of the era's top models — Christy Turlington, Cindy Crawford, Naomi Campbell, Linda Evangelista, and Tatjana Patitz — Michael had an inspired solution to this dilemma: instead of him appearing in front of the camera, these supermodels could be in a music video for the song \"Freedom! '90.\": https://www.youtube.com/watch?v=diYAc7gB-0A"
}
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"name": "Air break"
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"artist": {
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"name": "Leonard Cohen",
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"name": "I'm Your Man",
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"year": 2008
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"track": {
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"name": "Everybody Knows"
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"label": {
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"name": "Columbia"
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"comments": [
{
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"text": "Famously used in the movie Pump Up The Volume, Leonard Cohen wrote these cynical lyrics and handed them off to his former backing singer Sharon Robinson in the first of what would become many songwriting collaborations between the pair. Speaking to Uncut magazine, Robinson remembered the approach she took once she got a hold of the Canadian bard’s words. “It’s a protest song, so Leonard wanted something tough,” she said. “I’d bring home verses, and go to the grand piano in my living room, as his lyrics require that purity of melody.”: https://tinyurl.com/3b7k7227"
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"name": "Media play"
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"name": "The Essential Leonard Cohen",
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"releaseevent": {
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"year": 2002
},
"track": {
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"name": "First We Take Manhattan"
},
"label": {
"labelid": 157175815,
"name": "Columbia"
},
"comments": [
{
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"text": "The song's oblique lyrics are suggestive of religious and end time themes, with references to prayer, meaningful birthmarks and signs in the sky. Writing for The Guardian in 2015, Ben Hewitt drew attention to the lyrics' apocalyptic nature, imagining Cohen \"greedily eyeing world domination like a Bond villain\".\n\nhttps://www.theguardian.com/music/musicblog/2015/may/06/leonard-cohen-10-of-the-best"
}
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