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"text": "In case you didn't get the message from the Soup Dragons, here's the original by the Rolling Stones.\n\nWatch The Rolling Stones doing this one live in Hyde Park in 1969 here: https://www.youtube.com/watch?v=rGjRsgbqWsA"
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"text": "Do you hear what the man say\nThese are the words me hear from my grandaddy, come\nThese are the words me hear from my grandaddy\nHe would say nothing in this world like when a man know he free\nFree from the lock up, me say\nFree from the debt\nFree like a butterfly\nFree like a bee\nThese are the words me hear from my grandaddy\nSaid it's nice to be free, nice to be free\nFree from the lock up, me say\nFree from the debt\nDon't be afraid of your freedom"
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"text": "Today's theme: NOT subtle. :)\n\nGeorge Michael didn't want his image used to promote his 1990 album \"Listen Without Prejudice Vol. 1,\" but his record label still wanted music videos for MTV. After spotting the January 1990 cover of British Vogue, which featured five of the era's top models — Christy Turlington, Cindy Crawford, Naomi Campbell, Linda Evangelista, and Tatjana Patitz — Michael had an inspired solution to this dilemma: instead of him appearing in front of the camera, these supermodels could be in a music video for the song \"Freedom! '90.\": https://www.youtube.com/watch?v=diYAc7gB-0A"
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"text": "Famously used in the movie Pump Up The Volume, Leonard Cohen wrote these cynical lyrics and handed them off to his former backing singer Sharon Robinson in the first of what would become many songwriting collaborations between the pair. Speaking to Uncut magazine, Robinson remembered the approach she took once she got a hold of the Canadian bard’s words. “It’s a protest song, so Leonard wanted something tough,” she said. “I’d bring home verses, and go to the grand piano in my living room, as his lyrics require that purity of melody.”: https://tinyurl.com/3b7k7227"
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"text": "The song's oblique lyrics are suggestive of religious and end time themes, with references to prayer, meaningful birthmarks and signs in the sky. Writing for The Guardian in 2015, Ben Hewitt drew attention to the lyrics' apocalyptic nature, imagining Cohen \"greedily eyeing world domination like a Bond villain\".\n\nhttps://www.theguardian.com/music/musicblog/2015/may/06/leonard-cohen-10-of-the-best"
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"text": "We <3 New York.\n\nAlicia Keys and JAY-Z collaboration, their legendary salute to the Big Apple. After its release in 2009, it peaked at No. 1 on the Billboard Hot 100 for five weeks.\n\nThis love letter to NYC was also nominated for three Grammy Awards, winning both Best Rap Song and Best Rap/Sung Collaboration. https://www.youtube.com/watch?v=QsZlY0Vz4-o"
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"text": "At the 2019 Grammys, “This Is America” won both Record Of The Year and Song Of The Year, beating hits by people like Drake and Kendrick Lamar in the process. It was the first rap song to win either of those awards.\n==\nHere's an in-depth look at his powerful song: https://www.stereogum.com/2295810/the-number-ones-childish-gambinos-this-is-america/columns/the-number-ones/\n==\nDon't miss the video: https://www.youtube.com/watch?v=VYOjWnS4cMY"
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"text": "Diamond himself explained the song’s meaning this way:\n\n“It’s the story of my grandparents escaping Jewish oppression in Russia and coming to America for their freedom in the steerage section of a Holland-America ship.”\n\nhttps://tinyurl.com/3hy5h93a"
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"text": "Public Enemy’s “Fight The Power” may be the greatest second draft in the history of music. The anthem that anchored Spike Lee’s seminal Do The Right Thing, a film dedicated to racial animus on the hottest day in a Brooklyn summer, was originally supposed to be a Public Enemy-led jazz revamp of the Black National Anthem, “Lift Every Voice and Sing.” Lee had composer Terrence Blanchard on deck, but Bomb Squad producer Hank Shocklee pushed back, insisting that it wouldn’t resonate with fans of songs like “Bring The Noise” and “Night Of The Living Baseheads.”\n\nInstead, Chuck D, lead MC of the revolutionary rap group from Long Island, drew upon his days as a youth listening to the Isley Brothers in the 1970s. Their protest-era song “Fight The Power” was the first time he’d heard a curse word in music. With atrocities like the 1986 murder of Michael Griffith still hanging in the arid air of the NYC pressure cooker, Chuck felt it was way past time for a song to address “all the bullshit goin’ down.”\n\nRead more about this powerful song here:\nhttps://www.udiscovermusic.com/stories/public-enemy-fight-the-power-song-feature/"
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"text": "In a fairly recent edition of KEXP's Sound & Vision podcast, Gregg Deal of Dead Pioneers talks with KEXP's Dusty Henry about growing up as the only native family in his Utah school, and more: https://tinyurl.com/2z5cfjpz -- Dead Pioneers performed live in our studio last February. Watch Gregg Deal and colleagues perform their incendiary tracks here: https://tinyurl.com/3593wkz8\n\nhttps://www.deadpioneers.band/\nhttps://deadpioneers.bandcamp.com"
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"text": "Redistrict this.\n\nThis track is the band's debut single, originally released in June 1979. The \"California über alles\" version recorded for Fresh Fruit for Rotting Vegetables was played slightly faster, featuring a much more strident vocal from Jello Biafra and a fuller, more confrontational sound altogether than the single mix."
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"text": "\"This is not the time to be dismayed, this is punk rock time. This is what Joe Strummer trained you for.\" -Henry Rollins\n\nThird album from the LA band, first with Henry Rollins as lead singer. Their record label had a distribution deal with MCA Records who refused to distribute the album after the label's president, Al Bergamo, objected to its lyrical content. The band personally visited the pressing plant and applied a sticker over the MCA logo with Bergamo’s quote, \"As a parent ... I found it an anti-parent record.\""
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"text": "Initially titled \"South African Song,\" \"Rise\" was written by John Lydon about the oppression of blacks in South Africa during its hideous apartheid era. He said: \"I read this manual on South African interrogation techniques, and 'Rise' is quotes from some of the victims. I put them together because I thought it fitted in aptly with my own feelings about daily existence.\": https://genius.com/Public-image-ltd-rise-lyrics\n--\nSteve Vai contributed guitar work to the track. The drummer was American jazz fusion pioneer Tony Williams, who first gained fame in the 1960s as a member of trumpeter Miles Davis' band."
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"name": "Freedom"
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"name": "Epic Associated"
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"comments": [
{
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"text": "This song is focused on Leonard Peltier, whose story is told in the music video. Peltier is a Native American activist and member of the American Indian Movement (AIM) who lived on the Pine Ridge Indian Reservation in South Dakota. In 1977 he was convicted on two counts of first-degree murder for the deaths of two FBI agents in a shootout when the agents came to the reservation in 1975 to execute arrest warrants. Peltier maintained his innocence but was sentenced to two life terms in prison. Rage Against The Machine pushed to free him via a pardon. The song was released months before Bill Clinton was sworn in as president, but Clinton never took action on the case. In 2025, in one of his final acts in office, Joe Biden commuted the sentence of Peltier, who was 80 years old.: https://www.youtube.com/watch?v=H_vQt_v8Jmw"
}
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"name": "The Clash",
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"name": "Combat Rock",
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"year": 1982
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"track": {
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"name": "Know Your Rights"
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"name": "Epic"
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"comments": [
{
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"text": "\"This is a public service announcement….with guitars!”\n---\nThe song is said to have been written as a sarcastic response to a series of public service announcements in poor areas reminding the civilians of their basic human rights. Your rights: 1. \"The right not to be killed. Murder is a crime, unless it is done by a policeman, or an aristocrat\" 2. \"The right to food money, providing of course, you don't mind a little investigation, humiliation, and, if you cross your fingers, rehabilitation\" 3. \"The right to free speech (as long as you're not dumb enough to actually try it)\"\n\nhttps://www.theclash.com/discography/know-your-rights/"
}
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"airdate": "2025-11-05T15:58:07Z",
"epoch_airdate": 1762358287000,
"epoch_airdate_v2": "/Date(1762358287000)/",
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"name": "Bikini Kill",
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"name": "The Singles",
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"track": {
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"name": "Rebel Girl"
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"name": "Kill Rock Stars"
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"comments": [
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"text": "When Bikini Kill formed in 1990, sexism was rife. Hanna’s Riot Grrrl fanzine and the feminist-activist movement was one way to combat that; \"Rebel Girl\" was another. Over a glam drumbeat and three scuzzy chords, the song celebrated strong, defiant women.\n\nWritten in late 1991, it quickly became a crowd-pleaser. \"Because the song is sung from the first person towards another first person, I have a lot of people I can direct that song to,\" says Kathleen Hanna. \"It can be in a sexy way or just women I would totally throw down for.\n\n\"Sometimes I will see a seven-year-old girl in the front row and I am singing it to her. When my mum was in the audience, I dedicated to her. Not all the lyrics fit, of course. But singing about looking up to somebody and wanting to be like them – that is part of my relationship with my mum and so many other women.\" https://tinyurl.com/2s3dudc5\n\nhttps://bikinikill.bandcamp.com/\nhttps://bikinikill.com/"
}
],
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"name": "Media play"
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"airdate": "2025-11-05T15:52:35Z",
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"name": "Eurythmics & Aretha Franklin",
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"name": "Be Yourself Tonight",
"largeimageuri": null,
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"year": 1985
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"track": {
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"name": "Sisters Are Doin’ It for Themselves"
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"label": {
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"name": "RCA"
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"comments": [
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"text": "This song was written by Annie Lennox and Dave Stewart. This fabulous duet appears on both the Eurythmics' \"Be Yourself Tonight\" album and Franklin’s \"Who’s Zoomin' Who?\"\n\nThat distinct gospel sound come from Franklin and the Charles Williams Gospel Choir."
}
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"playtype": {
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"name": "Media play"
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"airdate": "2025-11-05T15:48:54Z",
"epoch_airdate": 1762357734000,
"epoch_airdate_v2": "/Date(1762357734000)/",
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"artist": {
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"name": "Queen Latifah feat. Monie Love",
"islocal": false
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"release": {
"releaseid": 1857192331,
"name": "All Hail the Queen",
"largeimageuri": null,
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"releaseevent": {
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"year": 1989
},
"track": {
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"name": "Ladies First"
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"label": {
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"name": "Tommy Boy"
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"comments": [
{
"commentid": 133565832,
"text": "When Queen Latifah signed her first record contract in 1988, she was one of only a few women who had a presence in the male-dominated hip hop scene. The following year, in 1989, she released her debut album, All Hail the Queen, featuring her standout track “Ladies First.” Her music was unapologetically centered around countering negative stereotypes about Black women, and her hit single was an intentional reminder of this fact.: https://www.revolt.tv/article/2023-10-29/332682/queen-latifah-hoped-ladies-first-would-unite-women-in-hip-hop/"
}
],
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"name": "Media play"
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"artist": {
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"name": "Janelle Monáe",
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"release": {
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"name": "Turntables",
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"year": 2020
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"name": "Turntables"
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"label": {
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"name": "Bad Boy Records"
},
"comments": [
{
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"text": "Requested by a listener. I think we're all feeling this.\n\nTurntables is a protest song that was initially written to appear in the 2020 Amazon documentary All In: The Fight for Democracy, which focuses on the issue of voter suppression and the fight for democracy. Learn more about this powerful song: https://resource.download.wjec.co.uk/vtc/2021-22/wjec21-22_10-9/janelle-monae-turn-tables.pdf. https://www.jmonae.com/"
}
],
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}
