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"name": "Rawkus Records"
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"text": "Black on Both Sides is the debut album of Mos Def. The album features an emphasis on live instrumentation and socially conscious lyrics and has features from Q-Tip, Busta Rhymes and Talib Kweli.\n\nThis song and its chorus are both driven by multiple samples of Aretha Franklin's \"One Step Ahead\", a rare Columbia single released in 1965."
}
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"name": "Soul Messin' Records"
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"text": "[air break]\n\nFrom Cookin' on 3 Burners new album:\nhttps://www.cookinon3burners.com"
}
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"name": "Around the World in a Day",
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"name": "Warner Bros. Records, Rhino"
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"text": "In Matt Thorne’s book \"Prince: The Man and His Music,\" Wendy Melvoin of The Revolution shared how this song started out as a five hour jam session.\n\n\"Prince came in and did that 'America' solo and started singing and turned it into the song we know. To this day, we can put that song on and feel that band’s energy and feel what we were like at our best together – a fucking freight train.\" https://tinyurl.com/2h38y2bd"
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"name": "September Recordings"
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"text": "Obongjayar said about this song: \"You burn out quick burning the candle at both sides but it makes a magnificent light! This song is about working hard and playing hard seeing how far you can stretch the limits! It’s inspired by my paradise parties the people, the adventure, the fun.\"\n\nhttps://obongjayar.bandcamp.com/\nhttp://obongjayar.com/"
}
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"name": "Disco Life"
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"name": "drink sum wtr"
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"text": "This new single, “Disco Life,” from Say She She's latest album Cut & Rewind is based on the disturbing story of the infamous “Disco Demolition Night,” a notorious promotion held on July 12th, 1979, at Chicago’s Comiskey Park during a White Sox doubleheader. Organized by radio DJ Steve Dahl, it invited fans to bring disco records to be blown up on the field between games. The stunt drew more than 50,000 people—far exceeding expectations—and spiraled out of control. After the explosion, thousands of attendees stormed the field, causing chaos and forcing the White Sox to forfeit the second game. The event became a cultural flashpoint, symbolizing the backlash against disco but also drawing criticism for its undertones of racism and homophobia, since disco was closely tied to Black, Latino, and LGBTQ communities.\n--\n“We wanted to reclaim that space and make it a playing field where all are free,” Say She She explained. “So we turned it into a discodelic dancefloor with our words, and every four on the floor drum beat is hopefully a stitch sewn.”\n--\nHere's a Guardian interview with the trio published September 5th: https://tinyurl.com/58w6x39n"
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