HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept
{
"next": "https://legacy-api.kexp.org/v1/play/?format=api&limit=20&offset=980",
"previous": "https://legacy-api.kexp.org/v1/play/?format=api&limit=20&offset=940",
"results": [
{
"playid": 3564681,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T03:04:03Z",
"epoch_airdate": 1760411043000,
"epoch_airdate_v2": "/Date(1760411043000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T03:04:03Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T03:04:03Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T03:04:03Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T03:04:03Z"
},
"artist": {
"artistid": 577415396,
"name": "Gaiteros de San Jacinto",
"islocal": false
},
"release": {
"releaseid": 1234787376,
"name": "Asi tocan los indios",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 1073108150,
"year": 2012
},
"track": {
"trackid": 2128144292,
"name": "Campo Alegre"
},
"label": null,
"comments": [
{
"commentid": 1114806883,
"text": "“Campo Alegre” opens with a serene sense of place: you can almost feel the warm breeze across the sabana, the earth underfoot. The gaitas (Colombian flutes) weave a plaintive melody, calling out over gentle percussion and soft maracas. The arrangement is spacious yet grounded, letting each instrument breathe and converse.\n\nLyrically, the song speaks of simple agrarian life and love. Lines like “Yo vivo en un campo alegre en medio de una sabana… y si me voy pa’ campo alegre pero mi amor que no se quede” evoke both rootedness in landscape and the bittersweet tension of departure and longing. \n\nThe vocals are warm, natural, and unforced — there’s no grandiosity, just honest expression. What’s striking is how the band balances restraint and emotion: it never overwhelms but steadily draws you in. “Campo Alegre” is an intimate portrait of home, love, and the yearning to stay or leave — all expressed through a masterful, traditional musical language."
}
],
"showid": 64828
},
{
"playid": 3564680,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T03:01:21Z",
"epoch_airdate": 1760410881000,
"epoch_airdate_v2": "/Date(1760410881000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T03:01:21Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T03:01:21Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T03:01:21Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T03:01:21Z"
},
"artist": {
"artistid": 836214261,
"name": "Lisandro Meza y su Conjunto",
"islocal": false
},
"release": {
"releaseid": 2036663060,
"name": "Con sentimiento vallenato",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 1013775084,
"year": 2000
},
"track": {
"trackid": 1319672708,
"name": "Te llevaré"
},
"label": null,
"comments": [
{
"commentid": 439515524,
"text": "Lisandro Meza, from Colombia’s Caribbean coast, is a key figure in cumbia and vallenato. “Te Llevaré” showcases his trademark accordion sound and rhythmic precision. The song combines romantic lyrics with festive energy, embodying the joyful melancholy of Colombian coastal music. Meza’s work bridges traditional folk and modern popular styles, influencing generations of tropical musicians. “Te Llevaré” remains one of his enduring hits, reflecting his charisma and mastery of Colombian dance rhythms.\u2028Listen: https://open.spotify.com/track/0sa9vEBL0pHhPrgduEU9wE"
}
],
"showid": 64828
},
{
"playid": 3564679,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-14T02:59:18Z",
"epoch_airdate": 1760410758000,
"epoch_airdate_v2": "/Date(1760410758000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:59:18Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:59:18Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:59:18Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:59:18Z"
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64828
},
{
"playid": 3564678,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:56:41Z",
"epoch_airdate": 1760410601000,
"epoch_airdate_v2": "/Date(1760410601000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:56:41Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:56:41Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:56:41Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:56:41Z"
},
"artist": {
"artistid": 2067718054,
"name": "Mercedes Sosa",
"islocal": false
},
"release": {
"releaseid": 1902197891,
"name": "30 años",
"largeimageuri": "https://coverartarchive.org/release/53698866-f39b-35c4-8ec9-792e58e7c352/23690712833-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/53698866-f39b-35c4-8ec9-792e58e7c352/23690712833-250.jpg"
},
"releaseevent": {
"releaseeventid": 248539587,
"year": 1993
},
"track": {
"trackid": 564340659,
"name": "Como la cigarra"
},
"label": null,
"comments": [
{
"commentid": 339963788,
"text": "Performed live in the 1980s, “Como La Cigarra” (written by María Elena Walsh) became one of Mercedes Sosa’s emblematic songs. It celebrates survival and resilience through the metaphor of a cicada returning after adversity. Sosa’s powerful voice, combined with sparse instrumentation, transforms the song into a universal hymn of perseverance. Known as “La Voz de América Latina,” Sosa used her performances to bridge art and activism. This live version captures both her vocal mastery and her deep emotional connection with audiences.\u2028Listen: https://open.spotify.com/track/6UYWl09XHCRKXME7hQvYjG"
}
],
"showid": 64828
},
{
"playid": 3564677,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:52:18Z",
"epoch_airdate": 1760410338000,
"epoch_airdate_v2": "/Date(1760410338000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:52:18Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:52:18Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:52:18Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:52:18Z"
},
"artist": {
"artistid": 1212420695,
"name": "Facundo Cabral",
"islocal": false
},
"release": {
"releaseid": 44072250,
"name": "Un canto al pueblo, vol. 1",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 300106579,
"year": 1997
},
"track": {
"trackid": 1038863076,
"name": "No soy de aquí, ni soy de allá"
},
"label": null,
"comments": [
{
"commentid": 1658914869,
"text": "Released in 1970, this song became Argentine troubadour Facundo Cabral’s most famous composition. Mixing humor and philosophy, it expresses a universal sense of belonging everywhere and nowhere. The minimalist arrangement—voice and guitar—highlights Cabral’s spoken-sung style. His lyrics celebrate freedom from materialism and borders, turning existential reflection into popular wisdom. “No Soy de Aquí, Ni Soy de Allá” transcended language and generations, earning Cabral global recognition as one of Latin America’s great singer-songwriters.\u2028Listen: https://open.spotify.com/track/2Q5DPLvTuYq3oZ0vuOykqM"
}
],
"showid": 64828
},
{
"playid": 3564676,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:49:15Z",
"epoch_airdate": 1760410155000,
"epoch_airdate_v2": "/Date(1760410155000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:49:15Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:49:15Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:49:15Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:49:15Z"
},
"artist": {
"artistid": 1029842754,
"name": "Marina Fages",
"islocal": false
},
"release": null,
"releaseevent": {
"releaseeventid": 498567787,
"year": null
},
"track": {
"trackid": 718582998,
"name": "Canción Con Todos"
},
"label": null,
"comments": [
{
"commentid": 1615500429,
"text": "Marina Fages reinterprets this classic Latin American anthem, originally written by César Isella and Armando Tejada Gómez. Her version highlights intimacy over grandeur, using soft guitar and minimal production. Fages’ voice adds warmth and closeness to a song that symbolizes continental unity and resilience. This modern take connects the traditional Nueva Canción legacy to contemporary indie folk. It demonstrates how younger artists continue to revisit and honor foundational works of Latin American music with respect and subtle innovation.\u2028Listen: https://open.spotify.com/track/4UXngQyTLLjZOm42HpxMEh"
}
],
"showid": 64828
},
{
"playid": 3564675,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-14T02:45:44Z",
"epoch_airdate": 1760409944000,
"epoch_airdate_v2": "/Date(1760409944000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:45:44Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:45:44Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:45:44Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:45:44Z"
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64828
},
{
"playid": 3564674,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:43:24Z",
"epoch_airdate": 1760409804000,
"epoch_airdate_v2": "/Date(1760409804000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:43:24Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:43:24Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:43:24Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:43:24Z"
},
"artist": {
"artistid": 1558474484,
"name": "La Doña",
"islocal": false
},
"release": {
"releaseid": 1753772122,
"name": "Los Altos de La Soledad",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 667795740,
"year": 2024
},
"track": {
"trackid": 325160578,
"name": "Corrido Palestina"
},
"label": null,
"comments": [
{
"commentid": 1567882990,
"text": "La Doña is a Chicana singer, songwriter, and producer from San Francisco whose music merges reggaetón, cumbia, and feminist activism. “Corrido Palestina” is a contemporary protest song that expresses solidarity with Palestine while drawing from Mexican corrido traditions. The track fuses trap percussion, brass, and folkloric rhythm, bridging old and new forms of resistance. La Doña’s bilingual storytelling and politically conscious lyrics have positioned her as one of the leading voices in Latinx diasporic music.\u2028Listen: https://open.spotify.com/track/1o1SBU7zvCa7W9XKQlg7vK"
}
],
"showid": 64828
},
{
"playid": 3564673,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:39:53Z",
"epoch_airdate": 1760409593000,
"epoch_airdate_v2": "/Date(1760409593000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:39:53Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:39:53Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:39:53Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:39:53Z"
},
"artist": {
"artistid": 247614775,
"name": "Chalino Sánchez",
"islocal": false
},
"release": {
"releaseid": 1885308043,
"name": "15 Exitazos",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 309840384,
"year": 2009
},
"track": {
"trackid": 1106632226,
"name": "Nieves de Enero"
},
"label": null,
"comments": [
{
"commentid": 1771221516,
"text": "“Nieves de Enero” is one of Chalino Sánchez’s best-known narcocorridos. Recorded in the early 1990s, the song tells a tragic love story, featuring Sánchez’s distinct raw vocal delivery and minimal accompaniment. His unpolished, authentic style reshaped Mexican regional music, giving rise to the modern corrido movement. “Nieves de Enero” remains a staple of norteño and corrido playlists, symbolizing the storytelling tradition that Chalino helped popularize before his death in 1992.\u2028Listen: https://open.spotify.com/track/4ZcmCkZKY5EjvC1Ce09xUd"
}
],
"showid": 64828
},
{
"playid": 3564672,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:36:42Z",
"epoch_airdate": 1760409402000,
"epoch_airdate_v2": "/Date(1760409402000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:36:42Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:36:42Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:36:42Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:36:42Z"
},
"artist": {
"artistid": 1461950903,
"name": "Zack de la Rocha",
"islocal": false
},
"release": {
"releaseid": 935680138,
"name": "MTV Unplugged: Los Tigres del Norte & Friends",
"largeimageuri": "https://coverartarchive.org/release/c720df64-fc76-481a-86bc-f3a68fd239f0/18029941057-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/c720df64-fc76-481a-86bc-f3a68fd239f0/18029941057-250.jpg"
},
"releaseevent": {
"releaseeventid": 2070308583,
"year": 2011
},
"track": {
"trackid": 367959294,
"name": "Somos más americanos"
},
"label": null,
"comments": [
{
"commentid": 868236171,
"text": "Somos Más Americanos,” released in 2001, is a corrido that challenges anti-immigrant sentiment and asserts Latin American identity. The song declares that Latinos belong to the Americas as much as anyone else. With Los Tigres del Norte’s signature accordion sound and direct lyrics, it became an anthem for migrant pride and borderland resistance. The band’s socially conscious songwriting and storytelling have made them one of the most respected norteño groups in history.\u2028Listen: https://open.spotify.com/track/1x2TbvAZhkwW0srZCJtMcm"
}
],
"showid": 64828
},
{
"playid": 3564671,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-14T02:32:56Z",
"epoch_airdate": 1760409176000,
"epoch_airdate_v2": "/Date(1760409176000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:32:56Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:32:56Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:32:56Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:32:56Z"
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64828
},
{
"playid": 3564670,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:31:00Z",
"epoch_airdate": 1760409060000,
"epoch_airdate_v2": "/Date(1760409060000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:31:00Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:31:00Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:31:00Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:31:00Z"
},
"artist": {
"artistid": 2032488758,
"name": "Rage Against the Machine",
"islocal": false
},
"release": {
"releaseid": 1041354000,
"name": "Evil Empire",
"largeimageuri": "https://coverartarchive.org/release/3de5d9e1-8ad3-4937-b0cc-42fbf1e93fe1/8251752071-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/3de5d9e1-8ad3-4937-b0cc-42fbf1e93fe1/8251752071-250.jpg"
},
"releaseevent": {
"releaseeventid": 97709233,
"year": 2016
},
"track": {
"trackid": 2123130905,
"name": "People of The Sun"
},
"label": null,
"comments": [
{
"commentid": 1387729444,
"text": "People of the Sun is a blistering two-minute blast of resistance, raw energy, and revolutionary urgency. Rage Against The Machine fuse militant lyrics with a stripped-down, funk-metal groove, led by Tom Morello’s signature guitar scratches and Zack de la Rocha’s fiery vocal delivery. The song spotlights the plight of Indigenous peoples and critiques U.S. imperialism, especially in Latin America, making it both politically charged and emotionally resonant. It’s concise yet uncompromising, with each beat and word pushing against complacency. A standout track from Evil Empire, it remains a fierce anthem of rebellion that still punches hard decades later."
}
],
"showid": 64828
},
{
"playid": 3564669,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:26:52Z",
"epoch_airdate": 1760408812000,
"epoch_airdate_v2": "/Date(1760408812000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:26:52Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:26:52Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:26:52Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:26:52Z"
},
"artist": {
"artistid": 1110488707,
"name": "Tijuana No!",
"islocal": false
},
"release": {
"releaseid": 689852582,
"name": "Transgresores de la ley",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 20978595,
"year": 1994
},
"track": {
"trackid": 1770906601,
"name": "Transgresores de la ley"
},
"label": null,
"comments": [
{
"commentid": 940375671,
"text": "Tijuana No! emerged in the late 1980s blending ska, punk, and reggae with activist themes. “Transgresores de la Ley” is their defining track, confronting discrimination against immigrants and the criminalization of poverty. The song’s lively horns and rapid rhythm contrast with lyrics about survival and injustice. It became an anthem in Mexican alternative music and a symbol of borderland identity. The collaboration of Julieta Venegas early in the band’s career helped bring attention to their politically conscious sound.\u2028Listen: https://open.spotify.com/track/68fXT2nYFJfw6hNsxJGTiX"
}
],
"showid": 64828
},
{
"playid": 3564668,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:20:40Z",
"epoch_airdate": 1760408440000,
"epoch_airdate_v2": "/Date(1760408440000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:20:40Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:20:40Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:20:40Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:20:40Z"
},
"artist": {
"artistid": 1672328062,
"name": "Panteón Rococó",
"islocal": false
},
"release": {
"releaseid": 324792716,
"name": "A la izquierda de la Tierra",
"largeimageuri": "https://coverartarchive.org/release/2c41ac3b-6b67-4039-abb2-9d9b7093ed72/9659189429-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/2c41ac3b-6b67-4039-abb2-9d9b7093ed72/9659189429-250.jpg"
},
"releaseevent": {
"releaseeventid": 1691617734,
"year": 1999
},
"track": {
"trackid": 1185204769,
"name": "Nada Pasó"
},
"label": null,
"comments": [
{
"commentid": 1940236486,
"text": "Panteón Rococó fuse ska, rock, and reggae with social themes, and “Nada Pasó” captures their blend of activism and optimism. The song contrasts upbeat brass sections and danceable rhythm with lyrics about apathy and social inaction. Its message—calling out indifference to injustice—has kept it relevant since its release in the early 2000s. The track exemplifies the band’s energetic live sound and their commitment to blending party music with political substance. A staple of Mexico’s ska-punk movement.\u2028Listen: https://open.spotify.com/track/4eMfSPRCUws1y7ON1zY0sE"
}
],
"showid": 64828
},
{
"playid": 3564667,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:15:49Z",
"epoch_airdate": 1760408149000,
"epoch_airdate_v2": "/Date(1760408149000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:15:49Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:15:49Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:15:49Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:15:49Z"
},
"artist": {
"artistid": 387869505,
"name": "Los Fabulosos Cadillacs",
"islocal": false
},
"release": null,
"releaseevent": {
"releaseeventid": 498567787,
"year": null
},
"track": {
"trackid": 1919087535,
"name": "Desapariciones – Remasterizado 2008"
},
"label": null,
"comments": [
{
"commentid": 1872994102,
"text": "Originally written by Panamanian songwriter Rubén Blades, “Desapariciones” was reinterpreted by Los Fabulosos Cadillacs in 1992 on Rey Azúcar. Their version preserves the song’s haunting theme—the forced disappearances that marked Latin America’s dictatorships—while infusing it with the band’s signature ska-rock sound. Vicentico’s urgent vocals and the horn section’s rhythmic tension highlight the song’s emotional gravity. The 2008 remaster enhances its depth and clarity, reaffirming it as one of the band’s most powerful political statements.\u2028Listen: https://open.spotify.com/track/3otBywYq8Orqkz9XqRzQf7"
}
],
"showid": 64828
},
{
"playid": 3564666,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2025-10-14T02:13:50Z",
"epoch_airdate": 1760408030000,
"epoch_airdate_v2": "/Date(1760408030000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:13:50Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:13:50Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:13:50Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:13:50Z"
},
"artist": null,
"release": null,
"releaseevent": null,
"track": null,
"label": null,
"comments": [],
"showid": 64828
},
{
"playid": 3564665,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:09:03Z",
"epoch_airdate": 1760407743000,
"epoch_airdate_v2": "/Date(1760407743000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:09:03Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:09:03Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:09:03Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:09:03Z"
},
"artist": {
"artistid": 600420678,
"name": "Los Espíritus",
"islocal": false
},
"release": {
"releaseid": 1520653377,
"name": "Gratitud",
"largeimageuri": null,
"smallimageuri": null
},
"releaseevent": {
"releaseeventid": 1742240634,
"year": 2015
},
"track": {
"trackid": 170377720,
"name": "La crecida"
},
"label": null,
"comments": [
{
"commentid": 1362068950,
"text": "Los Espíritus are an Argentine rock band blending blues, psychedelia, and Latin rhythms. “La Crecida,” from their 2017 album Agua Ardiente, features hypnotic percussion, bluesy guitar lines, and socially aware lyrics. The song reflects on social and environmental imbalance, using natural imagery as metaphor. The band’s earthy, groove-based sound has made them a standout in South America’s contemporary rock scene. “La Crecida” exemplifies their mix of rhythmic exploration and grounded songwriting.\u2028Listen: https://open.spotify.com/track/2RPviFbcjzLqebkH91kvPy"
}
],
"showid": 64828
},
{
"playid": 3564664,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:07:12Z",
"epoch_airdate": 1760407632000,
"epoch_airdate_v2": "/Date(1760407632000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:07:12Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:07:12Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:07:12Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:07:12Z"
},
"artist": {
"artistid": 424915996,
"name": "Manu Chao",
"islocal": false
},
"release": {
"releaseid": 740176682,
"name": "Radio Bemba Sound System",
"largeimageuri": "https://coverartarchive.org/release/0eb8896a-8c3e-418d-ac86-159e41757599/4799862055-500.jpg",
"smallimageuri": "https://coverartarchive.org/release/0eb8896a-8c3e-418d-ac86-159e41757599/4799862055-250.jpg"
},
"releaseevent": {
"releaseeventid": 437571891,
"year": 2002
},
"track": {
"trackid": 815727079,
"name": "Clandestino"
},
"label": null,
"comments": [
{
"commentid": 349173824,
"text": "The title track of Manu Chao’s 1998 debut album is an anthem for migration and displacement. “Clandestino” combines Spanish, French, and Arabic lyrics over a looping acoustic rhythm influenced by reggae and Latin folk. The song humanizes undocumented people, repeating “Soy clandestino” as both lament and statement of solidarity. Its simple structure and intimate production helped define Chao’s global, borderless sound. The track remains one of the most recognized songs in world music, bridging activism and accessibility.\u2028Listen: https://open.spotify.com/track/6uwfVkaOM1mcMkA4NPv1ZV"
}
],
"showid": 64828
},
{
"playid": 3564663,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T02:02:15Z",
"epoch_airdate": 1760407335000,
"epoch_airdate_v2": "/Date(1760407335000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T02:02:15Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T02:02:15Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T02:02:15Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T02:02:15Z"
},
"artist": {
"artistid": 654294393,
"name": "Los Cogelones",
"islocal": false
},
"release": null,
"releaseevent": {
"releaseeventid": 498567787,
"year": null
},
"track": {
"trackid": 1388163197,
"name": "Danza de Sol"
},
"label": null,
"comments": [
{
"commentid": 1775922596,
"text": "Los Cogelones, from Ciudad Nezahualcóyotl, Mexico, combine punk energy with pre-Hispanic instrumentation and indigenous philosophy. “Danza de Sol” fuses heavy guitars, traditional drums, and chants to honor the Mexica (Aztec) Sun Dance ceremony. The band’s performances often incorporate ritual elements, linking rock rebellion with ancestral identity. This track encapsulates their message of cultural pride and resistance, representing a unique intersection between punk and indigenous revivalism in contemporary Mexican music.\u2028Listen: https://loscogelones.bandcamp.com/track/danza-de-sol"
}
],
"showid": 64828
},
{
"playid": 3564662,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2025-10-14T01:57:37Z",
"epoch_airdate": 1760407057000,
"epoch_airdate_v2": "/Date(1760407057000)/",
"archive_urls": {
"32": "http://50.234.71.239:8090/stream-32.mp3?date=2025-10-14T01:57:37Z",
"64": "http://50.234.71.239:8090/stream-64.mp3?date=2025-10-14T01:57:37Z",
"128": "http://50.234.71.239:8090/stream-128.mp3?date=2025-10-14T01:57:37Z",
"256": "http://50.234.71.239:8090/stream-256.mp3?date=2025-10-14T01:57:37Z"
},
"artist": {
"artistid": 1107213597,
"name": "Ribbon Skirt",
"islocal": false
},
"release": {
"releaseid": 1668100119,
"name": "PENSACOLA",
"largeimageuri": "https://dn721908.ca.archive.org/0/items/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f-42990076831_thumb500.jpg",
"smallimageuri": "https://dn721908.ca.archive.org/0/items/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f/mbid-9c2597ea-97d9-41df-a1dc-c87d6a38e04f-42990076831_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 96724150,
"year": 2025
},
"track": {
"trackid": 1492132114,
"name": "COMMA,"
},
"label": null,
"comments": [
{
"commentid": 600778416,
"text": "Ribbon Skirt will be LIVE on KEXP tomorrow! The show is open to the public!\n--\nLed by Anishinaabe musician Tashiina Buswa, Ribbon Skirt (formerly known as Love Language) is an alternative indie-rock band from Montreal."
}
],
"showid": 64827
}
]
}
