{"next":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=19720","previous":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=19680","results":[{"playid":3644970,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:41:01Z","epoch_airdate":1776811261000,"epoch_airdate_v2":"/Date(1776811261000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1952364894,"name":"Blu feat. Nia Andrews","islocal":false},"release":{"releaseid":336740244,"name":"NoYork!","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1428397180,"year":2011},"track":{"trackid":1771593683,"name":"My Sunshine"},"label":{"labelid":1587906892,"name":"Warner Bros. Records"},"comments":[{"commentid":433694181,"text":"NoYork! has one of the great \"what happened to this record?\" stories. Blu finished it in 2011 while signed to Sire/Warner Bros. The label sat on it for most of the year because the music was too left-field for a major. So Blu pressed copies himself and leaked his own album — throwing out pirated CDs at CMJ in New York in August 2011, posting Tumblr links, and eventually putting a physical edition out through undergroundhiphop.com with a self-funded indie label. Warner released him from his contract shortly after. The album finally got an official release in 2013, and the complete 17-track edition only hit streaming in November 2024.\n\nhttps://en.wikipedia.org/wiki/York_(album)"}],"showid":66514},{"playid":3644969,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:37:29Z","epoch_airdate":1776811049000,"epoch_airdate_v2":"/Date(1776811049000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2087509988,"name":"Mac Miller","islocal":false},"release":{"releaseid":33942159,"name":"Circles","largeimageuri":null,"smallimageuri":"https://dn710603.ca.archive.org/0/items/mbid-d60d0d06-7200-4e4d-aefd-5deb9e5674a2/mbid-d60d0d06-7200-4e4d-aefd-5deb9e5674a2-25201679979_thumb250.jpg"},"releaseevent":{"releaseeventid":1879873575,"year":2020},"track":{"trackid":1120163701,"name":"Blue World"},"label":{"labelid":640868363,"name":"Warner Records"},"comments":[{"commentid":257181848,"text":"for Niyant in Sacramento!\nMalcolm James McCormick was born in Pittsburgh in 1992, a self-taught multi-instrumentalist who could play piano, guitar, drums, and bass by six, started rapping at fourteen, and signed to Rostrum Records at eighteen. He moved through frat rap to GO:OD AM to the Grammy-nominated Swimming before his death at 26. His estate has kept releasing — most recently the long-circulating Balloonerism, finally officially out January 17, 2025 (exactly five years to the day after Circles). There are reportedly 250+ unreleased Mac Miller songs still in the vault, and the estate has a Mac Miller Fund attached to Pittsburgh Foundation.\n\nhttps://en.wikipedia.org/wiki/Mac_Miller"}],"showid":66514},{"playid":3644968,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:34:26Z","epoch_airdate":1776810866000,"epoch_airdate_v2":"/Date(1776810866000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1099438034,"name":"Arlo Parks","islocal":false},"release":{"releaseid":1767711117,"name":"Ambiguous Desire","largeimageuri":"https://dn710308.ca.archive.org/0/items/mbid-67708289-18da-4aab-a7f7-e062ed3c5f01/mbid-67708289-18da-4aab-a7f7-e062ed3c5f01-44082241777_thumb500.jpg","smallimageuri":null},"releaseevent":{"releaseeventid":1958442349,"year":2026},"track":{"trackid":1382814484,"name":"What If I Say It?"},"label":{"labelid":184872664,"name":"Transgressive Records"},"comments":[{"commentid":1630307481,"text":"Anaïs Oluwatoyin Estelle Marinho was born in West London in 2000, of half-Nigerian, quarter-Chadian, quarter-French ancestry, and learned French before English. Her debut Collapsed in Sunbeams won the 2021 Mercury Prize when she was 20. She's also a published poet — her collection The Magic Border came out in 2023.   Thundercat's Distracted dropped the same day: Parks co-wrote \"Funny Friends\" on that record with Thundercat, Greg Kurstin, and A$AP Rocky — her name is on his album cover the same April 3 her own album arrived.\nhttps://en.wikipedia.org/wiki/Arlo_Parks\nhttps://arloparks.bandcamp.com/album/ambiguous-desire\nhttps://www.arloparksofficial.com/"}],"showid":66514},{"playid":3644967,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:31:51Z","epoch_airdate":1776810711000,"epoch_airdate_v2":"/Date(1776810711000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":261639102,"name":"Thundercat feat. A$AP Rocky","islocal":false},"release":{"releaseid":30540982,"name":"Distracted","largeimageuri":"https://dn721503.ca.archive.org/0/items/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0-44218093094_thumb500.jpg","smallimageuri":"https://dn721503.ca.archive.org/0/items/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0-44218093094_thumb250.jpg"},"releaseevent":{"releaseeventid":1958442349,"year":2026},"track":{"trackid":184217050,"name":"Funny Friends"},"label":{"labelid":1136223165,"name":"Brainfeeder"},"comments":[{"commentid":430060779,"text":"\"Funny Friends\" is track five on Distracted and an interesting credit sheet: the song was written by Thundercat, A$AP Rocky, Greg Kurstin, and — more unusually — Arlo Parks, who doesn't appear on the track but is in the room as a co-writer. \nhttps://en.wikipedia.org/wiki/Distracted_(Thundercat_album)\n\nStephen Bruner was born in LA in 1984 to drummer Ronald Bruner Sr. — who played with the Temptations, Gladys Knight, and Diana Ross — and grew up playing bass alongside his brother Ronald Jr. He spent nine years in the crossover-thrash band Suicidal Tendencies (\"my main memory is thinking if I stood still for too long I'd get hit with a beer can\"), then became one of the most in-demand bassists of his generation. He played across Kendrick Lamar's To Pimp a Butterfly in 2015, winning a Grammy for his work on \"These Walls.\" Rolling Stone has placed him among the greatest bassists of all time.\nhttps://en.wikipedia.org/wiki/Thundercat_(musician)"}],"showid":66514},{"playid":3644966,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:27:20Z","epoch_airdate":1776810440000,"epoch_airdate_v2":"/Date(1776810440000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1956299196,"name":"Fanny","islocal":false},"release":{"releaseid":1956299196,"name":"Fanny","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1132375208,"year":1970},"track":{"trackid":1472063616,"name":"I Just Realized"},"label":{"labelid":851229252,"name":"Reprise Records"},"comments":[{"commentid":1986605757,"text":"born this day in 1951 - Nicole Barclay, from American all-female band Fanny who were active in the early 1970s. They were one of the first notable rock groups to be made up entirely of women.\n\nFanny dropped on Reprise in December 1970 — the first album-length rock LP by an all-female band on a major label, period. Producer Richard Perry's secretary had spotted the group (then called Wild Honey) at a Troubadour open mic; Perry convinced Warner Bros. to sign them in 1969, renamed the band Fanny, and cut the debut at Western Recorders with them. Eleven tracks, mostly self-written, plus a cover of Cream's \"Badge.\" Perry produced their first three records. Fanny released five albums for major labels between 1970 and 1974, and scored two top 40 singles, but commercial recognition lagged far behind their playing.\n\nhttps://en.wikipedia.org/wiki/Fanny_(album)"}],"showid":66514},{"playid":3644964,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:22:53Z","epoch_airdate":1776810173000,"epoch_airdate_v2":"/Date(1776810173000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":624394052,"name":"The Cranberries","islocal":false},"release":{"releaseid":68489042,"name":"No Need to Argue","largeimageuri":"https://dn720408.ca.archive.org/0/items/mbid-51df8975-bbce-4857-a1c0-11372d885072/mbid-51df8975-bbce-4857-a1c0-11372d885072-41775732303_thumb500.jpg","smallimageuri":"https://ia601808.us.archive.org/30/items/mbid-51df8975-bbce-4857-a1c0-11372d885072/mbid-51df8975-bbce-4857-a1c0-11372d885072-41775732303_thumb250.jpg"},"releaseevent":{"releaseeventid":673279189,"year":1994},"track":{"trackid":983298251,"name":"Ode to My Family"},"label":{"labelid":1606472426,"name":"Island"},"comments":[{"commentid":2305436,"text":"for Mikey!\n\nDolores O'Riordan wrote \"Ode to My Family\" during The Cranberries' first tours of America, in her early twenties, far from rural County Limerick for the first time. She co-wrote it with guitarist Noel Hogan and later called it one of the most therapeutic songs she ever wrote — a letter back to parents who didn't quite understand their daughter chasing rock stardom, set to a lullaby tempo. The lyric \"Do you see me? Do you like me?\" is the whole song in two questions. It was released November 21, 1994, as the second single from No Need to Argue, after the band had already become inescapable with \"Zombie.\"\n\nhttps://www.songfacts.com/facts/the-cranberries/ode-to-my-family"}],"showid":66514},{"playid":3644965,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-21T22:19:43Z","epoch_airdate":1776809983000,"epoch_airdate_v2":"/Date(1776809983000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66514},{"playid":3644963,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:12:03Z","epoch_airdate":1776809523000,"epoch_airdate_v2":"/Date(1776809523000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1172863151,"name":"Prince and The Revolution","islocal":false},"release":{"releaseid":933702576,"name":"Purple Rain","largeimageuri":"https://dn711000.ca.archive.org/0/items/mbid-05adfe85-dd1c-44a0-bda8-a9159e59a30f/mbid-05adfe85-dd1c-44a0-bda8-a9159e59a30f-15842800531_thumb500.jpg","smallimageuri":"https://dn711000.ca.archive.org/0/items/mbid-05adfe85-dd1c-44a0-bda8-a9159e59a30f/mbid-05adfe85-dd1c-44a0-bda8-a9159e59a30f-15842800531_thumb250.jpg"},"releaseevent":{"releaseeventid":746889812,"year":1984},"track":{"trackid":1923981008,"name":"Purple Rain"},"label":{"labelid":1587906892,"name":"Warner Bros. Records"},"comments":[{"commentid":775115835,"text":"This was the last song Prince played live; it was the closing number at his April 14, 2016 concert at the Fox Theatre in Atlanta, which was his last, as he died on April 21.\n--\n Read \"A tribute to Prince\" by KEXP DJ Kevin Cole here: https://www.kexp.org/read/2016/4/21/a-tribute-to-prince-from-dj-kevin-cole/"}],"showid":66514},{"playid":3644962,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:07:11Z","epoch_airdate":1776809231000,"epoch_airdate_v2":"/Date(1776809231000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1927030959,"name":"Sinéad O’Connor","islocal":false},"release":{"releaseid":1280363930,"name":"I Do Not Want What I Haven’t Got","largeimageuri":"https://dn721607.ca.archive.org/0/items/mbid-cf12eafa-22fa-436f-8031-ac8f2fb34c97/mbid-cf12eafa-22fa-436f-8031-ac8f2fb34c97-36289235531_thumb500.jpg","smallimageuri":"https://dn721607.ca.archive.org/0/items/mbid-cf12eafa-22fa-436f-8031-ac8f2fb34c97/mbid-cf12eafa-22fa-436f-8031-ac8f2fb34c97-36289235531_thumb250.jpg"},"releaseevent":{"releaseeventid":1600697509,"year":1990},"track":{"trackid":1119911336,"name":"Nothing Compares 2 U"},"label":{"labelid":370450098,"name":"Chrysalis, Ensign Records"},"comments":[{"commentid":572343399,"text":"born this day in 1959 – Marco Pirroni, guitarist for Sinéad, Siouxsie and the Banshees,  and Adam Ant.\n\nPrince wrote \"Nothing Compares 2 U\" in a single 1984 studio session and handed it to his funk side project The Family, whose 1985 version sank without a trace. Sinéad O'Connor picked it up for her second album and turned it into something else entirely. She'd lost her mother in a 1985 car accident when she was 18, and the lyric about flowers dying in the backyard lodged in her because of that. She has said that every time she performs it, \"it's the only time I get to spend with my mother.\" Billboard named it the world's #1 single of 1990.\n\nhttps://www.musicradar.com/news/story-behind-the-song-sinead-oconnors-nothing-compares-2-u"}],"showid":66514},{"playid":3644961,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T22:02:56Z","epoch_airdate":1776808976000,"epoch_airdate_v2":"/Date(1776808976000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":525190754,"name":"Kate Bush","islocal":false},"release":{"releaseid":749518319,"name":"The Kick Inside","largeimageuri":"https://ia803204.us.archive.org/13/items/mbid-3284a453-7f3c-36f7-a46c-42ab0310e51f/mbid-3284a453-7f3c-36f7-a46c-42ab0310e51f-24008431325_thumb500.jpg","smallimageuri":"https://ia903204.us.archive.org/13/items/mbid-3284a453-7f3c-36f7-a46c-42ab0310e51f/mbid-3284a453-7f3c-36f7-a46c-42ab0310e51f-24008431325_thumb250.jpg"},"releaseevent":{"releaseeventid":1836484458,"year":1994},"track":{"trackid":2112682490,"name":"Wuthering Heights"},"label":{"labelid":1314044089,"name":"EMI"},"comments":[{"commentid":1040131587,"text":"From Kate Bush's debut studio album. \n\nThe Kick Inside came out 17 February 1978 on EMI, Kate Bush's debut at 19. Andrew Powell produced, with a backing cast drawn largely from the Alan Parsons Project — Ian Bairnson, David Paton, Stuart Elliott, Duncan Mackay — plus David Gilmour on backing vocals on one track. EMI wanted to lead the campaign with \"James and the Cold Gun\"; Bush insisted on \"Wuthering Heights.\" They gave in, and in March 1978 she became the first woman to hit No. 1 in the UK with a self-written song. The album hit No. 3 and went platinum."}],"showid":66514},{"playid":3644959,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:58:45Z","epoch_airdate":1776808725000,"epoch_airdate_v2":"/Date(1776808725000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":841478964,"name":"Liz Cooper","islocal":false},"release":{"releaseid":1126351953,"name":"New Day","largeimageuri":"https://dn710900.ca.archive.org/0/items/mbid-6a108d9a-7125-4fe4-acd5-56f53ee0f1c6/mbid-6a108d9a-7125-4fe4-acd5-56f53ee0f1c6-44407115591_thumb500.jpg","smallimageuri":"https://dn710900.ca.archive.org/0/items/mbid-6a108d9a-7125-4fe4-acd5-56f53ee0f1c6/mbid-6a108d9a-7125-4fe4-acd5-56f53ee0f1c6-44407115591_thumb250.jpg"},"releaseevent":{"releaseeventid":1994805308,"year":2026},"track":{"trackid":1510595103,"name":"IDFK"},"label":{"labelid":950640758,"name":"Sleepyhead Music"},"comments":[{"commentid":728987698,"text":"Liz Cooper calls IDFK \"a love song to a friend and myself\" about \"the connection between who the main character in the song showed me I am and the person I am becoming.\" The track is piano-led and string-swept, written in the shadow of Lou Reed's Coney Island Baby, which she played on repeat while living in Brooklyn. It's the tender emotional core of New Day.\n\nhttps://floodmagazine.com/210318/liz-cooper-idfk-first-listen/"}],"showid":66514},{"playid":3644958,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:56:06Z","epoch_airdate":1776808566000,"epoch_airdate_v2":"/Date(1776808566000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1468094133,"name":"Lauren Auder","islocal":false},"release":{"releaseid":1357511132,"name":"Whole World as Vigil","largeimageuri":"https://dn721907.ca.archive.org/0/items/mbid-03fb35ef-8524-4956-8ee8-17dbc6166ee1/mbid-03fb35ef-8524-4956-8ee8-17dbc6166ee1-44209654196_thumb500.jpg","smallimageuri":"https://dn721907.ca.archive.org/0/items/mbid-03fb35ef-8524-4956-8ee8-17dbc6166ee1/mbid-03fb35ef-8524-4956-8ee8-17dbc6166ee1-44209654196_thumb250.jpg"},"releaseevent":{"releaseeventid":1293773168,"year":2026},"track":{"trackid":2062501288,"name":"mantra"},"label":{"labelid":238936100,"name":"Untitled (Recs)"},"comments":[{"commentid":1598228427,"text":"The refrain of “mantra” — \"You can change your life\" — is Auder's personal mantra, lifted directly from the closing line of Rainer Maria Rilke's 1908 poem Archaic Torso of Apollo, where the fragmentary statue confronts the viewer with a demand for transformation. Auder has said the lyrics on this record are written as \"theses to live by\" — ideas she needs to expel by writing down and then keep reminding herself of. It's one of the album's quiet pivots from introspection into instruction.\n\nhttps://www.thelineofbestfit.com/features/interviews/lauren-auder-is-building-a-monument-to-the-present-moment"}],"showid":66514},{"playid":3644956,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:50:31Z","epoch_airdate":1776808231000,"epoch_airdate_v2":"/Date(1776808231000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1738387246,"name":"The Fixx","islocal":false},"release":{"releaseid":1508983762,"name":"Reach the Beach","largeimageuri":"https://coverartarchive.org/release/b6a7b0b6-56b2-4670-9d3f-0c21d7aeacf3/13505357511-500.jpg","smallimageuri":"https://coverartarchive.org/release/b6a7b0b6-56b2-4670-9d3f-0c21d7aeacf3/13505357511-250.jpg"},"releaseevent":{"releaseeventid":574644013,"year":1983},"track":{"trackid":301665722,"name":"Saved by Zero"},"label":{"labelid":1124086012,"name":"MCA Records"},"comments":[{"commentid":874316390,"text":"for Matt in San Diego!\n\"Saved by Zero\" takes its title from the Buddhist concept of Śūnyatā — emptiness. Cy Curnin was dipping into Buddhist practice when he wrote it, and he's said the lyric is \"about looking at your own life, not so much about amassing material things but about experiences that lend you to be blissful… how great it is to get back to zero.\" He meant it as a minimalist's mantra for clearing out fear and distraction. It became The Fixx's first U.S. top 20 hit, peaking at No. 20 on the Billboard Hot 100 in summer 1983.\n\nhttps://ultimateclassicrock.com/the-fixx-saved-by-zero/"}],"showid":66514},{"playid":3644955,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:46:45Z","epoch_airdate":1776808005000,"epoch_airdate_v2":"/Date(1776808005000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1231669403,"name":"Let's Active","islocal":false},"release":{"releaseid":350906534,"name":"Big Plans for Everybody","largeimageuri":"https://coverartarchive.org/release/651a8ecd-5c57-49c1-931e-c85fdad6e0ad/21244270020-500.jpg","smallimageuri":"https://coverartarchive.org/release/651a8ecd-5c57-49c1-931e-c85fdad6e0ad/21244270020-250.jpg"},"releaseevent":{"releaseeventid":1354136504,"year":1986},"track":{"trackid":1571015823,"name":"In Little Ways"},"label":{"labelid":17557657,"name":"I.R.S. Records"},"comments":[{"commentid":1375797965,"text":"Let's Active formed in Winston-Salem in 1981 around Mitch Easter, bassist Faye Hunter, and a 17-year-old drummer named Sara Romweber who'd joined two weeks before the band's first live show — opening for R.E.M. at the 688 Club in Atlanta on November 13, 1981. They were early architects of Southern jangle-pop and disbanded in 1990. By the time of Big Plans for Everybody in 1986, Hunter and Romweber were gone, so \"In Little Ways\" is a snapshot of Easter carrying the project forward largely alone.\nRead more here: https://en.wikipedia.org/wiki/Let%27s_Active\nMitch Easter still runs Fidelitorium Recordings in Kernersville, NC — https://fidelitorium.com/"}],"showid":66514},{"playid":3644954,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:44:03Z","epoch_airdate":1776807843000,"epoch_airdate_v2":"/Date(1776807843000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":503368732,"name":"The Grass Roots","islocal":false},"release":{"releaseid":1573202954,"name":"Golden Grass","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":239596304,"year":1968},"track":{"trackid":925922367,"name":"Midnight Confessions"},"label":{"labelid":1865394573,"name":"Dunhill Records"},"comments":[{"commentid":2144617005,"text":"for Stephen in NYC!\n\n\"Midnight Confessions\" was written by Lou Josie, who originally recorded it as a demo with a band he managed called the Evergreen Blues Band. Producer Steve Barri heard the demo and acquired the song for The Grass Roots. For the recording session, Barri brought in arranger Jimmie Haskell to write the horn parts and hired the Wrecking Crew — the legendary Los Angeles studio musicians who also played on records by the Beach Boys, Phil Spector, and Simon & Garfunkel — to cut the backing tracks. Released on ABC/Dunhill in late June 1968, the song peaked at #5 on the Billboard Hot 100 on November 2, 1968, and was certified gold a month later. The lyrics describe a man in love with a married woman, confessing it only out loud and alone. \n\nhttps://americansongwriter.com/how-the-second-version-of-the-grass-roots-made-it-big-with-midnight-confessions/"}],"showid":66514},{"playid":3644953,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:40:51Z","epoch_airdate":1776807651000,"epoch_airdate_v2":"/Date(1776807651000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":774993494,"name":"Kumail feat. 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Fly Anakin is a year out from his own second solo album, (The) Forever Dream, which was executive-produced by Quelle Chris and released in April 2025; his collective Mutant Academy's debut full-length, Keep Holly Alive, made Pitchfork's best rap albums of 2024 list. \n\nhttps://en.wikipedia.org/wiki/Fly_Anakin. \nAlbum on Bandcamp: https://kumail.bandcamp.com/album/mudbrown-2."}],"showid":66514},{"playid":3644952,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:38:44Z","epoch_airdate":1776807524000,"epoch_airdate_v2":"/Date(1776807524000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":18532649,"name":"SALIMATA","islocal":false},"release":{"releaseid":1920512347,"name":"The Happening","largeimageuri":"https://coverartarchive.org/release/bc779438-6179-43c0-80f3-6b80a0760f22/43374795926-500.jpg","smallimageuri":"https://coverartarchive.org/release/bc779438-6179-43c0-80f3-6b80a0760f22/43374795926-250.jpg"},"releaseevent":{"releaseeventid":1502636028,"year":2025},"track":{"trackid":1097551755,"name":"Centerfold"},"label":{"labelid":894550657,"name":"10k"},"comments":[{"commentid":1327744427,"text":"SALIMATA is a Brooklyn-raised rapper whose mother grew up in Côte d'Ivoire. She was a poet first — writing since childhood, freestyling as a teen — and released her debut single \"I Can\" in 2019. She signed to 10k after the label's founder, MIKE, and affiliate Niontay took notice; her first album on the label, Salimata Presents – OUCH, came out in 2022. She released a follow-up, Wooden Floors, on Fada Records in 2024 (featuring Pink Siifu), and then returned to 10k for The Happening in December 2025. Outside of music, she works in fashion, painting, and sculpture — all part of what she describes as building a universe. \n \nhttps://www.wavymagazine.com/salimata-is-making-rap-that-cuts-through-the-noise."}],"showid":66514},{"playid":3644950,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:35:37Z","epoch_airdate":1776807337000,"epoch_airdate_v2":"/Date(1776807337000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":994098002,"name":"A Tribe Called Quest feat. Busta Rhymes","islocal":false},"release":{"releaseid":1067268839,"name":"Midnight Marauders","largeimageuri":"https://coverartarchive.org/release/f2ab0d46-23e4-4fd4-a6f9-0e64508acf9c/9900302771-500.jpg","smallimageuri":"https://coverartarchive.org/release/f2ab0d46-23e4-4fd4-a6f9-0e64508acf9c/9900302771-250.jpg"},"releaseevent":{"releaseeventid":978884211,"year":1993},"track":{"trackid":1301642662,"name":"Oh My God"},"label":{"labelid":1869890186,"name":"Jive"},"comments":[{"commentid":809017518,"text":"\"Oh My God\" is the third single from Midnight Marauders, released in May 1994 (the album itself came out November 9, 1993). Busta Rhymes handles the hook — this was two and a half years after his star-making verse on \"Scenario\" from The Low End Theory, which Q-Tip had invited him onto when Busta was still with Leaders of the New School. The track is stacked with samples: Kool & the Gang's \"Who's Gonna Take the Weight,\" Lee Morgan's \"Absolutions,\" The Whatnauts' \"Why Can't People Be Colors Too?,\" Fred Wesley & the J.B.'s \"Damn Right I'm Somebody,\" and Davy DMX's \"One for the Treble (Fresh).\" Q-Tip produced. \n\nhttps://en.wikipedia.org/wiki/Oh_My_God_(A_Tribe_Called_Quest_song)"}],"showid":66514},{"playid":3644951,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-21T21:33:42Z","epoch_airdate":1776807222000,"epoch_airdate_v2":"/Date(1776807222000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66514},{"playid":3644949,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-21T21:29:24Z","epoch_airdate":1776806964000,"epoch_airdate_v2":"/Date(1776806964000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":763388195,"name":"Iggy and The Stooges","islocal":false},"release":{"releaseid":1670679445,"name":"Raw Power","largeimageuri":"https://dn710704.ca.archive.org/0/items/mbid-c114ee88-1ec5-4d94-af68-c0e35a7e1cea/mbid-c114ee88-1ec5-4d94-af68-c0e35a7e1cea-8067360339_thumb500.jpg","smallimageuri":"https://ia800108.us.archive.org/26/items/mbid-c114ee88-1ec5-4d94-af68-c0e35a7e1cea/mbid-c114ee88-1ec5-4d94-af68-c0e35a7e1cea-8067360339_thumb250.jpg"},"releaseevent":{"releaseeventid":300106579,"year":1997},"track":{"trackid":287088709,"name":"Search and Destroy"},"label":{"labelid":1431686747,"name":"Legacy"},"comments":[{"commentid":1831619997,"text":"Today is Iggy Pop's 79th birthday — James Newell Osterberg Jr., born April 21, 1947, in Muskegon, Michigan. Nine days ago he played Coachella, performing a set of Stooges classics and exiting the stage in a coffin. \"Search and Destroy\" is from 1973's Raw Power, the Stooges' third and final original-run album. Iggy took the title from a column heading in a Time magazine piece about the Vietnam War — \"search and destroy\" being the name of a US military tactic — and the lyrics are laced with napalm, nuclear bombs, and radiation. Guitarist James Williamson wrote the machine-gun riff. The Stooges broke up in 2016 after the deaths of Scott Asheton and Steve Mackay, and were inducted into the Rock and Roll Hall of Fame in 2010.  \n\nhttps://www.loudersound.com/music/tracks-singles/iggy-the-stooges-search-and-destroy.\nhttps://iggypop.com"}],"showid":66514}]}