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They worked with Tony Hoffer who also produced albums for Beck and Air, giving this album a bolder and flashier sound. It resulted in their most successful album."}],"showid":65595},{"playid":3601789,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T18:04:46Z","epoch_airdate":1767895486000,"epoch_airdate_v2":"/Date(1767895486000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":603233731,"name":"Death Cab for Cutie","islocal":true},"release":{"releaseid":281105406,"name":"Narrow Stairs","largeimageuri":"https://ia800300.us.archive.org/10/items/mbid-0aa4cf9e-f59f-30dc-9175-e39434504c0d/mbid-0aa4cf9e-f59f-30dc-9175-e39434504c0d-6192344044_thumb500.jpg","smallimageuri":"https://ia800300.us.archive.org/10/items/mbid-0aa4cf9e-f59f-30dc-9175-e39434504c0d/mbid-0aa4cf9e-f59f-30dc-9175-e39434504c0d-6192344044_thumb250.jpg"},"releaseevent":{"releaseeventid":666962439,"year":2008},"track":{"trackid":499297854,"name":"I Will Possess Your Heart"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":1530052258,"text":"Good morning and welcome to The Midday Show with Cheryl Waters. We hope your Thursday is off to a good start!\n--\nThis track is from Death Cab for Cutie's 2008 album 'Narrow Stairs,' which was their 7th studio album.\n\nThe track can be interpreted as a love song about persistence, although the most common interpretation leans towards a stalkerish unrequited love perspective.\n\nhttps://deathcabforcutie.bandcamp.com/album/narrow-stairs"}],"showid":65595},{"playid":3601787,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T18:01:02Z","epoch_airdate":1767895262000,"epoch_airdate_v2":"/Date(1767895262000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1192222835,"name":"Hunky Dory","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":766247149,"year":1990},"track":{"trackid":2038679979,"name":"Changes"},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":274596440,"text":"1972 – the day before David Bowie's 25th birthday, RCA issued their first ever David Bowie single: Changes/Andy Warhol. Originally released on the album Hunky Dory in December 1971. Despite missing the Billboard top 40, \"Changes\" became one of Bowie's best-known songs. This was the last song Bowie performed live on stage before his retirement from live performances at the end of 2006."}],"showid":65595},{"playid":3601788,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:59:52Z","epoch_airdate":1767895192000,"epoch_airdate_v2":"/Date(1767895192000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":84054134,"name":"Interview with Susan Sarandon","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":98328856,"year":1983},"track":{"trackid":1874727985,"name":"On Being a Father"},"label":{"labelid":1816300105,"name":"Close Encounters"},"comments":[],"showid":65594},{"playid":3601786,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-01-08T17:54:44Z","epoch_airdate":1767894884000,"epoch_airdate_v2":"/Date(1767894884000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65594},{"playid":3601785,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:50:47Z","epoch_airdate":1767894647000,"epoch_airdate_v2":"/Date(1767894647000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1409107627,"name":"Scary Monsters… and Super Creeps","largeimageuri":"https://coverartarchive.org/release/104f475e-1761-4228-b9e4-ed46d086848a/3791440379-500.jpg","smallimageuri":"https://coverartarchive.org/release/104f475e-1761-4228-b9e4-ed46d086848a/3791440379-250.jpg"},"releaseevent":{"releaseeventid":1692160061,"year":1980},"track":{"trackid":1611571534,"name":"Fashion"},"label":{"labelid":1778060461,"name":"EMI Music Japan Inc."},"comments":[{"commentid":1906071269,"text":"Co-produced by Bowie and Tony Visconti and recorded from February to April 1980 at New York and London, this was the last song completed for the album. It originated as a reggae parody titled \"Jamaica\", and King Crimson guitarist Robert Fripp contributes lead guitar.\n\nLyrically, \"Fashion\" acts as both a celebration of fashion trends and Bowie's critique of the individuals who mandate strict observance to those trends, who are labelled fascists and the \"goon squad\". Its accompanying music video, directed by David Mallet, reflects the lyrical themes, depicting Bowie and his musicians as street thugs interspersed with shots of dancers rehearsing and a parade of New Romantic individuals. Like \"Ashes to Ashes\", it was critically praised. https://tinyurl.com/y2jhf4tt"}],"showid":65594},{"playid":3601784,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:45:52Z","epoch_airdate":1767894352000,"epoch_airdate_v2":"/Date(1767894352000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1895150835,"name":"Diamond Dogs","largeimageuri":"https://ia902905.us.archive.org/5/items/mbid-ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18/mbid-ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18-43505554118_thumb500.jpg","smallimageuri":"https://ia902905.us.archive.org/5/items/mbid-ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18/mbid-ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18-43505554118_thumb250.jpg"},"releaseevent":{"releaseeventid":766247149,"year":1990},"track":{"trackid":875200993,"name":"Rebel Rebel"},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":865150989,"text":"Bowie's guitarist, Mick Ronson, quit in 1973 in order to pursue a solo career, so Bowie played guitar on this song."}],"showid":65594},{"playid":3601783,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:41:52Z","epoch_airdate":1767894112000,"epoch_airdate_v2":"/Date(1767894112000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1861425635,"name":"Tin Machine","islocal":false},"release":{"releaseid":1861425635,"name":"Tin Machine","largeimageuri":"https://ia802803.us.archive.org/25/items/mbid-d932546a-ab28-421b-b290-8c09b123a288/mbid-d932546a-ab28-421b-b290-8c09b123a288-25311271969_thumb500.jpg","smallimageuri":"https://ia902803.us.archive.org/25/items/mbid-d932546a-ab28-421b-b290-8c09b123a288/mbid-d932546a-ab28-421b-b290-8c09b123a288-25311271969_thumb250.jpg"},"releaseevent":{"releaseeventid":191725585,"year":1989},"track":{"trackid":439361049,"name":"Under the God"},"label":{"labelid":129299548,"name":"EMI Records USA"},"comments":[{"commentid":521759767,"text":"Going out to Doug in SF, and T!\n\nMy friend T's birthday is today as well as Mr. Bowie. She would often say Bowie, Elvis and Soupy Sales shared her birthday. She moved from San Francisco to Maine years ago and we often call each other on our birthdays-mine is \"J6\", now usurped by take forces 😭. Knowing Soupy Sales sons (Tony and Hunt) were also part of the Tin Machine, could you play your favorite Tin Machine track for T on her birthday? Thanks so much. Here's to the Capricorns!"}],"showid":65594},{"playid":3601782,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:36:29Z","epoch_airdate":1767893789000,"epoch_airdate_v2":"/Date(1767893789000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":2002970167,"name":"The Man Who Sold the World","largeimageuri":"https://ia803209.us.archive.org/32/items/mbid-a9b80892-0951-4f06-9a58-5d07f720c289/mbid-a9b80892-0951-4f06-9a58-5d07f720c289-5134851974_thumb500.jpg","smallimageuri":"https://ia803209.us.archive.org/32/items/mbid-a9b80892-0951-4f06-9a58-5d07f720c289/mbid-a9b80892-0951-4f06-9a58-5d07f720c289-5134851974_thumb250.jpg"},"releaseevent":{"releaseeventid":766247149,"year":1990},"track":{"trackid":1091040563,"name":"All the Madmen"},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":1660959442,"text":"The song ends with the chant \"Zane zane zane, ouvre le chien.\" The latter phrase literally means \"open the dog\" in French.\n\nBowie has said that the song was written for and about his half brother, Terry Burns, who had schizophrenia and was an inmate of Cane Hill Psychiatric Hospital until his suicide in 1985.\n\nThe lyrics include references to lobotomy, the tranquilizer Librium and EST, or Electroshock Therapy."}],"showid":65594},{"playid":3601781,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:33:46Z","epoch_airdate":1767893626000,"epoch_airdate_v2":"/Date(1767893626000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1174055213,"name":"Heathen","largeimageuri":"https://ia801502.us.archive.org/19/items/mbid-99726a90-3ec7-3214-bc33-8b5ec7727583/mbid-99726a90-3ec7-3214-bc33-8b5ec7727583-5965726458_thumb500.jpg","smallimageuri":"https://ia801502.us.archive.org/19/items/mbid-99726a90-3ec7-3214-bc33-8b5ec7727583/mbid-99726a90-3ec7-3214-bc33-8b5ec7727583-5965726458_thumb250.jpg"},"releaseevent":{"releaseeventid":498650044,"year":2002},"track":{"trackid":1005857801,"name":"Cactus"},"label":{"labelid":1458030381,"name":"Columbia, ISO Records"},"comments":[{"commentid":1519184008,"text":"On his 2002 record Heathen, David Bowie covers this Pixies song! Here is David Bowie performing this this song back in 2002: https://www.youtube.com/watch?v=Trifk3Y5rbs"}],"showid":65594},{"playid":3601780,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-01-08T17:31:33Z","epoch_airdate":1767893493000,"epoch_airdate_v2":"/Date(1767893493000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65594},{"playid":3601779,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:27:10Z","epoch_airdate":1767893230000,"epoch_airdate_v2":"/Date(1767893230000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1409107627,"name":"Scary Monsters… and Super Creeps","largeimageuri":"https://coverartarchive.org/release/104f475e-1761-4228-b9e4-ed46d086848a/3791440379-500.jpg","smallimageuri":"https://coverartarchive.org/release/104f475e-1761-4228-b9e4-ed46d086848a/3791440379-250.jpg"},"releaseevent":{"releaseeventid":1692160061,"year":1980},"track":{"trackid":1181323391,"name":"Scary Monsters (and Super Creeps)"},"label":{"labelid":1283780819,"name":"RCA Victor"},"comments":[{"commentid":76221402,"text":"\"Scary Monsters… [is known] as a milestone balancing act of artistic ambition and commercial success—one that showcased the return of [Robert] Fripp on guitar, guest turns including Pete Townshend and the last appearance of the 1976-1980 Bowie rhythm section of Alomar, Davis and bassist George Murray.\" \n\nRead more here: https://www.davidbowie.com/about"}],"showid":65594},{"playid":3601778,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:23:40Z","epoch_airdate":1767893020000,"epoch_airdate_v2":"/Date(1767893020000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1192222835,"name":"Hunky Dory","largeimageuri":"https://ia601508.us.archive.org/26/items/mbid-98d6d2b9-d173-3313-a5d9-c740753c1a66/mbid-98d6d2b9-d173-3313-a5d9-c740753c1a66-1951275113_thumb500.jpg","smallimageuri":"https://ia801508.us.archive.org/26/items/mbid-98d6d2b9-d173-3313-a5d9-c740753c1a66/mbid-98d6d2b9-d173-3313-a5d9-c740753c1a66-1951275113_thumb250.jpg"},"releaseevent":{"releaseeventid":766247149,"year":1990},"track":{"trackid":917078895,"name":"Queen Bitch"},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":1900750946,"text":"The pop-punk song was inspired by American rock band The Velvet Underground, but more particularly the lead singer Lou Reed. “Queen Bitch” acts as a tribute to the band from Bowie, who was a huge fan of the group and their music. The lyric “trying hard to pull sister Flo”, is a direct reference to The Velvet Underground’s track “Sister Ray” and sonically, many music critics have compared the song’s main riff to The Velvet Underground’s “Sweet Jane“.\n--\n Lou Reed performed this with Bowie at his 50th birthday party in New York in January 1997.: https://www.youtube.com/watch?v=Q-NX1DJUAI8"}],"showid":65594},{"playid":3601777,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:20:38Z","epoch_airdate":1767892838000,"epoch_airdate_v2":"/Date(1767892838000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1281002444,"name":"Tonight","largeimageuri":"https://ia902906.us.archive.org/25/items/mbid-ee3406a2-4e18-301b-87ba-1d30feb522bc/mbid-ee3406a2-4e18-301b-87ba-1d30feb522bc-8847031666_thumb500.jpg","smallimageuri":"https://ia902906.us.archive.org/25/items/mbid-ee3406a2-4e18-301b-87ba-1d30feb522bc/mbid-ee3406a2-4e18-301b-87ba-1d30feb522bc-8847031666_thumb250.jpg"},"releaseevent":{"releaseeventid":746889812,"year":1984},"track":{"trackid":571635705,"name":"Blue Jean"},"label":{"labelid":1196966003,"name":"EMI, EMI America"},"comments":[{"commentid":1178348503,"text":"Bowie once called “Blue Jean” “a piece of sexist rock ‘n roll. It’s about picking up birds. It’s not very cerebral, that piece.” It's based on an Eddie Cochran riff which was played perfectly by guitarist Carlos Alomar."}],"showid":65594},{"playid":3601776,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:16:46Z","epoch_airdate":1767892606000,"epoch_airdate_v2":"/Date(1767892606000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":270670783,"name":"Station to Station","largeimageuri":"https://ia600505.us.archive.org/30/items/mbid-a25dc82a-8af3-32f6-8e66-5fb8cf72a45f/mbid-a25dc82a-8af3-32f6-8e66-5fb8cf72a45f-15491805244_thumb500.jpg","smallimageuri":"https://ia600505.us.archive.org/30/items/mbid-a25dc82a-8af3-32f6-8e66-5fb8cf72a45f/mbid-a25dc82a-8af3-32f6-8e66-5fb8cf72a45f-15491805244_thumb250.jpg"},"releaseevent":{"releaseeventid":1147999850,"year":1991},"track":{"trackid":964348203,"name":"Golden Years"},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":776484391,"text":"Bowie made an appearance on Soul Train singing (actually, lip synching) \"Golden Years\" and \"Fame\" on November 4, 1975. Few white performers had appeared on the show, but host Don Cornelius gave him a warm welcome, introducing him as \"one of the world’s most popular and important music personalities.\" For Bowie, Soul Train was a big deal because he grew up listening to many of the American R&B artists who appeared on the show. He was nervous, and reportedly got a little drunk beforehand to take the edge off; footage does appear to show him stumbling over his lyrics. https://bit.ly/33NLmXH"}],"showid":65594},{"playid":3601775,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-01-08T17:11:59Z","epoch_airdate":1767892319000,"epoch_airdate_v2":"/Date(1767892319000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65594},{"playid":3601774,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:08:00Z","epoch_airdate":1767892080000,"epoch_airdate_v2":"/Date(1767892080000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1396578867,"name":"Lodger","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1147999850,"year":1991},"track":{"trackid":1026534160,"name":"D.J."},"label":{"labelid":1412080625,"name":"Rykodisc"},"comments":[{"commentid":429707730,"text":"Bowie was on the vanguard of the music video movement; for \"DJ,\" director David Mallet shot a clip of Bowie coming unhinged in front of some turntables in a radio studio, along with footage of him walking the streets of London while he is mobbed by admirers. The song was dated when MTV went on the air in 1981, but Bowie was a big name and the video was of better quality than most of what they had to choose from, so it went in rotation. For many young Americans, it was their first exposure to Bowie.: https://www.youtube.com/watch?v=MRRmU_pOXnk"}],"showid":65594},{"playid":3601773,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:03:50Z","epoch_airdate":1767891830000,"epoch_airdate_v2":"/Date(1767891830000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1806674899,"name":"Aladdin Sane","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":205688848,"year":1984},"track":{"trackid":887415246,"name":"The Jean Genie"},"label":{"labelid":1283780819,"name":"RCA Victor"},"comments":[{"commentid":1056658632,"text":"Two months after the release of his breakthrough album, Hunky Dory, David Bowie performed as Ziggy Stardust for the first time during a small gig at The Toby Jug Pub in London.\n\nThe local pub had been a well established venue for up & coming bands. Traffic, Led Zeppelin, Jethro Tull, and King Crimson were a few of the acts that had performed there prior. There was no support group - just a DJ and a young crowd of about 60 people in the room."}],"showid":65594},{"playid":3601772,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-08T17:00:22Z","epoch_airdate":1767891622000,"epoch_airdate_v2":"/Date(1767891622000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":461943989,"name":"David Bowie","islocal":false},"release":{"releaseid":1192222835,"name":"Hunky Dory","largeimageuri":"https://ia600703.us.archive.org/15/items/mbid-0dcb3b6e-e9db-45c5-863e-190801623fac/mbid-0dcb3b6e-e9db-45c5-863e-190801623fac-23098912882_thumb500.jpg","smallimageuri":"https://ia800703.us.archive.org/15/items/mbid-0dcb3b6e-e9db-45c5-863e-190801623fac/mbid-0dcb3b6e-e9db-45c5-863e-190801623fac-23098912882_thumb250.jpg"},"releaseevent":{"releaseeventid":1030849208,"year":1999},"track":{"trackid":547081674,"name":"Life on Mars?"},"label":{"labelid":973220508,"name":"Virgin Records America, Inc."},"comments":[{"commentid":1012831400,"text":"In 1968, Bowie wrote the lyrics “Even a Fool Learns to Love”, set to the music of a 1967 French song “Comme d'habitude”, composed by Claude François and Jacques Revaux. Bowie’s version was never released, but Paul Anka bought the rights to the original French version and rewrote it into “My Way”, the song made famous by Frank Sinatra in 1969. The success of the Anka version prompted Bowie to write “Life on Mars?” as a parody of Sinatra’s recording."}],"showid":65594},{"playid":3601771,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-01-08T16:56:49Z","epoch_airdate":1767891409000,"epoch_airdate_v2":"/Date(1767891409000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65594}]}