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The single was a success, peaking at #3 on the Billboard Hot 100. Michael Bivins (Bel Biv Devoe) who co-wrote the song, provides a guest rap during the bridge. The video for the song was filmed in various locations in Philadelphia, the group's home city in December 1990. Two new jack swing groups, Another Bad Creation and Bell Biv DeVoe (of which Bivins was a member), are mentioned in the first verse: \"Boyz II Men, ABC, BBD, the East Coast Family.\" Both groups appear briefly in the video, as does Sudden Impact, a short-lived, all-white R&B group organized by Bivins. The song title etymology involves a combination of two of the group's main musical influences: 1960s Motown and 1970s Philly soul."}],"showid":65529},{"playid":3598682,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T12:23:27Z","epoch_airdate":1767270207000,"epoch_airdate_v2":"/Date(1767270207000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1145690039,"name":"Mary J. Blige","islocal":false},"release":{"releaseid":1984220976,"name":"Just Fine","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":105602202,"year":2007},"track":{"trackid":2021432583,"name":"Just Fine (Treat 'Em Right Remix)"},"label":{"labelid":1953921724,"name":"Geffen Records"},"comments":[{"commentid":1824908700,"text":"Blige said about the song: \n\"That song was written based on me having a good day. You know, I can have 20 bad days. I can have as many bad days as anyone. But I choose to say, 'I'm just fine.' Right now. So it's OK to have those days. So instead of coming with something ungrateful to the universe, how about I come with something first that's says, 'You know what? It's OK. Enjoy this day if you're having a great day.\"\n\nCheck out a live performance of by Mary below:\nhttps://www.youtube.com/watch?v=To3LJyTNEdo"}],"showid":65529},{"playid":3598681,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T12:17:50Z","epoch_airdate":1767269870000,"epoch_airdate_v2":"/Date(1767269870000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":614819687,"name":"Teena Marie","islocal":false},"release":{"releaseid":1611579689,"name":"It Must Be Magic","largeimageuri":"https://coverartarchive.org/release/9b159000-0eb2-40c0-bc3c-21f2be2df991/22261091664-500.jpg","smallimageuri":"https://coverartarchive.org/release/9b159000-0eb2-40c0-bc3c-21f2be2df991/22261091664-250.jpg"},"releaseevent":{"releaseeventid":1338065026,"year":1981},"track":{"trackid":1929583806,"name":"Square Biz"},"label":{"labelid":1768358272,"name":"Motown"},"comments":[{"commentid":1898662071,"text":"The lead single from Teena Marie's fourth album - and first gold record - 1981's 'It Must Be Magic'."}],"showid":65529},{"playid":3598680,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T12:10:54Z","epoch_airdate":1767269454000,"epoch_airdate_v2":"/Date(1767269454000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":954165267,"name":"Prince","islocal":false},"release":{"releaseid":2118546516,"name":"The Nice One Innit Edits","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":982103692,"year":2011},"track":{"trackid":1804295123,"name":"I Wanna Be Your Lobster"},"label":{"labelid":1042200368,"name":"Hands of Time Gold"},"comments":[{"commentid":48295332,"text":"Edit by Dmitri From Paris"}],"showid":65529},{"playid":3598679,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T12:08:57Z","epoch_airdate":1767269337000,"epoch_airdate_v2":"/Date(1767269337000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":368691522,"name":"Waajeed","islocal":false},"release":{"releaseid":504254282,"name":"Memoirs of Hi‐Tech Jazz","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":2052737776,"year":2022},"track":{"trackid":1330048060,"name":"Motor City Madness"},"label":{"labelid":296656721,"name":"Tresor"},"comments":[{"commentid":2095542010,"text":"From Detroit artist Waajeed. \n\nThis 2022 release was inspired by \"evolutionary efforts against oppressive hegemonies in Detroit, and in Black locales around the world.\" https://waajeed.bandcamp.com/"}],"showid":65529},{"playid":3598678,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T11:56:53Z","epoch_airdate":1767268613000,"epoch_airdate_v2":"/Date(1767268613000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1498579164,"name":"Nuyorican Soul feat. Jocelyn Brown","islocal":false},"release":{"releaseid":1685046860,"name":"Its Alright, I Feel It","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":329335543,"year":1997},"track":{"trackid":1261063750,"name":"It's Alright, I Feel It! 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With two copies of the record, DJs could create a continuous loop of the instrumental groove, providing a perfect foundation for MCs to rap over.\n\nNile Rodgers said of the song: \"I wrote 'Good Times' the morning we recorded it. Bernard was a little late to the studio, but I'd already written out the charts for everybody in the band. We were playing when Bernard walked in. He asked the engineers, 'what the hell is that?' The engineer said, ' I don't know, something Nile wrote this morning.' Whenever Bernard was late, he was like a puppy dog with his tail between his legs. Typically, what he and I do is we'd copy each other and then develop our parts after that.\"\n\n\"We'd been trying for years to come up with this walking bassline, putting it over and over again on all sorts of songs but we could never get it right. But that day, I started screaming 'Walk!' over Tony's drums. Bernard said, 'What?' I was shouting 'Walk!' On that particular day, he walked.\"\n\n\"Even though my guitar part was strong on the down beats, Bernard decided to push and go to bass before I get to the chord change. I'm not even there yet, so we get this amazing extra funky thing. I just told the engineer, 'Make it red!' We recorded it. That was it. One take, maybe two.\"\nhttps://bit.ly/3yaMTU1\n\nCheck out who has sampled this track!\nhttps://bit.ly/3HPhMkc\n\nChic - \"Good Times\" - Live At The House Sídney 2013:\nhttps://youtu.be/OU-1BcJ9Rdk"}],"showid":65529},{"playid":3598670,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T11:17:52Z","epoch_airdate":1767266272000,"epoch_airdate_v2":"/Date(1767266272000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":830789275,"name":"Change","islocal":false},"release":{"releaseid":1671462169,"name":"Miracles","largeimageuri":"https://coverartarchive.org/release/ee7d96d9-d144-4bc0-bdc5-cdf46d52db08/11201211604-500.jpg","smallimageuri":"https://coverartarchive.org/release/ee7d96d9-d144-4bc0-bdc5-cdf46d52db08/11201211604-250.jpg"},"releaseevent":{"releaseeventid":642929858,"year":1981},"track":{"trackid":1490691858,"name":"Paradise"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":794693734,"text":"Change was an Italian/American disco project that launched the career of Luther Vandross. \"Paradise\" was written in tribute to the legendary NYC after-hours spot Paradise Garage."}],"showid":65529},{"playid":3598669,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T11:13:37Z","epoch_airdate":1767266017000,"epoch_airdate_v2":"/Date(1767266017000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":337497399,"name":"Talking Heads","islocal":false},"release":{"releaseid":1458326060,"name":"Remain in Light","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1648171571,"year":1980},"track":{"trackid":1674956838,"name":"Once in a Lifetime"},"label":{"labelid":189475858,"name":"Sire Records"},"comments":[{"commentid":1138366640,"text":"When bassist Tina Weymouth came up with a striking bass line, the band “took that lick and extrapolated it, slowly building a piece around it. After weeks of jamming, David Byrne and producer Brian Eno came in to the studio to start adding arrangements and lyrics to the music pieces.”\nEno counted the rhythm of the song differently than everyone else did, resulting in a distinctive layering of different grooves all at once. On top of this came the lyrics, which Byrne developed as he “sat down and listened to televangelist sermons, pulling phrases from them and crafting them into lyrics.” Put together, “the song creates a trancelike state, capturing the manic monotony of middle-class existence” with both its captivatingly repetitive music (played by the band members acting as “human samplers”) and its words, as Byrne himself interprets them, “about the unconscious, about how we operate half-awake on autopilot.”: https://www.openculture.com/2019/02/how-talking-heads-and-brian-eno-wrote-once-in-a-lifetime.html"}],"showid":65529},{"playid":3598668,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T11:08:08Z","epoch_airdate":1767265688000,"epoch_airdate_v2":"/Date(1767265688000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1697532486,"name":"Janet Jackson","islocal":false},"release":{"releaseid":192527069,"name":"Control","largeimageuri":"https://coverartarchive.org/release/f9999912-b387-4f54-a2ca-f990569571d6/19396434245-500.jpg","smallimageuri":"https://coverartarchive.org/release/f9999912-b387-4f54-a2ca-f990569571d6/19396434245-250.jpg"},"releaseevent":{"releaseeventid":2140174732,"year":1986},"track":{"trackid":999153006,"name":"When I Think of You (dance remix)"},"label":{"labelid":1869765590,"name":"A&M Records"},"comments":[{"commentid":1892825280,"text":"“When I Think of You” is the third single released from Janet Jackson’s third album \"Control.\"\nOn the Billboard Hot 100, the song became the album’s third consecutive top ten hit, as well as Jackson’s first #1 hit in the United States.\n--\n\"When I Think of You\" was number 48 on Pitchfork's 200 Best Songs of the 80's. They called it an, \"atypical love song\" noting that \"Janet hadn’t yet turned 20 when Control came out, but she had already gone through a marriage and an annulment.\""}],"showid":65529},{"playid":3598667,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T11:04:57Z","epoch_airdate":1767265497000,"epoch_airdate_v2":"/Date(1767265497000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2099399327,"name":"Archie Bell & the Drells","islocal":false},"release":{"releaseid":2065872134,"name":"Tighten Up","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":239596304,"year":1968},"track":{"trackid":1102523741,"name":"Tighten Up"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":1896847470,"text":"Going out to Nate in Everett!\n\nThis early funk hit served as inspiration for Janet Jackson's 1986 single \"When I Think of You\" and was later sampled by Janet for her 1997 track \"Free Xone\".\n\nArchie Bell became known around the world for for this song, recorded in a session in 1967, along with a number of songs including \"She's My Woman\". Soon afterwards Bell was drafted into the U.S. Army and began serving in Vietnam. The song became a hit in Houston, and sold a million copies by the next year. The line in \"Tighten Up\", \"we dance just as good as we walk\" was a little ironic, given that Bell had been shot in the leg and was consigned to a military hospital bed at the time.\n\nWatch them play it live in 1968: https://youtu.be/11Wd1cc31xI"}],"showid":65529},{"playid":3598666,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-01-01T11:02:22Z","epoch_airdate":1767265342000,"epoch_airdate_v2":"/Date(1767265342000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65529},{"playid":3598665,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T10:57:39Z","epoch_airdate":1767265059000,"epoch_airdate_v2":"/Date(1767265059000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1734651107,"name":"UGK feat. 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The instrumental contains a sample of \"I Choose You\" by Willie Hutch. \n--\nDon't miss this video: https://www.youtube.com/watch?v=awMIbA34MT8"}],"showid":65529},{"playid":3598664,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-01-01T10:54:13Z","epoch_airdate":1767264853000,"epoch_airdate_v2":"/Date(1767264853000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1721513909,"name":"OutKast","islocal":false},"release":{"releaseid":462702525,"name":"Stankonia","largeimageuri":"https://coverartarchive.org/release/296f8a54-eff7-3c6a-9857-164c05479c09/24569780625-500.jpg","smallimageuri":"https://coverartarchive.org/release/296f8a54-eff7-3c6a-9857-164c05479c09/24569780625-250.jpg"},"releaseevent":{"releaseeventid":1942020624,"year":2000},"track":{"trackid":316947039,"name":"So Fresh, So Clean"},"label":{"labelid":1226220792,"name":"Arista"},"comments":[{"commentid":1064348988,"text":"OutKast was selected for the Rock Hall of Fame Class of 2025, making them one of the few hip-hop artists there.: https://www.xxlmag.com/outkast-rock-and-roll-hall-of-fame-inductees/\n--\nOutKast performed \"So Fresh, So Clean\" at the BET Awards in 2001: https://www.facebook.com/TheBETAwards/videos/bet-awards-2001-outkast-so-fresh-so-clean/585381040599256/"}],"showid":65529}]}