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It appears on their eighth and final studio album “In Through the Out Door”.\nThe origin of “Fool in the Rain” came from the groups’ bassist John Paul Jones and vocalist Robert Plant while they were watching the 1978 FIFA World Cup tournament in Argentina, where a heavy samba beat was consistent throughout the matches and games.: https://storyofsong.com/story/fool-in-the-rain/"}],"showid":65356},{"playid":3590188,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T23:00:35Z","epoch_airdate":1765580435000,"epoch_airdate_v2":"/Date(1765580435000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":957762007,"name":"Eurhythmics","islocal":false},"release":{"releaseid":2005389724,"name":"Right by Your Side","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":98328856,"year":1983},"track":{"trackid":1302014289,"name":"Right by Your Side"},"label":{"labelid":183596615,"name":"RCA"},"comments":[{"commentid":964389803,"text":"Eurythmics were a British new wave duo formed in 1980, consisting of Scottish vocalist Annie Lennox and English musician and producer Dave Stewart. They were both previously in the Tourists, a band that broke up in 1980."}],"showid":65356},{"playid":3590187,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:55:14Z","epoch_airdate":1765580114000,"epoch_airdate_v2":"/Date(1765580114000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":180227531,"name":"Musical Youth","islocal":false},"release":{"releaseid":1436423612,"name":"Just Can’t Get Enough: New Wave Hits of the ’80s, Volume 7","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":2103905561,"year":1994},"track":{"trackid":2100049725,"name":"Pass the Dutchie"},"label":{"labelid":737267319,"name":"Rhino"},"comments":[{"commentid":100986868,"text":"MJ may have been first on \"Friday Night Videos\", but Musical Were first on MTV!\nMTV debuted (with the Buggles) on 8//1/1981.\n--\n\"Pass the Dutchie\" has been sampled more than 90 times, including by Mos Def in \"Wahid.\"\n--\n Musical Youth’s “Pass the Dutchie” wasn’t entirely original, but it wasn’t an out-and-out cover either. Because of their young age – the members were all aged between 11 and 16 at the time – the group took the foundation of The Mighty Diamonds’ marijuana-referencing “Pass the Kouchie” and changed the lyrics to something more family-friendly. The “Dutchie” in the title refers to a Dutch Oven, also known as a Dutch Pot, which is commonly used in Caribbean cooking.: https://bit.ly/3DKvIM1"}],"showid":65356},{"playid":3590185,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:52:27Z","epoch_airdate":1765579947000,"epoch_airdate_v2":"/Date(1765579947000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":563491961,"name":"Eddy Grant","islocal":false},"release":{"releaseid":1749646013,"name":"Electric Avenue","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1406855729,"year":1982},"track":{"trackid":1039058679,"name":"Electric Avenue (radio edit)"},"label":{"labelid":989347747,"name":"Strictly Rhythm"},"comments":[{"commentid":924276273,"text":"Shout Out Arash!\n---\nThis song refers to Electric Avenue in the south London district of Brixton, the first market street to be lit by electricity. At the beginning of the 1980s, tensions over unemployment, racism and poverty culminated in the street. Grant wrote this song in response.  In this interview, the artist and the sound engineer talk about making this song: https://www.theguardian.com/culture/2018/sep/03/how-we-made-eddy-grant-electric-avenue"}],"showid":65356},{"playid":3590186,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-12-12T22:50:36Z","epoch_airdate":1765579836000,"epoch_airdate_v2":"/Date(1765579836000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65356},{"playid":3590184,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:43:30Z","epoch_airdate":1765579410000,"epoch_airdate_v2":"/Date(1765579410000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1263931653,"name":"Frankie Smith","islocal":false},"release":{"releaseid":881027238,"name":"Double Dutch Bus","largeimageuri":"https://ia803208.us.archive.org/8/items/mbid-ba42bd34-2a50-4449-908f-c12c1a82513f/mbid-ba42bd34-2a50-4449-908f-c12c1a82513f-4017901734_thumb500.jpg","smallimageuri":"https://ia903208.us.archive.org/8/items/mbid-ba42bd34-2a50-4449-908f-c12c1a82513f/mbid-ba42bd34-2a50-4449-908f-c12c1a82513f-4017901734_thumb250.jpg"},"releaseevent":{"releaseeventid":642929858,"year":1981},"track":{"trackid":2042683430,"name":"Double Dutch Bus"},"label":{"labelid":1872391277,"name":"Metronome"},"comments":[{"commentid":2098898989,"text":"Like \"Rapper's Delight\" and many other rap songs that were gaining traction in the early 80's, the song tells a clever and self-deprecating story: Frankie Smith misses his bus and has to walk 15 blocks to get to work. But \"Double Dutch Bus\" has a secret weapon: a hook filled with a kind of pig Latin variation sung by Smith and a group of kids along the lines of:\nMizzo izzay wizzat nizzo yizzou izzay\n\nThis was a precursor to Jay-Z's improvised language in his 2001 hit \"Izzo (H.O.V.A.),\" where he spells out HOVA in izzle-speak: H to the Izz-o, V to the Izz-A\n\nSnoop Dogg, an old-school aficionado, put his own spin on it, using it as part of his regular speech. Fo shizzle."}],"showid":65356},{"playid":3590183,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:39:10Z","epoch_airdate":1765579150000,"epoch_airdate_v2":"/Date(1765579150000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1812037022,"name":"Trouble Funk","islocal":false},"release":{"releaseid":960178358,"name":"Drop the Bomb","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1406855729,"year":1982},"track":{"trackid":1694246210,"name":"Pump Me Up"},"label":{"labelid":1123396545,"name":"Sugar Hill Records"},"comments":[{"commentid":1632515198,"text":"This song has been sampled more than 150 times. \n\nThis banger was sampled in Public Enemy's protest anthem \"Fight the Power\" and M/A/R/R/S's dance classic \"Pump Up The Volume.\" \n--\nAlmost 40 years later (in 2018), Trouble Funk performed \"Pump Me Up\" and other songs in an exhilarating NPR Tiny Desk Concert: https://www.youtube.com/watch?v=592crJUBgGc"}],"showid":65356},{"playid":3590182,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:35:03Z","epoch_airdate":1765578903000,"epoch_airdate_v2":"/Date(1765578903000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1122132305,"name":"Manu Dibango","islocal":false},"release":{"releaseid":1204921569,"name":"Soul Makossa","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":25149711,"year":1973},"track":{"trackid":1011468706,"name":"Soul Makossa (The Original Version)"},"label":{"labelid":1834846595,"name":"Atlantic"},"comments":[{"commentid":838845323,"text":"Born on this day in 1933!\n---\nManu Dibango, was a Cameroonian saxophonist, songwriter, and pioneer of Afro-funk music. His epic 1972 release “Soul Makossa,”  meaning “I will dance” in the native Cameroonian dialect of Douala in which it was written, was one of the first songs by an African to gain global popularity and was believed by some to be the first disco record. It is the most sampled African track of all time.\n--\n‘Pappy Grove’ as he was also known,  influenced innumerable artists including Herbie Hancock and Kool and the Gang, hip-hop in the 1990s, with the famous “ma-ma-se, ma-ma-sa, ma-ma-ko-sa”  refrain sampled for Michael Jackson’s “Wanna Be Startin’ Somethin’” for his 1982 Thriller album and Rihanna’s “Don’t Stop the Music” in 2007.: https://intro.africa/story/soul-makossa-is-the-most-sampled-african-track-of-all-time/"}],"showid":65356},{"playid":3590181,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:31:06Z","epoch_airdate":1765578666000,"epoch_airdate_v2":"/Date(1765578666000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":539526307,"name":"The Clash","islocal":false},"release":{"releaseid":401297869,"name":"Sandinista!","largeimageuri":"https://ia800502.us.archive.org/8/items/mbid-bd75a130-7ee1-4b68-940b-592b5f21c605/mbid-bd75a130-7ee1-4b68-940b-592b5f21c605-11523292523_thumb500.jpg","smallimageuri":"https://ia600502.us.archive.org/8/items/mbid-bd75a130-7ee1-4b68-940b-592b5f21c605/mbid-bd75a130-7ee1-4b68-940b-592b5f21c605-11523292523_thumb250.jpg"},"releaseevent":{"releaseeventid":1691617734,"year":1999},"track":{"trackid":1975568527,"name":"Kingston Advice"},"label":{"labelid":2097627989,"name":"Epic"},"comments":[{"commentid":954108265,"text":"The Clash were an English rock band formed in London in 1976. They are considered one of the most influential acts in the original wave of British punk rock, with their music fusing elements of reggae, dub, funk, ska, and rockabilly.\n---\nhttps://www.theclash.com/"}],"showid":65356},{"playid":3590180,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:27:50Z","epoch_airdate":1765578470000,"epoch_airdate_v2":"/Date(1765578470000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1738387246,"name":"The Fixx","islocal":false},"release":{"releaseid":1320861432,"name":"Just Can’t Get Enough: New Wave Hits of the ’80s, Volume 11","largeimageuri":"https://ia800507.us.archive.org/8/items/mbid-59c31871-75a3-4a1d-bf9f-5a7c3569e005/mbid-59c31871-75a3-4a1d-bf9f-5a7c3569e005-14902790726_thumb500.jpg","smallimageuri":"https://ia800507.us.archive.org/8/items/mbid-59c31871-75a3-4a1d-bf9f-5a7c3569e005/mbid-59c31871-75a3-4a1d-bf9f-5a7c3569e005-14902790726_thumb250.jpg"},"releaseevent":{"releaseeventid":66781681,"year":1995},"track":{"trackid":154285396,"name":"One Thing Leads to Another"},"label":{"labelid":737267319,"name":"Rhino"},"comments":[{"commentid":1358726821,"text":"Born on this day in 1957, Cy Curnin of The Fixx!\n---\n\"One Thing Leads to Another\" was in heavy rotation on MTV when the network was picking up steam, giving The Fixx a great deal of exposure stateside along with acts like Duran Duran and Eurythmics. The song is well-remembered by early MTV viewers, and the song is included on many 1980s compilation albums and continues to get substantial radio airplay today.\n\nIn 2012, lead singer/lyricist Cy Curnin explained the meaning of this song, which deals with malleable politicians. \"If you're going to be a liar, you'd better be a damn good liar and remember what you said, or the whole thing's going to get pear shaped,\" said Curnin. \"That was 30 years ago, and look where the system is now. A lot of people stand on ballot boxes and say a lot of things and lie in order to get elected and do nothing. So those songs I'm pretty proud of.\"\nhttps://www.songfacts.com/facts/the-fixx/one-thing-leads-to-another"}],"showid":65356},{"playid":3590178,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:22:03Z","epoch_airdate":1765578123000,"epoch_airdate_v2":"/Date(1765578123000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":598882559,"name":"Sheila E.","islocal":false},"release":{"releaseid":1057069097,"name":"The Glamorous Life","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1321077618,"year":1984},"track":{"trackid":925063361,"name":"The Glamorous Life (club edit)"},"label":{"labelid":1587906892,"name":"Warner Bros. Records"},"comments":[{"commentid":588496178,"text":"Born on this day in 1957, Sheila E,!\n---\nThis was the first single for Sheila E., who before meeting Prince in 1978 performed as a percussionist alongside her father, the Latin music star Pete Escovedo. She backed Lionel Richie, Diana Ross and Marvin Gaye on tour, but it was Prince who convinced her to sing and also become a solo artist. He gave her a new look, produced and wrote most of the songs on this first album, and brought her along as the opening act on his Purple Rain tour.\n---\nhttps://sheilae.com/"}],"showid":65356},{"playid":3590179,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-12-12T22:21:31Z","epoch_airdate":1765578091000,"epoch_airdate_v2":"/Date(1765578091000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65356},{"playid":3590177,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:10:18Z","epoch_airdate":1765577418000,"epoch_airdate_v2":"/Date(1765577418000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":954165267,"name":"Prince","islocal":false},"release":{"releaseid":1019782324,"name":"1999","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":869024551,"year":1982},"track":{"trackid":1082219050,"name":"D.M.S.R."},"label":{"labelid":1587906892,"name":"Warner Bros. Records"},"comments":[{"commentid":894312153,"text":"D.S.M.R. is the fifth track on his fifth album, released on October 27, 1982, by Warner Bros. Records. It became his first album to be recorded with his band the Revolution. https://bit.ly/42SacyB\n\nBasic tracking for D.M.S.R. took place at Sunset Sound in Hollywood, California on 20 April 1982, during the same set of sessions which produced Free, Something In The Water (Does Not Compute), Delirious, Automatic and How Come U Don’t Call Me Anymore.\n\nWhen CD technology was created and albums were released on CD, D.M.S.R. was left off the initial releases of 1999 as the time limit on CDs was 74 minutes at the time. As CD capacities increased, however, the track was added to the tracklist again.\n\nAccording to Princevault.com, this song was first performed in 1986, and last performed in 2016 in Montreal. https://bit.ly/41tCU7C"}],"showid":65356},{"playid":3590176,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:06:28Z","epoch_airdate":1765577188000,"epoch_airdate_v2":"/Date(1765577188000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":765731928,"name":"The Human League","islocal":false},"release":{"releaseid":154962349,"name":"Dare / Love and Dancing","largeimageuri":"https://ia801203.us.archive.org/25/items/mbid-f405961e-0779-3b38-932d-e325dca86c99/mbid-f405961e-0779-3b38-932d-e325dca86c99-11004891931_thumb500.jpg","smallimageuri":"https://ia801203.us.archive.org/25/items/mbid-f405961e-0779-3b38-932d-e325dca86c99/mbid-f405961e-0779-3b38-932d-e325dca86c99-11004891931_thumb250.jpg"},"releaseevent":{"releaseeventid":1389065305,"year":2002},"track":{"trackid":285170151,"name":"Don't You Want Me"},"label":null,"comments":[{"commentid":143558217,"text":"The Human League’s lead singer, Phil Oakey, wrote “Don’t You Want Me” after reading a photo-story in a romance magazine for girls. Oakey originally recorded the song as a male solo—but after watching the 1976 musical drama A Star Is Born, he decided to make it a duet with one of The Human League's female vocalists, Susan Ann Sulley.\n---\nIn the UK, it was the best selling song of 1981. In 1982, Human League were nominated for the Grammy for Best New Artist, in great part due to the success of this song. In 2015, “Don’t You Want Me” was voted by the British public as the 7th greatest chart-topper of the 80s."}],"showid":65356},{"playid":3590175,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:02:46Z","epoch_airdate":1765576966000,"epoch_airdate_v2":"/Date(1765576966000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":683163459,"name":"Yves Tumor","islocal":false},"release":{"releaseid":1487439020,"name":"The Asymptotical World EP","largeimageuri":"https://ia804501.us.archive.org/31/items/mbid-ffee52e9-b1eb-4a2c-b594-9a75063e19f9/mbid-ffee52e9-b1eb-4a2c-b594-9a75063e19f9-29880007592_thumb500.jpg","smallimageuri":"https://ia904501.us.archive.org/31/items/mbid-ffee52e9-b1eb-4a2c-b594-9a75063e19f9/mbid-ffee52e9-b1eb-4a2c-b594-9a75063e19f9-29880007592_thumb250.jpg"},"releaseevent":{"releaseeventid":658351771,"year":2021},"track":{"trackid":1529658734,"name":"Secrecy Is Incredibly Important to the Both of Them"},"label":{"labelid":854936232,"name":"Warp"},"comments":[{"commentid":39408452,"text":"Yves Tumor will be performing a DJ set at The Crocodile on December 18th!\n---\n\"The visual is cinematic chaos: Yves takes on the roles of protagonist and antagonist as the clip exhibits equal amounts of action, blood, and glamour. One moment Yves is held captive, then bleeding and shooting at an unknown target in a dilapidated apartment. Later, they're lounging in a tanning bed, smoking cigarettes in loud makeup, thrashing in a night club, and in a car with some flashy and bizarre characters. It makes no sense and total sense at the same time—that's the powerful disorder of Yves Tumor.\": https://www.youtube.com/watch?v=FQMXhQCxvX0"}],"showid":65356},{"playid":3590173,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T22:00:58Z","epoch_airdate":1765576858000,"epoch_airdate_v2":"/Date(1765576858000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1837395780,"name":"SUX","islocal":true},"release":{"releaseid":847496367,"name":"Suxcess","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":1492720018,"name":"Party Girl"},"label":null,"comments":[{"commentid":649665376,"text":"https://suxmusic.bandcamp.com/album/suxcess\n\n\"With a musical style that can only be described as \"really good,\" SUX has captivated audiences worldwide. Revered for their relentless rock energy, they have earned a reputation as the best band in the world, leaving men trembling in fear. Their commitment to energy conservation is unwavering, always ensuring to turn the lights off when they depart any venue.\""}],"showid":65356},{"playid":3590171,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T21:56:53Z","epoch_airdate":1765576613000,"epoch_airdate_v2":"/Date(1765576613000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":899454865,"name":"Frankie and The Witch Fingers","islocal":false},"release":{"releaseid":2127598922,"name":"Trash Classic","largeimageuri":"https://ia800807.us.archive.org/16/items/mbid-2652e0f3-42ea-47e1-b7b7-36f55bd3a5ea/mbid-2652e0f3-42ea-47e1-b7b7-36f55bd3a5ea-41427111883_thumb500.jpg","smallimageuri":"https://ia800807.us.archive.org/16/items/mbid-2652e0f3-42ea-47e1-b7b7-36f55bd3a5ea/mbid-2652e0f3-42ea-47e1-b7b7-36f55bd3a5ea-41427111883_thumb250.jpg"},"releaseevent":{"releaseeventid":1450300868,"year":2025},"track":{"trackid":1559852960,"name":"T.V. Baby"},"label":{"labelid":1832991570,"name":"The Reverberation Appreciation Society, Greenway Records"},"comments":[{"commentid":1737377763,"text":"Shout Out Zac!\n---\nFrankie and The Witch Fingers performed live in KEXP's Gathering Space back in April. You can check out footage by following the link below -- on KEXP's YouTube channel:\n\nhttps://youtu.be/XmpvB8AxZ5c?si=eWSWyCaJXh9OUzqV\n---\nhttps://frankieandthewitchfingers.bandcamp.com/album/live-at-kexp"}],"showid":65356},{"playid":3590172,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-12-12T21:55:02Z","epoch_airdate":1765576502000,"epoch_airdate_v2":"/Date(1765576502000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65356},{"playid":3590170,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T21:49:39Z","epoch_airdate":1765576179000,"epoch_airdate_v2":"/Date(1765576179000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1112631097,"name":"Big Audio Dynamite","islocal":false},"release":{"releaseid":930723996,"name":"The Globe","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1147999850,"year":1991},"track":{"trackid":1932945582,"name":"Rush"},"label":{"labelid":157175815,"name":"Columbia"},"comments":[{"commentid":231292583,"text":"\"Yes, yes, delightful, delightful.”\n\nOne of the many samples in “Rush” and perhaps the most obvious one is Peter Sellers’ line above and the ensuing monologue on how “not everything’s singing” and on the importance of “rhythm and melody”. This bit leads into an extended bridge with a wicked sampled break beat and the keyboards from “Baba O’Riley”.\n\nEnjoy this tribute to \"Rush\": https://mylifeinmusiclists.ca/2019/04/23/best-tunes-of-1991-4-big-audio-dynamite-ii-rush/"}],"showid":65356},{"playid":3590169,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-12-12T21:45:55Z","epoch_airdate":1765575955000,"epoch_airdate_v2":"/Date(1765575955000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2064189248,"name":"Jesus Jones","islocal":false},"release":{"releaseid":1432996104,"name":"Doubt","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1147999850,"year":1991},"track":{"trackid":2082802740,"name":"Are You Satisfied?"},"label":{"labelid":545090158,"name":"SBK Records"},"comments":[{"commentid":592884891,"text":"Jesus Jones are a British alternative rock band from Bradford-on-Avon in Wiltshire, formed in late 1988, who continue to record and perform, as of 2025. \n---\nhttps://www.jesusjones.com/"}],"showid":65356}]}