{"next":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=60160","previous":"https://legacy-api.kexp.org/v1/play/?format=json&limit=20&offset=60120","results":[{"playid":3579022,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:46:42Z","epoch_airdate":1763336802000,"epoch_airdate_v2":"/Date(1763336802000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2017967632,"name":"The Replacements","islocal":false},"release":{"releaseid":1784850722,"name":"Let It Be","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":1563253717,"name":"I Will Dare"},"label":null,"comments":[{"commentid":1242811187,"text":"The Replacements' classic album Let It Be is getting a major Deluxe Edition reissue on November 21, 2025, featuring remastered tracks, unreleased studio outtakes, home demos, and a full, previously unheard live concert from the Cubby Bear in Chicago. This extensive release, available on 4LPs and 3CDs from Rhino Records, celebrates the album's legacy with bonus material from the 1984 era, including alternate versions and covers, with many retailers offering special events and listening parties around the release date. \n\nLet It Be (Deluxe Edition) will be available on 4LPs and 3CDs and includes the album alongside unreleased studio and live recordings.\n\nThe set gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of “Gary’s Got A Boner” and “Favorite Thing,” as well as previously unreleased outtakes \"Who’s Gonna Take Us Alive” and “Street Girl.” All five bonus tracks from 2008’s Let It Be (Expanded Edition) are included here, newly remastered for this set. \n\nThe collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album (\"I Will Dare\" and \"Unsatisfied\"), early favorites (\"Color Me Impressed\" and \"Takin’ A Ride\"), and characteristically offbeat covers \"Help Me Rhonda/Little G.T.O.\" (originally done by The Beach Boys/Ronny & The Daytonas) and “Can’t Get Enough” (Bad Company).\n\nLive at City Gardens is a six-song soundboard recording made February 11, 1984 at one of the band’s favorite punk clubs in Trenton, NJ.\n\nOne highlight is a rare performance of the ballad \"You’re Getting Married,\" a birthday request from the band’s original manager and Twin/Tone co-founder Peter Jesperson, who co-produced the 1984 album, as well as this Deluxe Edition. Westerberg altered the lyrics mid-song, delivering them to a punk crowd Jesperson feared \"might eat him alive\"—but didn’t. \"In all of The Replacements’ lore,\" he says, \"I think this is one of the greatest moments ever.\" https://tinyurl.com/ytfnmm87"}],"showid":65128},{"playid":3579021,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-16T23:41:21Z","epoch_airdate":1763336481000,"epoch_airdate_v2":"/Date(1763336481000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579020,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:36:32Z","epoch_airdate":1763336192000,"epoch_airdate_v2":"/Date(1763336192000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2088833627,"name":"The Jimi Hendrix Experience","islocal":false},"release":{"releaseid":1626700069,"name":"Electric Ladyland","largeimageuri":"https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-500.jpg","smallimageuri":"https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-250.jpg"},"releaseevent":{"releaseeventid":249853819,"year":1968},"track":{"trackid":2690318,"name":"Voodoo Child"},"label":{"labelid":1550158415,"name":"Purple Haze Records"},"comments":[{"commentid":913841815,"text":"On this day in 1968, The Jimi Hendrix Experience had the No.1 album in the U.S. with their third and final studio album, Electric Ladyland.  A double album, it was the only record from the Experience with production solely credited to Hendrix. It was the band's most commercially successful release, and its only number one album.\n\nHendrix was famous for his studio perfectionism; he and drummer Mitch Mitchell recorded over 50 takes of \"Gypsy Eyes\" over three sessions.  He was insecure about his voice and often recorded his vocals hidden behind studio screens, and sang backing vocals himself on the title track and on \"Long Hot Summer Night.\" As recording progressed, producer Chas Chandler became frustrated with Hendrix's perfectionism and demands for repeated takes.\n\nHendrix allowed friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix. Bassist Noel Redding recalled: \"There were tons of people in the studio; you couldn't move. It was a party, not a session.\" https://tinyurl.com/3r7mtms6"}],"showid":65128},{"playid":3579019,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:31:38Z","epoch_airdate":1763335898000,"epoch_airdate_v2":"/Date(1763335898000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1894420260,"name":"Cocteau Twins","islocal":false},"release":{"releaseid":608221789,"name":"Tiny Dynamine","largeimageuri":"https://ia904503.us.archive.org/24/items/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a-7946212058_thumb500.jpg","smallimageuri":"https://ia904503.us.archive.org/24/items/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a/mbid-54c8f9e0-78ba-4083-b2fa-557af3cbeb5a-7946212058_thumb250.jpg"},"releaseevent":{"releaseeventid":997510191,"year":1985},"track":{"trackid":1336493540,"name":"Pink Orange Red"},"label":{"labelid":1620767689,"name":"4AD"},"comments":[{"commentid":372754457,"text":"Released \"yesterday\" (November 15th) in 1985!\n\nSimon Raymond confides, \"\"I don't really think of us as songwriters. In the traditional sense, they're not songs at all. Songwriters, to me, mean people who sit down with an acoustic guitar and piano, methodically working out the right chords, what words go with these chords, fitting it all in.\n\n\"We don't work like that. It's usually, turn the tape recorder on and hopefully, in ten minutes, we have something. Then Liz will come down, listen, and sing. It's not like songwriting, it's music.\" https://tinyurl.com/mr2tt8x4"}],"showid":65128},{"playid":3579017,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:28:15Z","epoch_airdate":1763335695000,"epoch_airdate_v2":"/Date(1763335695000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1495128265,"name":"Jay Som feat. Jim Adkins","islocal":false},"release":{"releaseid":787441809,"name":"Belong","largeimageuri":"https://dn710009.ca.archive.org/0/items/mbid-29667075-9351-419e-b9be-f6f608cebf98/mbid-29667075-9351-419e-b9be-f6f608cebf98-42454738066_thumb500.jpg","smallimageuri":"https://dn710009.ca.archive.org/0/items/mbid-29667075-9351-419e-b9be-f6f608cebf98/mbid-29667075-9351-419e-b9be-f6f608cebf98-42454738066_thumb250.jpg"},"releaseevent":{"releaseeventid":671660164,"year":2025},"track":{"trackid":1815685733,"name":"Float"},"label":{"labelid":210762960,"name":"Polyvinyl"},"comments":[{"commentid":2098112768,"text":"On this track, Jay Som (a.k.a. songwriter and producer Melina Duterte) worked with Jim Adkins of Jimmy Eat World, while other guests on Duterte’s first project in six years include Hayley Williams and Mini Trees’ Lexi Vega.\n\nOf \"Float,\" Duterte reveals, \"This song is about desperately trying to hold on to past versions of yourself for self preservation. The fear of the unknown is so overwhelming that sometimes the best solution is to sit with it instead of fighting or running from it.\"\n\nAdkins adds, \"Melina is an absolute professional in all aspects of music creation. I am honored she had space in her vision for me to contribute. And it was a lot of fun to work on!\" https://tinyurl.com/mt2489cy"}],"showid":65128},{"playid":3579016,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:25:11Z","epoch_airdate":1763335511000,"epoch_airdate_v2":"/Date(1763335511000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1806677049,"name":"Francis of Delirium","islocal":false},"release":{"releaseid":1767352883,"name":"Little Black Dress","largeimageuri":"https://dn720701.ca.archive.org/0/items/mbid-d9cda5a3-95cf-4523-98f7-28cf4a0a5092/mbid-d9cda5a3-95cf-4523-98f7-28cf4a0a5092-43128457989_thumb500.jpg","smallimageuri":"https://dn720701.ca.archive.org/0/items/mbid-d9cda5a3-95cf-4523-98f7-28cf4a0a5092/mbid-d9cda5a3-95cf-4523-98f7-28cf4a0a5092-43128457989_thumb250.jpg"},"releaseevent":{"releaseeventid":1979065251,"year":2025},"track":{"trackid":1326373003,"name":"Little Black Dress"},"label":{"labelid":399065062,"name":"Dalliance Recordings"},"comments":[{"commentid":1006756301,"text":"Jana Bahrich, aka Francis of Delirium, grew up in Luxembourg, where she played French horn as a child and rented a banjo so she could learn to play \"Foggy Mountain Breakdown.\"\n\nBahrich was musically influenced by the instrumentation of Sufjan Stevens and the vocals and energy of Pearl Jam, and describes this single, the first new music in 18 months as a snapshot of the chaos and thrill of life on the road.\n\n\"It’s about the rush of getting ready, the hope and hunger for something unforgettable, and the inevitable letdown that follows,\" she explains.\n\nDon't miss her live performance in the KEXP studio last year: https://youtu.be/GSIUzfj6SoA"}],"showid":65128},{"playid":3579015,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-16T23:17:51Z","epoch_airdate":1763335071000,"epoch_airdate_v2":"/Date(1763335071000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65128},{"playid":3579014,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:14:18Z","epoch_airdate":1763334858000,"epoch_airdate_v2":"/Date(1763334858000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1085143399,"name":"Robyn","islocal":false},"release":{"releaseid":1044954768,"name":"Dopamine","largeimageuri":"https://dn721807.ca.archive.org/0/items/mbid-42089278-2071-4f38-99ce-bed9ff3c09e0/mbid-42089278-2071-4f38-99ce-bed9ff3c09e0-43526013016_thumb500.jpg","smallimageuri":"https://dn721807.ca.archive.org/0/items/mbid-42089278-2071-4f38-99ce-bed9ff3c09e0/mbid-42089278-2071-4f38-99ce-bed9ff3c09e0-43526013016_thumb250.jpg"},"releaseevent":{"releaseeventid":1418079309,"year":2025},"track":{"trackid":1869834835,"name":"Dopamine"},"label":{"labelid":223713757,"name":"Konichiwa Records"},"comments":[{"commentid":1010819639,"text":"Of this track, Robyn notes, \"Everyone has a phone where they see their heart rate, and we’re learning how to decode our emotions through the hormones and chemical substances in our bodies.\n\n\"It’s almost like we don’t even accept that we’re human anymore, like we’re trying to shoot ourselves out of it and explain every single thing—which I think is great, but that’s also why the world is shit, this idea that you can figure out and win life or something.\n\n\"The doubleness of 'Dopamine' is having an emotion that is super real, super strong, intense, enjoyable or painful, and at the same time knowing that this is just a biological process in my body—and then not to choose religion or science. To just accept that they’re there together and to be able to go in between.\" https://tinyurl.com/4x9n4wvx"}],"showid":65128},{"playid":3579012,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:11:20Z","epoch_airdate":1763334680000,"epoch_airdate_v2":"/Date(1763334680000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1672812527,"name":"Katie McBride","islocal":false},"release":{"releaseid":1316720215,"name":"RHODO","largeimageuri":"https://dn710203.ca.archive.org/0/items/mbid-d110ef8e-af23-4770-93e8-30a0a02aaa17/mbid-d110ef8e-af23-4770-93e8-30a0a02aaa17-43310940608_thumb500.jpg","smallimageuri":"https://dn710203.ca.archive.org/0/items/mbid-d110ef8e-af23-4770-93e8-30a0a02aaa17/mbid-d110ef8e-af23-4770-93e8-30a0a02aaa17-43310940608_thumb250.jpg"},"releaseevent":{"releaseeventid":671660164,"year":2025},"track":{"trackid":42925348,"name":"No Performer"},"label":{"labelid":1244638940,"name":"Blue Water Records"},"comments":[{"commentid":1068447870,"text":"Of this album, the Toronto-based producer, singer, and songwriter Katie McBride reveals, \"RHODO comes from the Greek word for 'rose.' It’s a tale of transformation and self-integration — the union of shadow and light. Transformation not just endured, but exalted.\" https://tinyurl.com/bdzrxpdp\n\nMcBride’s biography as an artist began as a trumpeter – picking up the instrument in 5th grade band class and eventually attending Humber College, where she studied jazz and composition.\n\nAfter graduation, she turned to writing and recording music for herself. She soon became obsessed with Ableton, finding it to be an instrument without limitations, and her passion for digital creation bloomed, eventually branching into photography, video, and artwork. https://tinyurl.com/yc8kpmca"}],"showid":65128},{"playid":3579011,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:07:12Z","epoch_airdate":1763334432000,"epoch_airdate_v2":"/Date(1763334432000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1089870028,"name":"Avalon Emerson & the Charm","islocal":false},"release":{"releaseid":1487389496,"name":"Eden","largeimageuri":"https://dn721806.ca.archive.org/0/items/mbid-0b17b44d-36da-44c6-8e16-99c2a8483c2a/mbid-0b17b44d-36da-44c6-8e16-99c2a8483c2a-43553454786_thumb500.jpg","smallimageuri":"https://dn721806.ca.archive.org/0/items/mbid-0b17b44d-36da-44c6-8e16-99c2a8483c2a/mbid-0b17b44d-36da-44c6-8e16-99c2a8483c2a-43553454786_thumb250.jpg"},"releaseevent":{"releaseeventid":389786042,"year":2025},"track":{"trackid":1080936105,"name":"Eden"},"label":{"labelid":1784857366,"name":"Dead Oceans"},"comments":[{"commentid":332872176,"text":"Hailing from upstate New York, DJ and producer Avalon Emerson shares, that \"'Eden' is the voyage along the endless river carved between mountains of joy and loss, of experience and exhaustion. We glide over a teeming riverbed of relationships and love, revealing the path itself is the point.\n\n\"'Eden' came from the first studio session I had with Bullion after the last '& the Charm' live tour in late 2023. That day in London made me realize that making this kind of music is not just a detour from DJing and dance music, but the entrance to a deep cave, full of passages to wander.\" https://tinyurl.com/yjxyxxs9"}],"showid":65128},{"playid":3579007,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-16T23:00:33Z","epoch_airdate":1763334033000,"epoch_airdate_v2":"/Date(1763334033000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1827482299,"name":"Aphex Twin","islocal":false},"release":{"releaseid":530879017,"name":"On","largeimageuri":"https://ia802900.us.archive.org/23/items/mbid-fd93116d-f846-40e1-b54d-9ec1a1e18ebd/mbid-fd93116d-f846-40e1-b54d-9ec1a1e18ebd-21129412728_thumb500.jpg","smallimageuri":"https://ia902900.us.archive.org/23/items/mbid-fd93116d-f846-40e1-b54d-9ec1a1e18ebd/mbid-fd93116d-f846-40e1-b54d-9ec1a1e18ebd-21129412728_thumb250.jpg"},"releaseevent":{"releaseeventid":151413116,"year":1994},"track":{"trackid":1209241396,"name":"On"},"label":{"labelid":189475858,"name":"Sire Records"},"comments":[{"commentid":243462531,"text":"Released yesterday (November 15th) in 1993!\n\nBorn in Limerick, Ireland and raised in Cornwall, Aphex Twin is the alias of Richard James, an electronic musician known for his unique music and often off-beat personality.\n\nWidely influential, he pioneered such genres as Ambient and Drill'n'Bass.\n\nFor James, music and electronics went hand in hand. At the age of 11 he won £50 in a competition for writing a programme to make sound on a ZX81 computer.  An early inspiration was the sound of his ZX Spectrum computer, particularly when loading games. \"It's more extreme than any extreme noise music,\" said James. \"I always wanted to make my music sound like a game. A danceable version of a Spectrum game.\"\n\nHe was sent to a psychologist at the age of 13 because of his misbehavior at school. \"I was well into setting fire to things and got done by the police loads.\"\n\nJames is a gifted computer hacker, for which he was once suspended from school. If he hadn't made it in music, he thinks he would be in jail for hacking. 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