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Matthews has worked with various musicians, including Bonnie Raitt, Buddy Rich, Idris Muhammad, and the Starland Vocal Band. He was staff arranger for Creed Taylor's CTI Records label during the mid-1970s, working on albums for artists such as George Benson, Esther Phillips, Grover Washington Jr., Hank Crawford, and Idris Muhammad.\n\nIn 1977, he became one of the first artists to dedicate an entire composition to Frank Herbert's Dune, publishing an album that went by the same name.\nIn 1978, Matthews arranged strings and orchestra and played piano on Nina Simone's album Baltimore.\n\nMatthews music has been heavily sampled by many hip-hop artists such as The Notorious B.I.G., Nas, MF DOOM, Method Man, Redman and Large Professor and others."}],"showid":65067},{"playid":3576115,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T02:24:47Z","epoch_airdate":1762741487000,"epoch_airdate_v2":"/Date(1762741487000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1192396394,"name":"General Lee And The Space Army Band","islocal":false},"release":{"releaseid":1058380172,"name":"Jazz Bizniz 3","largeimageuri":"https://coverartarchive.org/release/e43ec8b5-52b3-48c1-986c-97dafe45f981/36593490645-500.jpg","smallimageuri":"https://coverartarchive.org/release/e43ec8b5-52b3-48c1-986c-97dafe45f981/36593490645-250.jpg"},"releaseevent":{"releaseeventid":1568729616,"year":2003},"track":{"trackid":175712401,"name":"We Did it Baby (Part 1)"},"label":{"labelid":1017977038,"name":"Counterpoint Records"},"comments":[{"commentid":1352053865,"text":"Soul singer from Gary, Indiana, General Lee And The Space Army Band originally released \"We Did It Baby\" in 1979 with the  Lost Weekend label, but you can find the track on the 2003 compilation album Jazz Bizniz 3."}],"showid":65067},{"playid":3576114,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T02:20:52Z","epoch_airdate":1762741252000,"epoch_airdate_v2":"/Date(1762741252000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2043692207,"name":"Kalima","islocal":false},"release":{"releaseid":1287428666,"name":"(Where Is the) Sunshine","largeimageuri":"https://coverartarchive.org/release/164a6c6d-c810-46e0-8c45-97477a34cceb/20629194821-500.jpg","smallimageuri":"https://coverartarchive.org/release/164a6c6d-c810-46e0-8c45-97477a34cceb/20629194821-250.jpg"},"releaseevent":{"releaseeventid":642929858,"year":1981},"track":{"trackid":699204412,"name":"(Where Is the) Sunshine, Part I"},"label":{"labelid":958770744,"name":"Olive Tree Records"},"comments":[{"commentid":1189479666,"text":"Baltimore, MD soul group Kalima released the two-parter \"(Where Is The) Sunshine\" in 1981 with Olive Tree Records."}],"showid":65067},{"playid":3576113,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2025-11-10T02:17:45Z","epoch_airdate":1762741065000,"epoch_airdate_v2":"/Date(1762741065000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":65067},{"playid":3576112,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T02:13:09Z","epoch_airdate":1762740789000,"epoch_airdate_v2":"/Date(1762740789000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":382634835,"name":"Rim Kwaku Obeng","islocal":false},"release":{"releaseid":1794264355,"name":"Rim Arrives","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1506133058,"year":1980},"track":{"trackid":169377864,"name":"Brushing Means Making Love"},"label":{"labelid":1938308172,"name":"Rising Times Records"},"comments":[{"commentid":527146655,"text":"Ghanaian multi-percussionist Rim Kwaku Obeng released \"Brushing Means Making Love\" on the 1980 LP Rim Arrives.\n\nWhile recording with Ghana's Uhuru Dance Band in Los Angeles, he caught the attention of production maestro Quincy Jones who invited the artist to play in his band. A series of setbacks induced by threats from a fellow bandmate of a lawsuit if Rim were to work with Quincy led to a sorely missed opportunity and soon his bandmates abandoned him in LA, leaving him stranded and without resources for 6 months. The musician's break finally came when he was given the opportunity to record his debut album in San Francisco. Rim Arrives is a dance-worthy blend of funk, disco and afrobeat hoisted by catchy call-and-response lyrics, reminiscent of Fela Kuti's trademarked sound."}],"showid":65067},{"playid":3576111,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T02:08:23Z","epoch_airdate":1762740503000,"epoch_airdate_v2":"/Date(1762740503000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":355525972,"name":"Nature's Divine","islocal":false},"release":{"releaseid":1684991682,"name":"In The Beginning","largeimageuri":"https://coverartarchive.org/release/f57b2092-5931-4a76-9347-3febed2d937b/34650903502-500.jpg","smallimageuri":"https://coverartarchive.org/release/f57b2092-5931-4a76-9347-3febed2d937b/34650903502-250.jpg"},"releaseevent":{"releaseeventid":1393961512,"year":1979},"track":{"trackid":1489394974,"name":"I Never Felt This Way Before"},"label":{"labelid":951461606,"name":"Infinity Records"},"comments":[{"commentid":241578022,"text":"Detroit, Michigan group Nature's Divine released \"I Never Felt This Way Before\" on the 1979 LP, In The Beginning, their only studio album.\n\nLed by Michael Stokes, members of Nature's Divine were: Charles Green, Charles Woods, Duane Mitchell, Keith Fondren, Lynn Smith, Mark Mitchell, Marvin Jones, Opelton Parker, Robert Johnson, and Robert William Carter."}],"showid":65067},{"playid":3576110,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T02:04:48Z","epoch_airdate":1762740288000,"epoch_airdate_v2":"/Date(1762740288000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2133532956,"name":"Stonewall","islocal":false},"release":{"releaseid":2045174081,"name":"7\" 45 RPM","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1506133058,"year":1980},"track":{"trackid":2115970731,"name":"Party Time In The Gas Line"},"label":{"labelid":1352944498,"name":"Love Capp Records"},"comments":[{"commentid":620657352,"text":"Stonewall released \"Party Time In The Gas Line\" and b-side \"Independent Lady\" in 1980 with Love Capp Records."}],"showid":65067},{"playid":3576109,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:56:39Z","epoch_airdate":1762739799000,"epoch_airdate_v2":"/Date(1762739799000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":{"trackid":998252873,"name":"In interview with Simon Raymonde"},"label":null,"comments":[{"commentid":751081418,"text":"Simon Raymonde is an English musician and record producer, widely recognized as the bassist and keyboardist for the influential dream-pop band Cocteau Twins from 1983 to 1997.\n\nFollowing the band's dissolution, he established the globally renowned independent record label Bella Union, which has discovered and launched the careers of artists such as Fleet Foxes, Beach House, and Father John Misty. \n\nRaymonde is also a member of the current musical project Lost Horizons and published a memoir, In One Ear, in 2024."}],"showid":65066},{"playid":3576108,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:52:39Z","epoch_airdate":1762739559000,"epoch_airdate_v2":"/Date(1762739559000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":269442198,"name":"The Wave Pictures","islocal":false},"release":{"releaseid":827290767,"name":"Gained / Lost","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":732353502,"year":2026},"track":{"trackid":1014800067,"name":"Alice"},"label":{"labelid":1814703166,"name":"Bella Union"},"comments":[{"commentid":753852957,"text":"A welcome return by the British indie trio with a soaring, smart, dream-filled number with notes of 60s garage rock, classic 70s rock and 90s US indie, lyrically and inspired by the writings of William Burroughs, and heralding their upcoming album Gained / Lost, due out 27 February 2026 via Bella Union.\n\nThe band explains, \"This song was influenced by the book My Education: A Book Of Dreams by William Burroughs, which is a kind of dream journal, but written in clean, almost hardboiled prose. Alice takes place in a dreamworld. Burroughs might have called this world The Land of the Dead. There is a promise of ice cream in a world between life and death, a kind of holding station. Everybody’s spirit returns to the universe.\n\n\"If this was a movie it would be directed by David Lynch, and it would be black and white. Musically, the song has the kind of open-hearted optimism of a Daniel Johnston or Buddy Holly. There’s a multicoloured joy to the music, and a black and white strangeness to the lyrics.\" https://tinyurl.com/4wfnuwvy"}],"showid":65066},{"playid":3576107,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:49:08Z","epoch_airdate":1762739348000,"epoch_airdate_v2":"/Date(1762739348000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":{"trackid":998252873,"name":"In interview with Simon Raymonde"},"label":null,"comments":[{"commentid":751081418,"text":"Simon Raymonde is an English musician and record producer, widely recognized as the bassist and keyboardist for the influential dream-pop band Cocteau Twins from 1983 to 1997.\n\nFollowing the band's dissolution, he established the globally renowned independent record label Bella Union, which has discovered and launched the careers of artists such as Fleet Foxes, Beach House, and Father John Misty. \n\nRaymonde is also a member of the current musical project Lost Horizons and published a memoir, In One Ear, in 2024."}],"showid":65066},{"playid":3576106,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:42:24Z","epoch_airdate":1762738944000,"epoch_airdate_v2":"/Date(1762738944000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1894420260,"name":"Cocteau Twins","islocal":false},"release":{"releaseid":513810050,"name":"Treasure","largeimageuri":"https://ia801502.us.archive.org/2/items/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51-33438919398_thumb500.jpg","smallimageuri":"https://dn710204.ca.archive.org/0/items/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51-33438919398_thumb250.jpg"},"releaseevent":{"releaseeventid":248539587,"year":1993},"track":{"trackid":378381034,"name":"Lorelei"},"label":{"labelid":893554776,"name":"Capitol Records"},"comments":[{"commentid":1328542817,"text":"Simon Raymonde shares the tale where, while soundchecking this song on BBC's venerable Old Grey Whistle programme, he and Robin Guthrie swapped instruments on a lark while playing through this song. \n\nAs soon as they finished, the producer announced that their take was perfect. Unbeknownst to the band, the BBC were recording the run-through, and refused to re-record the song.  After an enormous row, the Cocteau Twins did not reappear on the BBC for at least another eight years.\n\nYou can catch that very impromptu, off-the-cuff performance here: https://tinyurl.com/hfpetxw7"}],"showid":65066},{"playid":3576105,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:32:26Z","epoch_airdate":1762738346000,"epoch_airdate_v2":"/Date(1762738346000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":{"trackid":998252873,"name":"In interview with Simon Raymonde"},"label":null,"comments":[{"commentid":751081418,"text":"Simon Raymonde is an English musician and record producer, widely recognized as the bassist and keyboardist for the influential dream-pop band Cocteau Twins from 1983 to 1997.\n\nFollowing the band's dissolution, he established the globally renowned independent record label Bella Union, which has discovered and launched the careers of artists such as Fleet Foxes, Beach House, and Father John Misty. \n\nRaymonde is also a member of the current musical project Lost Horizons and published a memoir, In One Ear, in 2024."}],"showid":65066},{"playid":3576103,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:26:16Z","epoch_airdate":1762737976000,"epoch_airdate_v2":"/Date(1762737976000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":330043484,"name":"Linton Kwesi Johnson","islocal":false},"release":{"releaseid":1963973830,"name":"Bass Culture","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":201312342,"year":1980},"track":{"trackid":1525816995,"name":"Inglan Is a Bitch"},"label":{"labelid":1606472426,"name":"Island"},"comments":[{"commentid":656386313,"text":"Linton Kwesi Johnson is a renowned Jamaican poet living in London, who creates a unique genre of performance poetry recognised as dub-poetry which grew from the rhythm’s used in reggae music in the 1970’s.\n\nOne of Johnsons most recognised poems is Inglan is a bitch. \"Inglan is a bitch is another classic piece of performance poetry which focuses on the struggles of an immigrant living in London. Johnson moved to London to live in Brixton in 1965. On moving to London he has said that is was cold and ugly and that‘it wasn’t the picture book idea one has of the mother country.\" https://tinyurl.com/4v5vu5uc\n\nAnother life lesson from Simon Raymonde: \"Stick around, talk to people, and be humble. My parents taught me to have humility, and I think that’s really important. You have to be humble, or you’re never going to get anywhere.\" https://tinyurl.com/y5ecd4sv"}],"showid":65066},{"playid":3576102,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:20:38Z","epoch_airdate":1762737638000,"epoch_airdate_v2":"/Date(1762737638000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1640266718,"name":"A Certain Ratio","islocal":false},"release":{"releaseid":1270280242,"name":"The Graveyard and the Ballroom","largeimageuri":"https://coverartarchive.org/release/8e04cb36-d2a4-46bf-b44b-da51126c2488/3313673725-500.jpg","smallimageuri":"https://coverartarchive.org/release/8e04cb36-d2a4-46bf-b44b-da51126c2488/3313673725-250.jpg"},"releaseevent":{"releaseeventid":1506133058,"year":1980},"track":{"trackid":257009056,"name":"Flight"},"label":{"labelid":1606472426,"name":"Island"},"comments":[{"commentid":1152030718,"text":"12\" single\n\nFor Clash Music, Simon Raymonde shares some fabulous life advice, including, \"The key to it all is just being thoroughly bloody-minded.\n\n\"Persevere and don’t give up. No matter what anybody tells you, if you want to do it that badly, then you’ll do it. You’ve got to have thick skin; you’ve got to be able to go out on tour, and play to three people in the middle of nowhere. We’ve all been through that. Just approach it with humour. Of course, we all want a million people to turn up. But the trick is, no matter how many knocks you get, are you still going to get up in the morning and write a song?\n\n\"You’ve got to keep going. You will get better the more you do anything. It’s like being an athlete; the more you practise, the more your muscles will get tighter and your body becomes more resilient. You’ll make it, if you get a bit of luck. Now, luck shouldn’t play a massive part in the music business – way more than it should – but it does, and that’s a fact.\" https://tinyurl.com/y5ecd4sv"}],"showid":65066},{"playid":3576101,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:12:43Z","epoch_airdate":1762737163000,"epoch_airdate_v2":"/Date(1762737163000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":{"trackid":998252873,"name":"In interview with Simon Raymonde"},"label":null,"comments":[{"commentid":751081418,"text":"Simon Raymonde is an English musician and record producer, widely recognized as the bassist and keyboardist for the influential dream-pop band Cocteau Twins from 1983 to 1997.\n\nFollowing the band's dissolution, he established the globally renowned independent record label Bella Union, which has discovered and launched the careers of artists such as Fleet Foxes, Beach House, and Father John Misty. \n\nRaymonde is also a member of the current musical project Lost Horizons and published a memoir, In One Ear, in 2024."}],"showid":65066},{"playid":3576100,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:07:40Z","epoch_airdate":1762736860000,"epoch_airdate_v2":"/Date(1762736860000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":442576729,"name":"Associates","islocal":false},"release":{"releaseid":1597423205,"name":"Fourth Drawer Down","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1295928364,"year":1981},"track":{"trackid":927874522,"name":"White Car in Germany"},"label":{"labelid":832959846,"name":"Situation Two"},"comments":[{"commentid":692854149,"text":"Formed by Billy Mackenzie and Alan Rankine between Edinburgh and Dundee in 1979, the Associates were genius architects of magical, muscular outsider anthems; a febrile cocktail of sex, drugs, chaos, breathtaking good looks and rampant creativity. For a fleeting period in 1982, they kissed the sky with three hit singles. https://tinyurl.com/33nfxbwe\n\nSimon Raymonde confides, \"My first job was working at the Beggars Banquet record shop in South Kensington. Billy MacKenzie would ask me to walk his dogs for him while he was having his meetings with the label upstairs. So I already had a deeper connection with The Associates before Sulk came out. It’s one of the best-sounding records ever. I used to listen to it and think, ‘How did they do that? What instruments are they?’ It does sound like it’s from another universe.\n\n\"After Billy died, I got a call to ask if I’d be interested in co-producing the unfinished tracks that Billy had left behind. It was obviously very sad working on songs by someone who’s not there anymore, who you’ve idolised for twenty years. But it was a massive privilege.\" https://tinyurl.com/3f97et98"}],"showid":65066},{"playid":3576099,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2025-11-10T01:02:43Z","epoch_airdate":1762736563000,"epoch_airdate_v2":"/Date(1762736563000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":{"trackid":998252873,"name":"In interview with Simon Raymonde"},"label":null,"comments":[{"commentid":751081418,"text":"Simon Raymonde is an English musician and record producer, widely recognized as the bassist and keyboardist for the influential dream-pop band Cocteau Twins from 1983 to 1997.\n\nFollowing the band's dissolution, he established the globally renowned independent record label Bella Union, which has discovered and launched the careers of artists such as Fleet Foxes, Beach House, and Father John Misty. \n\nRaymonde is also a member of the current musical project Lost Horizons and published a memoir, In One Ear, in 2024."}],"showid":65066}]}